Pastoral Landscapes and Hunting Scenes

A collection of 18th and 17th-century prints depicting serene landscapes, hunting scenes, and rural life, featuring lush trees, water bodies, and human figures.

Running man, Andries Cornelis Krijgeer, 1810

View of Palace Honselaarsdijk with hikers, Carel Allard (Attributed to), 1689 - 1702 print View of Honselaarsdijk with four hikers, meadows with sheep and cows in the foreground, and a moving carriage in front of the palace on a road. Print from a series of seventeen prints from Palace Honselaarsdijk. Amsterdam paper etching palace Palace Honselaarsdijk

Het Gezigt van Indramago boven Beuijtenzorg binen op t' Pleijn, met desselfs Speelheuijs, Water Fonteijne en Bruggen (title on object). Draughtsman: Johannes Rach (signed by artist). Dating: 1770. Place: Buitenzorg. Measurements: h 37 cm × w 53 cm. Museum: Rijksmuseum, Amsterdam.

The Tempest, Act I: Ferdinand and Miranda. Artist: After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)); After George Barrett (Irish, Dublin 1728/32-1784); After Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: Plate: 13 15/16 × 14 15/16 in. (35.4 × 38 cm)Sheet: 15 3/4 × 19 5/16 in. (40 × 49 cm). Engraver: Samuel Middiman (British, 1751-1831). Publisher: John & Josiah Boydell (British, 1786-1804). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1788.On a rocky shore, Miranda catches sight of Ferdinand for the first time. Her father Prospero stands beside his daughter as the spirit Ariel plays a lyre, and the disgruntled Caliban watches at left. Cipriani and Barret's conception of this famous scene from Shakespeare's "Tempest" emphasizes the dramatic coastline in keeping with an established Franco-Italian tradition of landscape painting. The oval shape and small figures suggest

The Flight intoEgypt. Artist: Johann Esias Nilson, German, 1721-1788

Eugen Napoleon Neureuther, Heute Roth, Morgen Tod (Today Red, Tomorrow Dead), 1839 Heute Roth, Morgen Tod (Today Red, Tomorrow Dead)

Rijn, Rembrandt van, Segers, Hercules, The Flight into Egypt: on a plate by Seghers, verso lower center, print, prints, height 211 mm, width 284 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, burin, 1590 - 1640, Work conception, after own design by

Joseph Mallord William Turner and Samuel William Reynolds I, The Woman of Samaria, published 1819 The Woman of Samaria

Walk in S. Andrea. (Trieste). Spaziierort Zu S. Andreas (Triest).

Figures at a hexagonal building in a landscape; Amoenissimae Aliquot Regiunculae; Landscapes and ruins.figures with a Hexagonal Building in a Landscape. First Print from a Series or Eighteen.

Group of bucolic landscapes. Rustic scenes with trees, ruined arches, barns, parks, and a picnic. Handcoloured copperplate engraving from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Peter Paul Rubens (After); Andreas Pic de Leopold (Lithographer) (The original work, according to inscriptions, attributed to Brueghel the Elder, Jan (Jan 'Velvet' Brueghel)); Jan Brueghel The Elder (Jan 'velvet' Brueghel) (After); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Vision of Saint Hubert'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Etching by Louis Crépy titled 'La Perspective,' illustrating architectural forms and spatial depth, created around 1729.

Landscape with Architecture n.d. Isaac de Moucheron Dutch In Holland at the turn of the eighteenth century, the taste for more elaborate room decoration created a demand for large landscapes, including imaginary garden scenes. This drawing by Isaac de Moucheron, dated ca. 1730, illustrates an imaginary Italianate garden filled with classical architecture and statuary. Beautiful in its own right and much sought after by collectors, the main idea and composition of this drawing may have been used for a larger wall design, carrying the nostalgic atmosphere of a lost arcadia into the Northern European mansion.. Landscape with Architecture 347552

Two men at Stenen Cartouche, Hermanus Fock, 1801 print A man with a dog points to a large stone cartouche between two trees. He looks at a second man who takes his hat. Amsterdam paper etching baring the head, lifting one's hat. landscapes (+ landscape with figures, staffage)

Design for a scenic scene; Pastoral, second scene; 2A Scena della Pastoral Rap presentant UNA forest careccia con Pergolat (...); Theater designs by Francesco Galli Bibiena. Design for a scenic scene with two men and two women in a garden. Italian title in undermarge.

Spring, print maker: Gillis van Scheyndel I, Willem Pietersz. Buytewech, c. 1622

St. Catherine's Hill near Guildford, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by J. C. Easling, fl.1788-1815, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm), Plate: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)

A south east view of the City of New York, in North America. 1. New Colledge. 2. Old English Church. 3. City Hall. 4. French Church. 5. North River. 6. Staten Island. 7. The prison. Howdell, Thomas (fl. 1760-1769). Eno, Amos F., 1836-1915. Prints. 1730 - 1777. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.), New York Harbor (N.Y. and N.J.)

View of the avenues in the garden of the Petersburg house, Isaac Greve (Possible), After Daniël Stopendaal, 1719 - 1780 print paper etching French or architectonic garden; formal garden. lane, alley North Holland

Bords du Ruisseau à Rossillon, Adolphe Appian, French, 1818 - 1898, Etching on paper, France, 1867, Print, Print

Syrmien, Markt und Ruinen des Schlosses Sharengrad. Jakob Alt (Austrian, 1789-1872). Lithograph;

View of a harbor, Aegidius Sadeler (II), After Roelant Savery, 1624 - c. 1650 print View of a port in rocky landscape. On the left a country road with travelers and a dog. The second print of a six -part series with landscapes from Tyrol. publisher: Praagpublisher: Venice paper engraving harbour. road, path. river (+ landscape with figures, staffage)

Etched by Joseph Mallord William Turner, 1775-1851, British, Water Mill, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

Resting shepherds and travelers on the Waterkant, Pierre François Laurent, after Nicolaes Pietersz Berchem, 1773 print print maker: Francepublisher: ParisFranceFrance paper etching / engraving herd, flock. crossing a river

James T. Willmore, 1800-1863, British, Byron's Dream, 1833. Line engraving on thick, moderately thick, cream, wove paper.

Print made by Robert Wallis, 1794-1878, British, Kelso, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

Etched by Joseph Mallord William Turner, 1775-1851, British, Scene in the Campagna, 1812. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

Morning or the Benevolent Sportsman, Joseph Grozer, ca. 1755-1798, British, after George Morland, 1763-1804, British, 1795, Mezzotint, printed and hand colored, Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

An anonymous drawing depicting a fête galante with elegantly dressed figures gathered around a statue, executed with ink and wash.

Spanish Campaign: The Mires of Valderas, Province of Leon. Baron Louis Albert Guillain Bacler d'Alber (French, 1761-1824). Lithograph;

Landscape with the cemetery of the Van der Capellen family, Izaak Jansz. de Wit, after Johan Antonie Kaldenbach, 1788 - 1790 print Landscape with the cemetery of the Van der Capellen family with two walkers in the foreground with a dog and two riders. In the background a shepherd with a herd and a hay wagon. Amsterdam paper etching landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.. riding a horse, ass, or mule; rider, horseman. dog. hay-wagon Gorssel

Joseph Mallord William Turner and Thomas Goff Lupton, Dumblain Abbey, published 1816 Dumblain Abbey

Farmhouse with countrymen at harvestman and haystack, draughtsman: Jacob Cats (1741-1799), 1788, paper, brush, h 123 mm × w 163 mm

View of the fountain of Geronstere near Spa, Anonymous, 1734 print paper etching city-view in general; 'veduta'. mineral water Spa

John Ogborne the Elder, 1755-1795, British, As You Like It: Act II, Scene VII: The Seven Ages Man (second age), 1801-1803. Engraving.

View of the Mniszchów Garden at ul. Senatorska in Warsaw; Wojniakowski, Kazimierz (1772-1812); around 1800 (1795-00-00-1805-00-00);Palace Mniszchów (Warsaw), Rewski, Zbigniew Barnaba (1905-1989), Rewski, Zbigniew Barnaba (1905-1989)-collection, Warsaw (around), garden architecture, aristocracy, parks (gardens), landscapes, Poland (culture), Polish drawings, genre scenes, walks, meetings (genre scenes), terraces, purchase (provenance), social life

Oven with shovel. A sight on a semicircular oven in a forestish landscape. There is a large wooden shovel against the side of the oven. The door of the oven is carricated with a long branch.

Watchtower and a man with four pigs, Isaac major, after Pieter Stevens (I), after Pieter Stevens (II), 1586 - 1630 print paper engraving hoofed animals: boar

Flooding at the mill water and the port in Veere, 1808. Flooding at the mill water and the port in Veere. Illustration for a publication about the flood in Zeeland on January 14, January 1808.

1. Trocnow, birthplace of the famous Joann Zischka. 2. The repealed pen Forbes in the Budweiser circles. Arrow. v. Adalb. Juhn, according to. V. J. Venuto 810.

The letter no. 1 , Correspondence, Monks. Thomas Rowlandson (1756-1827). Prints and Drawings

The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man. Artist: Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783-1853 Copenhagen). Dimensions: sheet: 13 1/4 x 18 3/16 in. (33.7 x 46.2 cm). Date: 1809.This early drawing by the "father of Danish painting" prefigures in many ways the interests that were to occupy Christoffer Wilhelm Eckersberg in his maturity: landscape and topography, marine painting, perspectival drawing (an obsession of his, here noticeable in the exact depiction of the slightly varying positions of the cannons), the almost mathematical principles underlying his masterful compositions, and a pure and elegant drawing style akin to that of his future teacher, Jacques-Louis David. In an almost inconspicuous way, it is also a depiction of the so-called Gunboat War (1807-14), a naval conflict between Denmark and Norway on one side and the British empire on the other. The cannons in the middle ground and the Britis

Porto Grande, 5 December 1842; Templtei, Julius Friedrich (1802-1870), Adalbert (Ksi Prussian; 1811-1873); 1847 (1847-00-00-1847-00-00);

La statue du dieu Pan (Statue of the God Pan). Medium: color aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: after Henri Nicolas van Gorp.

Herrhut Bey Zittau Dedication: The Weightweben Miss Landeshauptmann and Cammerherrin W. S. C. by Schönberg Drawing of Broitzem dedicated to their surrounding servants C. G. Schultze

Danse à l'italienne. Parrocel, Etienne, 1696-1776. Prints, Poetry. 1750 - 1759. Jerome Robbins Dance Division. Dance , Italy

Venice, Cavalli, Nicolo, Vernet, Claude Joseph, Italy, Pedro, Francesco del, Landscapes with fishermen, Landscape with fishermen, verso - stamped, In the foreground two figures are bringing a fishing net from a boat onto the land. On the shore stands a man with two fishing rods in his hand. Next to him sit two women. In the background other fishing figures and buildings. In the lower margin three verses from Voltaire's poem 'Le Mondain' (1736)., print, prints, School for the graphic arts in Utrecht, height 341 mm, width 435 mm, Italian, print maker, printmaker, 1749 - 1806, paper, engraving, engraving (printing process), etching, French, 1714-08-14 - 1789-12-03, after, after painting by, Publication (Event), Publication, 1730 - 1822, publisher

Samuel William Reynolds, 1773-1835, British, Coaching: The Mail Coach, 1801. Mixed engraving.

No. 35. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

A gray pen and watercolor drawing by Johann Heinrich Müntz from 1770-1776 depicting a landscape with park architecture and a rural figure staff, over pencil traces, with black-brown edging lines.

Print made by John Greig, active 1800-1853, British, Keep of Dudley Castle, 1810. Etching on moderately thick, slightly textured, cream wove paper.

A black-gray pen and watercolor drawing by Johann Heinrich Müntz from 1770-1776 showing a wide river landscape with castle ruins and a figure staff, with black-brown edging lines.

A holiday in town, draughtsman: Jean Honoré Fragonard, 1775 - 1780, paper, brush, h 348 mm × w 431 mm

La Foire de Village 1788-94 Charles Melchior Descourtis. La Foire de Village. Charles Melchior Descourtis (French, Paris 1753-1820 Paris). 1788-94. Color aquatint, etching, and engraving; proof. Prints

Fall of the Tees, John Landseer, 1769-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Line engraving and etching on moderately thick slighlty textured, cream, wove paper, with cream, chine colle, Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm), Plate: 11 9/16 × 17 9/16 inches (29.4 × 44.6 cm), Chine collé: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), and Image: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)

Versailles, Gardens, Water Theatre, Etching and engraving. Black ink on rolled paper., Horizontal rectangle: A theatre with surrounding tiers of seats and jets of water. Rear center, a raised stage with lowered cascade at its forefront. In the stage background and wings, one central and two diagonal allees with cascades and water jets. Strolling and seated people and coaches., France, 1730, Print, Print

Anno 1718 die 20 Aprillis haben Thro Hochfürstl. Durchl. Wilhelm Friderich. Marggraff zu Anspach disen Haasen bey Windspach Gebaizet.. Ridinger, Johann Elias (1698-1767). Prints, Illustrations, Scientific illustrations. 1740. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Make creatures. The hermitage.

Biała Szlachecka. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

A Sandpit. Painting. Watercolor, pen and brown ink and graphite on thick card. Height: 210 mm (8.26 in); Width: 276 mm (10.86 in). Author: Paul Sandby.

Promenade at seven at SPA (in: Les Délices de spa et de Ses Envions); Fourmois, Théodore (1814-1871), Lauters, Paulus (1806-1875), Dewasme-Plétinckx, Antoine (1797-1851); 1839 (1839-00-00-1839-00-00);

Svislach. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

A Family, from 'Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Klopstock, Friedrich Gottlieb .

Kaunas. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

View of the avenues in the Saint James's Park in London, Robert Sayer, After Jacob Maurer, 1751 print Left Saint James's Palace. In the background on the right Westminster Abbey. publisher: Londonpublisher: Londonprint maker: England paper. watercolor (paint) etching / brush public gardens, park (+ city(-scape) with figures, staffage). avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage). palace. church (exterior) St James's Park. St James's Palace. Westminster Abbey

Gipseying Party ca. 1830 Asher Brown Durand American. Gipseying Party 394449

Samuel Davis, 1757-1819, British, At Haughley, 1785. Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper.

Plate 12, Outlines of Figures, Landscape and Cattle...for the use of learners August 6, 1790 Thomas Rowlandson. Plate 12, Outlines of Figures, Landscape and Cattle...for the use of learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). August 6, 1790. Hand-colored etching. S. W. Fores (London). Prints

Make creatures. The urn found in the earth.

Charles Grignion, 1717-1810, British, A View of the Bridge at Walton-on-Thames in Surrey, 1752. Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper.

Chinoiserie, Jean-Baptiste Pillement, French, 1728-1808, Engraving on paper, France, Europe, 18th century, Print, Print

unknown artist, A View near Greenwich in Kent, 1771. Hand colored engraving.

Sarazins grave on the coast near Toarmine, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper brush / pen

Design for a room painting with face through a fence on a garden, peacocks and garden tools, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, brush, pen, h 461 mm × w 296 mm

Graf van Sarazins aan de kust bij Toarmine. Tombeaux Srazins sur le bord de la mer près de Tavormine (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 222 mm × w 349 mm. Museum: Rijksmuseum, Amsterdam.

"Ancient tomb in the Gardens of Pallazuola" (likely Palazzola) plate-book by John Middleton, archaeologist. Circa 1810s from "Grecian remains in Italy, a description of Cyclopean walls and of Roman antiquities, with topographical views of Ancient Latium"

Dansers op een terras voor een herberg; le fandango (title on object). Draughtsman: Otto Baron Howen (mentioned on object). Dating: 1812. Place: Spain. Measurements: h 214 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

View on Russian Ducha in Saint Petersburg by anonymous artist, painting, Russia, St. Petersburg, State Russian Museum, 54, 2x71, 6

Memorial in the garden of Palace Het Loo; The fame. Memorials on 's konings lust lock "Het Loo". The text is on the memorial: "To Willem III in memory of the floods in January and February 1861". Above the text The arm of the royal family and the personification of fame with a laurel wreath and trumpet. In addition to the memorial, two men and a woman are. Right run two dogs over the grass.

Conversation over the gardeners, Louis Charles Horles Siccama, 1876 print A well -to -do young woman bends over the garden wall towards a man who stands upright in a rowing boat on the Vecht. Utrecht paper. etching / drypoint conversation, dialogue; conversation piece

Allegory on Kamtsjatka and the Kurilen; DAMYING OF KAMSSCHATKA and the Kurilsche Islands; Title page for: Stepan Krasheninnikov, Nature expert and NatuurDelly Differve from Kamtschatka and the Kurilsche Islands, 1770. A man, a woman with baby, a young woman with toll and a dog are standing in front of a home. In the background a boat on the water and a church tower in a mountain landscape.

Friday: Meadow before Aigen Near Salzburg. Ferdinand Olivier; German, 1785-1841. Date: 1823. Dimensions: 208 x 279 mm (image); 732 x 529 mm (sheet). Lithograph with tint-stone on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Face in Rijswijk Batavia, Charles William Meredith van de Velde, 1838 - 1898 drawing paper. deck paint. pencil. watercolor (paint). gouache (paint) brush Rijswijk. Batavia. Rijswijk

Landscape with a Hunting Party. Artist: Barend Cornelis Koekkoek (Dutch, Middelburg 1803-1862 Cleve). Dimensions: sheet: 8 1/16 x 10 1/2 in. (20.4 x 26.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Esterno di una capanna, a scene created for the serious pantomime ballet 'Il naufragio di la peyrouse,' performed at the I. R. Teatro alla Canobbiana under William Barrymore in the autumn of 1825. Designed by A. Sanquirico and engraved by Carolina Lose, this work is part of a collection of various scenic decorations invented and executed for the I. R. Teatro alla Scala in Milan. Issued in 1825 by Antonio Bossi Editore in Milan

Anne Rushout, ca. 1768-1849, British, From Window at Garnestone, September, 1824 to 1832. Watercolor on moderately thick, slightly textured, cream wove paper.

Eventide - October/ The VillageInn. Artist: Currier & Ives, American, active 1834-1907

View of the pond of the garden of the Palais de Fontainebleau, Anonymous, 1700 - 1799 print paper. cardboard. watercolor (paint) etching / brush palace. garden. garden pond Palais de Fontainebleau

'South East Prospect of his Grace the Duke of Queensberry's seat at Drumlanrig', Scotland, 1775. Artist: Michael Angelo Rooker

Joseph Cartwright, c.1789-1829, British, Queens College in the University of Cambridge. Colored aquatint.

Design for a Wall Decoration in a Hall: View of a Garden with a Statue, Fountain and Urns. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 382 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Shakspeare. Merchant of Venice, act V, scene I : A grove & lawn before Portia's house : Jessica, Lorenzo, and Stephano , Houses, Lawns, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merchant of Venice. Thomas Pennant Barton Collection

Taujenai. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Kaiser, Johann Wilhelm (I), Sheet with various scenes and attributes from the life of the Batavians, Various scenes and attributes from the life of the Batavians, indicated on the print as: 1. council meeting of the Batavians; 2. Wedding ceremonies of the Batavians 3. Funeral ceremonies of the Batavians 4. Coats of arms of the Batavians 5.6. Heads of Batavians 7. the Goddess Nehalennia 8. A Hune bed 9. Antiquities found in the Hunebedden., print, picture, historical print, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 292 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1838 - 1840, second quarter 19th century, paper, steel engraving, intermediary draughtsman

The Platane of Trons, vintage engraved illustration. Magasin Pittoresque 1858.

Shooting: Verse 3. Thomas Sutherland (English, active c. 1785-1827); after Dean Wolstenholme (English, 1798-1882); published by Rudolph Ackermann (English, born Germany, 1764-1834). Date: 1819. Dimensions: 175 × 250 mm (image); 228 × 275 mm (sheet). Hand-colored aquatint and etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Reception of the Dutch ambassador outside Beijing, Anonymous, 1671 print With the city of Beijing (Beijing) in the background, the Dutch ambassador with his retinue is received by a Chinese diplomat. Under the image a legend in English and Dutch. London paper engraving / etching reception ~ ambassador. prospect of city, town panorama, silhouette of city Beijing

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