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Pastoral Landscapes and Rural Life

Prints showcasing serene landscapes with farms, villagers, and nature, highlighting idyllic rural life and natural beauty.

A landscape with a house in front of which a man, a woman and a child (Abraham, Hagar and Ishmael) are standing (Gen. 21:9-21). The man has his right hand extended in a pointing gesture. In the center foreground three resting shepherds. Eleventh print from part three of a series totaling sixty prints of landscapes, divided into five parts of twelve prints each., Landscape with the Sending Away of Hagar and Isamel Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm
A landscape with a house in front of which a man, a woman and a child (Abraham, Hagar and Ishmael) are standing (Gen. 21:9-21). The man has his right hand extended in a pointing gesture. In the center foreground three resting shepherds. Eleventh print from part three of a series totaling sixty prints of landscapes, divided into five parts of twelve prints each., Landscape with the Sending Away of Hagar and Isamel Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm
149 assets in this story
.Farm with yard, Claes Jansz. Visscher (II), After Abraham Bloemaert, After Boëtius Adamsz. Bolswert, 1620 print View of a farm yard. In the foreground a farmer and a farmer's wife who perform work. Amsterdam paper etching farm (building). farm or solitary house in landscape. farmersWalkers on a road near Spaarnwoude Landschappen (series title), print maker: Esaias van de Velde, (mentioned on object), Esaias van de Velde, publisher: Johannes Pietersz. Berendrecht, (mentioned on object), Haarlem, 1615 - 1616, paper, etching, engraving, h 81 mm × w 180 mmDockman, Pier at La Gare (Le debardeur, quai de La Gare). Dated: 1894. Medium: etching with aquatint and drypoint. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.The Home Pond (from A Round of Days). Artist: After John William North (British, London 1842-1924 Stamborough, Somerset). Dimensions: Image: 6 7/8 × 5 3/16 in. (17.5 × 13.2 cm)Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Publisher: George Routledge & Sons (London). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.Copy. Design for a print.Kew Side, A Fragment. Francis Seymour Haden; English, 1818-1910. Date: 1864. Dimensions: 150 × 146 mm (image/plate); 204 × 157 mm (sheet). Etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.Winter view, Jan van de Cappelle, 1634 - 1679, draughtsman: Jan van de Cappelle, 1634 - 1679, paper, brush, h 93 mm × w 185 mmISBA RUSSE Albert Maignan (1845-1908). Russian Isba. Drawing.mill on a river, Jan van Lokhorst, 1847 - 1874.Cultivation of grain by peasants and manufacture of barley and oat bread. 19th century reproduction of a woodcut from an edition of Virgil published at Lyons in 1517Landscape with farm and farmer with wheelbarrow, Hendrik Schwegman, 1786 print Landscape with a farm and a farmer with wheelbarrow. Right meadows. Haarlem paper etching farm or solitary house in landscape. wheelbarrowAn Old Oak, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, 1st state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm) and Image: 3 × 3 1/4 inches (7.6 × 8.3 cm)Fire at Muiderberg, 1746, anonymous, 1746, Evening performance of a group of people gathered around an open fire at Muiderberg, 1746., draughtsman: anonymous, draughtsman: Johannes de Bosch, (possibly), Northern Netherlands, 1746, paper, h 65 mm × w 88 mm, h 232 mm × w 330 mmDie Muehle in alten Gebaeuden. Reinhart, Johann Christian (1761-1847), graphic artistPage from Josef von Führich's 1806 drawing book containing pencil sketches, showing preparatory studies by the Austrian artist.Interior of a hooker; HOOKER.Church and Farm at Éragny. Camille Pissarro; French, 1830-1903. Date: 1895. Dimensions: 157 × 244 mm (image/plate); 204 × 287 mm (sheet). Etching and drypoint in black, with pastel, on buff laid paper. Origin: France. Museum: The Chicago Art Institute, USA.Sir Frank Short, 1857-1945, British, Skies a'clearing. Sun a'shining, 1892. Etching.Shepherd at a Farmstead, Leendert Overbeek, 1780 - 1815Charles-François Daubigny (French, 1817-1878), Lunch on the Way to Asnieres (Le Dejeuner du depart a Asnieres), 1862, etchingKate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 235 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsmanBatavia. Artist: Johan Barthold Jongkind, Dutch, 1819-1891Sels, Willem Hendrik, Mens Jansz, Anthony, Kaldenbach, Johan Antonie, Northern Netherlands, Jonxis, Pieter Hendrik, Wit, Izaak Jansz. the, Cemetery of the der Capellen family, founded 1785, Tombeau de la Famille de Capellen, fondé 1785, Cemetery of the Van der Capellen family, in prosperity in 1785, verso - stamped, The cemetery of the Van der Capellen family in the Gorsselse Veld near Zutphen, founded in 1785 in honor of Joan Derk van der Capellen tot den Pol, who died in 1784. The building was blown up by Orange supporters in August 1788. Pendant of a representation of the cemetery blown up in 1788., print, prints, Frederik Muller Historieplaten, height 271 mm, width 370 mm, 1744-12-09 - 1809-03-13, print maker, printmaker, 1788 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), 1757-07-03 - 1843-05-31, 1760-01-22 - 1818-04-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, 1741 - 1789, writerLandscape with two mills. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.The Partridge and the Cocks. Dated: 1732. Dimensions: image: 24.4 x 19.2 cm (9 5/8 x 7 9/16 in.) sheet: 31 x 26 cm (12 3/16 x 10 1/4 in.). Medium: brush and black ink, gray wash, and white gouache on blue laid paper//royal blue wash border. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Oudry.Tavern Games. De klosbaan. Draughtsman: Adriaen van Ostade. Dating: 1677. Measurements: h 252 mm × w 376 mm. Museum: Rijksmuseum, Amsterdam.Collings & van den Hout, A., Schelfhout, Andreas, Lauters, Paulus, A Dutch landscape in winter, print, prints, 1806-07-16 - 1875-11-12, print maker, printmaker, 1816 - 1875, paper, papier, lithografie (techniek), Work conception, Dutch, 1787-02-16 - 1870-04-19, after a design by, printerDe Aarden and the Iron Pot, Johann Heinrich Meil (Der ältere), After Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). Roman Catholic Church. kitchen-utensils: pot. fables of Lafontaine (JUG AND KETTLE) : Use 85(...)L'étang deuxième planche.. 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Ducks3. "Press Recto L.O.Put with Haalboom, Anthonie van den Bos, 1778 - 1838 print paper etching utilitarian, public pump or water fountainThree faces around Haarlem e; Great to the Heerenweg van de Hofstede Bosch en Hoven, from fronts / the Hofstede lion and head, to Krayennest / on the Heerenweg by De Hofstee Oostende; Trifles faces around Haarlem; Faces in Haarlem's entertaining land drips. Three images on a plate.Landscape Mom Wasters Mills Unknown French lithograph from the mid nineteenth century'Du Cabinet de Mr. le Duc de Choiseul', c1771. Artist: Unknown.Let barrier you throne The throne barrier . Oil on anonymous cardboard, around 1845.. .Watercolor by Lorenzo Sacchetti depicting a farmyard scene, drawn with brown ink and watercolor in 1834.. .Willem Steelink (II), J. Bouwens, M.M. OlivierConversation about the garden wall; At the Vecht. A well-to-do young woman bends over the garden wall towards a man standing upright in a rowboat on the fight.Windmill and Lock (Liber Studiorum, part VI, plate 27) June 1, 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. In this case he probably etched the image directly onto the copper plate without a preliminary drawing, deriving it from his 1810 oil "Grand Junction Canal at Southall Mill." The conception echoes a famous painting then attributed to Rembrandt ("The Mill", now at the National Gallery, Washington), but mostly celebrates the progress of British commerce. Directed by Turner, the professional engraver Say added mezzotint to detail the windmill, shown at sunset above men who work the gates of a lock near a white horse. The letter "P" above the image indicates Turner's category of Pastoral landscape.. Windmill and Lock (Liber Studiorum, part VI, plate 27). Designed and etched by Joseph Mallord WDrawing by Ferdinand Boberg. Västmanland, Semände hd., Kärrbo Klockstapel NordicFace in Hattem. Draughtsman: Adrianus Eversen. Dating: 1828 - 1897. Measurements: h 183 mm × w 262 mm. Museum: Rijksmuseum, Amsterdam.Hubert Robert, The Post, 1763 1764 The PostThe Moulin de la Galette (title registered (letter)) | From the IER in the twentieth, the districts of Paris, 1903, Edition N�284. (Title of the whole)Stanley St Leonard Church, Gloucestershire 1776-1827 England. Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove paper, partially laid down . Thomas RowlandsonEdelfelt, Albert, work, Männynoksa, watercolor, painting, 28.5 cm x 35.5 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in FinlandThomas Sutherland, ca. 1785-1838, British, A set of four - Shooting: Plate I. Going out, 1823. Aquatint, hand-colored.