Pastoral Cityscapes

Serene landscapes featuring waterways, historical architecture, and leisurely activities, capturing the essence of 17th to 19th-century life.

View of the Castle of Wijk at Duurstede; Jan van Goyen, Dutch, 1596 - 1656; 1649; Oil on panel; Unframed: 52.4 x 73.8 cm (20 5/8 x 29 1/16 in.), Framed outer dim: 69.9 x 91.4 x 5.7 cm (27 1/2 x 36 x 2 1/4 in.)

Ludolf Bakhuizen (or Backhuysen) (December 28, 1630 - November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672.

William James Muller, 1812-1845, British, Tripoli, ca. 1834. Watercolor, graphite, and gouache on medium, slightly textured, beige wove paper.

Soldan-Brofeldt, Venny, work, Poika, red chalk, drawing, 10.6 cm x 9.4 cm

St. Martins in the Field from Trafalgar Square. Alexander Jamieson (1873-1937). Oil on canvas. Dated 1888. 68.5 x 56cm

Albert Rieger (1832-1905). View of the Suez Canal. Oil on canvas, 127x180 cm.

Jan Bikkers, Oosterkade with the far left the Rijksentrepot, Rotterdam, cityscape painting visual material paper oil painting, cityscape topography Rotterdam Stadscentrum Stadsdriehoek Oosterkade

Watercolor, ink, and feather painting depicting a fire in an ancient round building on water, surrounded by classical buildings, victory columns, and manned boats.

Taormina. Carl Rottmann (1797-1850). Oil on canvas. 81.2 x 122cm.

Attributed to Claude-Louis Chatelet (allocated to). "Illumination of Place Louis XV on the occasion of the birth of the dolphin in October 1781". Oil on canvas. Paris, Carnavalet museum. 27102-5 District VIII, Concorde Place, Dauphin, Fete, Lumiere, Birth, Place Louis XV, VIIIEME 8EME 8, Oil on canvas, Illumination

View of Rome, c. 1782-1784. Pierre Henri de Valenciennes (French, 1750-1819). Oil on paper, mounted on board; framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in.).

John Whessell, 1760-ca. 1823, British, A Boat Race on the River Isis, Oxford, 1822. Oil on canvas.

Ship Building, William Callow, 1812-1908, British, active in France, 1841, Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 8 9/16 x 13 3/8 inches (21.7 x 34 cm), beach, boats, building, construction, ladder, landscape, light, marine art, oars, scaffolding, ship, shore (landform)

L'Arc de Triomphe', c1740-1807. Artist: Pierre Antoine de Machy. Pierre-Antoine Demachy(1723-1807) was a French artist who specialized in painting ruins, Trompe-l'oeil architectural decorations and imaginative scenes of Paris.

John Varley, 1778-1842, British, Linlithgow Palace, undated. Watercolor on moderately thick, moderately textured, cream laid paper.

Francesco Guardi, San Giorgio Maggiore, c. 1780, oil on panel.

Jan Brueghel 'el Viejo' / 'The Archdukes Isabella Clara Eugenia and Alberto at the Tervuren Palace in Brussels', ca. 1621, Flemish School, Oil on canvas, 126 cm x 153 cm, P01453. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Jan Weissenbruch, Timber rafts in the Zalmhaven, Rotterdam, cityscape painting footage wood oil gold gypsum, Painting landscape format. View of the Zalmhaven with wood rafts panel bottom right signature: J Weissenbruch f 49 cityscape topography Rotterdam City Triangle wood raft float Rhine Maas Zalmhaven

Old ruin by Hubert Robert, oil on canvas, 1780s, 1733-1808, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 38x55

Distant view with Cottages along a Road by Philips Koninck (1619-1688) oil on canvas, 1655. A few dunes provide the only relief in this otherwise sweeping landscape stretching out under a vast sky. Koninck specialized in flat landscapes, which he built up with countless dots, like the knots in a tapestry. His palette and loose painting style reveal the influence of Rembrandt. The three cottages at the left are based on an etching by Rembrandt from 1650.

Die Peterskirche von Süden her. Date/Period: 1819. Watercolor painting. Watercolor. Height: 22.8 cm (8.9 in); Width: 36.8 cm (14.4 in). Author: J. M. W. Turner.

Fight by Kerstiaen de Keuninck, Oil on wood, 16th century, 17th century, circa 1560-1633, Russia, Poltava, Regional Art Museum, 73, 5x104

Millbank. Date/Period: Ca. 1810. Painting. Watercolor. Height: 292 mm (11.49 in); Width: 540 mm (21.25 in). Author: David Cox.

Félix François-Georges-Philibert Ziem, Venise Le Grand Canal, oil on cardboard, Museo Nacional de Bellas Artes (MNBA), Buenos Aires, Republic of Argentina.

Inauguration of the monument erected in Venice in memory of Daniele Manin, by Giacomo Favretto (1849-1887). Unification era, Italy, 19th century.

View of the Palais des Tuileries in Paris seen from the Jardin des Tuileries, Jacques Rigaud, c. 1691 - After 1753 print Walking in the garden and sitting groups of figures. Paris paper. cardboard. watercolor (paint) etching / brush palace. garden. garden fountain. ornamental plants Tuilerieënpaleis. Tuileries garden

Market Scene in an Imaginary Oriental Port; Jean-Baptiste Pillement (French, 1728 - 1808); France; about 1764; Oil on canvas; 50.8 × 74.6 cm (20 × 29 3,8 in.)

DOMINGUEZ BECQUER, JOAQUIN PINTOR ESPAÑOL. SEVILLA 1817-1879 " LA MAESTRANZA EN SEVILLA " TAUROMAQUIA SEVILLA PINTADO.

Summer Night on the Neva by Bogolyubov, Alexei Petrovich (1824-1896) State Tretyakov Gallery, Moscow 1875 Oil on canvas 48x73,5 Russia Realism Landscape Painting

The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers. Date/Period: Ca. 1824. Painting. Oil on canvas. Height: 230 mm (9.05 in); Width: 335 mm (13.18 in). Author: John Constable.

Purchase (provenance)

Andrej Nicolaevic Rakovic (1815-1866). View of Kazan, 1846. Details: The market. Oil on canvas, 110.7x88.7 cm.

Sir Robert Smirke the younger, 1781-1867, British, Valtetsi, Greece, 1802-1804. Brown wash and graphite on moderately thick, moderately textured, beige, wove paper.

Caernarvon Castle Signed in black paint, lower center: "J ... Farrington", Joseph Farington, 1747-1821, British

Juan Ruiz / 'Vista de Chiaia (Nápoles)', Middle 18th century, Italian School, Oil on canvas, 52 cm x 155 cm, P03836. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Western Ramparts at Aigues-Mortes. Dated: 1867. Dimensions: overall: 60 x 100 cm (23 5/8 x 39 3/8 in.) framed: 78.7 x 116.2 x 7 cm (31 x 45 3/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Frederic Bazille.

View Of The Nieuwemarkt, Amsterdam Compe, Jan Ten(1713-1761 Dutch) Oil On Wood Panel Cummer Museum of Art & Gardens, Jacksonville, FL

A Windmill, Etretat oil on wood, by Jean-Baptiste Camille Corot (1796-1875) French artist, leading painter of the Barbizon School. Etretat, Normandy, France.

John Brett, Florence from Bellosguardo, 1863,oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.

Historisches Palästina, Säule, an der das Urteil über unseren Erlöser befestigt war, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem frühen 19. Jahrhundert, Aufnahmedatum unbekannt / Historical Palestine, Pillar to which was affixed the sentence passed on our Saviour, Historical, digitally restored reproduction from an early 19th century original, date unknown

Venice: The Dogana and San Giorgio Maggiore, JMW Turner, 1834, National Gallery of Art, Washington DC, USA, North America

Greifswald im Mondschein / Greifswald in moonlight. Date/Period: 1817. Painting. Oil on canvas. Height: 22.5 cm (8.8 in); Width: 30.5 cm (12 in). Author: CASPAR DAVID FRIEDRICH.

Carnavalet Museum, Collection Drawings

Le Père & Pierre-Michel Avaulez, Charles, Janinet, Jean François, Robert, Hubert, Colonade et jardins du Palais Medicis, View of the Villa Medici, recto below - etching, View of the colonnade and gardens of the Villa Medici in Florence. In the foreground are two men who are sketching. Below the representation is text and a coat of arms., print, engraving, prints, engravings, Tiré du cabinet de Mr. le Comte de Baudouin, height 364 mm, width 262 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1776 - 1776, fourth quarter 18th century, paper, aquatint, etching, etchings, color printing, 1733-05-22 - 1808-04-15, after, after painting by, Publication (Event), Publication, publisher

'Roman Scene', c1831. Artist: William Wyld.

Louis XV (King of France), Paris, Rigaud, Jacques, Vüe du paysage et de la Maison Royalle de St. Cir, View of the Maison Royale de Saint-Louis in Saint-Cyr, In the lower margin two lines of French text., print, optic print, prints, optic prints, height 245 mm, width 475 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, kaart, watercolor (paint), watercolor, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker, 1710-02-15 - 1774-05-10, granter of privilege

A View of Moulins. Artist: Henri-Joseph Harpignies (French, Valenciennes 1819-1916 Saint-Privé). Dimensions: 12 1/2 x 20 1/16 in. (31.7 x 51 cm). Date: ca. 1850-60.This characteristically placid watercolor by Henri- Joseph Harpignies captures the skyline of Moulins at sunset. The capital of the department of Allier, Moulins is roughly one hundred miles northwest of Lyon in France. The highly finished nature of this landscape, together with its signature at the lower right, suggests that Harpignies may have marketed it as an independent work of art. Museum: Metropolitan Museum of Art, New York, USA.

A Cairo Bazaar 1839 Adrien Dauzats. A Cairo Bazaar. Adrien Dauzats (French, Bordeaux 1804-1868 Paris). 1839. Oil on wood. Paintings

SWEBACH-DESFONTAINES, Jacques Franois JosŽ (1769-1823). Sacking of a church during the Revolution. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe Carnavalet (Carnavalet Museum).

Night city view by unknown painter, Russia, Moscow, State Tretyakov Gallery, 35, 3x37, 5

View of the Luxembourg Gardens in Paris - 1794 - 55x65 cm - oil on canvas. Author: JACQUES LOUIS DAVID. Location: LOUVRE MUSEUM-PAINTINGS.

fine arts, Kobell, Wilhelm von (1766 - 1853), ""M™nchen von Nordosten"", painting, 1815, oil on canvas, 23x31 cm, Stadtmuseum Munich,

Market Scene in an Imaginary Oriental Port; Jean-Baptiste Pillement, French, 1728 - 1808; about 1764; Oil on canvas; Unframed: 50.2 x 74.9 cm (19 3/4 x 29 1/2 in.), Framed: 69.9 x 94 x 7.6 cm (27 1/2 x 37 x 3 in.)

Preparations of the Festival Given in Navone City Square in Rome in 1729, On The Occasion of The Birth of Louis, Dauphin of France Giovanni Paolo Panini (1692-1765 Italian) Oil on canvas Musee du Louvre, Paris

Joseph Michael Gandy, 1771-1843, British, A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii, ca. 1830. Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper.

Bullfighting or Bull hunting in Piazza San Marco, by Giovanni Antonio Canal, known as Canaletto (1697-1768) and by Giovanni Battista Cimaroli (1687-after 1753), oil on canvas, 99x145 cm.

Cologne on the Rhine, 1840, Germany 19th Century.

Two Views of Dutch East India Company Trading Posts: Lawec in Cambodia and Banda in the Southern Moluccas, Johannes Vinckboons (attributed to), c. 1662 - c. 1663 painting View of the island of Banda Neira with the establishment of the United Oostindische Compagnie. A Dutch ship sails off the coast. Northern Netherlands linen (material). oil paint (paint) island. locations for trading Bander

Moscow by Yakovlev, Viktor Jakovlevich (1844-) / State Art Museum, Nizhny Novgorod / Russian Painting, End of 19th - Early 20th cen. / / Russia / Oil on canvas / Landscape / 39x53

Russia, Moscow, Tretyakov Gallery Moscow, Vasnetsov Apollinary Mikhailovich (1856-1933), Old Moscow, Okhotny Ryad, Late 1900s, Charcoal watercolor white on paper

fine arts, Scheuren, Caspar Johann Nepomuk, (1810 - 1887), painting ""Village"", 1839, oil on canvas, 32,5 x 38,5 cm, Von der Heydt Museum, Wuppertal,

Ascension of an aerostat at the Tuileries (August 27, 1783) "Wood oil. Paris, Carnavalet museum. Aerostat, aerostation, arrondissement Ier i 1er 1, ascent, balloon, crowd, oil on wood, Tuileries garden, Montgolfiere, walker

Ducros, Louis, Italië, Volpato, Giovanni, Views of Rome and surroundings, La ville Negroni, View of Villa Montalto in Rome, Italy, verso - stamped, View of the Villa Montalto in Rome. Title in French below the image., print, prints, height 558 mm, width 795 mm, Italian, 1740 - 1803, print maker, printmaker, 1758 - 1803, paper, papier, etching, etchings, colours, Swiss, 1748 - 1810-02-10

Samuel Jackson, 1794-1869, British, St. Michael's Hill, Bristol, ca. 1824. Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, cream, wove paper.

Atkinson Grimshaw (Leeds, 1836 -1893). Shipping on the Clyde (1881). Oil on cardboard. 30.5 x 51 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

A watercolor by Leander Russ depicting Vienna from the Belvedere, with cover colors, gloss, and pencil traces, created in 1841.

The bedside of Notre-Dame, the Pont de la Tournelle and Île Saint-Louis, during a fire, around 1635 ". Oil on anonymous canvas. Paris, Musée Carnavalet. 27030-14 Arrondissement IVEME IV 4th 4, Flame, Ile Saint-Louis, Fire, Notre-Dame, Nuit, Pont Tournelle, Fire, Oil on canvas

View of a Town, Jacob Vrel, 1654 - 1662 painting Cityscape. Face through a narrow street with sides of houses. A woman is sitting on a bench in front of a house, two men talk to each other on the street. panel. oil paint (paint) public road

Market in Naples, Italy, 1686

M. H. Long, One of Seven Engraved Reproductions from 'Roger's Italy', 1884. Engraving.

Venice. Carnival Night, by Caffi Ippolito, 1860, 19th Century, oil on canvas. Italy, Veneto, Venice, Ca' Pesaro, International Gallery of Modern Art. Whole artwork. City Venice lights St Mark's square night crowd: multitude.

'View of Seville', 16th century, Oil on canvas, 210 x 163 cm. Author: Attributed to SANCHEZ COELLO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Constant Troyon, Saint-Cloud, c. 1835, oil on paper, mounted on canvas.

German Legend. Faust and Mephistopheles. Engraving by Ravenel. "Semanario Familiar Pintoresco", 1876. Colored.

Josep Mestres Cabanes / "Venecia", 1957. Colección privada.

Tornado over St. Paul, 1893, Julius Holm, American, 1855-1930, 30 3/8 x 49 5/8 in. (77.15 x 126.05 cm) (sight)41 1/2 x 60 1/2 x 2 in. (105.41 x 153.67 x 5.08 cm) (outer frame), Oil on canvas, United States, 19th century

On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes Louis Comfort Tiffany (American, 1848-1933). On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes, 1872. Oil on canvas, 41 3/8 x 68 1/16 in. (105.1 x 172.9 cm). Late nineteenth-century European and American landscape painters often painted distant places in order to offer audiences something intriguingly unfamiliar. Louis Comfort Tiffany here recorded a view of relatively modern” Egyptian monuments: the mosque of Muhammad ‘Ali Pasha, often called the Alabaster Mosque (built 1824-57); and the nearby tombs of the sultans of Egypt’s Baharide Mamluk dynasty (1250-1376). Tiffany based this work on photographs he made in 1871, just two years after the completion of the Suez Canal had stimulated new interest in Egypt and the Middle East. American Art 1872

The Taj Mahal, by Erastus Salisbury Field, c. 1860-80, American Naïve painting, oil paint on canvas. Field probably painted this image from a photograph or engraving, in his studio at Plumtrees, in Sunderland, Massachusetts (BSLOC_2016_6_113)

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