Portrait Medallions

Medallions of distinguished persons, crafted with detailed side profiles, emphasizing artistic techniques of the era.

Manufacture of Sèvres (n. - d.), Diderot (main title). Plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

Medallion creator Pierre Jean David d'Angers

Allart Hortense (*1801) literary medallion creator Pierre Jean David d'er

Manufacture of Sèvres (n. - d.), Diderot (main title). Plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Andigne (*1765 + 1857) General Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Cicero, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1790, Engraving

Medallion creator Pierre Jean David d'Angers

Medaille puts Portret van Claude François Lallemand, Achille Collas (Possible), in gold after 1835 print France paper historical persons. ornament ~ medallion

Medallion puts Portret van François Arago, Achille Collas (Possible), Pierre Jean David d'Angers, 1832 print France paper historical persons. ornament ~ medallion

Medallion creator Pierre Jean David d'Angers

Barker, Robert .

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

George Washington. Dimensions: Diam. 2 1/4 in. (5.7 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medal. Culture: American. Dimensions: 8 1/2 x 7 1/8 in. (21.6 x 18.1 cm). Date: 1800-83. Museum: Metropolitan Museum of Art, New York, USA.

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Johann Wolfgang von Goethe, 1749-1832 obverse. Dated: 1809. Dimensions: overall (diameter): 9.11 cm (3 9/16 in.) gross weight: 246.61 gr (0.544 lb.) axis: 6:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: after Leonhard Posch.

Fryderyk Chopin's plaster model (1810-1849), by Hipolit Marczewski, to decorate the Warsaw Philharmonic - photography of the River; Kulewski, Czes Aw (Warsaw; photographic zak; Fl. Ca 1900-1916); around 1900 (1898-00-00-1902-00-00);Chopin, Fryderyk (1810-1849), Chopin, Fryderyk (1810-1849)-iconography, National Philharmonic (Warsaw), Marczewski, Hipolit (1853-1905)-reproduction, PartaGage Plus, Rajchman, Aleksander (1855-1915)-collection , modernism (style), Poland (culture), portraits, men's portraits, transmission (provenance), sculpture (artist), Polish sculpture

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Manufacture of Sèvres (n. - d.), Louis XV (main title). Ceramics, porcelain, cookie on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Medallion creator Pierre Jean David d'Angers

Medallion creator Pierre Jean David d'Angers

Plaque. Culture: French. Dimensions: Diam. 2 7/8 in. (7.3 cm). Date: 1776-1883. Museum: Metropolitan Museum of Art, New York, USA.

Emperor Claudius. Biscuit portrait medallion, representative according to the incubate inscription The Roman emperor Claudius.

Sir Isaac Newton, David Le Marchand, 1674-1726, French, ca. 1710, Ivory, Overall: 6 7/16 × 4 13/16 × 15/16 inches (16.3 × 12.2 × 2.4 cm), mathematician, medallion, philosopher, portrait

Medallion creator Pierre Jean David d'Angers

Anonymous. Portrait of the Princess of Beauveau-Craon. Medallion. sculpture). Terracotta. Paris, Carnavalet museum. Portrait

Claude François Lallemand. Line engraving by A. Collas after P. J. David, 1835.

Portret van Henri-Joseph Pérignon, Simon Charles Miger, After Charles Nicolas Cochin (II), 1781 Print is part of an album. paper engraving / etching Print is part of an album. paper engraving / etching

Hugo Grotius (1583-1645) 18th century Wedgwood and Bentley. Hugo Grotius (1583-1645). British, Etruria, Staffordshire. 18th century. Basalt ware. Ceramics-Pottery

Medallion creator Pierre Jean David d'Angers

The Duke of Villars (front) Duvivier Pierre Simon Benjamin (1730-1819). "The duke of Villars (front)". Pencil.

Medallion creator Pierre Jean David d'Angers

Plaque. Dimensions: Diam. 8 7/8 in. (22.5 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA.

Medallion creator Pierre Jean David d'Angers

Medallion of Benjamin Franklin 1776-1883. Medallion of Benjamin Franklin 484

Marie Louise (1791-1847), Empress of the French, Second Wife of Napoleon Bonaparte early 19th century Giovanni Antonio Santarelli Italian One of a group of Napoleonic portraits in wax by Santarelli owned by the Museum (38.145.36-.39).. Marie Louise (1791-1847), Empress of the French, Second Wife of Napoleon Bonaparte. Giovanni Antonio Santarelli (Italian, Manopello 1758-1826 Florence). Italian, Florence. early 19th century. Pink wax on glass backed by dark blue wax; frame: moulded gilt plaster. Sculpture-Miniature

Armand Carrel (1800-1836), French publicist 1832 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary

Plaque 1800-1883. Plaque 5146

Portrait of the composer Ignace Pleyel (1757-1831), Guérin, Christophe (1758-1831)

John Frederick Blumenbach (1752-1841), German physician and physiologist 1834 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal camp

Plaque 1776-1883 Possibly James Tassie British, Scottish. Plaque 5160

Medallion creator Pierre Jean David d'Angers

Umbria Terni Collestatte Parish Church. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of a man, possibly Dr. Dornier, 1764 18th century Jean-Baptiste Nini Italian In a technique of his own invention, Nini refined the local clay through a process of elutriation and used it to cast his medallions from finely engraved copper molds.. Portrait of a man, possibly Dr. Dornier, 1764. Jean-Baptiste Nini (Italian, Urbino 1717-1786 Chaumont-sur-Loire). French, Chaumont-sur-Loire. 18th century. Medallion: cast terracotta (terre de Chaumont); frame: gilt wood. Sculpture-Miniature

Andrée Marie Constant Dumeril (1774-1860), French physician and zoologist 1828 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal cam

Bust of Alexis-Jean-Eustache Taitbout; Jean-Jacques Caffieri (French, 1725 - 1792); France; 1762; Terracotta on plaster socle; 64.5 x 36 x 27.7 cm (25 3,8 x 14 3,16 x 10 7,8 in.)

Medaillon met portret van F. Berard, Achille Collas (possibly), Pierre Jean David d'Angers, in or after 1836 print France paper historical persons. ornament ~ medallion

Bust of a figure in Roman dress. unknown, author

Arthur Wellesley, 1st Duke of Wellington 1815 Sèvres Manufactory French. Arthur Wellesley, 1st Duke of Wellington 204458

Medallion creator Pierre Jean David d'Angers

Medallion. Dimensions: 3 3/4 x 2 3/4 in. (9.5 x 7 cm). Date: 1870-1900. Museum: Metropolitan Museum of Art, New York, USA.

Auguste Rodin, Head of Mrs John Peter Russell (Marianna Mattiocco della Torre), model 1888 Head of Mrs. John Peter Russell (Marianna Mattiocco della Torre)

Amelia Opie (née Alderson), English novelist and moral writer (1769-1853) 19th century Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a pers

The Dying Cleopatra 18th century Probably by Robert Bateman Wray The model occurs in a Wedgwood jasper medallion.. The Dying Cleopatra. Probably by Robert Bateman Wray (British, Salisbury 1715-1779). British. 18th century. Colorless wax under glass; frame: gold wood. Sculpture-Miniature

Cameo Portrait of Martha Washington 1830-70 View more. Cameo Portrait of Martha Washington. 1830-70. Ivory, mother-of-pearl, gold

Felix Baciocchi, Prince of Lucca and Piombino ca. 1809 Giovanni Antonio Santarelli Italian One of a group of Napoleonic portraits in wax by Santarelli owned by the Museum (38.145.36-.39). This piece served as the model for the reverse of the medal commemorating Elisa Baciocchi's assumption of the title granducale in 1809. See 38.145.37 for the portrait of Elisa Baciocchi which served as the model for the obverse of the medal.. Felix Baciocchi, Prince of Lucca and Piombino. Giovanni Antonio Santarelli (Italian, Manopello 1758-1826 Florence). Italian, Florence. ca. 1809. Pink wax on glass painted dark blue; frame: moulded gilt plaster. Sculpture-Miniature

Jean-Pierre Dantan (1800-1869), known as Dantan young. Unknown portrait. Terracious patinated plaster, round-bump. 1838. Paris, Carnavalet museum. 52168-19 Man, unknown, pattero patina, portrait-metering, round-bump, terracotta

L'Abbé (Felicité Robert) de Lamennais (1782-1854), French ecclesiastic and theorist 1831 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a pe

Bust of Jean-Pierre Dantan, says "Dantan the young Antoine Laurent Dantan, said Dantan the eldest (1798-1878). Bust of Jean-Pierre Dantan, said Dantan the young. Plaster patinated, ground-cooked, 1836. Paris, Carnavalet museum.

Medallion creator Pierre Jean David d'Angers

Honoré Daumier, Alexandre Simon Pataille, model c 1832 1835, cast 1929 1950 Alexandre-Simon Pataille

Medallion creator Pierre Jean David d'Angers

Medallion of the Marquis de Lafayette. Dimensions: Diam. 3 1/4 in. (8.3 cm). Date: 1775-1800. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of a man. Head of a balding man, and profil. Possibly a portrait of spalding.

Bliżej Kultury unknown

Cameo Medallion ca. 1787 British. Cameo Medallion. British. ca. 1787. Jasperware. Made in Staffordshire, England

Plaque of the Marquis de Lafayette 1800-1883. Plaque of the Marquis de Lafayette 4977

Dr. John Hunter 1791 James Tassie British, Scottish John Hunter (1728-1793) was the founder of scientific surgery. The portrait may have been occasioned by his being named surgeon general in 1791.. Dr. John Hunter. James Tassie (British, Glasgow, Scotland 1735-1799 London). British, London. 1791. Glass paste. Glass

Portrait of a Man. Neither the maker of this medallion nor the person portrayed is known with certainty, even though the subjects initials ‘SA appear in the background. With its sober style, this circular portrait resembles an ancient Roman coin. The use of two types of marble is unusual.

Jean-Baptiste Carpeaux (1827-1875). Madame Defly. Patinated plaster. Museum of Fine Arts of the City of Paris, Petit Palais. 79394-1 From the front, woman, pattero patina, portrait, 19th XIXth 19th 19th 19th 19th century

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