Pastoral Landscapes & Figures

Etchings portraying serene landscapes with human figures, exploring themes of nature, journeys, and everyday life in historical contexts.

Joseph helps Mary off the donkey, print maker: Herman van Swanevelt, 1623 - 1655

Joseph helps Mary off the donkey, print maker: Herman van Swanevelt, 1623 - 1655

Artist: Herman van Swanevelt, Dutch, 1600-1655, Flight into Egypt with Angels Leading the HolyFamily, Etching, 21.2 × 27.2 cm (8 3/8 × 10 11/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Two Men in the Hollow Artist's working dates 1630-1690 Holland. Etching on paper . Anthonie Waterloo

Landschap met bedelaar; Landschappen, serie vier.Landscape with beggar sitting against a wall at a path that a woman runs which carries a pot on the head. In the background a lapse tower and a river with a rowing boat. Third print from the series of six.

Four figures on an increase in a landscape, print maker: Anthonie Waterloo, Cornelis Danckerts II, 1630 - 1663 and/or 1630 - 1701.

Man and Woman Crossing a Stream 17th century Etched by Anthonie Waterloo Dutch. Man and Woman Crossing a Stream. Etched by Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; first state of four. Prints

A horseman, drovers, sheep and cows in a wooded landscape, Horseman and drovers in a landscape Wooded landscapes (series title), print maker: Franciscus Andreas Milatz, (mentioned on object), Franciscus Andreas Milatz, (mentioned on object), Haarlem, 1784 - 1808, paper, etching, h 121 mm × w 166 mm

Mercury, Argus and IO, Nicolas Perelle, After Willem van Nieulandt (II), After Paul Bril, 1613 - 1695 print Mercury plays on his flute, so that Argus, who has to guard IO, falls asleep. The io turned into a cow lies between the trees. paper etching / engraving cow. landscapes. Mercury lulls Argus into sleep by making music

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, 1770, Etching

A Dancing Satyr. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

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Family in landscape, print maker: Nicolas Guérard, Adriaen van der Kabel, N. Robert, 1648 - 1718

Landscape with Judah and Tamar, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print On a road in a hilly landscape is the veiled Tamar, who receives the seal and bracelets from her father -in -law Judah. Judah does not recognize her and thinks she is a prostitute. Tamar gets pregnant and can prove through the jewelry that Judah has given her that he is the father of her child. To the Bible story from Gen. 38: 1-26. Print from a series of Italian landscapes. Antwerp paper etching / engraving Judah's love-affair with Tamar; he gives her his signet(-ring), bracelets and staff. landscapes in the temperate zone - HH - ideal landscapes

Landscape with hunters, anonymous, After Domenico Campagnola, After Titian, c. 1600 - c. 1699 print Hilly landscape with hunters with hunting dogs. Title in Latin in STUDMARGE. Numbered below: 12. Italy paper etching landscapes. hunter. hunting dogs

Not the shape, but the fruits, Marcus Gheeraerts (I) (attributed to), after 1649 print Two farmers walk around in an apple orchard. The front man admires a large apple tree with a straight trunk, which, however, bears only small fruits. The other man grabs one of the large apples hanging on the branches of a smaller tree with a crooked trunk. Content is just as important as form. The back of the print carries a Dutch text from the next page. print maker: Southern Netherlandspublisher: Antwerpprinter: AntwerpAntwerpprint maker: Antwerp (possibly) paper etching orchard. fruit. plants; vegetation (+ stem, trunk)

Genoels, Abraham, Landscape with two kneeling figures, verso bottom center - stamped, A landscape with two figures beside a river who kneel before another figure., print, prent, prints, diameter 74 mm, height 63, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1723, paper, papier, etching, etchings, Work conception

Wooden bridge by houses, print maker: Hermanus van Brussel, Hermanus van Brussel, Netherlands, c. 1800 - in or before 1815, paper, etching, h 112 mm × w 156 mm

From a series of twelve. Landscape with a ruined bridge, a shepherd with cows and a man with a woman and child, Landscape with a ruined bridge Small landscapes (series title), print maker: Lucas van Uden, (mentioned on object), Lucas van Uden, Low Countries, 1605 - 1673, paper, etching, h 75 mm × w 98 mm

Amsterdam, Danckerts, Cornelis (II), Justus, Waterloo, Anthonie, Beboste landschape, Twee ruiters op een forest path, verso lower left - stamped, On the right two riders are riding on a forest path. A dog runs ahead of them and a man runs behind them. The letter g is shown at the top right., print, prints, height 124 mm, width 146 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, ink, inkt, etching, etchings, pen, Publication (Event), Publicatie, publisher, uitgever, 1635-11-11 - 1701-07-16, 1664-03-02 - 1717-07-22

Goatherd. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 8 1/4 × 10 7/8 in. (21 × 27.6 cm)Plate: 7 3/16 × 9 11/16 in. (18.2 × 24.6 cm). Series/Portfolio: Suite de dix Paysages. Date: 1763. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c1555 1557 Euntes in Emaus (The Pilgrims to Emmaus)

Temptation of H. Antonius de Grote; History of David. In a wooded landscape is the Saint Antonius at a river. He carries a monk tria and cap. In his left hand he holds a stick with a tau and besides his right leg is a pig, his attribute, depicted. For him, Satan stands with the outer characteristics of a Sater, who offers him fruit.

Berchem, Nicolaes Pietersz., Amsterdam, Gronsveld, Johannes, Landscapes with shepherds and cattle, Landscape with shepherds and ruins, verso lower left - stamped, Hilly landscape with two shepherds and a shepherdess on a donkey with their flock on the right. A ruin in the background on the right. Third print from a series of six with landscapes with shepherds and cattle., print, prent, prints, prenten, height 148 mm, width 198 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

A road leads to a tavern with a sign on the left of the hill. A barge carrying passengers sails on the water on the right., House on a Hill, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: J. van Kessel, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 186 mm × w 244 mm

June, Jan van de Velde (II), 1616

. Legal under numbered 3.

Janson, Pieter, Johannes Christiaan, Johannes, Landscape with shepherd and cows, verso lower left - stamped, Hilly landscape with shepherd, leaning on a cow, talking to a seated shepherdess. Next to them two cows. In the background on a hill a tower. More edited than previous state., print, prints, height 74 mm, width 89 mm, 1729-04-17 - 1784-08-01, print maker, printmaker, 1739 - 1851, paper, papier, chalk, kras, etching, etchings, Noord-Nederlands, 1763-03-17 - 1823-10-17, 1765 - 1851-06-27

. Above a fountain a statue without head. On the road a man runs to the image. Along the way a seated man and a lying woman.

Herman van Swanevelt, Tobias Frightened by the Fish Tobias Frightened by the Fish

View of the Leprozenhuis van Scheut, Hans Collaert (I), After Hans Bol, after Jacob Grimmer, 1530 - 1580 print View of the Leprozenhuis van Scheut, in the municipality of Anderlecht, near Brussels. A few walkers around the Leprozenhuis. The print is part of a series with faces from the Brussels area. Antwerp paper engraving hospital Anderlecht

Tree with roots laid bare alongside a stream, a hilly landscape and a man walking behind quadrupeds beyond. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 5 13/16 x 7 5/16 in. (14.7 x 18.5 cm). Date: 1659. Museum: Metropolitan Museum of Art, New York, USA.

Flight to Egypt, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian landscape, Maria and Kind sits on the donkey, led by Joseph. Rear right is a castle on a mountain top. Antwerp paper etching / engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass - BB - landscape predominant

Old man and woman with child in the shade, Adriaen van der Kabel, 1648 - 1705 print Landscape with in the foreground in the shade of a tree an old man sitting with mother with child. On the waterfront a shepherd with a herd of sheep and through the river, in the background, a face on a city. paper etching landscapes. rest on the flight into Egypt

Amsterdam, Jean, Auguste (uitgever), Ottens, Josua & Reinier (II), Waterloo, Anthonie, Heuvellandschap, Landschap met twee kharingen, verso lower left - stamped, On a wooded hill stands a small church. On the left a stone bridge can be seen. On the left in the foreground are two men in robes, probably monks or hermits., print, prints, height 126 mm, width 150 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Frans

Landscape with ruin and four figures. In the foreground a tree, Landscape with ruin, print maker: Cornelis Ouboter van der Griendt, (mentioned on object), 1807 - 1868, paper, etching, h 84 mm × w 109 mm

Landscape with Six Figures 1750-80 18th Century Imitator of Guercino (Giovanni Francesco Barbieri) Italian. Landscape with Six Figures 334788

Cephalus and procris; Italian landscapes. In a landscape, the procris doded by Cephalus, surrounded by hunting dogs. Cephalus stands next to her with the spear in hand. On the right of the road, a crooked shepherd with his sheep walks. Perhaps this is the old shepherd who had mediated between Cephalus and ProCris, after which the couple reconciled. Print from a series of Italian landscapes.

Landscape with riders, Pieter de Molijn, 1626 print In a rural environment are a farmer's wife with a small child by the hand at a sitting old man. A number of riders behind them. This print is part of a series of four prints of landscapes with figures. paper etching landscapes in the temperate zone. riding a horse, ass, or mule; rider, horseman

View of Lake Albano and Castel Gandolfo, Joseph Meganck (Attributed To), 1817 - 1888 print paper etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). lake. riding a horse, ass, or mule; rider, horseman Meer Van Albano (Lazio). Castel Gandolfo

Landscape with loving pair, anonymous, After Domenico Campagnola, After Titian, c. 1600 - c. 1699 print Hilly landscape with buildings, a stream and in the foreground a loving pair with a herd of goats. Title in Latin in STUDMARGE. Numbered below: 10. paper etching landscapes. couple of lovers. he-goat, billy-goat

Landscape with wooden bridge over a river, Jean Théodore Joseph Linnig, after Adriaen van Ostade, 1878 print paper. etching bridge in city across river, canal, etc.. poling, punting. dog

The two travelers and the ball holder (DuTUIT 366) Herman van Swanevelt (1600-1655). The two travelers and the ball holder (Dutuit 366). Floor, 17th century.

Landscape with tree group and covered wagon. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 225 mm × w 352 mm. Museum: Rijksmuseum, Amsterdam.

Pan and Syrinx, Albert Meyeringh, 1695 - 1714

Two shepherds resting next to a pedestal, an aqueduct at right in the background, and a city on a hill at left in the background, from 'Landscapes in the manner of Gaspar Dughet' ca. 1700-25 Franz Joachim Beich. Two shepherds resting next to a pedestal, an aqueduct at right in the background, and a city on a hill at left in the background, from 'Landscapes in the manner of Gaspar Dughet'. 'Landscapes in the manner of Gaspar Dughet'. Franz Joachim Beich (German, Ravensburg 1665-1745 Munich). ca. 1700-25. Etching; fourth state of four. Johann Michael Probst I (German, 1727-1776). Prints

Mountain Landscape with a Distant Vista, draughtsman: Guercino, c. 1640 - c. 1650, paper, pen, h 274 mm × w 423 mm

Satyrs are depicted in a cave around a campfire with a pot. To the right, two satyrs are shown with a third satyr playing with a young satyr along with a nymph, Satyrs around the fire in a cave Landscapes with satyrs (series title), print maker: Herman van Swanevelt, (mentioned on object), Herman van Swanevelt, (mentioned on object), Franse kroon, (mentioned on object), 1623 - 1655, paper, etching, h 116 mm × w 165 mm

Landscape with two figures in front of a farmhouse, Pieter de Molijn, 1638, Ascending road in a polder landscape; two men laying a broad plank across a canal., draughtsman: Pieter de Molijn, 1638, paper, h 158 mm × w 203 mm

Flight ofActeon. Artist: Jan Glauber, Dutch, 1646-1726 After: Gaspar Dughet, French, active Italy, 1615-1675

Arcadian landscape with bathing people, Louis Fabritius Dubourg, after Jan van Huysum, 1713 - 1775 print Arcadian landscape with groups of bathing people at a more outside a city. On the lake a rowing boat, one of the swimmers tries to climb into the boat. In the background a city and a bridge. Amsterdam paper etching pastorals, Arcadian scenes. swimming (movement in water)

Allart van Everdingen, Man on a Small Wooden Bridge, probably c 1645 1656 Man on a Small Wooden Bridge

Landscape with Alpheus and Arethusa, from the Series of Six Mythological Scenes 17th century Anthonie Waterloo Dutch. Landscape with Alpheus and Arethusa, from the Series of Six Mythological Scenes 405904

Landscape with a hospital, Herman van Swanevelt, 1650 - 1705 print A few walkers can be seen at a hospital. A sick person on a stretcher is carried by two figures to the entrance. Paris paper etching hospital. transport of the sick. landscapes. 'en route', traveller under way. (carrying a person on a) litter, stretcher. patient, sick person

No. 40. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Landscape #6 from Landscapes for Giovanni deMedici. Artist: Jacques Callot, French, 1592-1635

Landscape with women who get water, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving water course

Venus and Adonis, Anthonie Waterloo, 1773 - 1832 print Adonis sits on a small hill in a rolling, wooded landscape. He embraces Venus, who leans against him. A dog is shown in front and behind him. There is an arrow sleeve on the floor. On the left Cupido holds a third dog on its line. Left front can be seen a small water feature. Paris paper etching Venus and Adonis as lovers. forest, wood

Cephalus and Procris. Dated: 1558. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Cock.

The Porter Anthonie Waterloo Dutch. The Porter 626139

The Flight into Egypt ca. 1630-31 Claude Lorrain (Claude Gellée) French. The Flight into Egypt 384193

Grient, Cornelis van der, Night view with a figure in a boat, verso - stamped, Night view with a figure in a rowing boat surrounded by water and trees. In the background a church tower and two mills., print, prent, prints, prenten, height 115 mm, width 157 mm, 1827 - 1918-10-15, print maker, prentmaker, 1837 - 1918, paper, papier, etching, etchings, drypoint, dry needle

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Waterloo, Antonie, work, Natural Alley, (1000 - 2000), etching, graphics, 15.4 cm x 21 cm

Plate 5, from 'Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes', Stefano della Bella, Italian, 1610-1664, Italy, France, 1610-1664, Print, Print

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the Fly and the Ants, A group of ants before a tree. In the air a fly. The fable tells of the fly who brags to the ants about his wonderful life. The ants praise their own industriousness. When winter comes the fly dies, while the ants survive on the fruits of their labor. The moral of the story teaches that industriousness is a virtue and idleness a vice., print, book illustration, prints, height 96 mm, width 112 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Rustic Solicitude (Solicitudo rustica) from The Large Landscapes. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: Sheet: 13 3/4 x 17 15/16 in. (35 x 45.5 cm)Plate: 12 13/16 x 17 in. (32.6 x 43.2 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

A Road through the Woods. Dated: 1740. Dimensions: plate: 12.2 × 16.6 cm (4 13/16 × 6 9/16 in.) sheet: 15.5 × 19.5 cm (6 1/8 × 7 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Philipp Hieronymus Brinckmann.

Three Men Carrying Staffs. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Two men at a tree; Two men for the shelf fence. A man with a long stick is at a tree where a second man is opposite.

Landscape with Men StealingWaterfowl. Artist: Cesare Antonio Accius, Italian, active 1609

Moses with the stone dining of the law, anonymous (Possible), After Battista Angolo del Moro, After Hieronymus Cock, c. 1555 - c. 1600 print Rocky landscape with a river. On a path, Moses runs with the stone dining. In the clouds God the Father who speaks to Moses. print maker: Italyafter print by: Antwerp paper etching Moses on Mount Sinai with the tables of the law (Exodus 24:9-18, 31:18)

Lorrain, Claude, Berger et bergére conversant, Shepherd and shepherdess in conversation, verso top left - handwritten, A shepherd and a shepherdess sitting in a landscape, with a herd of cows, sheep and goats., print, engraving, prints, engravings, verso bottom right - stamped, F. Gawet 1823 JN Meijer 1829, height 200 mm, width 262 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1649 - 1653, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Venus and Amor by the water, Anonymous, After Franciscus de Neve, 1655 - 1690 print Venus lies next to the water, looking at Amor, who bathes herself. In the background a hilly landscape with trees. Amsterdam paper etching Venus and Cupid (Cupid not being mere attribute). taking a bath - AA - in the open air. trees

The Large Cascade. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Italian landscape with face on a ruin; Italian landscapes. Italian landscape with links on a hill a ruin, further down a small chapel where two figures walk along. Two riders overlook the bay where ships are moored in front of a tower. The print is part of a six-part series of prints with Italian landscapes.

Landscape with Man op Brug, Allaert van Everdingen, 1631 - 1675 print Mountain landscape with a wooden bridge that a man walks over. In the foreground, two people are in the grass. Netherlands paper etching landscape with bridge, viaduct or aqueduct

Louis XIV (King of France), Paris, Swanevelt, Herman van, Temptation of St. Anthony the Great, verso lower left - stamped, In a wooded landscape, Saint Anthony stands by a river. He wears a monk's robe and cowl. In his left hand he holds a stick with a tau and next to his right leg a pig, his attribute, is depicted. Before him stands Satan with the outward features of a satyr, who offers him fruits., print, engraving, prints, engravings, height 250 mm, width 327 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

The man mounted on the donkey (Dutuit 367) Herman van Swanevelt (1600-1655). The man mounted on the donkey (Dutuit 367). Floor, 17th century.

Top of the Hill (Le haut de la colline). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Les Deux Chaumieres Jean Morin French. Les Deux Chaumieres 369261

Landscape with a ruin, Anonymous, After Willem van Nieulandt (II), 1601 - 1685 print Rolling landscape with a ruin on the right. In the middle of a man floats a donkey. On the left a building with towers and arched on a hill. Low Countries paper etching landscape with ruins (+ city(-scape) with figures, staffage)

Eight landscapes (H.57-64): Landscape with Two Empty Boats, 1936-75. Allart van Everdingen (Dutch, 1621-1675). Etching;

The Carpenter Tr�teau (Bartsch 21) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The carpenter's trestle (Bartsch 21). Water-strong on paper, 1645-1675.

. An arcadic landscape with ruins. On the left a river. Three walkers are coming out to the bank of the river. In the background a city. The print is part of a series with arcadic landscapes.

La triple Cascade (Hollstein 72) Anthonie Waterloo (1609-1690). The triple waterfall (Hollstein 72). Floor, mid-17th century.

Landscape with a bridge, a tower, a rider, bathers and walkers, Landscape with Bathers, a Rider and Travellers near a Village with a Round Tower., paper, pen, brush, h 233 mm × w 315 mm

Plate 1 for "Treatise on Etching" 1866 Maxime-François-Antoine Lalanne French Like many aspiring artists in nineteenth-century France, Maxime Lalanne moved to Paris, where he was able to work in the studio of an established history painter, and to exhibit at the public Salon. After meeting Alfred Cadart, he abandoned these goals in favor of etching. Lalanne became an active member of the Société des Aquafortistes and frequently contributed urban views to the group's albums. He was best known, however, for his Treatise on Etching, published in 1866. The text featured detailed instruction on each stage of production, from preparation of tools to printing techniques, in addition to more theoretical commentary on the ideal uses and distinct qualities of etching. Interspersed throughout the text, Lalanne's own prints tangibly illustrated the outcomes of various processes. Because artists often taught themselves or learned from friends how to etch, the Treatise was immensely popular througho

Roman Landscape. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Gaspard Dughet.

Passe, Crispijn van de (I), Savery, Roelant, Utrecht, Magdalena van de, Landscapes with scenes from the history of Elijah, Elijah rests on a rock by the brook Cherith, verso lower right - handwritten in brown ink, Wooded landscape with Elijah resting on a rock by the brook Cherith, on the other side of the Jordan, where he went to live during a long drought. In the margin a Bible quotation from 1 Kings 17 in Latin., print, prints, verso below - stamped, n.2, height 207 mm, height, 261 mm, Northern Netherlands, 1600 - 1638-01-22, print maker, printmaker, 1617 - 1634, paper, papier, engraving, engraving (printing process), Work conception, 1576 - 1639-02-25, after a design by, Publication (Event), Publication, 1564 - 1637, publisher

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

The banishment of Agar and Ismael (Hollstein 131) Anthonie Waterloo (1609-1690). The baning of Agar and Ismael (Hollstein 131). Floor, mid-17th century.

Landscape with Villa, Abraham Genoels, 1650 - 1723 print A landscape with a villa. In the foreground is a man next to a pond. Rome (possibly) paper etching villa. pond, pool (+ landscape with figures, staffage)

Allart van Everdingen, Carpenter's Hut, probably c 1645 1656 Carpenter's Hut

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Diverses paisages, Various landscapes, Two galloping horsemen in a landscape, verso - stamped, Two horsemen galloping to the right in a landscape. In the background on the left a ruin. In the background on the right a farm and a resting horseman., print, prent, prints, prenten, height 118 mm, width 256 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Hilly Landscape with Travellers. Artist: Johann Georg von Dillis (German, Grüngiebing 1759-1841 Munich). Dimensions: sheet: 9 x 11 13/16 in. (22.9 x 30 cm). Date: late 18th-mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

View of the Ixelles channel; The great vaerwech from Elsen; Faces from the Brussels area. View of the Elsene canal, near Brussels. Along the canal a few walkers. The print is part of a series of faces from the Brussels area.

A wooded landscape with a village on a river. In the foreground left three travelers on foot and one on horseback., Landscape with Travelers, Gilles Neyts, (mentioned on object), print maker: anonymous, publisher: Frans van den Wijngaerde, (mentioned on object), print maker: Low Countries, (possibly), publisher: Antwerp, 1643 - 1679, paper, etching, h 130 mm × w 176 mm

Woman with child on a wooden bridge, print maker: Anthonie Waterloo, 1630 - 1663.

. In an Italian landscape with overgrown ruins, Tobias and the angel are on their way. For them, the Tobias dog runs. Different figures and shepherds with their sheep walk in the landscape. There is a city on the opposite side of a river.

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