Pastoral Landscapes in Etchings

Evocative etchings of rural scenes, capturing the serenity of landscapes, farmhouses, and nature from historical periods by renowned artists.

Rijn, Rembrandt van, House hidden among trees, verso left center, print, prints, Rembrandt f 1652, lower right, verso right center, Massaloff 1865, verso lower center, text in Russian and number N 40592 (in pencil), height 124 mm, width 212 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, ink, inkt, drypoint, dry needle, pen, Work conception, after own design by

Arthur-Joseph Guéniot (1866-1951). Allée bordered by trees in a park. Charcoal. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Le Bout Genet(Crèvecœur-le-Grand). Artist: Auguste Lepère, French, 1849-1918

Le Pré des Graves à Villerville (Calvados). Charles François Daubigny; French, 1817-1878. Date: 1875. Dimensions: 127 × 206 mm (image); 162 × 243 mm (plate); 249 × 361 mm (sheet). Etching and drypoint on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

Barth Erwin (1880-1933), Gut Zirchow. Garden facilities (1923): Perspective view with a view of a tree -passed, rectangular water basin on the manor house; In the foreground girl figure with two geese. Pencil on transparent, 31.5 x 20.8 cm (including scan edges) Barth Erwin (1880-1933): Gut Zirchow. Gartenanlagen

Zaguzna gardener (II); Mehoffer, Józef (1869-1946); 1912 (1835-00-00-1836-00-00);Young Poland (Style), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, women, watering pones, gardeners, gardens, landscapes , Poland (culture), symbolic scenes, sickle, symbolism (style), skeletons, death (personification)

David Lucas after John Constable, Glebe Farm (b), in or after 1831 Glebe Farm (b)

Orage à la Fin du jour. Dated: 1868. Medium: etching with drypoint on chine coll proof. Museum: National Gallery of Art, Washington DC. Author: Paul Huet.

The landscape on the boat Harmensz van Rijn Rembrandt (1606-1669). The landscape on the boat. Engraving, (B 236 - 2nd state), 1650.

Coal drawing by Max Liebermann depicting a canal scene in Amsterdam, created between 1899 and 1905.

Luxembourg garden in pair Pankiewicz, Józef (1866-1940); 1906 (1906-00-00-1906-00-00);France (state), young Poland (style), Luxembourg garden (Paris), Pantheon (Paris), Paris (France), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, fountains, Polish graphics, gardens, landscapes, park landscapes, Poland (culture), views of the village

Windsor. Francis Seymour Haden; English, 1818-1910. Date: 1878. Dimensions: 330 × 445 mm (image/plate); 514 × 690 mm (sheet). Etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Untitled (Self-Portrait Hidden in a Landscape). Salvador Dalí; Spanish, 1904-1989. Date: 1936. Dimensions: 545 x 440 mm. Pen and brush and black ink on cream wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Seymour-Haden, Francis (Sir), England, Kew, Kew Side, verso lower right - stamped, A row of houses along the water. On the bank a number of persons, including a man and a woman with two dogs., print, prints, recto lower left - stamped, height 151 mm, width 146 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1864 - 1864, third quarter 19th century, paper, etching, etchings, Work conception, after own design by

Boothuis on a river, Anonymous, after Johannes Pieter van Wisselingh, 1830 - 1882 print On the left a boathouse on a river. Two figures in a rowing boat on the river. A third figure is behind the boathouse. Netherlands paper etching river. boat-house, shed. rowing-boat, canoe, etc.

Falling Leaves, Amersfoort, 1907-1908. Wynand Otto Jan Nieuwenkamp (Dutch, 1874-1950). Etching; sheet: 53.5 x 57 cm (21 1/16 x 22 7/16 in.); platemark: 35.8 x 39.9 cm (14 1/8 x 15 11/16 in.); to borderline: 31.2 x 36.2 cm (12 5/16 x 14 1/4 in.).

Drawing by Ferdinand Boberg. Västergötland, Kinne hd., Västerplana K.A Nordic

To the Southward - Ragged Island, Me. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 10 3/8 × 13 1/16 in. (26.3 × 33.1 cm)Plate: 6 15/16 × 9 7/8 in. (17.6 × 25.1 cm). Date: 1903-25. Museum: Metropolitan Museum of Art, New York, USA.

The Terrace, Cintra, Francis Seymour Haden, 1818-1910, British, 1877, Etching and drypoint on medium, moderately textured, cream antique laid paper, Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.1 cm), Plate: 5 7/8 x 8 13/16 inches (14.9 x 22.4 cm), and Image: 5 7/8 x 8 13/16 inches (14.9 x 22.4 cm), alley, architectural subject, foliage, gourds, leaves, masonry, path, pumpkin, rocks (landforms), shade, shadow, squash, stone, terrace, trees, trellis, vine, wall

Canal with a Boat and Ducks 17th century Anthonie van Borssom Dutch In the tranquil waters of a canal framed by wildly vegetated banks, two little boats are moored near a sheda record of the Dutch rural landscape. For Van Borssom, a prolific draftsman, painter, and printmaker, the local countryside formed a prime source of inspiration. The vigorous pen and ink lines with which foliage and shrubbery are rendered show the influence of Rembrandt’s renowned landscape etchings. The cool green and blue watercolors, typical of Van Borssom’s palette, complement the expressive penwork and reinforce the stillness of the scene.. Canal with a Boat and Ducks 370455

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 235 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Setting Sun, 1879. Camille Pissarro (French, 1830-1903). Drypoint and aquatint; sheet: 22.4 x 28 cm (8 13/16 x 11 in.); platemark: 11.9 x 16 cm (4 11/16 x 6 5/16 in.).

Study sheet with fishermen, figures, a forest face and stork, 1839 - 1894 Page 14 Recto from a sketchbook with 51 sheets. paper. pencil fisherman. forest, wood. shore-birds and wading-birds: stork

View in an Italian Garden (Villa Borghese), Jan Blom, c. 1652, View in the avenues of the Villa Borghese in Rome, on the left a statue of a god with a shepherd's flute., draughtsman: Jan Blom, Rome, (possibly), c. 1652, paper, pen, brush, h 225 mm × w 320 mm

Landscape with a Square Tower. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1650. Dimensions: 88 x 155 mm (image/plate); 98 x 163 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Zagroda. Menzel, Adolph (1815-1905), graphic artist

Boerhoeve. Photo of an image of Johann Wilhelm Kaiser (I). There is a farmhouse with a large tree on the print. The print is 1828 dated and signed.

Dusty Millers, Francis Seymour Haden, 1818-1910, British, 1877, Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers), Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm), Plate: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm), and Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm), animal art, architectural subject, bags, cart, distance, fence, figures, fishing, fishing rod, foliage, genre subject, harness, horse (animal), labor, landscape, men, mill, plants, pond, pool, punts, reeds, shutters, trees, wagon, water, windows

View of the Haagsche Vaart with mills, Ernst Willem Jan Bagelaar, 1798 - 1837 print paper etching / drypoint windmill in landscape

Auguste Lepère, La Neige À Paris La Neige À Paris

Sketches. From: A Marken sketchbook., circa 1874, Netherlands, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Etching by Jean-Baptiste Camille Corot depicting a boatman at the pond in Avray during evening, created in 1862.

Landscape with two windmills, draughtsman: Georges Michel, 1773 - 1843, paper, h 100 mm × w 155 mm

Women at a Well, Allinges. Dimensions: overall: 8.1 x 13.6 cm (3 3/16 x 5 3/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

Joseph Pennell, The Little Fete, Athens, 1913 The Little Fete, Athens

Venice, Mazorbo F�lix Ziem (1821-1911). Venice, Mazorbo. Watercolor on paper. Nineteenth century.

Drawing by Ferdinand Boberg. Närke, Sundbo hd., Olshammars sn., Aspa Nordic

The Towing Path. Francis Seymour Haden; English, 1818-1910. Date: 1859-1869. Dimensions: 138 × 213 mm (image/plate); 164 × 240 mm (sheet). Etching and drypoint on copper printed on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Félix-Hilaire Buhot (1847-1898). "The Saint-Michel de l'Estre chapel". Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 51062-7 Campaign, Saint-Michel de l'Estre chapel, Panorama, Riviere, Saint-Michel de Estre, engraving

Mill near Colchester Engraver David Lucas British After John Constable British 1845-46 View more. Mill near Colchester. After John Constable (British, East Bergholt 1776-1837 Hampstead). 1845-46. Mezzotint. David Lucas (British, Geddington Chase, Northamptonshire 1802-1881 London). Prints

A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine, John Webber, 1752-1793, British, 1789, Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm), architectural subject

Isleworth, plate 63 from Liber Studiorum Published 1819 England. Etching and engraving in brown on ivory wove paper . Joseph Mallord William Turner

Children playing near Dorpshuizen, Arnoud Schaepkens, 1831 - 1904 print paper etching children's games and plays. village

Fontainebleau Forest: Entry to Rousseau's Studio and the Millet Home (La Forêt de Fontainebleau: Entrée de l'atelier de Rousseau et maison de Millet), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 15 x 12.5 cm (5 7/8 x 4 15/16 in.).

Embroidered picture, Medium: silk embroidery on silk foundation Technique: embroidered in stem, speckling and running stitches on plain weave foundation, Rural landscape with a pond, buildings, animals and a shepherdess, in black silk on a white ground., England, early 19th century, embroidery & stitching, Embroidered picture

Bridge, Amsterdam. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 164 x 239 mm (image, trimmed within plate mark); 167 x 239 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Holy Cow Pio bove. Dated: 1888/1890. Dimensions: sheet: 35.7 × 50.8 cm (14 1/16 × 20 in.) plate: 17.5 × 33 cm (6 7/8 × 13 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FATTORI.

Tuileries Garden (registered title (letter))

The Avenue nearValenciennes. Artist: Joseph Pennell, American, 1857-1926

Drawing by Ferdinand Boberg. Västergötland, Vartofta hd., Härja K: a Nordic

Landscape with houses behind a waterfall, Carl Friedrich Holtzmann (Possible), After Johann Georg Wagner, 1750 - 1811 print Dresden paper etching waterfall. landscapes (+ landscape with figures, staffage). hunt ~ other animals

Luscanen, Brittany. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 144 x 189 mm (image/plate); 199 x 238 mm (sheet). Etching in black on buff wove paper, laid down on cream wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, USA.

Chalon, Christina, Amsterdam, Ploos van Amstel, Cornelis, Boy with small child, Two mothers and five children at a country house, verso - stamped, Two scenes. Above a boy holding a small girl by the hand. Below mothers and children at a house., print, prent, prints, height 275 mm, width 221 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1736 - 1798, paper, papier, prenttekening, crayonmanier, doordruk, kleurdruk, 1748 - 1808-12-13, intermediary draughtsman

Elihu Vedder, Tuscany, c 1858 Tuscany

Face at Appelscha, draughtsman: Johanna Wilhelmina von Stein Callenfels, 1882, paper, brush, h 240 mm × w 347 mm

Village face, Pierre Jacques Dierckx, 1899 print paper. etching / drypoint village. village street

The Boat Trip: The Lunch before Going Aboard at Asnières, 1861. Charles François Daubigny (French, 1817-1878). Etching with chine collé; sheet: 31.7 x 45.2 cm (12 1/2 x 17 13/16 in.); platemark: 13 x 18 cm (5 1/8 x 7 1/16 in.).

Drawing by Ferdinand Boberg. Dalarna, Grangärde sn., Saxhyttan, Nordic

In Hyde Park , Parks, Gates, Sitting, Trees. Joseph Pennell (1857-1926). Prints and Drawings

John Malchair, 1730-1812, German, active in Britain (1754-1812), Christ Church, Oxford, undated. Gray wash and graphite on medium, slightly textured, cream laid paper.

Landscape with water mill, Albertus Brondgeest, 1796-1849.

Drawing by Ferdinand Boberg. Västergötland, Väne hd., Vän-Ryr sn., Grindhult Nordic

'Tween the Gloaming and the Mirk. Dated: 1883. Dimensions: plate: 18.8 x 28.5 cm (7 3/8 x 11 1/4 in.) sheet: 35.1 x 47.9 cm (13 13/16 x 18 7/8 in.). Medium: etching and roulette on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Mary Nimmo Moran.

Barth Erwin (1880-1933), expansion of the cemeteries in Stolp (1932): Perspective view with a view of a wavy path lined with graves and shrubs onto the high cross. Coal and pencil on transparent, 36.1 x 54.2 cm (including scan edges) Barth Erwin (1880-1933): Erweiterung der Friedhöfe, Stolp

Fulham. Francis Seymour Haden; English, 1818-1910. Date: 1854-1864. Dimensions: 113 × 278 mm (image/plate); 199 × 331 mm (sheet). Etching and drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Södermanland, Åkers sn. and hd. "Erja (Mariefred Strängnäs). (First drawing on the first car ride). Stayed because of broken ring!" Drawing by Ferdinand Boberg. Nordic

November. Dated: 1880. Dimensions: image: 14.29 × 26.67 cm (5 5/8 × 10 1/2 in.) plate: 15.24 × 27.62 cm (6 × 10 7/8 in.) sheet: 20.96 × 30 cm (8 1/4 × 11 13/16 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Stephen Parrish.

Kilgaren Castle. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1864. Prints; etchings. Etching

Rijn, Rembrandt van, Landscape with square tower, verso lower left - stamped, or is this a worn 4th state, print, prints, Rembrandt f 1650, lower right, height 88 mm, width 157 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The Route to Birmandreïs, Algiers. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1912. Dimensions: 161 × 218 mm (image/plate); 202 × 249 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sailing with rowing boats, Willem de Zwart, c. 1890 - c. 1891 print Japanese paper (handmade paper) etching canal. rowing-boat, canoe, etc. Loosduinen

Color cutting print by Eleonore Doelter depicting a figure from Eisenstadt, Hungary, executed with raised printing technique.

De Opgang to the Hogendijk, Jurriaan Andriessen, 1785 drawing paper. ink. watercolor (paint). pencil brush / pen dikes, levee

Print made by Francis Seymour Haden, 1818-1910, British, The Towing Path, 1864. Etching and drypoint on medium, slightly textured, cream laid paper.

Little Drawbridge, Amsterdam 1889 United States. Etching with foul biting in dark brown ink on ivory Japanese paper . James McNeill Whistler

Segovia. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 257 x 192 mm. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Watercolor on wove paper, laid down on board'.

Manor house; Stankiewicz, Zofia (1862-1955); before 1913 (1910-00-00-1913-00-00);Young Poland (Styl), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society of the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, trees, courts (archite.), Polish graphics, landscapes, rural landscapes, Poland (Poland ( Culture), orchards, symbolism (style), winter

ADVERTISEMENT of graphics publisher Edmond Sagot Monceau Park in Paris Müller, Alfredo (1869 1939), gift, edmond honoré (1857 1917)

Prater-Parthie, Hofkunsthandlung J, Velten, Karlsruhe, Producer, Nister, Lithographer, After, Eduard Kasparides -, Drawer

Monument Amerongsche Berg

Calm Excursion. Dated: 1919. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hans Thoma.

La Ronde de nuit (Night Patrol). Dated: 1878. Dimensions: plate: 12.9 x 14.2 cm (5 1/16 x 5 9/16 in.) sheet: 25.1 x 34.7 cm (9 7/8 x 13 11/16 in.). Medium: etching, aquatint, and drypoint in black on moderately thick beige laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

of 2