Pastoral Landscapes and Rural Life

Prints showcasing serene landscapes with farms, villagers, and nature, highlighting idyllic rural life and natural beauty.

A landscape with a house in front of which a man, a woman and a child (Abraham, Hagar and Ishmael) are standing (Gen. 21:9-21). The man has his right hand extended in a pointing gesture. In the center foreground three resting shepherds. Eleventh print from part three of a series totaling sixty prints of landscapes, divided into five parts of twelve prints each., Landscape with the Sending Away of Hagar and Isamel Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

A landscape with a house in front of which a man, a woman and a child (Abraham, Hagar and Ishmael) are standing (Gen. 21:9-21). The man has his right hand extended in a pointing gesture. In the center foreground three resting shepherds. Eleventh print from part three of a series totaling sixty prints of landscapes, divided into five parts of twelve prints each., Landscape with the Sending Away of Hagar and Isamel Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

View of a village with mill on the water, Henri François Schaefels, 1860 print paper. etching village. windmill in landscape. water course

Figures at a Boerenhofstede, Jabes Heenck, 1780 print Northern Netherlands paper etching farm or solitary house in landscape (+ city(-scape) with figures, staffage). wheelbarrow. he-goat, billy-goat

Jager in a landscape, David van der Kellen (1804-1879), 1814 - 1879 print In a landscape a hunter walks with his dog on a path. To the left of the hunter is a farmhouse and in the background the contours of a church tower and a windmill are visible. paper etching hunter. hunting dogs. windmill. farm or solitary house in landscape - II - ideal landscapes

View of Etterbeek; Etter beecke; Faces from the Brussels area. View of the hamlet of Etterbeek, near Brussels. The print is part of a series of faces from the Brussels area.

Figures on a country road near a farmhouse. A man makes a pointing gesture. Second print in part four of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures on a country road near a farmhouse Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Jager in a landscape, David van der Kellen (1804-1879), 1814 - 1879 print In a landscape a hunter walks with his dog on a path. To the left of the hunter is a farmhouse and in the background the contours of a church tower and a windmill are visible. paper etching / drypoint hunter. hunting dogs. windmill. farm or solitary house in landscape - II - ideal landscapes

Landscape with Polish Farmstead, 1777, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 1 3/4 x 3 13/16 in. (4.5 x 9.7 cm) (image)2 7/16 x 4 1/16 in. (6.2 x 10.3 cm) (sheet), Etching and drypoint on woven Japan, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Landscape near Antwerp, draughtsman: Monogrammist IVLER, 1563, paper, pen, brush, h 154 mm × w 198 mm

Landscape, from Deuxieme Cahier de Paysage. Nicolas Pérignon; French, 1726-1782. Date: 1772. Dimensions: 111 × 178 mm (plate); 160 × 250 mm (sheet). Etching on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Figures on a country road at a farm; Landscapes; Amenissimae Aliquot Requculae. Figures on a country road at a farm. A man makes a pointing gesture. Second print of part four of a series of sixty prints with landscapes, spread over five parts of each twelve prints.

Farms on a speed: a face on Diemen or Ouderkerk aan de Amstel. Mirror-image copy to the Print of the same name from Rembrandt.

Boy with hoop at a farm, Hendrik Marcus Schouten, After A.W.H. de Mari, 1815 print A boy with a hoop in his hand is at a farm. A woman looks outside the door. Hanging a washing line was to dry. paper etching (bowling a) hoop. farm or solitary house in landscape. accessories and implements ~ laundering, e.g. clothes-peg, drying frame, (empty) washing line

Artist: Anthonie Waterloo, Dutch, 1610-1690, La grande tilleul devantl’auberge, Etching, 22.5 × 28.1 cm (8 7/8 × 11 1/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Alphonse Legros, Rustic Scene (Scene rustique) Rustic Scene (Scene rustique)

Country road at a farm, Jacobus Cornelis Gaal, 1854

. Landscape with farm, farmer with shovel and peasant woman with wheelbarrow, working on their country. On the left a path with a man with cow. On the left in the background farmers and horses in a field. Before the air. Fourth from a series of thirteen with months.

Basan, Pierre François, Amsterdam, Ottens, Josua & Reinier (II), Waterloo, Anthonie, Landscapes with buildings, Man in a rowing boat near a house on the water, On the left a house on the water. In front of the house a fisherman moors his rowing boat. To the right in the distance lies a city., print, prints, height 95 mm, width 140 mm, Northern Netherlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, French, 1723-10-23 - 1797-01-12

Portret Van Victor de Riqueti, Marquis de Mirabeau, Antoine de Marcenay de Ghuy, after Jacques-André-Joseph Aved, 1758 print Numbered bottom left: planche no. 16. Paris paper etching historical persons. human figure at (open) window, seen from outside. helmet

View of a village with inhabitants near a milk maid, Cathérine Elise Cousinet, after David Teniers, 1762 print paper etching / engraving milkmaid. village

Village scene with woman with yoke, draughtsman: Jacob Cats (1741-1799), 1765, paper, brush, h 90 mm × w 127 mm

Figures on a country road near a farmhouse. A man makes a pointing gesture. Originally the second print in part four of a series of sixty prints with landscapes, divided into five parts of twelve prints each. Marked in the upper right: Pl.59., Figures on a country road near a farm Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Landscape with the Merciful Samaritan who sales the wounded traveler at an inn, Raphaël Sadeler (II), After Paul Bril, 1594 - 1632 print Landscape with a village and an inn. On the left, the merciful Samaritan pays an innkeeper to further nurse the wounded traveler. The robbed man is brought into the inn by two servants. München paper engraving / etching the Samaritan and the wounded traveller arrive at the inn; the traveller is cared for. village

A village with stone houses and a mill on a river on which a man sails in a rowing boat. In the street a woman with child and a horse and carriage, Village by a river., print maker: Johannes Huibert Prins, in or after 1776, paper, etching, h 130 mm × w 153 mm

Spring landscape with spring scenes. April is the grass month. In the foreground a shepherdess is letting her sheep graze outside again. Part of a series of the twelve months, each month is depicted with its typical human activities and climatic features., April Aprilis The twelve months (series title), print maker: Julius Goltzius, Gillis Mostaert (I), publisher: Hans van Luyck, Antwerp, c. 1560 - 1595, paper, engraving, w 169 mm × h 124 mm

Three men in a boat, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print River face with three men in a boat and two houses on the waterfront. In the background the contours of a church. paper etching / drypoint rowing-boat, canoe, etc.. church (exterior). river. farm or solitary house in landscape

Artist: Jacob Salomons z. Ruysdael, Dutch, 1630-1681, Le PetitPont, Etching, 19.7 × 28.2 cm (7 3/4 × 11 1/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Two figures for a farm at Zwolle.

Claes Jansz Visscher after Johannes van Doetechum, the Elder after Lucas van Doetechum after Master of the Small Landscapes, Fields and a Road, published 1612 Fields and a Road

Bleed fields in the dunes at Haarlem; Faces at Haarlem. View of pale fields in the dunes of Haarlem. In the foreground the linen is explained and bleached. In the background a group of farms. This print is part of the 'Faces at Haarlem' series.

Landscape with farms on Landweg, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 - 1614 print Amsterdam paper etching farm or solitary house in landscape

Farmers play Jeu de Boules, Anonymous, After David Teniers (II), 1636 - 1679 print Farmers play 'Jeu de Boules' at an inn. A man watches from a bench. Antwerp paper etching 'lawn bowling'. Inn, Coffee-House, Public House, etc.

. Landscape with a figure at work for a shed, left a dog runs.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Merzbach, Ludwik (1820 1890), Żupański, Jan Konstanty (1804 1883)

The Swan's Inn, plate 6 from Regiunculae et Villae Aliquot Ducatus Brabantiae ca. 1610 Claes Jansz. Visscher Dutch. The Swan's Inn, plate 6 from Regiunculae et Villae Aliquot Ducatus Brabantiae 415282

Clair-obscur woodcut by Hendrick Goltzius depicting a rural landscape with a farm, fields, paths, and natural surroundings, created between 1580 and 1617.

Landscape with Christ that runs over the water, Julius Goltzius, After Hans Bol, c. 1560 - 1595 print Christ runs over the water of Lake Galilee. He sticks out his hand to Peter, who tries to walk to his teacher, but sinks in the water. In a boat four of the other disciples. In the background a bridge and a shepherd with his sheep. The print is part of a four -part series of landscapes with scenes from the old and New Testament. Antwerp paper engraving Peter steps out of the boat and tries to walk on the water towards Christ. landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)

Saint Cloud (), draughtsman: Georges Michel, 1773 - 1843, paper, h 100 mm × w 155 mm

The Three Cottages on the Hill. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 3 15/16 × 5 5/8 in. (10 × 14.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Boer and farmer's wife in a rowing boat, Jan van de Velde (II), 1639 - 1641 print Boer and farmer's wife in a rowing boat in which two tons, on a river along a farm. A stone bridge in the background. 30th print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / pen rowing-boat, canoe, etc.. landscape with bridge, viaduct or aqueduct. farm (building). river. wooden container: barrel, cask, bucket

Tempio di Giove Olimpico in Villa Adriana. Dated: 1795. Dimensions: plate: 28.1 x 37.9 cm (11 1/16 x 14 15/16 in.) sheet: 39 x 49 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Landscape with a cow drinking, Rembrandt van Rijn, c. 1650 print paper etching / brush / drypoint cow

Krajobraz z zabudowaniami. Menzel, Adolph (1815-1905), graphic artist

The Lock. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1832-1834. Dimensions: 574 × 499 mm (image); 696 × 524 mm (plate); 701 × 527 mm (sheet). Mezzotint on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

View of a Scheepstimmerwerf, Hendrik Spilman, After Herman Saftleven, 1742 - 1784 print Haarlem paper etching

Shipyard on a frozen channel, Claes Jansz. Visscher (II), After Cornelis Claesz van Wieringen, 1613 print On a frozen channel, ships are worked on left and right. People skate on the ice. Amsterdam paper etching pier, quay, wharf. ships, boats on land, beached. skates (winter sports)

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Dike breach at Dreumel, 1855, verso center bottom - stamped, Landscape with dike breach at Dreumel during the flood disaster in 1855. 'n.19' is printed below the image., print, prints, height 126 mm, width 214 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Inn in Anrath, Cornelis Ploos van Amstel, after Lambert Doomer, after Gerbrand van den Eeckhout, 1821 print Inn 'Zur Blauen Hand Am Kirchhof' in Anrath. In the doorway a woman with child on her arm. Next to the inn a large tree and some figures underneath. On the left a pig. Amsterdam paper etching village. trees. pig

Winter landscape with skaters on the ice. To the left, a brewery., Winter landscape with skaters at a brewery, print maker: Jan van de Velde (II), publisher: Cornelis Willemsz Blaeu-Laken, Amsterdam, 1627, paper, etching, letterpress printing, h 82 mm × w 174 mm

Villagers Skating on a Frozen Pond. Dated: 1625. Dimensions: overall: 18.9 x 14.3 cm (7 7/16 x 5 5/8 in.). Medium: black chalk with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: ESAIAS VAN DE VELDE.

Spinning woman for a house, Adriaen van Ostade, 1652 print In the yard in front of a house a woman is spinning, next to her a man with one hand is stabbed in his shirt. A child plays on the ground. Two pigs rest for a stable and there are all kinds of household attributes such as a broom and wicker basket against the facade of the house. Haarlem paper etching spindle. mother and baby or young child

Two identical landscapes one above the other with houses on the left and right. In the center is a tree, to the right two figures are walking along the road. The upper landscape concerns a print yet to be worked out, the lower landscape has been completed. Printed from two plates, the lower print is numbered 3 in the top left corner, Two landscapes Landscapes , print maker: Christian Friedrich Fritzsch, 1729 - 1774, paper, etching, h 104 mm × w 140 mm × h 108 mm × w 141 mm

A Farm with ThreeFigures. Artist: Unknown After: Adriaen de Bie, Flemish, 1593-1668

Design for a print, The road to Leiden outside Haarlem, draughtsman: Claes Jansz. Visscher (II), 1607, paper, pen, h 127 mm × w 190 mm

The Hamlet, 1867. Charles-Émile Jacque (French, 1813-1894). Etching;

Commanderij te Maasland.Leaf 9 Recto from a sketchbook with 78 sheets.

View basket; Vogel, Zygmunt (1764-1826); 1785 (1785-00-00-1785-00-00);Koszyki (Warsaw), Krasiński, Adam (1870-1909) - collections, Mniszech (family) - collections, Mniszech, Leon Wandalin (1849-1901), Mniszech, Leon Wandalin (1849-1901) - collections, Mniszech, Michał Jerzy Wandalin (1742-1806), Mniszech, Michał Jerzy Wandalin (1742-1806)-collections, Raczyński, Edward (1847-1926)-collection, Raczyński, Karol Roger (1878-1946)-collection, residential buildings, peasants, landscapes with buildings , dog, animal, induts, views, city views, purchase (provenance)

Riverbank with Serpent. Artist: Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 6 1/4 × 9 3/16 in. (15.8 × 23.4 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with farm and water, Anonymous, After David Teniers (II), 1636 - 1679 print Landscape with a farm on the left and water on the right. In the foreground two men in conversation and a rowing boat on the water. A windmill in the background. Antwerp paper etching water course. rowing-boat, canoe, etc.. windmill in landscape

Gezicht op Lembeek. Lembeek (title on object). Draughtsman: Constantijn Huygens (II). Dating: 30-Jul-1675. Measurements: h 108 mm × w 164 mm. Museum: Rijksmuseum, Amsterdam.

La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4 1633 Jacques Callot French. La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; first or second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Village Street. Dated: published 1559/1561. Medium: etching retouched with engraving. Museum: National Gallery of Art, Washington DC. Author: the Elder and Lucas van Doetechum after Master of the Small Landscapes Johannes van Doetechum.

Spaarndammerdijk at the Braakjes. Draughtsman: Claes Jansz. Visscher (II). Dating: c. 1605 - c. 1615. Measurements: h 106 mm × w 161 mm. Museum: Rijksmuseum, Amsterdam.

Face in the village of Value, on South Beveland, Anonymous, c. 1700 - c. 1800 drawing paper. pencil brush prospect of village, silhouette of village South Beveland. Value

Vielle Bourrine, Maison du Marais, Vendée, 1892. Auguste Louis Lepère (French, 1849-1918). Etching;

Landscape with small jetty and man walking with bucket, print maker: Albertus Brondgeest, , Netherlands, 1796 - 1849, paper, etching, brush, h 80 mm × w 105 mm

Kegelaars for an inn, c. 1860 - c. 1900 print Amsterdam paper etching ninepins, skittles (+ out of doors (sports, games, etc.))

Flood in Lith, Charles Rochussen, 1855 print Flood in the village of Lith. A number of people are evacuated with a rowing boat. The print is part of a series of 24 prints about the flood disaster of 1855. Amsterdam paper etching flood. rescue work during a flood Lith

Amsterdam, Springer, Cornelis, Girl at a well, verso - stamped, print, prints, height 119 mm, width 91 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1843 - 1843, paper, papier, etching, etchings

Vue d'un ancien chateau scitué sur le chemin de Rome à Naples from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); after Hubert Robert (French, Paris 1733-1808 Paris); Adélaide Allou (French). Dimensions: Plate: 9 1/2 × 7 5/16 in. (24.2 × 18.5 cm)Sheet: 12 15/16 × 9 3/4 in. (32.9 × 24.7 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Series/Portfolio: Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

At Neuilly (Seine), 1864. Maxime Lalanne (French, 1827-1886). Etching;

Rural face near Antwerp, monogrammist IVler, 1563 drawing paper. ink pen / brush Antwerp

Onnaing. Au Camp de Honnain (title on object). Draughtsman: Constantijn Huygens (II). Dating: 21-May-1676. Measurements: h 112 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.

Skaters and Kolfers on the ice for farms, Anonymous, After Esaias van de Velde, 1617 print paper etching skates (winter sports). 'kolf' (ball game)

Kustaa III, inventor: J.H.Ros, work, Rauniomaisema, 1764, copper engraving, graphics, 14.6 cm x 20.7 cm

Face at Saltbumble, draughtsman: Hermanus Numan, 1754 - 1820, paper, pen, brush, h 187 mm × w 276 mm

Jacques Callot (1592-1635). "La Petite Treille" (Lieure 1428, Meaume 710). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-14 Etching, engraving

Heavy ice cream in the Waal, January 23, 1789..

The Suffering. Louis Auguste Lepère; French, 1849-1918. Date: 1909. Dimensions: 140 × 231 mm (image); 148 × 237 mm (plate); 189 × 264 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bridge with four figures. Draughtsman: anonymous. Draughtsman: Adriaen Pietersz. van de Venne (rejected attribution). Dating: 1700 - 1800. Measurements: h 82 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

La Fileuse (Bartsch 31) Adriaen van Ostade (1610-1685). The bartsch 31). Water and dry tip, in 1652.

David Lucas after John Constable, A Mill, in or before 1829 A Mill

Janson, Johannes Christiaan, Farmers talking at a farm, verso lower left - stamped, A smoking farmer, sitting in front of a farm, talking to a farmer's wife. The farmer's wife has a basket on her arm and a child by the hand, next to them stands a dog. In the background a church tower. Before the sky., print, prints, height 163 mm, width 136 mm, Northern Netherlands, 1763-03-17 - 1823-10-17, print maker, printmaker, 1778 - 1823, paper, papier, etching, etchings

Man with a dog at the gate of a cemetery, Daniël Dupré, 1771 - 1817 print Netherlands paper etching dog. cemetery, park-like burying ground

A horseman with a staff in hand rides across a bridge with an entrance gate toward a farmhouse. His dog follows him. In the background, a mill and a church steeple., Rider with Dog by a Bridge, print maker: Hendrik Marcus Schouten, (mentioned on object), 1810, paper, etching, h 86 mm × w 112 mm

Print, Figures Flying a Kite; Print Maker: Jean-Baptiste Pillement (French, 1728-1808); Manufactured by Pierre-Charles Canot (French, 1710 - 1777); France; etching on paper

Chteau Touraine 1888 United States. Etching with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Two figures for a building with a thatched roof. On the left are two figures for a farm or cabin with a thatched roof. At the rear left a few trees and the rear right corner. The landscape is lit by the moon. At the top right the number 19.

The Blacksmith's Shop, Print made by Thomas Creswick, 1811-1869, British, Printed by Etching Club, active 1838-1885, British, 1838, Etching on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm), Plate: 3 5/16 x 5 1/16 inches (8.4 x 12.8 cm), and Image: 2 13/16 x 4 9/16 inches (7.2 x 11.6 cm), anvil, blacksmith, building, chimney, genre subject, hammer, horses (animals), house, iron, labor, landscape, men, moon, night, pond, road, rural, shop, trees, working

Gustave Fraipont (1849-1923). "Title vignette for the chapter" The interior voices "announced on the drawing for" rays and shadows ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, Maison de Victor Hugo . 102267-16 Boat, castle, drawing, ink, illustration of literary work, landscape, river, 19th 19th 19th 19th 19th 19th century

Water Mill (Liber Studiorum, part VIII, plate 37) February 1, 1812 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkrton here added mezzotint to describe a half-timbered mill with adjacent cowshed, and running water wheel next to its elevated pond. In the foreground a woman carries sheaves down steps toward a pair of horses drinking in the shallow run-off. The letter "P" above the image indicates Turner's category of Pastoral landscape.. Water Mill (Liber Studiorum, part VIII, plate 37). Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). February 1, 1812. Etching and mezzotint; f

Cornelis Ploos van Amstel after Herman Saftleven, Shipyard, 1761 Shipyard

Man looking at a boy with a bird trap ()., C. 1656 drawing Bearded man in the doorway of a house looking at a boy with a bird trap (). Zwolle paper. ink.

Ships near a bridge in a city, draughtsman: Jacob de Vos (1735-1833), after: Herman Saftleven, 1814, paper, brush, h 104 mm × w 91 mm

Man on his way to a house.

Spring of Saint Francis (Fonte di San Francesco). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.

Canal with a Large Boat and a Bridge. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1650. Dimensions: 81 x 108 mm (image); 86 x 112.5 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Haunt in Flanders, Pierre François Basan, after David Teniers, 1739 - 1797 print print maker: Francepublisher: Parispublisher: Amsterdam paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. farm or solitary house in landscape. dog

The Bee and the Hen. Artist: Christian Bernhard Rode (German, Berlin 1725-1797 Berlin). Dimensions: sheet: 11 5/16 x 7 7/8 in. (28.8 x 20 cm). Date: 1724-97. Museum: Metropolitan Museum of Art, New York, USA.

The Shower: St. Jean-de-Monte, 1909. Auguste Louis Lepère (French, 1849-1918). Etching;

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