Pastoral Landscapes and Herding Scenes

A collection of etchings depicting rural life, featuring herdsmen, cattle, and scenic landscapes. Mood is tranquil, with natural elements and human figures interacting harmoniously.

Man on a Donkey, print maker: William Young Ottley, print maker: Charles Walker, (rejected attribution), Nicolaes Pietersz. Berchem, (mentioned on object), print maker: London, Netherlands, 1828, paper, etching, h 180 mm × w 190 mm

From travel to Ba Ta Capture of horses; from: "Tygodnik Ilustrowany 1875, No. 389 (June 12), p. 373; Kossak, Juliusz (1824-1899), Skorski, Konstanty (Fl. 1862-1882), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1875 (1862-00-00-1887-00-00); was downloaded from the Muse of the National Museum in Warsaw; graphic / convex printing / woodcut / Storm woodwork; they.

Oblężenie fortu w Baduwal. Kretzschmer, Hermann (1811-1890), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Dordrecht, Steuerwald & Co., Koningh, Leendert de, Drawings after Animals, Two cows and a farmer's wife, The farmer's wife carries a yoke with a bucket and a barrel of milk attached to it. This print belongs to a series of six prints, bound together with a title page., print, prints, height 325 mm, width 455 mm, 1777-04-12 - 1849-06-08, print maker, printmaker, 1826 - 1826, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

A shepherd lets his flock into the sheepfold, Sheepfold, print maker: Frédéric Théodore Faber, (mentioned on object), after: Balthasar Paul Ommeganck, (mentioned on object), print maker: Brussels, after: Antwerp, 1806 - 1807, paper, etching, h 97 mm × w 129 mm

River face from a timber yard on RheinkSsel and Rheindorf.The Print is Labeled Left and Bottom Right, A and 7 Respectively.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Reproduction of a painting: Chełmiński, Jan (1851-1925), Under fire; excerpt from a magazine. Chełmiński, Jan (1851-1925), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Jericke, Richard (Lipsk ; zakład graficzny ; 1879-1911), woodcut atelier

Man with bag on his back runs to a horse; Horses with servants. A man with a bag on his back runs on a yard to a horse.

A brown, gray-brown, and red-brown ink drawing by Cornelis Molenaer depicting a carriage pulled by two horses with a man standing beside it holding a dog, detailed copy.

Continued realizers on a car; The Drye Unnosele and but accused; Les Abus du Mariage, / Misbruyck des Holycx. A car drawn by two goats and driven by a Sater drives a road strewn with horns. At the back of the car hold a lady and lord each other's hand. For that a man and woman with the horn as a symbol of the deceit. The front woman looks back to the man next to the car. Left tries to stop another man the car. A car drawn in the background by two goats. In the distance further a few ships, a cityscape (Calis) and a guest house called Sint Job. The print is part of an album.

Arrival of replacements or painting in Paris and France, in Floréal. (TF)

Reproduction of a painting: Juliusz Kossak (1824-1899), And when they already gathered; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, unknown, publisher, Gorazdowski, Edward (1843-1901), woodcutter

A Wounded Child, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1760-1761, Print, Print

Three children with a buck. Draughtsman: anonymous. After Frans Hals. Dating: 1800 - 1900. Measurements: h 243 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Hottentots threshing, Jan Caspar Philips, 1727

Carnival in Rome, French Academy, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

Reproduction of a painting: Juliusz Kossak (1824-1899), Crossing a river; excerpt from a magazine. Zajkowski, Andrzej (1851-1914), author of a model, Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Polski (Warszawa ; czasopismo ; 1898-1905), publisher

Offer van Isaak.

Illustration for a Book: Surrender of the Keys of a City to an Emperor 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Surrender of the Keys of a City to an Emperor 339314

The Last Days of Harvest - Drawn by Winslow Homer (Harper's Weekly, Vol. XVII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/4 x 13 3/8 in. (23.5 x 34 cm)sheet: 10 13/16 x 15 15/16 in. (27.5 x 40.5 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: December 6, 1873. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Bray, Dirck de, Months of the year, March, verso lower left - stamped, Two women with baskets and a boy walking on a dune. In the background fishermen are working on a beach with boats. In the foreground is a ram., print, prints, height 64 mm, width 111 mm, Noord-Nederlands, 1645 - 1694-05-09, print maker, printmaker, 1635 - 1694, paper, papier, houtsnede

Woman Milking a Cow. Cornelis Visscher (Dutch, c. 1629-1658); after Nicolaes Berchem, the Elder (Dutch, 1621/22-1683). Date: 1649-1658. Dimensions: 266 x 215 mm (trimmed). Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

The Rustics 1875 J. Cariven. The Rustics. J. Cariven (French, active 1864-80). 1875. Etching. Prints

Spanish Entertainment, from The Bulls of Bordeaux. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1825. Dimensions: 301 x 406 mm (image); 366 x 478 mm (sheet). Lithographic crayon and scraper on light tan wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Berger Sitting Supported on a Staff (Hollstein 35) Berchem, Nicolaes Pietersz. Berger Sitting supported on a stick (Hollstein 35). Etching.

Artist: Carle Vernet, French, 1758-1836, Seated Arab holding the Bridle of an ArabianHorse, Lithograph, sheet: 41.5 × 56.3 cm (16 5/16 × 22 3/16in.), French, 19thcentury, Works on Paper -Prints

The Gleaners Artist's working dates 1855-1856 France. Etching and drypoint on tan laid China paper . Jean François Millet

The Good Samaritan 1633 Rembrandt (Rembrandt van Rijn) Dutch This etching depicts the final scene in the parable of the Good Samaritan (Luke 10:25-37) in which the Samaritan stopped to help a traveler who had been attacked by robbers. Here he has brought the wounded man on horseback to an inn and pays for the mans care and lodging. The is one of two etchings in which Rembrandt reproduced his own paintings; the other is Christ Before Pilate (see inv. No. 17.37.75). The Good Samaritan repeats with a number of variations the composition of his painting in the Wallace Collection, London. Among Rembrandts additions here to the largely empty foreground that appeared in the painting is the defecating dog that adds a note of everyday reality to the biblical scene.The Met has four impressions of the Good Samaritan, one of the extremely rare first state, before Rembrandt completed the hatching on the horses tail and added his signature, and three of this, the fourth (final) state. The first s

Louis XIV (King of France), Parrocel, Joseph, France, Les quatre heures du jour, Aurora, l'Aurore, Morning, verso lower middle - stamped, Soldiers in an army camp are awakened at sunrise by two men on horseback, one blowing on a trumpet. Two men leading their horses., print, prints, verso bottom center - stamped, height 90 mm, width 160 mm, Frans, 1646-10-03 - 1703-03-01, print maker, printmaker, 1656 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

The Good Samaritan. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1632-1633. Dimensions: 243 x 203 mm (image/plate); 245 x 205 mm (sheet). Etching and burin on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Outlines of Figures, a Carriage, Boats, and Horses. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 17 3/8 × 10 1/2 in. (44.1 × 26.7 cm)Plate: 14 11/16 × 10 3/8 in. (37.3 × 26.4 cm). Series/Portfolio: Outlines. Date: June 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.

Savery, Salomon, Rijn, Rembrandt van, The Good Samaritan, verso - stamped, print, prints, height 242 mm, width 200 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1633 - 1683, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1606-07-15 - 1669-10-08, after print by, Publication (Event), Publication, publisher

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

December, from "Album of Rustic Subjects" 1859 Charles Jacque. December, from "Album of Rustic Subjects". Album de Sujet Rustiques, gravés pour L'Illustration. Charles Jacque (French, Paris 1813-1894 Paris). 1859. Wood engraving. Prints

Karel Dujardin (1622-78). The two donkeys (dutuit 6). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

So here hein van Goeden Huize, / on that nanet are golden fair fluff (...), 1715 - 1813 print Sheet with 2 couples of pairs in a carriage and in a sled. Under each image a six -line verse in two columns. Numbered at the top right: No. 42. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper letterpress printing two-wheeled vehicle drawn by two animals. horse-sleigh

. Festive procession with Hertog August, Keurvorst van Sachsen dressed up as farmer and various other characters in farmer and allegorical intensities. Frisian consisting of at least 20 parts with approximately. 26 etchings. The first two parts are missing.

Netherlands, The Entry of Duke John of Bavaria into Leiden, On 18 August 1420, presented in a masquerade by HH Students of the Leiden University, on 8 February 1840, Masquerade of the Entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840, Procession no. 91, Procession no. 91: falconer and hunter of the duke. Part of the print series of the Masquerade of the entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840., print, prints, Frederik Muller Historieplaten, height 230 mm, width 170 mm, print maker, printmaker, 1840 - 1840, second quarter 19th century, paper, lithography (technique)

Le Bon Samaritain. Bisson Frères (French, active 1840 - 1864)

The overturned coach , Carriages & coaches, Horses, Passengers, Dogs, Accidents. Thomas Rowlandson (1756-1827). Prints and Drawings

Cutches; from: "Tygodnik Ilustrowany" 1880, No. 239 (July 24), p. 51; Fa 1880 (1883-00-00-1883-00-00);

Groups of men and women at a farm. Draughtsman: Henk Henriët. Dating: 1932. Measurements: h 513 mm × w 683 mm. Museum: Rijksmuseum, Amsterdam.

Sharing Out the Game. Date/Period: Between 1525 and 1535. Drawing. Pen and brown ink, blue, light green, pink and yellow wash on paper. Height: 376 mm (14.80 in); Width: 577 mm (22.71 in). Author: Bernard Van Orley.

Combat contre la Neige, Quai aux Fleurs, 1890. Auguste Louis Lepère (French, 1849-1918). Etching;

Hay-Makers. George Stubbs; English, 1724-1806. Date: 1791. Dimensions: 484 × 685 mm (image/plate); 537 × 713 mm (sheet). Stipple, with roulette on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Holy Roman Empire. Officers of the table and the chamber of the imperial court: butler, cook, barber and tailor. Engraving after "Le Triomphe de l'Empereur Maximilien I", by J. Resch, Burgmayer; drawing by Albrecht Durer (1471-1528), 1512. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Taking leave.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Edelfelt, Albert, Sketch book, 1890-91, drawing, 21.5x30, Edelfelt, Albert, 1890-91, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

W Glary from under the bridges on the way to Lviv; Z: "K Osy" 1878, No. 698 (November 14), p. 306 (title page); Kossak, Juliusz (1824-1899), Antoszewicz, Stanis Aw (Flow. 1873-1887), K Osy (Warsaw; magazine; 1865-1890); 1878 (1878-00-00-1878-00-00);

La familia del gaucho - Serie Grande. Date/Period: 1841. Engraving. Height: 205 mm (8.07 in); Width: 490 mm (19.29 in). Author: Carlos Morel. Gregorio Ibarra.

Escorte Russe Horace Vernet (French, 1789-1863). Escorte Russe, ca. 1818. Lithograph on wove paper, Image: 5 5/8 x 9 13/16 in. (14.3 x 24.9 cm). European Art ca. 1818

Farrier in an Italian city, Hendrik Verschuring, 1637 - 1690 drawing paper. ink pen / brush horse. street. horseshoe Italy

Covered Wagons (Souvenir of the Morvan). Charles François Daubigny; French, 1817-1878. Date: 1850. Dimensions: 90 × 152 mm (image); 118 × 178 mm (plate); 393 × 262 mm (sheet). Etching and roulette on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

London, Tilt, Charles, Paris, Aumont & Cie, Lemercier, Joseph-Rosé, Adam, Victor, Croquades par V. Adam, Sketches, Fifteen representations from daily life with various human figures, recto bottom - embossed, print, prints, height 263 mm, width 339 mm, French, 1801-01-28 - 1866-12-30, print maker, printmaker, 1832 - 1833, paper, papier, lithografie (techniek), 1803-06-29 - 1887-01-01, printer, drukker, Publication (Event), Publicatie, publisher, uitgever, English, 1797 - 1861

A Case of Real Distress, after Richard Barrett Davis, 1782-1854, British, 1850, Line engraving on medium, slightly textured, cream wove paper

Bliżej Kultury Michałowski, Piotr (1800 1855)

Hunger; Life of Mary in emblems. Presentation of a hunt who controls her dog behind three boar and a fox. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

Escape from the seven Remonstrant pastors from Loevestein Slot, 1631, 1775 - 1799 print The escape of the seven Remonstrant pastors from Slot Loevestein, at night in a rowing boat, July 19, 1631. marked at the top right: pl. 8. Northern Netherlands paper etching law and jurisprudence (+ escape from prison) Slot Loevestein

Bibiena, Francesco Galli, Italy, Mastrozzi, Federico, Stage designs by Francesco Galli Bibiena, 2a Scena della Pastorale rappresentante una boscareccia con Pergolat, Pastoral, second scene, Design for a stage scene, verso - stamped, Design for a stage scene with two men and two women in a garden. Italian title in bottom margin., print, prints, Unclear, height 485 mm, width 379 mm, Italian, print maker, printmaker, 1722 - 1722, paper, etching, etchings, Work conception, 1659 - 1739

Landscape with a woman and a child on a donkey, Philippe Lambert Joseph Spruyt, After Aelbert Cuyp, 1790 print A landscape with a woman with a child on a donkey and a man on the road, who is at the forefront and points. Possibly a representation of the flight to Egypt. Numbered at the top right: N. 22. Ghent paper etching landscapes in the temperate zone. ass, donkey. the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Ancient Egypt. Warfare chariot. Chromolithography. "Historia Universal" (Universal History), by Cesar Cantu. Volume I, 1881.

LArrivee au Champ. Artist: Charles-Émile Jacque, French, 1813-1894

Troupeau de porcs.. 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine

Troupeau deporcs. Artist: Charles-Émile Jacque, French, 1813-1894

Etching and copper engraving by Rembrandt van Rijn depicting the Parable of the Good Samaritan, created in 1633.

Spring, Frederick Bloemaert, After Abraham Bloemaert, 1700 - 1800 print A shepherd boy with a cow, a ram and a sheep. Originally print 1 from a series with the four seasons to Abraham Bloemaert. In this mixed series print 9. Utrecht paper engraving spring, 'Ver'; 'Primavera' (Ripa). seasons of the year (esp. personifications); 'Stagione', 'Le quattro stagione dell'anno' (Ripa) (+ with scenes showing human occupations ~ seasons and months). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

The Malle-Post Jean-Victor Adam, said Victor Adam (1801-1866). "The Malle-Post". Lithograph colored with rehaught of gum arabic.

Center front a falconer, walking in landscape, followed by three dogs. To the right rides a horseman, to the right beside him a walking man., Falconer The Falconer (title on object), print maker: Joannes Hulstkamp, (mentioned on object), after: P. Wouwerman, (mentioned on object), Rotterdam, 1774 - 1786, paper, etching, h 108 mm × w 137 mm

Panel (Furnishing Fabric) Made 1849-1860 London. Cotton, plain weave; painted with pigment and ink .

Pochód, pl. 13, Namiot I, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

'The Hunting Party', 16th century. Artist: Bernaert van Orley

A watercolor by Franz Heinrich Strohabladen depicting a scene or subject in 1850, using traditional watercolor techniques.

Théodore Gericault, Adelphi Wharf, 1821 Adelphi Wharf

Photo production of (presumably) a painting with the three kings on the way to Bethlehem. Part of English family album with photos of people, travel, cricket and artworks.

A Flock of Sheep Drinking at a Pool, with a Bullock and a Dog. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 10 9/16 x 7 13/16 in. (26.8 x 19.8 cm). Date: after 1763. Museum: Metropolitan Museum of Art, New York, USA.

Kazimierz Zezchowski (1838-1917), in the clearing; Kulikowski Salon (Warsaw; Art Gallery; Publisher); around 1910 (1910-00-00-1915-00-00);

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