Portrait Medallions

Medallions of distinguished persons, crafted with detailed side profiles, emphasizing artistic techniques of the era.

Manufacture of Sèvres (n. - d.), Diderot (main title). Plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

Sir James McGrigor. Stipple engraving by H. Adlard.

JOSE ZORRILLA DEL MORAL - 1944 - ESCAYOLA Y PIGMENTO AZUL - 51,30 cm de diametro. Author: JULIAN ALANGUA PUCHET 1921/. Location: MUSEO DEL ROMANTICISMO-ESCULTURA. MADRID. SPAIN.

David d'Angers, Pierre-Jean (n.1788-03-12-D.1856-01-05), Paul Foucher (title given by the author), 1828. Bronze hollow interior molding. Houses of Victor Hugo Paris - Guernsey.

George Washington. Dimensions: H. 11 1/2 in. (29.2 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Pitt, Lord Camelford ca. 1780 Wedgwood and Bentley Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of "Illustious Ancents and Moderns.". Thomas Pitt, Lord Camelford. British, Etruria, Staffordshire. ca. 1780. Jasperware. Ceramics-Pottery

John Ward, 2nd Viscount Dudley and Ward 1779-1802 Francesco Bartolozzi Italian. John Ward, 2nd Viscount Dudley and Ward. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). 1779-1802. Black and red chalk, varnished, on thin laid paper. Oval.. John Ward, 2nd Viscount Dudley and Ward (British, 1725-1788). Drawings

Cameo Portrait of Frederick Marshall ca. 1855 American Cameos are small sculptures carved in relief on a hard substance such as stone, coral, glass, or, as here, shell. Commonly, cameos are carved from materials with two or more inherent layers of color, allowing the sculptor to create contrast between the relief figures and background. Hardstone cameos were carved with great skill by lapidaries of the ancient classical world, and the art enjoyed a revival during the nineteenth century, when all things archaeological were in vogue. Though classical scenes and mythological beings were the favorite subject for Victorian cameo consumers and manufacturers, portraits of historic and contemporary persons (e.g. William Shakespeare or Florence Nightingale), as well as commissioned portraits of individuals enjoyed popularity. This portrait cameo brooch was donated to the Metropolitan in 1948 by Frederick Marshall Jr. The cameo is carved out of a queen conch shell and is set in a gold frame in t

Portret prof.Mościckiej. Broniewska, Janina (1886-1947), sculptor

Bust of King George III of England, 1767. Artist: John Nost

Medallion 18th century Josiah Wedgwood British. Medallion. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730-1795 Burslem, Stoke-on-Trent). British, Etruria, Staffordshire. 18th century. Black basalt ware. Ceramics-Pottery

Gaius Julius Caesar 100-44 b.c. The last dictator of Rome.

Marble bust of Honoré Gabriel Riqueti, comte de Mirabeau (1749-1791) French historian and key figure in the French Revolution. Dated 18th Century

Bliej Kultury unknown

Attributed to Jean-Baptiste Pigalle (1714-1785). "Bust of Adelaide-Julie Mirleau de Neuville, née Garnier d'Isle" (1728-1780). Terracotta sculpture, 1700-1799. Paris, Cognacq-Jay museum. 77946-30 Bust, Decollete, Woman, knot, base, statue, terracotta, front view, 18th 18th 18th 18th 18th 18th century

David d'Angers, Pierre-Jean (n.1788-03-12-D.1856-01-05), Victor Hugo (dummy title), 1837. Plaster. Houses of Victor Hugo Paris - Guernsey.

. .

A tranquil Medusa still image. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Medusa (Greek mythology), Gorgons (Greek mythology), Cameos, Ancient

Elizabeth Moutal, Figurehead C Perry, c 1938 Figurehead: C. Perry

Etienne Jean Panis, (1757-1832) French politician, member of the Convention 1830 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal c

Daniel Mearns, David Watson Stevenson (Ratho, Edinburgh, Scotland, 1842 - 1904) 1894

unknown artist, eighteenth century, John Locke, ca. 1750. Plaster.

GeorgeWashington. Artist: Charles Balthazar Julien Févret de Saint-Mémin, French, 1770-1852, ac. in the United States Subject: George Washington, American, 1732-1799, LL.D. 1781

Thomas Bentley ca. 1780-1800 Josiah Wedgwood British. Thomas Bentley. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730-1795 Burslem, Stoke-on-Trent). British, Etruria, Staffordshire. ca. 1780-1800. Jasperware. Ceramics-Pottery

Bust of Adam Mickiewicz (1798-1855) Chardigny, Pierre Joseph (1794 1866)

George Washington ca. 1876 Probably designed and modeled by Isaac Broome. George Washington 3931

Portrait of Hubert Robert, early 1900s. Copy after Augustin Pajou (French, 1730-1809). Terracotta; overall: 71 x 49 x 27.3 cm (27 15/16 x 19 5/16 x 10 3/4 in.); without base: 54.6 cm (21 1/2 in.).

Plaque of Benjamin Franklin. Dimensions: 2 3/4 x 1 7/8 in. (7 x 4.8 cm). Maker: Attributed to Jean Martin Renaud (French, Sarreguemines 1746-1821 Paris). Date: 1776-1821. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Jean Restout, Director of the Academy. Jean-Baptiste Lemoyne II (France, 1704-1778). 1761. Sculpture. Earthenware

Plaque 1776-1800 French. Plaque 6853

Cosimo I de' Medici mid-16th century Italian, Florence. Cosimo I de' Medici 207660

Jean-Baptiste-Camille Corot 1864 Jean-Baptiste Eugène Farochon French. Jean-Baptiste-Camille Corot. French. 1864. Bronze. Medals and Plaquettes

Bliżej Kultury unknown

Lazio Roma Frascati Villa Borghese9. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bust of Giovanni Battista de Luca. Bernardo Fioriti (Bernardino or Focoso); Italian, Rome, active 1643--1674. Date: 1650-1674. Dimensions: H. 74.9 cm (29 1/2 in.). Marble. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Firenze - Lorenzo de Medici - Verrocchio - Muso Nazionale "Florence. Museo Nazionale - Andrea del Verrocchio (1481-1488), bust of Lorenzo de Medici; Anderson (Rome; photographic and publishing company); around 1880 (1865-00- 00-1900-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / printing from glass negative; fiber products / paper / photo paper, fiber products / paper / cardboard; photographic print: height. 25.8 cm, width 20.0 cm, photo printing: height 25.8 cm, width 20 cm, pad: height 34.7 cm, width 24.6 cm, cardboard: height 34.7 cm, width 24.6 cm; di 79085 MNW; all rights reserved.

Portrait of an ecclesiastic 1765 Jean-Baptiste Nini Italian In a technique of his own invention, Nini refined the local clay through a process of elutriation and used it to cast his medallions from finely engraved copper molds.. Portrait of an ecclesiastic. Jean-Baptiste Nini (Italian, Urbino 1717-1786 Chaumont-sur-Loire). French, Chaumont-sur-Loire. 1765. Medallion: cast terracotta (terre de Chaumont); frame: gilt wood. Sculpture-Miniature

Louis-Pierre Deseine (1749-1822). "Bust of Jean Sylvain Bailly (1736-1793), scientist and politician, mayor of Paris from 1789 to 1791". Plaster. Paris, Carnavalet museum. Jean-Sylvain Bailly. Wig, jacket, vest, tie, crop, lace, pilgrim cape. Politician. Bust, Bust, French Revolution, French Scientist, politician, mayor of Paris, Mayor of Paris, Plaster, Platre, Politician, French Revolution, French scientist

Tile Providential Tile Works. Tile, 1895. Glazed earthenware, diameter: 4 3/8 in. (11.1 cm). Decorative Arts 1895

Sir Joseph Banks. Lithograph by S. Cousins after H. Corbould after F. Chantrey.

William Clift. Photograph after a bust.

Jean Henri, Count of Fumel, Bishop of Lodève (1717-1790) 1774 French. Jean Henri, Count of Fumel, Bishop of Lodève (1717-1790) 195429

Jean-Pierre Dantan (1800-1869), known as Dantan young. Belgian violinist portrait Alexandre Batta (1816-1902). Terracotta patinated plaster, round-bump. 1830. Paris, Carnavalet museum. 53175-2 Musician, pattero patina, portrait-metering, round-bump, terracotta, Belgian violinist

Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland 1764-1802 Francesco Bartolozzi Italian. Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland 338156

MANUEL GUTIERREZ DE LA CONCHA, MARQUES DEL DUERO (1808/1874) - BUSTO EN MARMOL - 0,95 - 1877 - Nº INVENTARIO 2354. Author: JOSE GRAGERA Y HERBOSO (1818-1897). Location: SENADO-ESCULTURA. MADRID. SPAIN. MANUEL GUTIERREZ DE LA CONCHA (1806-1874). MARQUES DEL DUERO (1806-1874) MANUEL GUTIERREZ.

Bust of a woman 16th century German. Bust of a woman. German. 16th century. Boxwood, partially gilt. Sculpture-Miniature

Young Saint John the Baptist possibly 15th century After an imitation of Desiderio da Settignano Italian After a version of Desiderio's pietra serena relief of the young Baptist in the Bargello, Florence.. Young Saint John the Baptist 192726

Portrait of Pope Leo XII, Louis Royer, 1827 The head is used to left. He is wearing a calot and a stole, on which the papal insignia and his name are embroidered. Under the Stola a piece of clothing closed by a cord with hood, which is fed with fur. At the neck the raised collar of the bar, over which a linen collar. On turned pedestal. Rome marble (rock) The head is used to left. He is wearing a calot and a stole, on which the papal insignia and his name are embroidered. Under the Stola a piece of clothing closed by a cord with hood, which is fed with fur. At the neck the raised collar of the bar, over which a linen collar. On turned pedestal. Rome marble (rock)

Bust of Johann Wolfgang Goethe; Rauch, Christian Daniel (1777-1857); around 1820 (1815-00-00-1825-00-00), around 1820 (1816-00-00-1825-00-00);

Bust of the Marquis de Lafayette 1856-83 Pierre Joseph Chardigny. Bust of the Marquis de Lafayette 4947

Jean-Pierre Dantan (1800-1869) said Dantan the young. Caricature of the nephew of the Duchess of Esclignac, N. de Mirabeau. Terracotta. 1847. Paris, Carnavalet museum. Bust, man, terracotta, caricature

Anonymous, Ernest Renan: Photograph of the plaster sketch of the bust of Bernstamm, socket of 3/4 left (common name). Old N&B drawing paper laminated on cardboard. Museum of Romantic Life.

Bust of Alexander Hamilton. Mathew B. Brady, photographer (American, about 1823 - 1896) about 1865 Inscription: Printed recto mount "BRADY PHOTOGRAPHER/NEW YORK/HAMITON/From the Bust by Palmer in the possession of/The Hon. Hamilton Fish." Inscribed verso mount in pencil "Shof..."

George Washington. Dimensions: Diam. 3 in. (7.6 cm). Date: ca. 1805-10. Museum: Metropolitan Museum of Art, New York, USA.

Saint John the Evangelist late 17th century Hendrik-Frans Verbruggen Flemish. Saint John the Evangelist 207570

Jospeh Priestley (1733-1804) English Chemist and Non-Conformist minister. One of discoverers of oxygen. One of discoverers of oxygen. Engraving after statue by JF Williamson

Joseph Chinard (1756-1813). "Man portrait". Terracotta. 1789. Museum of Fine Arts of the City of Paris, Petit Palais. 144868-8

Menning with the portrait of Pope Vigilius and the names of the popes, Anonymous, After Nicolas Chevalier, 1685 - 1720 print Design of a round medal with, in seven concentric circles, the names of the popes and their government years, starting with Pope Eusebius and ending with Pope Vigilius. In the middle of the medal the portrait of Pope Vigilius. Amsterdam paper etching seal (symbol of sovereignty). pope

Jean-Pierre Dantan (1800-1869) said Dantan the young. Bust of the French painter, Alexis-Joseph Pérignon (1806-1882). Patinated plaster, terrestrial, round-bump, 1847. Paris, Carnavalet museum. Bust, French painter, patterned patina, round-bump, terracotta

Female head , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Lazio Roma Frascati Episcopal Palace21. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Retrato de Damia Campeny. Fachada del Ayuntamiento de Mataró. Siglo XIX.

Agnes Strickland, Edward Hodges Baily, 1788-1867, British, 1846, Marble, Overall: 29 1/2 × 22 inches (74.9 × 55.9 cm), portrait

Portrait of a Young Boy (Henry Ebenezer Bingham). Dated: 1871/1879. Dimensions: overall: 47.6 x 26.5 x 17.6 cm (18 3/4 x 10 7/16 x 6 15/16 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: Aimé-Jules Dalou.

Bust 1815 After Jean Jacques Caffiéri French. Bust 477

Cameo with Alexander the Great. Wedgwood Manufactory; England, founded 1759. Date: 1775-1799. Dimensions: 5.2 × 4.1 × 1 cm (2 1/16 × 1 5/8 × 3/8 in.). Stoneware (jasperware). Origin: Burslem. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Willem III, Anonymous, 1675 - 1700 Bol standing oval miniature portrait, cut from mother -of -pearl, from a man (Willem III), head and shoulders, to the right, head frontal. In harness, lace jabot and mantle over his left shoulder. Netherlands (possibly) mother of pearl cutting historical persons Netherlands

Herm of a Vestal Virgin. Antonio Canova (Italian, 1757 - 1822)

Portrait of Mme. Herbette 1887 Medalist: Louis-Oscar Roty French. Portrait of Mme. Herbette 187523 Artist: Medalist: Louis-Oscar Roty, French, Paris 18461911 Paris, Portrait of Mme. Herbette, 1887, Bronze, cast, Diameter: 2 11/16 in. (68 mm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.28)

Bust of Jacob van Reygersberg (1625 - 1675); Rombout Verhulst, Dutch, 1624 - 1698; Netherlands, Europe; 1671; Marble; Object: H: 63 x W: 57 x D: 33 cm (24 13/16 x 22 7/16 x 13 in.)

Plaque 1800-83. Plaque 5897

Lavater, Johann Kaspar .

'Portrait of Marshal G.-L. Blucher, the Prince of Valshtadt'. Italy, 1814. Dimensions: 70x50 xm. Museum: State Hermitage, St. Petersburg. Author: Peter Turnerelli.

Bronze appliqué in the form of a bust of a barbarian late 1st-2nd century A.D. Roman The barbarian tribes that confronted the Romans along the Rhine and Danube frontiers were often troublesome and dangerous, but they offered no serious military threat to the Empire, whose armies were better equipped, trained, and organized. The main difficulty lay in controlling and pacifying men who did not recognize the power and authority of Rome.. Bronze appliqué in the form of a bust of a barbarian 250686 Roman, Bronze appliqu in the form of a bust of a barbarian, late 1st2nd century A.D., Bronze, H.: 2 1/2 in. (6.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.21)

Portrait medallions of Joseph Priestley (L) and Robert William Boyle (R). Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Portrait of Johannes Munter. Bartholomeus Eggers was one of the young sculptors trained by Artus Quellinus in his Amsterdam workshop. Eggers portrait of Mayor Johannes Munter is still strongly influenced by his teachers style. However, the sculptor introduced a playful motif: Munter plays with the tassels of his collar with his left hand, subtly subverting the formal character of the bust.

Whispering Zephyr. Thomas Ball; American, 1819-1911. Date: 1881-1885. Dimensions: Diam. 50.8 cm (20 in.). Marble. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plaquette of Head of Christ, Sophus Williams, 1880 stereograph Sculpture by the German sculptor Robert Cauer. photographic support. cardboard albumen print sculpture. Christ

Plaque 1870-1900 (). Plaque 5136

Agostino Bonfranceschi, c. 1437-1479, Lawyer and Diplomat for the Este Family. Dated: 1471/1477. Dimensions: overall (height): 6.7 cm (2 5/8 in.) gross weight: 69 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Sperandio.

Portrait of Antonina Detloff Wyspiały, Franciszek (1836 1901)

Thomas Alphonso Hayley, 1780-1800, British, William Hayley, 1795. Terracotta.

BUSTO DEL GENERAL CASTAÑOS. Location: ALCAZAR / MUSEO DEL EJERCITO-COLECCIÓN. Toledo. SPAIN. CASTAÑOS FRANCISCO JAVIER. BAILEN DUQUE DE.

Medallion portrait of Prince Frederik Willem Karel (1797-1881), Anonymous, c. 1810 - c. 1815 sculpture Marble relief with the portrait of Prince Frederik Willem Karel (1797-1881). The youngest son of King William I is depicted three -quarters to the left. Netherlands marble (rock)

Terracotta bust of Lorenzo de Medici, il Magnifico, 1 January 1449, 8 April 1492, was a banker and politician in Florence from the Medici family, digital improved reproduction of an original print from 1880

Collection of the Dutch Heidematschappij. Modette with the design of the Dr. Lovink Monument, sculptor Grada Rueb. undated

George Townshend (1724-1807) 1758 Possibly by Isaac Gosset. George Townshend (1724-1807). British. 1758. Colorless wax on glass painted black; frame: black wood. Sculpture-Miniature

Lavater, Johann Kaspar .

Portrait of Michel Lepeletier de Saint Fargeau (17 cm60-17 cm93), politician Anonymous. Portrait of Michel Lepeletier de Saint Fargeau (1760-1793), politician. Bust on peddate. Plaster, polychrome.

Bust 1851 Pierre Joseph Chardigny. Bust 478

Lorenzo Otton (1648-1736), Portraet by Cardinal, About 1684

Plaster cast of the sculpture by Veit Stoss from the altar of St Marys Church in Kraków unknown, Stwosz, Wit (ca 1447 1533)

of 2