Pastoral Landscapes and Herding Scenes

A collection of etchings depicting rural life, featuring herdsmen, cattle, and scenic landscapes. Mood is tranquil, with natural elements and human figures interacting harmoniously.

Man on a Donkey, print maker: William Young Ottley, print maker: Charles Walker, (rejected attribution), Nicolaes Pietersz. Berchem, (mentioned on object), print maker: London, Netherlands, 1828, paper, etching, h 180 mm × w 190 mm

Tomorrow: Man with dog runs on a footbridge, Dancker Danckerts, after Nicolaes Pietersz Berchem, 1660 - 1666 print Man with a dog walks on a footbridge and passes rider and shepherd with herd cows who drink at the shallow water. Print number 1 from series of four prints with times of the day. paper etching morning ~ other concepts. landscape with bridge, viaduct or aqueduct. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Man on a Donkey, print maker: William Young Ottley, print maker: Charles Walker, (rejected attribution), Nicolaes Pietersz. Berchem, (mentioned on object), print maker: London, Netherlands, 1828, paper, etching, h 180 mm × w 190 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, a rider with a lady in rump behind him. Tenth issue of a series of 13 pieces (A. de Vesme 126. Dutuit 84) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Antonio Carnicero / 'Bullfight scene'. 1790. Taille douce: etching and engraving on paper. Museum: Museo del Prado, Madrid, España.

Return of the yacht.

Resting hunting company at a fountain, Jean Moyreau, After Philips Wouwerman, 1750 print France paper etching hunters resting during the hunt. utilitarian, public pump or water fountain

An Elderly Shepherd Seen from Behind. Dated: 1758/1759. Dimensions: plate: 29 x 43 cm (11 7/16 x 16 15/16 in.) sheet: 32.9 x 44.9 cm (12 15/16 x 17 11/16 in.). Medium: etching in sanguine on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Giovanni Benedetto Castiglione Gaetano Zompini.

Cats, Jacob (1741-1799), Haarlem, Wit, Izaak Jansz. de, The twelve months, Hay month, Two farmers harvest hay, verso - stamped, Hay is loaded onto a cart. A drinking horse in the foreground., print, prints, ro: I. de Wit Jz. fc; lo: J. Cats del., mo: HOOIMAAND, height 202 mm, width 235 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, 1741-06-11 - 1799-11-09, intermediary draughtsman

Landscape with Figures 1642-90 Hendrick Verschuring Dutch. Landscape with Figures 348297

A horseman and his wife, seated side-saddle behind him, riding towards the right, other horsemen and footsoldiers in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 9/16 x 2 11/16 in. (9 x 6.9 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various cavalry exercises' (Diverses exercices de cavalerie). Date: ca. 1642-45. Museum: Metropolitan Museum of Art, New York, USA.

Four Hours of the Day, 1860. Adrien Lavieille (French, 1818-1862). Wood engraving;

Varelen, Jacob Elias van, Haarlem, Shepherd on horseback with herd, verso - stamped, Shepherd on horseback with his herd in a hilly landscape., print, prints, height 102 mm, width 139 mm, Northern Netherlands, 1757-08-09 - 1840-05-16, print maker, printmaker, 1799 - 1799, paper, papier, etching, etchings, Work conception, Noord-Nederlands, after own design by

Plate 6, from 'Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes', Stefano della Bella, Italian, 1610-1664, Italy, France, 1610-1664, Print, Print

Du Jardin, Karel, work, Load mules, (1000 - 2003), line etching, graphics, plate width 13.6 cm, plate height 15.2 cm

Rising army, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print A procession of riders, horses and cars goes to a city on the horizon. paper etching historical persons

TheStorm. Artist: Charles-Émile Jacque, French, 1813-1894

The rabble hamstring the bull with lances, sickles, banderillas and other arms (Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

Murder of Floris V, 1296, Simon Fokke, 1782 - 1784 print Floris V is murdered by Gerard van Velzen, 27 June 1296. Northern Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Netherlands

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), hunting for different animals. The suede and the two faes pursued by two riders. Eighth issue of a suite of 9 rooms. (A. de Vesme 739; Dutuit 180) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Haying farmers with in the distance 's-Gravenhage, Esaias van de Velde, 1629 drawing paper. chalk brush prospect of city, town panorama, silhouette of city. reaping, picking, mowing ~ harvest The Hague

A pen and ink drawing by Gasparo Diziani depicting a scene from classical mythology.

The Journey of Jacob in Egypt. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 7 3/16 × 10 3/4 in. (18.2 × 27.3 cm). Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Pieter Nolpe, Entry of Marie de Medici into Amsterdam (plate 5 of 6), 1639 Entry of Marie de Medici into Amsterdam plate 5 of 6

Coal and brown feather drawing by Matthias Scheits showing a raid on a homestead with peasant figures and landscape elements, 1675.

Depiction of various groups of figures with riders, executed with pen, ink, and reddish tones.

Landscape with three riders, Jan van Goyen, 1631 drawing paper. chalk landscapes in the temperate zone. riding a horse, ass, or mule; rider, horseman

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Most high, very powerful, very excellent, Royal Moutard, / very low, very vile, very miserable removable officials .... Charles Joseph Travies of Villers, says Traviès (1804-1859). Press cartoon. "Mostly high, very powerful, very excellent, Royal Moutard, / very low, very vilatable, very miserable removable officials ...". Board published in "caricature" of September 4, 1834. Lithograph. Paris, House of Balzac.

Entrance to an Inn, with Peasant Drinking 1849 France. Etching on cream China paper laid down on ivory wove paper . Charles Émile Jacque

View of a village with riders in the foreground, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print Riders in a landscape. On the left the houses of a village. unknown paper etching horse (+ traffic on land). landscapes (+ landscape with figures, staffage)

View of the Steenbergse Poort from the South-west, Bergen op Zoom, Valentijn Klotz, 1671, draughtsman: Valentijn Klotz, Bergen op Zoom, 16-Oct-1671, paper, pen, brush, h 156 mm × w 198 mm

Plate 7: two horses ascending the bank of a river at right, following a procession of horses and one horseman to the left, from 'Diversi capricci'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 5/16 x 3 7/8 in. (8.4 x 9.8 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Diversi capricci'. Date: ca. 1644-47. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (king of France), Meulen, Adam Frans van der, unknown, Huchtenburg, Jan van, Military representations from the life of Louis XIV, king of France, Siege of a city with ramparts, verso - stamped, Left riders and horses, one rider points to the city on the horizon. On the right a procession of soldiers seen from the back., print, prints, height 99 mm, width 139 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, papier, etching, etchings, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Print made by Thomas Burford, ca. 1710-after 1774, British, The Death of the Fox, 1794. Mezzotint on moderately thick, smooth, beige laid paper.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 2), Pieter Nolpe, After Jan Martszen de Jonge, 1660 - 1662 print Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. The arrival of the procession with riders at the Haarlemmerpoort. The front rider, marked with the letter A, is Ritmeester Jan van Waveren. Second album in an unassembled ensemble of the procession consisting of seven magazines. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmerpoort

Faust et Méstophélès dans les montagnes du Hartz (Faust and Mephistopheles in the Hartz Mountains), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Gray-black feder drawing by Deodat Roger depicting a peasant family with sheep on a river bank, with laved shading.

Rijn, Rembrandt van, The Good Samaritan, verso center top - pen in brown, print, prints, Rembrandt.inventor et. Feecit. 1633, bottom center, verso bottom center, 304, height 252 mm, width 205 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Landscape with shepherdess and sheep by fountain Title print for series of landscapes with unknown number of prints, Landscape with shepherdess and sheep by fountain Suite de paysage , print maker: Gilles Demarteau, (mentioned on object), intermediary draughtsman: Jean Pierre Louis Laurent Houel, (mentioned on object), 1732 - 1776, paper, etching, h 121 mm × w 173 mm

Cavallium. Cavallium. Copy in mirror image of the fifth print from a Frisian of six numbered prints with the exodus of the Spanish army from Maastricht, August 23, 1632.

Paardenmarkt, Jacob Elias van Varelen, 1817 print paper etching market. horse. village

The Rest before the Inn. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Nicolaes Pietersz Berchem.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Landscapes with shepherds and cattle, Shepherd and shepherdess on a donkey at a ford, verso - stamped, View of a hilly landscape with a shepherdess and a shepherd on a donkey in front of a ford. Two cows are already standing in the water and in the background two other shepherds can be seen., print, prints, height 138 mm, width 182 mm, 1633 - 1692, print maker, printmaker, 1650 - 1701, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1620 - 1683-02-18

Danckerts, Dancker, work, Mule's back and foot on a mountain slope, (1000 - 2003), line etching, graphics, plate width 28.2 cm, plate height 21.2 cm

Two picadors and several men on foot in the arena. The bullfighter (torero) holds in his hands two banderillas. From the neck of the bull facing him protrude two banderillas from which smoke is coming. Numbered top right: 31., Torero with burning banderillas Banderillas de fuego Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, (mentioned on object), publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1815 and/or 1876, paper, etching, h 244 mm × w 352 mm

A wagon loaded with sacks of coal, pulled by five horses. From a series of twelve prints, The coal wagon Le chariot de charbon Various studies of horses Etudes de chevaux , print maker: Théodore Géricault, print maker: Léon Cogniet, Théodore Géricault, (mentioned on object), print maker: France, print maker: France, printer: Paris, publisher: Paris, 1822, paper, h 192 mm × w 304 mm, h 411 mm × w 545 mm

A stone chalk drawing with light gray-blue gavings by Johann Christoph Dietzsch depicting mounted travelers with guides in a flat landscape near a stream, emphasizing figures, terrain, and movement.

Figures in a Landscape, 1763. Jean-Pierre-Louis-Laurent Hoüel (French, 1735-1813). Black ink and gray wash; framing lines in brown ink; sheet: 17.2 x 27.9 cm (6 3/4 x 11 in.); overall: 21 x 31.7 cm (8 1/4 x 12 1/2 in.). Hoüels oeuvre is dominated by images of landscapes in varied media. This ink and wash drawing portrays a scene of ordinary life in a verdant, mountainous environment. In the foreground, two men on horseback converse while others rest on a rock. On the left, the sail and rigging of a boat stalled in the harbor are visible.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the trip from Jacob to Egypt. (A. de Vesme 2; Dutuit 108) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

A Russian Mobile Forge. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 6 x 7 3/4 in. sheet: 9 x 12 3/16 in.. Date: 1815. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard.

Coachman Treurend by a deceased horse, Pieter van Loon, 1862 drawing paper. ink pen / brush

Albrecht I is murdered by his cousin, Daniel Nikolaus Chodowiecki, 1800 print In the margin, a murderous woman is etched in a sketchy way. Berlin paper etching History. death of human being. violent death by cleaving and striking weapons. ruler, sovereign. riding a horse, ass, or mule; rider, horseman

Berghem, Nicolas, work, Juomalammikko (Le Ruisseau traversé), (1000 - 2003), line etching, graphics, leaf width 20.7 cm, leaf height 26.3 cm

Man with a horse and dogs. A man with a hat leads a saddled horse and two dogs through a landscape. There is a sculpture in the landscape.

Print, The Ford, 1634; Print Maker: Claude Lorrain (French, 1600-1682); France; engraving on light brown paper; 10.5 × 17.1 cm (4 1/8 × 6 3/4 in.); Bequest of George Campbell Cooper; 1896-3-129

Death on the Battlefield, from 'The five deaths' (Les cinq Morts) ca. 1650-64 Stefano della Bella Italian Stefano della Bella's first set of oval prints illustrating the triumph of Death included a battlefield scene. This horizontal version, in which the Grim Reaper approaches the skirmish on a skeletal horse, probably dates to the same years. Our sheet is a trial impression; the artist has sketched in two ideas for the position of Death's right arm, reinforcing the one he would use in the finished print, and has added a number of warriors to the background. Evidently, Della Bella did not work from a highly finished drawing but continued to compose as he worked on the etching plate.Jombert and De Vesme date the print to around 1648. There is a strong connection between the print and a scultpure of the figure of Death on horseback also the collection of The Met (17.190.729).. Death on the Battlefield, from 'The five deaths' (Les cinq Morts) 363470

Milkende Herderin, Pierre François Laurent, after Nicolaes Pietersz Berchem, 1773 print France paper etching farm or solitary house in landscape. milkmaid. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. milking

GIL Y CARRASCO, Enrique (1815-1846). Spanish Romantic writer. 'El seÐor de Bembibre', historic novel (1844). Etching.

Two riders in mantles, Christian Rugendas, After Georg Philipp Rugendas, 1718 - 1781 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman

Entry of Maria de Médicis in Amsterdam (plate 5), 1638, Pieter Nolpe, After Jan Martszen de Jonge, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Fifth album in an unassembled ensemble consisting of a title page, a portrait and seven magazines of the procession. Part of the procession with riders and on the right the outrider of the first span horses. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

Two Sketches of Figures on the Dunes Near Scheveningen, Jan de Bisschop, 1660 drawing Audience in the Duinen in Scheveningen on the departure from Karel II to England on 2 June 1660. paper. ink. chalk pen / brush dunes (sea not visible); in the dunes (+ landscape with figures, staffage) Scheveningen

Bombled, Karel Frederik, Netherlands, Blommers, P. (Lithographic printing house of), Maria van Bourgondië valt van haar paard, 1482, Maria van Bourgondië valt buiten Brugge, 17 maart 1482., print, engraving, Craeyvanger, Reinier, Reckleben, Jan Frederik Christiaan, Mary of Burgundy falls from her horse, Mary of Burgundy falls from her horse outside Bruges, 17 March 1482.

Night, Jan De Visscher, after Nicolaes Pietersz Berchem, 1645 - 1701 print View of a hilly landscape by night. The full moon is shining. A shepherd and shepherd on horseback let their cattle drink from a lake. In the background a man in a boat and the contours of a village. Amsterdam paper etching / engraving night ~ landscape (sometimes titled 'Nox'). cattle driving, cattle driver. moonlight

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Diversa Animalia, Donkey at a water trough, verso - stamped, A man, a donkey and a dog at a water trough, seen from behind., print, prints, height 210 mm, width 150 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, etching, engraving, engraving (printing process), 1620 - 1683-02-18, intermediary draughtsman

Landscape with three farmers and a farmer's; Landscapes with figures; Mirror of nature and school of the creativity (...). There are three farmers and a farmer's in a rural area. The print is part of an album.

Troupeau de porcs.. 1850. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine

Cavalcature che conducono le bestie bovine in Roma, per macellare (Cattle Driven to the Slaughter in Rome). Dated: 1809. Dimensions: plate: 21.4 x 30.5 cm (8 7/16 x 12 in.) sheet: 26.3 x 39.9 cm (10 3/8 x 15 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartolomeo Pinelli.

Juliusz Kossak (1824-1899), On post; from: "Tygodnik Ilustrowany" 1871. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Boczkowski, Paweł (fl. 1876-1901), woodcutter

A boy stands behind a donkey, on the left are two sheep, Boy and a donkey, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: Ferdinand Fanton, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 112 mm × w 153 mm

Reproduction of drawing: Juliusz Kossak (1824-1899), Summer harvest; from: "Kłosy" 1870, 1, 249. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Styfi, Jan (1839-1921), woodcutter

GOYA Y LUCIENTES, Francisco de (1746-1828). Another way of hunting on foot. 1816. Plate 2 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Plate 23 from the 'Tauromaquia':Mariano Ceballos, alias the Indian, kills the bull from his horse. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 × 13 7/8 in. (25 × 35.2 cm)Sheet: 12 3/16 × 17 3/8 in. (30.9 × 44.2 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Polish Horseman. Stefano della Bella; Italian, 1610-1664. Date: 1646-1656. Dimensions: 190 x 190 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

London, Rodwell & Martin, Hullmandel, Charles, Géricault, Théodore, Various subjects drawn from life, The Coal Waggon, verso lower left - stamped, A wagon loaded with bags of coal, drawn by five horses., print, prints, verso lower center - stamped, recto lower right - stamped, RR A, height 195 mm, width 310 mm, height 357 mm, width 534 mm, French, 1791-09-26 - 1824-01-26, print maker, printmaker, 1821 - 1821-02-01, first quarter 19th century, paper, lithography (technique), 1789-06-15 - 1850-11, printer, Publication (Event), Publication, publisher

Moving into the Boat 1861 Charles-François Daubigny French. Moving into the Boat 336997

Illustration to the songs "Boruta"; Z: "Tygodnik Ilustrowany" 1862, No. 129 (March 15), p. 105; Kossak, Juliusz (1824-1899), Styfi, Jan (1839-1921), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1862 (1845-00-00-1870-00-00);

William Ludwell Sheppard, "Gre't King! What I gwine to do now", 1874, wood engraving on paper.

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Etching by Rembrandt Harmensz. van Rijn from 1633 depicting the biblical scene of the Flight into Egypt, showing figures, donkey, landscape, and architectural elements.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Diversi Capricci. A peasant on horseback crosses a river. Fifth issue of a suite of 24 rooms. (A. de Vesme 132; dutuit 139) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Black horseman, circa 1651, by Stefano della Bella. Gift of Sir John Ilott, 1965.

Le bûcheron , Woodcutting, Alphonse Legros (1837-1911)

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Attelage de Boeufs 1868 Charles Jacque. Attelage de Boeufs. Charles Jacque (French, Paris 1813-1894 Paris). 1868. Etching. Prints

LeMatin. Artist: Charles-Émile Jacque, French, 1813-1894

Studies of farmers. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 160 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

The Good Samaritan, Salomon Savery, After Rembrandt van Rijn, After 1633 - 1683 print paper etching the good Samaritan (Luke 10:30-37)

Otra locura suya en la misma plaza, Goya, Francisco (1746-1828), 1815 - 1816, 1816, Bulls, Bullfighters, Bullfighting in Spain, First edition; etching, aquatint, drypoint, and engraving; state noted with standard reference number

Hussard Walking in Front of his Horse, Smoking a Pipe. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 175 × 289 mm (image); 276 × 366 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bemme, Joannes, Langendijk, Dirk, Netherlands, Six landscapes with soldiers' staff, A group of cavalry horses at an inn, A group of soldiers on horseback with a number of extra cavalry horses at an inn. In the background a shepherd with sheep., print, prints, Frederik Muller Historieplaten, height 139 mm, width 112 mm, Noord-Nederlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1804 - 1804, first quarter 19th century, paper, papier, etching, etchings, 1748-03-08 - 1805-12-15, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

The Rider ca. 1845 Charles Jacque. The Rider. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1845. Etching on chine collé. Prints

Standard Bearer. Odilon Redon; French, 1840-1916. Date: 1868. Dimensions: 102 × 168 mm (image); 120 × 185 mm (plate). Etching and drypoint, heightened with pen and black and brown ink, on mounted tan China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Home - am heimwegYou are home. Am heimweg

NO SE DESCUIDA EL BORRICO - ALBUM E (1806-1812) - AGUADA-TINTA CHINA - 257x182 mm. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Title print with two horses who wear empty frame with ornaments on Baar, Hans Burgkmir (I), 1483 - 1526 print Title print for triumph of Emperor Maximilian I with two horses that decorate empty frame decorated with ornaments on bar. The horses are accompanied by two men. On the Baar is the weapon of the Habsburg royal family. There was room for text in the high frame, but it was never cut on the wood block. Returning motif is the laurel wreath to glory of the emperor. paper symbolic triumphs of individual persons. litter, coffin rest. ornaments ~ art (+ framing decorations). horse

A NOCTURNAL DISCOURSE, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel de Cervantes. Engraved by Heliodore Joseph Pisan, c. 1868, Art, Artist, romanticism, colour, color

The Horse Diverted (Bartsch 11) Van den Hecke, Jan (said old). The Horse Diverted (Bartsch 11). Etching.

Rider on standing horse in medallion, Anthonie van den Bos, after Aarnout ter Himpel, 1778 - 1838 print paper etching riding a horse, ass, or mule; rider, horseman

Reproduction of a painting: Juliusz Kossak (1824-1899), Mrs Pupard; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Man with a Span Ossen, Constant Troyon, 1820 - 1865 drawing paper. chalk ox

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