Pastoral Landscapes in Etchings

Evocative etchings of rural scenes, capturing the serenity of landscapes, farmhouses, and nature from historical periods by renowned artists.

Rijn, Rembrandt van, House hidden among trees, verso left center, print, prints, Rembrandt f 1652, lower right, verso right center, Massaloff 1865, verso lower center, text in Russian and number N 40592 (in pencil), height 124 mm, width 212 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, ink, inkt, drypoint, dry needle, pen, Work conception, after own design by

Road with a Farmhouse on the Right. Dated: 1806. Medium: soft-ground etching and drypoint on chine applique. Museum: National Gallery of Art, Washington DC. Author: John Crome.

Landscape with a fisherman ("The Milkman"), Rembrandt van Rijn, c. 1650 print paper etching / drypoint

Rijn, Rembrandt van, House hidden among trees, verso left center, print, prints, Rembrandt f 1652, lower right, verso right center, Massaloff 1865, verso lower center, text in Russian and number N 40592 (in pencil), height 124 mm, width 212 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, ink, inkt, drypoint, dry needle, pen, Work conception, after own design by

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Rue des Bruyères, à Sèvres. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 8 7/8 × 13 7/8 in. (22.5 × 35.3 cm)Plate: 6 3/4 × 9 15/16 in. (17.2 × 25.3 cm). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

The Way to Billancourt Made 1894 France. Etching in warm black on cream laid Japanese paper . Louis Auguste Lepère

The Castle above the Meadows (Liber Studiorum, part II, plate 8) 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, etched outlines onto copper plates, then usually employed professional engravers to develop tone. Here we see his preliminary work on a plate that Charles Turner later completed in mezzotint. Meadows surround a a ruined castle on a rocky hill, and the foreground is enlivened by a boy piping near a herd of cows.. The Castle above the Meadows (Liber Studiorum, part II, plate 8) 382976 Artist: Designed and etched by Joseph Mallord William Turner, British, London 17751851 London, The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808, Etching; before first state of four, plate: 7 x 10 1/4 in. (17.8 x 26 cm) s

Farmyard with car, Henri Joseph Harpignies, 1829 - 1916 print Japanese paper etching farm (building). (farm) wagon, freight wagon, cart

Road with Sheep. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1920. Dimensions: 189 × 245 mm (image/plate); 250 × 296 mm (sheet); 357 × 420 mm (secondary support). Drypoint in black on cream wove paper, tipped onto cardboard mat. Origin: France. Museum: The Chicago Art Institute, USA.

Hengelaars by a river, Louis Bernard Coclers, 1756 - 1817 print A group of men fishes from a boat in a river. In the background a bridge and the circumference of a mill. unknown paper etching / drypoint fresh-water fishery. rowing-boat, canoe, etc.

Landscape with a Cow Drinking Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). Landscape with a Cow Drinking, ca. 1650. Etching and drypoint on laid paper, Plate: 4 1/8 x 5 1/8 in. (10.5 x 13 cm). European Art ca. 1650

The Prodigal Son 1913 France. Etching on cream laid paper . Louis Auguste Lepère

Souvenir of the Fortifications of Douai. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1869-1870. Dimensions: 159 × 238 mm (plate); 192 × 313 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Claude Gelée (known as Lorrain) (around 1600-1682). "The appearance. (Robert-Dimesnil 2; Mannocci 5)". Etching. 1630. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-19 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

The Lovers' Walk, No. 2 1864 () Sir Francis Seymour Haden Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."View of path flanked with trees and shadowing on either side; figures in the distance at left; foliage in foreground at left."State II (H1). The water behind the figures on left, before the mill, is shaded with

Man in a boat near a stone bridge, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print Utrecht paper etching / drypoint rowing-boat, canoe, etc.. river. bridge. water-birds: duck

A group of men fishing from a boat in a river. In the background a bridge and the outline of a mill., Anglers by a River, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, etching, drypoint, h 137 mm × w 158 mm

Artist: Alphonse Legros, French, 1837-1911, Village de Wimille, pres Boulogne (Village of Wimille nearBoulogne), Etching, platemark: 8 × 11.6 cm (3 1/8 × 4 9/16 in.), French, 19thcentury, Works on Paper -Prints

A dark brown ink drawing by Rembrandt Harmensz. van Rijn depicting a figure sitting under trees surrounded by a fence, with gray-brown washes on brown tinted paper, circa 1650.

Horsley's House at Willesley. Francis Seymour Haden; English, 1818-1910. Date: 1865. Dimensions: 177 × 250 mm (image/plate); 197 × 264 mm (sheet). Etching and drypoint on zinc printed on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Mulford's Orchard, Easthampton. Thomas Moran; American, born England, 1837-1926. Date: 1882-1883. Dimensions: 290 x 437 mm (chine); 300 x 448 mm (plate); 455 x 609 mm (sheet). Etching in brown, with plate tone, on off-white chine, laid down on white wove card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Schuur on the water, Anonymous, After Allaert van Everdingen, 1640 - 1725 print A woman is in a rowing boat with a man. Behind them a barn. On the left you can still see part of a farm (). Low Countries paper etching boat-house, shed. farm (building). rowing-boat, canoe, etc.

Landscape. Artist: Attributed to Heneage Finch, 4th Earl of Aylesford (British, Syon House 1751-1812 Great Packington, Warwickshire). Dimensions: 2-5/16 x 5-1/4 in. (5.9 x 13.4 cm). Date: 1770-1812. Museum: Metropolitan Museum of Art, New York, USA.

The Prodigal Son. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1919. Dimensions: 245 × 197 mm (image/plate); 292 × 241 mm (sheet). Drypoint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A Cottage with White Paling. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1648. Dimensions: 130 x 160 mm (image/plate); 137 x 166 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Kobieta piorąca bieliznę w rzece wśród drzew. Morgenstern, Carl Ernst (1847-1928), graphic artist

Landscape with the Emmausgoers, Adriaen Collaert, After Jacob Grimmer, 1578 - 1618 print Landscape with a river and a village in the background. In the foreground the Emmausgoers. The print is part of a twelve -part series with landscapes around Antwerp. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving river bank. Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)

Flood in Lith, Charles Rochussen, 1855 print Flood in the village of Lith. A number of people are evacuated with a rowing boat. The print is part of a series of 24 prints about the flood disaster of 1855. Amsterdam paper etching flood. rescue work during a flood Lith

Village face with Landweg in De Kempen, Frans van Kuyck, 1862 - 1911 print Brussels paper. etching prospect of village, silhouette of village. road, path. four-wheeled vehicle drawn by one animal Campaign

Netherlands, Bagelaar, Ernst Willem Jan, Landscape with farm and walker, print, prints, height 75 mm, width 115 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Expression creation

Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church August 1, 1797 Thomas Gainsborough British. Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church 364226

Francis Seymour Haden, 1818-1910, British, Cowdray, 1882. Etching and drypoint on thick, slightly textured, cream wove paper.

Mill Stream. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1831. Dimensions: 141 × 190 mm (image); 176 × 220 mm (plate); 296 × 440 mm (sheet). Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Out of a Study Window. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1859. Prints; etchings. Etching and drypoint

Print made by David Lucas, 1802-1881, British, A Mill, 1830. Mezzotint on medium, slightly textured, cream laid paper.

View of Jaap Hannes, near Amsterdam. On the left three figures and on the right a house with a man sitting in front of it, View of Jaap Hannes Gesigie at Iaphanes buy Amsterdam., print maker: Johannes de Ram, (mentioned on object), publisher: Johannes de Ram, (mentioned on object), Amsterdam, 1658 - 1693, paper, etching, h 67 mm × w 121 mm

Building in the Jardin des Plantes in Paris, 1858 Also a study of two bearded men with puff pants and tulips. One of the men leans on a gun. Page 14 Recto from a sketchbook with 52 sheets. Paris paper. pencil botanic garden, 'hortus botanicus'. standing figure. head-gear: turban (+ men's clothes) Garden of plants

Old Chelsea Church. Francis Seymour Haden; English, 1818-1910. Date: 1865. Dimensions: 113 × 242 mm (image/plate); 135 × 260 mm (sheet). Etching and drypoint on ivory Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Le Calvaire, St. Jean-de-Mont, 1909. Auguste Louis Lepère (French, 1849-1918). Etching;

Bringing the Hay Home, c. 1890-1904. Alphonse Legros (French, 1837-1911). Etching;

Auguste Lepère, In the Deluged Marsh The Shepherd (Au marais inonde Le berger), 1911 In the Deluged Marsh - The Shepherd (Au marais inonde - Le berger)

Brussels, Burggraaff, Vinkeles, Abraham, Netherlands, Flooded land near Wolvega, 1825, verso - stamped, View of the flooded land near Wolvega. A boat with a few people sails between the houses, 4 and 5 February 1825. Part of a group of illustrations from a commemorative book of the flood of 1825., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 255 mm, width 336 mm, Dutch, 1790-09-26 - 1864, print maker, printmaker, 1825 - 1826, paper, papier, lithografie (techniek), intermediary draughtsman, after a drawing by, Belgian, printer, drukker

Hilltop Chickens. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 5/8 × 5 15/16 in. (11.7 × 15.1 cm)Plate: 3 1/4 × 4 1/2 in. (8.2 × 11.5 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

A boy runs along the water to allow a lock, print maker: Louis Bernard Coclers, Dating 1756 - 1817

Drawing, Sketch for a Fountain in Park; Carlo Marchionni (Italian, 1702-1786); Italy; graphite, brush and gray watercolor on laid paper; 48.5 x 35.4 cm (19 1/8 x 13 15/16 in.)

Winter Evening. Louis Auguste Lepère; French, 1849-1918. Date: 1914. Dimensions: 182 × 270 mm (image/plate); 227 × 327 mm (sheet). Etching on cream laid Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Newcastle Emlyn, Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint on thin, slightly textured, cream laid paper, Sheet: 6 x 8 7/16 inches (15.3 x 21.5 cm), Plate: 4 1/2 x 5 15/16 inches (11.4 x 15.1 cm), and Image: 4 1/2 x 5 15/16 inches (11.4 x 15.1 cm), architectural subject, banks, blacksmith, buildings, cart, clouds, coracle, fisherman, fishing rod, house, iron, landscape, man, meteorology, pig, river, rocks (landforms), science, sign, smithy, trees, wagon, water, weather, wheel, Carmarthenshire, Cymru, Europe, Newcastle Emlyn, United Kingdom, Wales

Fisherman with a net 1868 Félix Bracquemond French. Fisherman with a net 384637

Kensington Gardens (The Small Plate). Dated: 1859. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Woman Carrying Sheaf ca. 1853 Charles Jacque. Woman Carrying Sheaf. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1853. Wood engraving. Prints

Landscape with villa in a storm, Benoît Dubois (attributed to), 1629 - 1680 print France paper etching / drypoint landscapes. storm. villa

Wooded Countryside. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1866. Dimensions: 110 × 138 mm (image); 167 × 263 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Netherlands, Bagelaar, Ernst Willem Jan, Man with child at a farm, verso middle - stamped, print, prints, height 60 mm, width 78 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation

Le mur du presbytere (RectoryWall). Artist: Alphonse Legros, French, 1837-1911

Lock.

The Seine seen from Passy. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 12 3/8 × 17 3/16 in. (31.5 × 43.7 cm)Plate: 9 1/16 × 12 3/16 in. (23 × 31 cm). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Two men at a boathouse, Ernst Willem Jan Bagelaar, after Andreas Schelfhout, 1798 - 1837 print Netherlands paper etching / drypoint landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Rijn, Rembrandt van, Netherlands, Koninck, Philips, Two farms with pointed gables, verso lower left - stamped, Two farms with pointed gables on a country road, a lake with sailing ships in the distance., print, prints, height 56 mm, width 173 mm, 1619-11-05 - 1688-04-10, print maker, printmaker, 1629 - 1688, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, brush, Borstel, Noord-Nederlands, 1606-07-15 - 1669-10-08

The Nurse (La Nourrice). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johan Barthold Jongkind.

A Souvenir of Ostia, original impression 1855, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 28.9 x 36.4 cm (11 3/8 x 14 5/16 in.); image: 27.2 x 34.5 cm (10 11/16 x 13 9/16 in.).

Broken Tackle 1891 Sir Hubert von Herkomer British, born Germany This view shows a young man holding a fishing rod near an expanse of river near Landsberg am Lech, Bavaria. Originating from that region, Herkomer's family had moved briefly to America then settled in England in 1857. Despite early poverty, he achieved success as a painter, watercolorist, and illustrator and also worked as an etcher and mezzotint engraver. He became a Royal Academician in 1890, then joined the Royal Watercolour Society and Royal Society of Painter-Etchers, and taught at Oxford as Slade Professor of Fine Art between 1885 and 1894. As a printmaker, Herkomer mastered a range of techniques with "Broken Tackle" demonstrating his delight in the expressive potential of etching. The subject pays tribute to the land of his birth-a region to which he often returned from the 1870s.. Broken Tackle. Sir Hubert von Herkomer (British, Waal, Bavaria 1849-1914 Budleigh Salterton, Devon). 1891. Etching and drypoint. Prints

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Landscape with two cottages, draughtsman: Cornelis Steffelaar, 1807 - 1861, paper, brush, h 154 mm × w 194 mm

Le Drageoir aux épices by J. K. Huysmans: p. 141, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Mittag, Bl. 1. Op. VII. Klinger, Max (1857-1920), graphic artist

Print made by Francis Seymour Haden, 1818-1910, British, Twickenham Church, 1865. Etching with drypoint.

Spinning woman for a house, Adriaen van Ostade, 1941 A woman is spinning in the yard in front of a house. Next to her is a man with one hand stabbed in his shirt. A child plays on the ground. Two pigs rest for a stable and there are all kinds of household attributes such as a broom and wicker basket against the facade of the house. The print is part of a portfolio. Haarlem paper etching A woman is spinning in the yard in front of a house. Next to her is a man with one hand stabbed in his shirt. A child plays on the ground. Two pigs rest for a stable and there are all kinds of household attributes such as a broom and wicker basket against the facade of the house. The print is part of a portfolio. Haarlem paper etching

Skaters on the ice and farmers on a road, Jan van de Velde (II), 1616 print Skaters on the ice and farmers on a road near houses. Eighth print of a series of sixteen. Northern Netherlands paper etching skates (winter sports). public road

Shere Mill Pond, No. I (small plate). Francis Seymour Haden; English, 1818-1910. Date: 1860. Dimensions: 114 × 168 mm (image/plate); 149 × 216 mm (sheet). Etching with drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Francis Seymour Haden, 1818-1910, British, Brentford Ferry, 1864. Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper.

Park of M. de Rothschild at Ferrières. Maxime Lalanne; French, 1827-1886. Date: 1855-1865. Dimensions: 241 × 414 mm. Graphite on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cypress Grove. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 297 x 218 mm (image/plate); 303 x 220 mm (sheet). Etching in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Traghetto. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 303 x 236 mm (image, trimmed within plate mark); 240 x 311 mm (sheet). Etching and drypoint in black ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le pont du bois à Ostende (The Bridge in the Wood atOstend). Artist: James Ensor, Belgian, 1860-1949

Pastime of Rest, Vendee (Le jeu du reposoir, Vendee). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Beaulieu, Hampshire, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)

Haarlem, Ostade, Adriaen van, Woman spinning in front of a house, In the yard in front of a house sits a woman spinning, next to her stands a man with one hand in his shirt. A child is playing on the ground. Two pigs are resting in front of a stable and household utensils stand against the facade of the house. This print is part of an album., print, picture, album sheet, prints, pictures, height 140 mm, width 177 mm, height 355 mm, width 262 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1652 - 1652, paper, etching, etchings, Work conception, after own design by, 1846 - 1900

Two Cottages Rembrandt (Rembrandt van Rijn) Dutch ca. 1636 Rembrandt is rightfully considered the outstanding Dutch artist of the seventeenth century. He was a masterful painter, draftsman, and etcher who keenly observed his surroundings and summarized his vision with the seeming effortless handling of the brush, pen, and stylus.This energetic drawing deftly combines the summary and the specific. The apparent sketchiness of the second cottage and trees is as deliberately sought as the elaborately detailed first cottage, its figures, and the carriage lacking a wheel. Rembrandt appears to have used white gouache in areas where he found his pen and ink definition unacceptable. The drawing has been grouped with a number of sketches Rembrandt made in the outskirts of Amsterdam in the early 1640s, when he also produced several comparable landscape etchings.

Landscape, 1904. Lovis Corinth (German, 1858-1925). Charcoal with orange pastel and white gouache; sheet: 46.4 x 61.4 cm (18 1/4 x 24 3/16 in.). A seasoned draftsman, Corinth produced more than 2,000 drawings over the course of his life. An elaborate crosshatch pattern of tightly packed charcoal lines creates this naturalistic view of a wooded landscape. The pale sky, described with white gouache on a tan sheet, suggests a cold, gray day; the palette is restrained except for a vibrant square of orange delineating the roof of a shed.

Winter landscape with figures on the ice and a woman on the side at a WAK, Pierre François de Noter, 1831 print paper. etching winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). ice ~ state of water

Landscape with a brewery; Landscapes.

Pronk, Cornelis, Oud-Loosdrecht, Haen, Abraham de (II), Village view in Oud-Loosdrecht, handwritten, Sheet 7 recto from a sketchbook with 51 sheets., sketchbook sheet, drawings, old Loosdrecht, 1707-04-06 - 1748-08-08, draughtsman, draftsman, 1732 - 1732, second quarter 18th century, paper, ink, pencil, pen, brush, North Netherlands, 1691-12-10 - 1759-09-29

View of the Schreierstoren in Amsterdam, Frans Schikkinger, 1848 - 1902 print View of the Schreierstoren from the water of the Geldersekade. Amsterdam paper etching / drypoint tower, clock tower ~ monumental adornment. canals, waters (in city) Writestraces

Rijn, Rembrandt van, Koninck, Jacob (I), Netherlands, With, Pieter de, House with the three chimneys, verso lower left - stamped, A house with three chimneys located near a ditch with a bridge., print, prints, height 88 mm, width 164 mm, Northern Netherlands, 1635 - 1689, print maker, printmaker, 1650 - 1660, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, 1606-07-15 - 1669-10-08, 1616 - 1690

Francis Seymour Haden, 1818-1910, British, Kensington Gardens, no. 2 (large plate), 1860. Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé.

Joseph Mallord William Turner, Isleworth, published 1819 Isleworth

Skåne, Kvistofta. Drawing of Ferdinand Boberg Nordic

The Omval. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 187 x 227 mm (plate); 192 x 232 mm (sheet). Etching and drypoint on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Souvenir of Bas-Breau (Souvenir du Bas-Breau). Dated: 1858. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Alphonse Legros, Brick works (La Briqueterie) Brick-works (La Briqueterie)

Netherlands, Kate, Mari ten, Gruyter jr., Willem, The Flood Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, View of the flooding of the village of Beest aan de Linge, 10 March, Flood in Beesd, 1855, verso - stamped, The flooded village of Beesd aan de Linge, 10 March 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Jager in autumn landscape with setting sun in frame with animals, Félix Hilaire Buhot, 1895 print A Jaager walks with his dog in autumn landscape with setting sun. The show has a frame with different animals such as rabbits, birds and a frog. print maker: Francepublisher: Parisprinter: Paris paper hunter. afternoon ~ landscape (sometimes titled 'Meridies')

Doomed Duck. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 6 1/4 × 7 11/16 in. (15.8 × 19.5 cm)Plate: 3 11/16 × 5 3/16 in. (9.4 × 13.2 cm). Date: 1900-1925.Top corners of plate are rounded. Museum: Metropolitan Museum of Art, New York, USA.

Canal at Charenton. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1901. Dimensions: 149 x 170 mm (image/plate); 160 x 180 mm (sheet). Etching in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Hadleigh Castle, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1830 to 1832, Mezzotint and etching on medium, slightly textured, cream wove paper, Sheet: 13 x 18 inches (33 x 45.7 cm), Plate: 11 x 14 3/4 inches (27.9 x 37.5 cm), and Image: 10 1/2 x 14 1/4 inches (26.7 x 36.2 cm), clouds, dog (animal), rain, rocks (landforms), ruins, shepherd, tree, England, Essex, Europe, Hadleigh Castle, Leigh-on-Sea, United Kingdom

The Horse Pond at the Pont Marie, plate ten from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

A Mill, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1830, Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé, Sheet: 12 1/4 x 14 5/8 inches (31.1 x 37.1 cm), Plate: 7 1/4 x 9 7/8 inches (18.4 x 25.1 cm), and Image: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm), bridge (built work), clouds, landscape, stream, trees, water mill, wheel, Dedham, England, Essex, Europe, United Kingdom

The village farm in Bernau im Schwarzwald, Verso: an outline of the character playing the guitar, shown from the back; Thoma, Hans (1839-1924); 1879 (1879-00-00-1879-00-00);

The Flooded Hovel. Louis Auguste Lepère; French, 1849-1918. Date: 1910. Dimensions: 165 × 294 mm (image); 174 × 299 mm (plate); 230 × 361 mm (sheet). Etching on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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