Political Satire Illustrations

A collection of humorous and satirical illustrations depicting political themes with exaggerated characters, vibrant colors, and comedic scenarios.

Cartoon showing John Bull (England) getting angry because the Dutchman is reluctant to take up arms against France, 1793. The Dutchman leans relaxed against a large barrel and smokes a pipe. On the right the head of William Pitt pointing out that the French will open the Scheldt again, John Bull angry at the Hollander's reluctance to fight, 1793 John Bull in a rage forcing Nic Frog to fight against his will , print maker: Isaac Cruikshank, publisher: Samuel W. Fores, (mentioned on object), London, 9-Feb-1793, paper, etching, h 236 mm × w 361 mm

Symptoms of Choaking. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 5 1/4 × 7 3/16 in. (13.4 × 18.2 cm)Sheet: 6 in. × 7 7/8 in. (15.3 × 20 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Miseries of Human Life. Date: 1806 (pub. August 25, 1808). Museum: Metropolitan Museum of Art, New York, USA.

The Conservative on mission or paradise at AUCK (IT)

Neudachnyi pokhod Braunshveigskago Gertsoga vo Frantsiiu. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Junot Disgorging His Booty. Artist: Thomas Rowlandson (British, London 1757-1827 London); After G. Saulez Farnham (British, active 1805-8). Dimensions: Sheet: 10 1/8 in. × 14 in. (25.7 × 35.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Subject: Jean Andache Junot, duc d'Abrantes. Date: October 17, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---, George Cruikshank, 1792-1878, British, 1822, Etching, hand-colored, Sheet: 8 3/4 x 13 1/8in. (22.2 x 33.3cm)

Cartoon showing John Bull (England) getting angry because the Dutchman is reluctant to take up arms against France, 1793. The Dutchman leans relaxed against a large barrel and smokes a pipe. On the right the head of William Pitt pointing out that the French will open the Scheldt again, John Bull angry at the Hollander's reluctance to fight, 1793 John Bull in a rage forcing Nic Frog to fight against his will , print maker: Isaac Cruikshank, publisher: Samuel W. Fores, (mentioned on object), London, 9-Feb-1793, paper, etching, h 236 mm × w 361 mm

Opening of the budget - or - John Bull giving his breeches to save his bacon , Politicians, Prime ministers, Nobility, Taxes, John Bull Symbolic character, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Grenville, William Wyndham Grenville, Baron, 1759-1834. James Gillray (1756-1815). Prints and Drawings

James Gillray, 1757-1815, British, Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, 1791. Etching, hand-colored.

A whimsical will!! , Wills. Thomas Rowlandson (1756-1827). Prints and Drawings

Prophecy Explained September 17, 1808 Thomas Rowlandson. Prophecy Explained. Thomas Rowlandson (British, London 1757-1827 London). September 17, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Damnation of Obadiah (Tristram Shandy). Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Author: Related author Laurence Sterne (British, 1713-1768). Dimensions: Sheet (trimmed): 9 3/16 × 13 1/4 in. (23.4 × 33.7 cm). Date: 1800-20. Museum: Metropolitan Museum of Art, New York, USA.

It is taken (IT)

Forget & Forgive, or Honest Jack Shaking Hands with and Old Acquaintance September 3, 1799 Thomas Rowlandson. Forget & Forgive, or Honest Jack Shaking Hands with and Old Acquaintance. Thomas Rowlandson (British, London 1757-1827 London). September 3, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The wrong Prima-Donna in Krähwinkel, Posse according to Adolf Bäuerle theatrical picture gallery for the theater newspaper, rd vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Boney Bothered or an Unexpected Meeting July 9, 1808 Charles Williams British. Boney Bothered or an Unexpected Meeting 392574

Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1756-1810, British, 1797, Etching, hand-colored, Sheet: 11 1/2 x 15 7/8in. (29.2 x 40.3cm)

The Quaker, and the Commissioners of excise , Customs employees, Questioning. Thomas Rowlandson (1756-1827). Prints and Drawings

Boney receiving an account of the battle of Vittoria : Or the little emperor in a great passion , Rulers, Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840. George Cruikshank (1792-1878). Prints and Drawings

Thomas Rowlandson, 1756-1827, British, Flying Breakfast, or the Contents of a Night Coach, 1792. Etching, hand-colored.

Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1756-1810, British, 1790, Etching, hand-colored, Sheet: 9 x 13 7/8in. (22.9 x 35.2cm)

Miseries of human life, p. 77. 'Being accelerated in your walk by the lively application of a chairman's pole...' , Sedan chairs, Laborers, Walking. Thomas Rowlandson (1756-1827). Prints and Drawings

The enraged son of Mars and timid tonsor , Barbers, Barbershops, Shaving, Monkeys. Thomas Rowlandson (1756-1827). Prints and Drawings

Political candour, i.e. coalition resolutions of June 14th, 1805 , Politicians, Nobility, Authors, Government officials, Public speaking, Capitols, Legislative bodies, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Wilberforce, William, 1759-1833, Tierney, George, 1761-1830, Pitt, William, 1759-1806, Abbot, Charles, Baron Colchester, 1757-1829, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Walpole, George, 1758-1835, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Great Britain. Parliament. House of Commons. James Gillray (1756-1815). Prints and Drawings

A Visit to Cockney Farm. George Cruikshank (English, 1792-1878); after Captain Frederick Marryat (English, 1792-1848); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 243 × 348 mm (image); 250 × 353 mm (plate); 257 × 357 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

London, Fores, Samuel W., England, Heath, Henry, The great battle, for the championship, between Black George & dubious Jack, Boxing match between Eldon and Channing, 1827, Cartoon on the tensions in the British cabinet between the Protestants and Catholics in March 1827. The representatives of both parties, respectively Eldon and Canning, face each other like boxers. Behind Eldon stands the British Virgin, behind Canning the Pope with a devil., cartoon, English cartoons, height 250 mm, width 345 mm, English, print maker, printmaker, 1827-04-02 - 1827-04-02, paper, etching, etchings, hand colouring, Publication (Event), Publication, 1761 - 1838, publisher

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 198 × 255 mm (image); 215 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The genius of France extirpating despotism tyranny and oppression from the face of the earth Or the royal warriors defeated, Cruikshank, Isaac, 1764 1811, engraving 1792, a woman wearing a liberty cap, representing the genius of France, holding a cat o' nine tails in one hand and the reins of a donkey in the other; on this donkey and another bucking in the background are several monarchs identified as Prussia, Germany, Russia, Sweden, Brunswick, Turkey, Spain, and, falling to the ground, China;

Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1779-1862, British, 1800, Etching, hand-colored, Sheet: 9 x 13 3/8in. (22.9 x 34cm)

The Consultation or Last Hope. Thomas Rowlandson (English, 1756-1827); published by Rudolph Ackermann (English, 1734-1834). Date: 1808. Dimensions: 235 × 340 mm (image); 255 × 355 mm (plate); 280 × 385 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Pandore box The box in Pandora ". Anonymous print.

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day), James Gillray, 1757-1815, British, 1783, Etching

The Jockey Club or Newmarket Meeting October 10, 1811 Thomas Rowlandson A group of men gathers in a betting room, with two hunting dogs at left.. The Jockey Club or Newmarket Meeting. Thomas Rowlandson (British, London 1757-1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Female Intrepidity 1816 England. Hand-colored etching on paper . George Cruikshank

Isaac Cruikshank, 1756-1810, British, The Delegates in Council or Beggars on Horseback, 1797. Etching, hand-colored.

Alecto and her Train, at the Gate of Pandaemonium; - or - The Recruiting Sarjeant enlisting JOHN-BULL, into the Revolution Service.. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1791. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Cartoon showing British soldiers chasing the French out of Holland, a reference to the British-Russian invasion of 1799. A grateful Dutchman shakes hands with an English sailor. A Dutch woman with bare bosom pours a glass of gin. In the background the ships of the British fleet, on the right the French flee leaving behind sacks of stolen money, Renewed friendship between Holland and England, 1799 Forget & Forgive or honest Jack shaking hands with an old Acquantance , print maker: Thomas Rowlandson, publisher: Rudolph Ackermann, (mentioned on object), London, 3-Sep-1799, paper, etching, h 235 mm × w 320 mm

The rival queens or a political heat for Rege & Grege. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501. Fitzherbert, Maria Anne,1756-1837. , Queens,Great Britain,1780-1790.

Napoleon v bede, shest' kartinok Napoleon in trouble, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, Print made by George Cruikshank, 1792-1878, British, after unknown artist, ( L. E. H. ), Published by Thomas McLean, 1788-1875, British, 1835, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm), Plate: 10 15/16 x 15 1/16 inches (27.8 x 38.3 cm), and Image: 9 x 14 3/16 inches (22.8 x 36.1 cm), aunt, caricature, carpet, costume, dogs (animals), fancy dress, French, genre subject, gesturing, hats, humor, illustration, ladies, men, niece, satire, surprise, women

Pot Luck, Richard Newton, 1777-1798, British, 1797, Etching, hand-colored, Sheet: 12 3/4 x 8 7/8in. (32.4 x 22.5cm)

The ammunition prevents the descent. (IT)

James Sayer, 1748-1823, British, The Rights of the People, a Mis-Fire-at the Consitution ____, 1789. Etching, hand-colored.

The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries September 18, 1823 Thomas Rowlandson Frederick John Robinson, wearing his Chancellor of the Exchequer's gown, places an extinguisher on the head of Fortune, who sits atop a globe. She hands out a paper inscribed "Ticket £20 000" to a rambunctious crowd at left.. The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries. Thomas Rowlandson (British, London 1757-1827 London). September 18, 1823. Hand-colored etching. John Fairburn (British, active 1789-1840). Prints

Thomas Rowlandson, 1756-1827, British, A Peep into the Retreat at Tinnehinch, 1799. Etching, hand-colored.

To Calais , Mail steamers, Motion sickness, Passengers. George Cruikshank (1792-1878). Prints and Drawings

James Gillray, 1757-1815, British, A New Administration, or - The State Quacks Administring, 1783. Etching, hand-colored.

A Spy!!! or the Blessings of a Convention Bill, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 11 5/8 x 8 3/8in. (29.5 x 21.3cm)

The Elgin Marbles!. George Cruikshank (English, 1792-1878); published by J. Sidebotham (English, active 1802-1820). Date: 1816. Dimensions: 242 × 344 mm (image); 247 × 350 mm (plate); 253 × 355 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 7 1/4 x 22 9/16in. (18.4 x 57.3cm)

Both blind.

Durham Mustard Too Powerfull for Italian Capers. Isaac Cruikshank (English, 1764-1811); published by Thomas Tegg (English, 1776-1846). Date: 1807. Dimensions: 220 × 335 mm (image); 247 × 350 mm (plate); 255 × 425 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

English courtesans being sold at auction to British and Asian men in a port controlled by the East India Company. Coloured etching by T. Rowlandson, ca. 1815, after J. Gillray.

International Festival for Fraternity Caricature for the Viennese World Exhibition, Image Insert for Hans Jörgel , Vinzenz Katzler -, Lithographic, Reiffenstein , Rösch, Printing Press

Cartoon on the return of the prince, 1799; The Reception in Holland. English cartoon on the upcoming reception of Prince Willem V at return in Holland. The first prince is surrounded by a cheering mass and embraced and kissed by a few fishing. Frogs crawl up to his feet. On the right in the background the landing of the English troops in boats on the beach of Noord-Holland. Satire at the British Russian invasion in 1799.

Thomas Rowlandson, 1756-1827, British, The Recruiting Officer, 1797. Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, blued white, laid paper.

Introduction of Citizen Volpone & His Suite, at Paris.-Vide, The Moniteur, & Cobbetts Letters. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet: 9 13/16 x 14 in. (25 x 35.6 cm). Publisher: Hannah Humphrey (London). Date: November 15, 1802. Museum: Metropolitan Museum of Art, New York, USA.

The Word-Eater. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/16 × 14 5/16 in. (25.6 × 36.4 cm)Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: December 30, 1786. Museum: Metropolitan Museum of Art, New York, USA.

William Dent, active 1784-1793, The Countryman's Dream of Coalescing Virtue and Vice, Round about the Maypole see how we trot, hot pot, hot, brown Ale we have got.., 1784. Etching with watercolor on laid paper.

The road to London or the countryman and the Quakers , Conversation, Miscommunication. Thomas Rowlandson (1756-1827). Prints and Drawings

The Introduction, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)

Johann Nestroy in Der Färber and his twin brother costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

James Gillray, 1757-1815, British, The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John, 1782. Etching, hand-colored.

The wrong virtuoso Paganini or the Concert on the G Saite, Posse von Meisl Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Champion of Oakhampton, Attacking the Hydra of Gloucester Place March 15, 1809 Thomas Rowlandson British. The Champion of Oakhampton, Attacking the Hydra of Gloucester Place. Thomas Rowlandson (British, London 1757-1827 London). March 15, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print made by Henry Heath, active 1824-1835, British, Out of Court. Auspicium Melioris Devi, 1827. Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Print made by William Heath, 1795-1840, British, Who'll Have a Crown - Now's Your Time, 1830. Etching, hand-colored on moderately thick, moderately textured, beige wove paper.

Practical education , Conversation, Military officers, Judges. Thomas Rowlandson (1756-1827). Prints and Drawings

Out of Court. Auspicium Melioris Devi, Print made by Henry Heath, active 1824-1835, British, Published by S. W. Fores, 1761-1838, British, 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), Plate: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm), and Image: 8 3/4 × 13 inches (22.2 × 33 cm)

The modern Circe or a sequel to the petticoat. Cartoon shows Mrs. Mary Anne Clarke, wearing the Duke of York's military cloak, extending it to cover a crowd of miniature soldiers, civilians and clergymen clustering around her with outstretched arms, Mr. Waddle (Mr. Wardle), standing to the side, gazes at her and declares his fascination. By Isaac Cruikshank.

The bear and his leader , Kings, Politicians, Nobility, Government officials, Bears, Monkeys, Animal shows, Dance, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834. James Gillray (1756-1815). Prints and Drawings

Scene at Bath , Walking, Wheelchairs, People with disabilities, City & town life. Thomas Rowlandson (1756-1827). Prints and Drawings

Jockeyship July 1, 1802 Thomas Rowlandson. Jockeyship. Thomas Rowlandson (British, London 1757-1827 London). July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

Suitors to the pig faced lady Every man to his taste G. Cruik., fet.. British Cartoon Prints Collection . Women,Physical characteristics,1810-1820. , Jews,1810-1820. , Men,Social life,1810-1820. , Ethnic stereotypes,1810-1820. , Courtship,1810-1820. , Social classes,England,1810-1820. , Ugliness,1810-1820. , Swine,1810-1820.

The Brave Tars of the Victory, and The Remains of the Lamented Nelson! May 1, 1806 Thomas Rowlandson. The Brave Tars of the Victory, and The Remains of the Lamented Nelson!. Thomas Rowlandson (British, London 1757-1827 London). May 1, 1806. Hand-colored etching. Prints

Statement doctors let John Bull death, caricature by G. Cruikshank 1816. From left: Lord Broughtham, Prince Leopold and Princess Charlotte, Treasure Chancellor, John Bull, Castlereagh, Georg IV., Prussia, Austria, Russia take gold.

The Maiden Speech. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/4 × 6 3/4 in. (23.5 × 17.1 cm). Publisher: Thomas Cornell (London). Date: Oct 5, 1785. Museum: Metropolitan Museum of Art, New York, USA.

Two pair of portraits - presented to all the unbiassed electors of Great Britain, by John Horne Tooke , Politicians, Revolutionaries, Nobility, Authors, Prime ministers, Artists, Painting, Portraits, Robespierre, Maximilien, 1758-1794, Holland, Henry Fox, Baron, 1705-1774, Wilkes, John, 1725-1797, Machiavelli, Niccolò, 1469-1527, Fox, Charles James, 1749-1806, Pitt, William, Earl of Chatham, 1708-1778, Pitt, William, 1759-1806, Tooke, John Horne, 1736-1812, Tallien, Jean-Lambert, 1767-1820, Marat, Jean Paul, 1743-1793. James Gillray (1756-1815). Prints and Drawings

Richard Newton, 1777-1798, British, Summer Amusement at Farmer G-----'s Near Windsor, 1791. Etching, hand-colored.

Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1757-1815, British, 1795, Etching, hand-colored, Sheet: 8 7/8 x 13 1/4in. (22.5 x 33.7cm)

Assassination-Versailles, October 6, 1789, Isaac Cruikshank, 1756-1810, British, 1790, Etching, hand-colored, Sheet: 9 x 13 7/8in. (22.9 x 35.2cm)

The Quornites Disturb'd or Startling the Game, Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 14 3/8 x 18 7/8in. (36.5 x 47.9cm)

Five old men play a game of boules or bowls, circa 1800. Copied from Martinet's Caricatures Parisiennes. Handcoloured lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1757-1815, British, 1795, Etching and aquatint, hand-colored, Sheet: 8 3/4 x 13 3/16in. (22.2 x 33.5cm)

Irish Decency ! ! ! no 2 Published 1819 England. Hand-colored etching on wove paper . George Cruikshank

Napoleon gets Elba, 1814. Cartoon at Napoleons Expansion to Elba, May 1814. A complaining Napoleon must drop the globe and instead gets the island of Elba, which is served by a couch on a plate. On the right the king of Rome, the son of Napoleon, leaves with emperors crown, scepter, sword and cloak. In the background a collapsing temple, possibly the dome of the Hôtel des Invalides in Paris. With two-legged caption.

Napoleon like a crazy dog, 1813; The Corsican Mad Dog or the Hopeful Situation of the Destroyer of the Human Speice. Cartoon on Napoleon after his loss in the Battle of Leipzig, 1813. Napoleon as a mad dog is driven away by the allies: Prussian Hussar, Russian Kozak, Spaniard, Dutchman and others. Napoleon chooses the way back to France where a gallows wait for him. The Dutchman is hidden behind a large barrel and points his gun to the dog. While running, Napoleon loses the crowns of France, Rome, Italy, Spain and Holland.

Isaac Cruikshank, 1756-1810, British, The Duel - or Charley Longing For a Pop, 1798. Etching, hand-colored.

Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture, () William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)

French sansculots in Dutch pants, 1795, Isaac Cuikshank, 1795 print English cartoon on the French prophquisition in January 1795. A French Sansculotte has attracted wide pants from a Dutchman, from which the Dutch gold falls. Next to him the Begundered watching Hollander in Underbroek. On the left, another Sansculotte, also with a Dutch with gold -filled pants, drinks from a bottle of gin. On the right a Frenchman has fun with a busty Dutch woman. Cartoon on the reimbursements that the Batavian Republic had to pay to France. London paper etching political caricatures and satires. trousers, breeches, etc. (TROUSERS) (+ men's clothes)

The Parody, or Mother Cole and Loader April 10, 1784 Thomas Rowlandson. The Parody, or Mother Cole and Loader. Thomas Rowlandson (British, London 1757-1827 London). April 10, 1784. Hand-colored etching. Hannah Humphrey (London). Prints

Evidence to character - being, a portrait of a traitor by his friends & by himself , Politicians, Judges, Nobility, Authors, Courtrooms, O'Connor, Arthur, 1763-1852, Buller, Francis, 1746-1800, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Grattan, Henry, 1746-1820, Erskine, Thomas Erskine, Baron, 1750-1823. James Gillray (1756-1815). Prints and Drawings

Napoleon wagon, 1813-1814. Cartoon on the fall of Napoleon in 1813-1814. Napoleon performs a car in which his brothers and generals and a monkey are with the French flag. The car is drawn by all kinds of devils. With two-legged Dutch caption.

Cockney Sportsmen Finding a Hare Published 1800 England. Hand-colored etching on paper . James Gillray

Nelson's victory, or good-news operating upon loyal feelings , Politicians, Nobility, Authors, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, Jekyll, Joseph, 1754-1837, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Fox, Charles James, 1749-1806. James Gillray (1756-1815). Prints and Drawings

A Black Leg Detected Secreting Cards, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen and gray ink on medium, smooth, cream wove paper, Sheet: 5 x 7 13/16 inches (12.7 x 19.8 cm), cards, chair, crutch, doorway, fighting, genre subject, hats, men, punching, riding crops, room, sporting art, table, walking sticks, weapons, fist

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

William O'Keefe, active 1794-1807, Ducking a Pickpocket, 1797. Etching, hand-colored.

The Bull and Mouth. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 15 11/16 × 10 15/16 in. (39.9 × 27.8 cm)Plate: 13 9/16 × 9 3/4 in. (34.4 × 24.8 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: December 24, 1808. Museum: Metropolitan Museum of Art, New York, USA.

The Political Pawn Brokers, Isaac Cruikshank, 1756-1810, British, 1793, Etching, hand-colored, Sheet: 8 3/8 x 14 7/8in. (21.3 x 37.8cm)

Netherlands, Stoopendaal, Daniel Willem, De Overgaaf vande Goude Schraper by Capitulatie 1824, Overgave van de Gouden Schraper, 1824, verso - stamped, Cartoon on the attempts of the firm JH Rupe & Zn to sell sugar in small quantities. In the center a man with a golden scraper in the man standing on a throne of sugar loaves. On the left and right cheering citizens and soldiers with sugar loaves on their heads. In the foreground a man burns documents in a cauldron. In response to the ban in Amsterdam on the sale of sugar and syrup in small quantities. See also the pendant., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 257 mm, width 290 mm, Dutch, 1776-01-24 - 1829-06-15, print maker, printmaker, 1824 - 1824, paper, papier, lithography (technique), hand coloring

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