Pastoral Landscapes and Hunting Scenes

A collection of 18th and 17th-century prints depicting serene landscapes, hunting scenes, and rural life, featuring lush trees, water bodies, and human figures.

Running man, Andries Cornelis Krijgeer, 1810

Kustland Tap Matseas an ACheates on Hurtains, Richard Earlom, After Claude Lorrain, 1776 print London paper etching stag-hunting. hoofed animals: deer. sea (seascape). coast - HH - ideal landscapes. the story of Aeneas' wanderings to Italy (Virgil, Aeneid)

Sorge Il Mattino, E ad util opre invita; Reinhart, Johann Christian (1761-1847); 1795 (1795-00-00-1795-00-00);

Landscape with bird catchers; Landscapes and ruins; Amoenissimae Aliquot Regiunculae.landscape with Bird Catchers at Their Nets. Seventeenth Print from a Series or Eighteen.

Liber Veritatis: No. 160, Tobias and the Angel, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

A Peasant Woman and Daughter on a Small Wooden Bridge. Artist: Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). Dimensions: sheet: 9 3/16 x 11 3/4 in. (23.3 x 29.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with Engel who says Hagar that she should go back to Abraham and Sara, Richard Earlom, After Claude Lorrain, 1775 print London paper etching landscape with bridge, viaduct or aqueduct - II - ideal landscapes. lake - HH - ideal landscapes. an angel meets Hagar at the fountain on the way to Shur and persuades her to return

Running man, Andries Cornelis Krijgeer, 1810

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) 1813-23 Designed and etched by Joseph Mallord William Turner British Intended as part of Turner's "Liber Studiorum" (Latin for Book of Studies), but never published by the artist, this engraver's proof was made as Say added mezzotint to develop tone under Turner's direction. The composition derives from a premium-winning painting shown at the British Institution in 1814, now at the National Gallery, London. In the foreground, Apuleia, whom Turner invented as a wife for a shepherd mentioned in Ovid's" Metamorphoses," unveils herself to a group of shepherdesses. The landscape is enlivened by a multi-arched classical bridge that spans a river near a temple, and the composition embodies Arcadian qualities associated with Claude. The finished plate was sold in 1873 with other unpublished Liber compositions, and subsequently printed and circulated.. Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) 383031

Joseph Mallord William Turner, The Temple of Minerva Medica, January 1, 1811, Etching and mezzotint printed in brown inks.

No. 133. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Shooting, Plate III, William Woollett, 1735-1785, British, after George Stubbs, 1724-1806, British, 1770, Engraving with etching, Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm) and Image: 15 3/8 x 20 13/16in. (39.1 x 52.9cm)

Village view in Driebergen, 1754, Paulus van Liender, 1763 print View on a road in the village of Driebergen. Two women on the left hang the wax to dry, further on figures are at a covered wagon. paper etching village. hanging the wash to dry Driebergen

Landscape with Apollo and Mercury, which steals cattle, Richard Earlom, after Claude Lorrain, 1776 print London paper etching river - HH - ideal landscapes. Mercury steals the flock which Apollo is tending. landscape with bridge, viaduct or aqueduct - II - ideal landscapes

Print made by John Browne, 1741-1801, British, The Sportsman, 1775. Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper.

Print, The Basin; Abraham Genoels (Flemish, 1640 - 1723); Published by Adam van der Meulen (Flemish, 1631/2 - 1690); Netherlands; engraving on white laid paper; Platemark: 15.2 x 21.2 cm (6 x 8 3/8 in.); 1947-131-115

Landscape with a shepherd and a cart drawn by oxen, struck by lightning, Louis de Châtillon, after Nicolas Poussin, 1649 - 1734 print France paper etching landscapes. (farm) wagon, freight wagon, cart. (farm) wagon, freight wagon, cart (+ accident, collision, crash ~ traffic and transport). accidents with lightning. lightning, flash of lightning, thunderbolt

Landscape with stone bridge over river, bandits and fleeing goats, Richard Earlom, after Claude Lorrain, 1774 print Central two people who rob a third person. On the right a man shooting towards a shepherd and group of goats. London paper etching goat. robbery. landscape with bridge, viaduct or aqueduct. river

View of the Rhine near Leiden, Wilhelmus van Groenewoud, 1834 print A few figures on the country road along the river. On the left is a house on the waterfront. This print is part of a cover with eight prints. print maker: Netherlandsprinter: Leiden paper river (+ landscape with figures, staffage) To lead. Rhine

Lago in villa Borghese. Dated: 1792. Dimensions: plate: 37.5 x 28.2 cm (14 3/4 x 11 1/8 in.) sheet: 49.3 x 39.2 cm (19 7/16 x 15 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Hilly Landscape with Two Cavaliers and Other Figures in the Foreground. Artist: Romolo Panfi (Italian, Florence 1632-1690 Carmignano near Florence). Dimensions: 13-1/16 x 22-3/4 in. (33.2 x 57.8 cm). Date: 1632-90. Museum: Metropolitan Museum of Art, New York, USA.

Margate, Kent, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, with scraping out and touched with graphite (Engraver's Proof)

Etching by Marco Ricci from 1730 depicting a rocky landscape with four riders leading their horses, illustrating early eighteenth-century Italian landscape engraving.

W ogrodach willi Borghese. Reinhart, Johann Christian (1761-1847), graphic artist

No. 90. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Le Cavalier Jean Morin French. Le Cavalier 369189

Isis, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/8 inches (27.9 × 41 cm), Plate: 8 1/8 × 11 1/2 inches (20.6 × 29.2 cm), and Image: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)

Leipsic. Prints. 1798 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Leipzig (Germany)

Landscape with the abduction of Europe; Landscapes with stories from Ovid 'Metamorphosen. Jupiter visits Europe in the form of a white bull. Europe is on its back and decorates its horns with flowers. She is helped by one of her duties. The women are surrounded by even more service stations and cows or bulls. Jupiter Europe relies on the right.

Haven Van Antibes, Gaetano Canals, After Nicolas Marie Ozanne, 1776 print View of the port of Antibes. Left front a group of ladies and gentlemen who rest and look out at the harbor. Text and coat of arms in STUDMARGE. Numbered below: 24. Venice paper etching harbour Antibes

Landscape with farmer's wife, Louis Marvy, 1832 - 1850 print paper. farmers. fence, wall, paling. landscapes (+ landscape with figures, staffage)

Watercress Gatherers. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Goff Lupton.

Lorrain, Claude, Landscape with two shepherds, Landscape with two shepherds sitting by the water with their flock., print, prent, prints, height 140 mm, width 190 mm, print maker, prentmaker, 1651 - 1701, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, French, 1600 - 1682-11-23

La Chasse aux Canards. Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Jacques Fouquieres (Flemish, 1590/91-1659). Dimensions: image: 8 7/16 x 12 3/8 in. (21.5 x 31.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

The departure for the fields (Le depart pour leschamps). Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682

Garasu, Casparis Barlæi, rervm per octennivm in Brasilia et alibi nuper gestarum: sub præfectura illustrissimi Comitis I. Mavritii, Nassoviæ, andc. comitis, nunc Vesaliæ gubernatoris and equitatus fœderatorum Belgii ordd. sub Auriaco ductoris, historia, Baerle, Caspar van, 1584-1648, Post, Frans Jansz, 1612-1680, Savery, Salomon, 1594-1665, van Brosterhuisen, J., Engraving, 1647. Identified as Plate 11.

Landscape with Elegant Figures by a River, with Boats to the Right and a Town Behind Trees Beyond. Allart van Everdingen; Dutch, 1621-1675. Date: 1641-1675. Dimensions: 147 x 194 mm. Brush and gray wash, with touches of white wash, over touches of charcoal, on ivory laid paper, ruled in pen and brown ink. Origin: The Netherlands. Museum: The Chicago Art Institute, USA.

Landscape with antique city on a cliff and Tobias and the angel on the bank, Richard Earlom, after Claude Lorrain, 1774 print The temple on the cliff is an idealized representation of the Temple of the Sibylle in Tivoli. London paper etching cattle driving, cattle driver. landscape with ruins - II - ideal landscapes. river. pastorals, Arcadian scenes. Tobias and the angel Raphael continue their journey; usually Tobias carrying the fish Temple of Sibille

Artist: Pierre-Charles Canot, French, 1710-1777, After: Thomas Howdell, American, A South West View of the City of NewYork, Line engraving black and white, sheet: 45.5 × 61 cm (17 15/16 × 24in.), Made in France, French, 18thcentury, Works on Paper -Prints

Pirna and the Castle of Sonnenstein, Print made by Robert Brandard, 1805-1862, British, after Robert Batty, 1789-1848, British, 1828, Etching on medium, slightly textured, cream wove paper

No. 36. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Print, Phaeton; Print Maker: William Wolleft; engraving (etching) on paper; Bequest of George Campbell Cooper; 1896-3-347

Landscape with dancing figures. Number 41 out of no detailed series / album. Landscape with left a seated figure with a drailer. To the right of him seven dancing figures. Right grazing animals. Two towers and a bridge in the background.

Expulsion from paradise, 1613 An angel with a flaming sword drives away Adam and Eva from Paradise. Adam and Eva are dressed in animal skins and run a hill with trees (Gen. 3:24). Various animals are depicted in the landscape. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching An angel with a flaming sword drives away Adam and Eva from Paradise. Adam and Eva are dressed in animal skins and run a hill with trees (Gen. 3:24). Various animals are depicted in the landscape. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Etching by Jacques-Philippe Le Bas showing the beginning of a hunt, including hunters, dogs, landscape, human figures, and 18th-century rural context.

Man with herd on a stone bridge, Jan Izaak van Mansvelt, 1771 - 1802 print In a landscape, a man floats his animals over a stone bridge. Netherlands paper etching landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Penesawr Castle 1776 England. Aquatint on cream laid paper . Paul Sandby

View of Vicovaro, obin, Vicus Varii, Sir Richard Colt Hoare, 1758-1838, British, 1786 to 1819, Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper, Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm), cityscape, genre subject, Grand Tour, landscape, Vicovaro

Saftleven, Herman, Holland, Reinhart, Johann Christian, Landscape with a swineherd, verso - stamped, print, prints, height 218 mm, width 237 mm, German, 1761-01-24 - 1847-06-09, print maker, printmaker, 1782 - 1782, paper, papier, etching, etchings, Work conception, Dutch, 1609 - 1685-01-05

William Radclyffe, 1780-1855, British, Ashby de la Zouch, 1832. Etching and engraving 1st state on thick, slightly textured, cream, wove paper, with gray chine colle.

Second View of the Environs of Antwerp (Seconde Vue des Environs d'Anvers). Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp); Joanna Fr. Ozanne (French, active 18th c.). Dimensions: Sheet: 11 7/8 x 14 1/8 in. (30.1 x 35.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Romantic Landscape with Figures and a Dog. Landscape. Gray wash, pen and brown ink on medium, cream, moderately textured laid paper. Height: 473 mm (18.62 in); Width: 581 mm (22.87 in). Author: Paul Sandby.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), landscapes and ruins of Rome. Landscape with a Corinthian marquee. Fourth issue of a suite of 13 rooms. (A. de Vesme 822; Dutuit 127) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with Mercury that guides two women, Dominique Barrière, After Claude Lorrain, 1668 print Rome paper etching (story of) Mercury (Hermes). landscape with ruins - II - ideal landscapes. sea

Blenheim, Oxfordshire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

The City of New York in the State of New York, North America, published Jany. 1, 1803. Birch, William Russell (1755-1834). Eno, Amos F., 1836-1915. Prints. 1803-01-01. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.) , 1800-1899, New York Harbor (N.Y. and N.J.) , 1800-1899

Copper engraving and etching by Pierre Laurent depicting a river landscape with two women washing clothes and a herd of cattle, created between 1759 and 1809.

John Hassell, 1767-1825, British, Autumn - Sowing Grain, 1812. Plain aquatint.

Titielprent 'Way and New Prospects ...' ..

Landscape with ruins and figures, Isaac de Moucheron, 1677 - 1744 print Landscape with classic sculptures and various excerpts of buildings. Groups are half -naked women. On the right in the background an arc. Amsterdam paper etching / engraving pastorals, Arcadian scenes. landscape with ruins. monument, statue

Twelve Views....in South Wales (First Welsh Set) Made 1775 England. Etching and aquatint on ivory laid paper . Paul Sandby

Landscape with hermit at Ruins, Nicolas Perelle, 1613 - 1695 print Numbered in the bottom right: f 4. paper etching landscape with ruins. anchorite, hermit

Wayfarer's Camp. Christian Wilhelm Ernst Dietrich; German, 1712-1774. Date: 1730. Dimensions: 188 x 220 mm (plate); 240 x 314 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Sailing trip of Willem V and Wilhelmina van Pruisen on the IJ, 1768, Simon Fokke, 1769 - 1773 print Sailing trip from Stadholder Willem V and Princess Wilhelmina van Pruisen on the IJ on return from Zaandam, on May 31, 1768. View of the many boats on the water, with spectators at guns on the quay. Part of a press series with title print and fourteen records of the breach of the prince and princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events - AA - festivities on the water IJ

Thomas Bruun (1742-1800), scene decoration for the "harrow", the kgl. Theater. Gentofte Church in the background., 1790

View of Mokotów and the surroundings. Vogel, Zygmunt (1764-1826), draughtsman, cartoonist

Copper engraving and etching by François-Jacques Dequevauviller, 1803-1848, depicting a landscape with farmers in front of an inn, showing figures, buildings, and natural scenery.

Margate, Kent, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

A View of the Lake etc. at West Wycomb, William Woollett, 1735-1785, British, 1757, Engraving on thick, moderately textured, cream, laid paper, Sheet: 17 7/8 × 23 11/16 inches (45.4 × 60.2 cm), Plate: 14 1/2 × 20 3/4 inches (36.8 × 52.7 cm), and Image: 13 × 19 7/8 inches (33 × 50.5 cm)

Fall, Aegidius Sadeler, Marcus Christoph Sadeler, 1620

Landscape with horse and cart, draughtsman: Daniël Dupré, 1785, paper, pen, brush, h 308 mm × w 260 mm

Bosquet of wrestlers. In the Tuileries Garden. / 2 (title registered (letter)) | Tuileries Garden (title of all)

TheCascade. Artist: François Vivarès, French, 1709-1780 After: Gaspar Dughet, French, active Italy, 1615-1675

Regina Katharina Quarry after Abraham Rademaker, Dutch Landscape, published 1782 Dutch Landscape

View of Rotterdam, Jacques Bacheley, after Jan van Goyen, 1755 - 1762 print print maker: Francepublisher: Parispublisher: Rouen paper etching river bank - HH - ideal landscapes. rowing-boat, canoe, etc. Rotterdam

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Autumn - Sowing Grain, John Hassell, 1767-1825, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Plain aquatint

William Finden, 1787-1852, British, Mannering, Hazlewood and Smugglers, 1836. Open etching.

Winter landscape, Dirk Jurriaan Sluyter, After Andreas Schelfhout, 1821 - 1886 print On a frozen speed is a horse with sled, in which two women and a child board. A man watches. Further on, a man skates with a sled he pushes. On the bank is a high, narrow house with turrets. In the background a mill and a tower. Amsterdam paper. etching winter ~ human activities (the four seasons of the year)

People collecting wood in the snow; representing winter. Etching by N. Perelle, 17th century.

Intake of Brielle, 1572, Simon Fokke, 1752 print The Watergeuzen van Lumey found fire and rams the city gate of Brielle, April 1, 1572. In the foreground two drummer and a flag soldiers. In the background ships in the water. paper etching / engraving capture of city (after the siege) Brielle

Walkers at Ruin, Nicolas Perelle, 1613 - 1695 print publisher: ParisFrance paper etching landscape with ruins (+ city(-scape) with figures, staffage)

Grape Harvest at the Gulf of Naples. Artist: Christoph Heinrich Kniep (German, Hildesheim 1755-1825 Naples). Dimensions: sheet: 6 x 8 7/16 in. (15.3 x 21.4 cm). Date: 1770-1825. Museum: Metropolitan Museum of Art, New York, USA.

View of Sion House from the Banks of the Thames, John Hassell, 1767-1825, British, after Nicholas Pocock, 1740-1821, British, Published by John Brydon, active 1784-1806, British, 1799, Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper, Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm), Plate: 13 7/8 x 18 1/4 inches (35.2 x 46.3 cm), and Image: 11 3/4 x 16 5/8 inches (29.9 x 42.3 cm), architectural subject, boat, boys, children, clouds, country house, family, fields, fishing, fishing pole, genre subject, horses (animals), leisure, manor house, park (grounds), playing, reeds, river, riverbank, rowboat, sailboat, trees

Etching and copper engraving by Marie Rosalie Bertaud from 1758-1778 depicting a rock formation piercing through a landscape, showing geological and natural features.

Reception of the Dutch ambassador outside Beijing, Anonymous, 1670 print With the city of Beijing (Beijing) in the background, the Dutch ambassador with his retinue is received by a Chinese diplomat. Under the image a legend. Amsterdam paper engraving / etching reception ~ ambassador. prospect of city, town panorama, silhouette of city Beijing

River landscape with a lock and travelers, Antoine de Marcenay de Ghuy, after Lucas van Uden, 1755 print Numbered below: No. 10. Paris paper etching river. castle

Haarlem, Overbeek, Leendert, Landscapes with figures, Two walkers at a farm, verso - stamped, print, prints, height 202 mm, width 162 mm, Noord-Nederlands, 1752-04-15 - 1815-03-24, print maker, prentmaker, 1791 - 1791, paper, papier, etching, etsen

Bril, Paul, Nieulandt, Willem van (II), River landscape with town and two hunters, recto lower right - handwritten, In the foreground two hunters walk with birds of prey and dogs. In the background a town with a high spire and a bridge on the river., print, prints, verso - stamped, 22, height 242 mm, width 318 mm, Noord-Nederlands, 1584 - 1635, print maker, prentmaker, 1594 - 1635, paper, papier, etching, engraving, engraving (printing process), brush, schilder, Work conception, 1554 - 1626-10-07

Face on a leak church, seen from the other side of the leak. Front figures and a horse. On the water sailing and rowing boats.

View of Nivezé at Spa, Anonymous, 1734 print paper etching city-view in general; 'veduta'. mineral water Spa

Alphonse Legros, Bend in the River (Un coin de riviere) Bend in the River (Un coin de riviere)

Landscape with grain harvest: August; August; The twelve months; Duodecim Anni Mensium. A landscape with harvesting farmers and cornstuff on the land, representing the month of August. Left for a group of resting figures. Down the astrological symbol of the Virgo Zodiac sign. Print from a series of twelve.

Winter Scene with Skaters, Roelant Roghman, c. 1650 - c. 1655, draughtsman: Roelant Roghman, c. 1650 - c. 1655, paper, pen, brush, h 133 mm × w 184 mm

Landscape Near Rome, 1749-55. Richard Wilson

Print, Vüe de Merenbourg de Coté du Jardin ; Netherlands; engraving on paper; 1919-10-68

Summer, Franz Gabet, after Jan van Goyen, c. 1790 - c. 1820 print Landscape with a road along a house. On the left a few figures by a horse with car, on the right two men are in the grass. Print from a series of the four seasons. paper etching summer landscape; landscape symbolizing summer (the four seasons of the year). summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months). (farm) wagon, freight wagon, cart. two-wheeled vehicle drawn by one animal

The ruin of a fountain in Bergen op Zoom, Simon Fokke, After Cornelis Pronk, 1772 - 1780 print View of a destroyed fountain with debris. To the right of the fountain a group of adults and children. Water with sailing ships in the background. paper etching landscape with ruins. ornamental fountain (in village) Bergen op Zoom

Etching by Joseph de Longueil depicting a Flemish interior or scene, created between 1750 and 1792.

Archibald Robertson, Mending Nets on the Hudson River, New York, 1804 Mending Nets on the Hudson River, New York

Ruin of Castor and Pollux temple within walls of ancient Agrigento, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 367 mm × w 526 mm

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