Religious and Historical Art

Intricate religious artworks featuring notable scenes, including the Annunciation and altarpieces, showcasing bold colors and detailed figures.

Altarpiece of St Emidio, 1473, by Carlo Crivelli (ca 1430- ca 1495), tempera on wood, 270x270 cm. Cathedral of St Emidio, the chapel of the Sacrament, Ascoli Piceno.

Annunciazione / The Annunciation. Date/Period: 1333. Painting / triptych. Tempera on panel. Height: 184 cm (72.4 in); Width: 210 cm (82.6 in). Author: SIMONE MARTINI. LIPPO MEMMI.

JUAN DE ANCHETA. ESCULTOR ESPAÑOL .1548 - 1588. " IMPOSICION DE LA CASULLA DE SAN ILDEFONSO ". MONASTERIO DE LAS HUELGAS . BURGOS.

Altarpiece of St Emidio, 1473, by Carlo Crivelli (ca 1430- ca 1495), tempera on wood, 270x270 cm. Cathedral of St Emidio, the chapel of the Sacrament, Ascoli Piceno.

Wine Wunder Kath. Münster St. Jakobus in Neustadt am Titisee Weinwunder Kath. Münster St. Jakobus in Neustadt am Titisee

RETABLO DE LA LEYENDA DE SAN MIGUEL- DETALLE DE LA CAIDA DEL ANTICRISTO- HACIA 1440 - TEMPLE/TABLA- NP 1332 - GOTICO ESPAÑOL - Conjunto 10139 y 10146. Author: MAESTRO DE ARGUIS (S. XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Close-up of a painting, Chateau de Chenonceau, Chenonceaux, Indre-et-Loire, France

DESPACHO PRESIDENTE DE DIARIO - TAPIZ CON TROFEOS DE GUERRA. Location: SENADO-TAPICES, MADRID, SPAIN.

The Seizing of Saint Mark c.1520 Oil and gold on wood

Lorenzo Veneziano (Active between 1356 and 1372). Portable Triptych with a central Crucifixion (ca. 1370 - 1375). Tempera and gold on panel. Central panel: 83.6 x 30.7 cm; lateral wings: 83 x 15 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Altarpiece of Spoleto, by workshop Lippi Filippino,Carli Raffaellino de known as Raffaellino del Garbo,Lippi Filippino, 15th Century, board, cm 110 x 110 with frame 175 x 155 cm

Baroncelli Polyptych, Giotto di Bondone (1266-1377)

Giovanni di Paolo, Death of Mary

Mestre de Canapost / Retablo de la Mare de Déu de Canapost, también conocido como Retablo de la Virgen de la Leche, siglo XV, Óleo sobre tabla. Museum: Museu d'Art, Girona. Author: MAESTRO DE CANAPOST.

David and Bathsheba. unknown c. 1490-1500 Tapestry Dimensions: H 15' x W 29'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Dunbar Wright coll., Boston. French & Co. purchased from Clarence Hungerford Mackay 4/23/1948; sold to Foreningen Nationotmussi Vanner 4/28/1964. Scene divided by columns, creating several scenes; 2 scenes in upper L, David, from his palace, sees Bathsheba bathing in fountain; lower L, Bathsheba comes to David's palace; center, David enthroned, Bathsheba stands before him, surrounded by group of attendants; Bathsheba attended by servants as David arrives; lower R, David & Bathsheba enthroned, surrounded by attendants (2 Samuel 11-12) (BRD) foliage encased by curving line French & Co. stock sheet in archive, 79767

Artist, formerly attributed to: Lippo d Andrea, Italian, Florence, ca. 1370-before 1451, Artist, attributed to: Ventura di Moro, Italian, ca. 1395-1486, Virgin and Child Enthroned with Saints, Tempera on panel, Made in Florence, Italy, Italian, Florence, 15th century, Paintings

RETABLO DE LA LEYENDA DE SAN MIGUEL - LUCHA CON ANGELES REBELDES - HACIA 1440 - TEMPLE/TABLA- NP 1332 - GOTICO ESPAÑOL - Conjunto 10139 y 10146. Author: MAESTRO DE ARGUIS (S. XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN MIGUEL. LUCIFER. DEMONIO.

PINTURA MURAL DEL SALON DE CONFERENCIAS - DETALLE - ALEGORIA DE LA JUSTICIA - 1859. Author: VICENTE CAMARON (1803-1864). Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN.

TRIPTICO DE ESMALTE - SIGLO XVI. Location: SEO, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

MUS TAPICES - TAPIZ DE LOS PECADOS CAPITALES. Location: SEO MUSEO DE TAPICES Y CAPITULAR, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

Piobbico (Italia, Marche - provincia di Pesaro-Urbino), Castello Brancaleoni, appartamento nobile, Camera Greca, la camera del conte Antonio II, ciclo di affreschi con episodi della mitologia greca e decorazioni a stucco della bottega di Federico Brandani

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). Virgin of the Angels. 1458. ITALY. Sermoneta. Cathedral. Renaissance art. Quattrocento. Oil on wood.

Doors of an altarpiece with scenes of saint Catherine's life. Date/Period: Ca. 1495. Painting. Tempera and gold leaf on cloth. Height: 5,710 mm (18.73 ft); Width: 4,050 mm (13.28 ft). Author: Pedro Berruguete.

Frescoes by Giovanni Pietro da Cemmo (active 1474-1504), Church of Santa Maria Assunta, Esine, Brescia, Italy.

GSELL-Laurent workshop. Album n ° 3; stained glass project for Saint-Martin de l'Isle-Adam; 2 spans window: Saint Martin sharing his coat. Pencil, watercolor, gouache. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, Pencil, two, Saint-Martin Church, Eveque Francais, Fenetre, Gouache, Mantle, Share, project, Saint, Travee, Vitrail, Watercolor

The Seven Liberal Arts - ca. 1435 - 56x155 cm - oil on panel - NP 2844. Author: GIOVANNI DAL PONTE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Cicero. Ptolemy. Pythagoras. TUBAL-CAIN. Aristotle. EUCIDES.

St Luke painting the Virgin, 1545, by Lancelot Blondeel (1488-1581), oil on canvas, 144.5x103 cm.

Scipio and the envoys of Carthage, François Spiering, 1609 Wall carpet with the surrender of Carthage, 201 BC. From a scipio history of eight pieces, for Thomas Howard, 1st count of Suffolk and his wife Catherine Kneyvet. Signature "Francis. Spiringivs. Fecit. Anno 1609. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with the surrender of Carthage, 201 BC. From a scipio history of eight pieces, for Thomas Howard, 1st count of Suffolk and his wife Catherine Kneyvet. Signature "Francis. Spiringivs. Fecit. Anno 1609. Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Tobias and the Angel; Master of Guillaume Lambert (French, active about 1475 - 1485); Lyon, France; 1478 (based on date included in Easter calculation); Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown jansenist morocco; Leaf: 14.6 x 9.8 cm (5 3,4 x 3 7,8 in.)

EL JUICIO FINAL DETALLE DEL RETABLO DE FRAY BONIFACIO FERRER-1396-1398-PROCEDE CARTUJA DE PORTACELI-. Author: JAUME FERRER BASSA (1285-1348). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPAIN.

Marriage Panel of Gabriel Weydacher and his wife Juliana Wemis with the Virgin and Child and Saints Barbara and Catherine. Artist: After a design by Leonhard Beck (German, 1480-1542). Culture: German. Dimensions: 17 15/16 × 29 1/4 × 3/8 in. (45.6 × 74.3 × 1 cm). Date: 1519.This heraldic panel memorializes the marriage of Gabriel Weydacher and Juliana Wemis. In 1514 Weydacher became record keeper of the vast Schwaz (Tirol, Austria) silver mines, which were financed by the Fugger family of Augsburg and were the source of great wealth for the Emperor Maximilian I. Like many other Schwaz families, whose wealth and social status derived from the silver mines, Weydacher commemorated his union by donating this armorial panel to the glazed cloister of the local Franciscan monastery, where it was installed in the window in the northeast corner. Directly opposite the window was a large wall painting commissioned by Weydacher who appears as donor supporting a shield with his arms. A Franciscan co

David triumph. David and Goliath (1 Samuel 17: 51ff). Pinne of stained glass in grisaille and silver yellow, arc shaped. The scene is closed to the curved top by an edge of gothic acanthus work, representing from the edge of the show. The window belongs to a series of dedicated to Old Testament Scenes from David's life.

SANTIAGO PEREGRINO - SIGLO XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPANIEN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

The Triumph of Fame. Culture: Flemish, probably Brussels. Dimensions: Overall: 141 1/2 x 132 in. (359.4 x 335.3 cm). Date: ca. 1502-4.Based in part on Petrarch's poem I Trionfi (The Triumphs), this tapestry belonged to a set of six representing the consecutive triumphs of Love, of Chastity over Love, of Death over Chastity, of Fame over Death, of Time over Fame, and of Religion over Time. Here Fame reads at a lectern, surrounded by writers whose works immortalized the deeds of the ancients. Triumphant over Death, she tramples the Fates and holds an orb crowned with a cross, locating the subject in a distinctly Christian context. This tapestry, or one identical to it, was purchased by Isabella, Queen of Castile and Aragon in 1504. It remains extraordinary for its condition, color and harmonious composition. Museum: Metropolitan Museum of Art, New York, USA.

Moses, by Gian Cristoforo Romano (1465-1512), tapestry.

Winged Altarpiece: Annuniation to the Virgin; SS. Felicity and James the Lesser Reliefs; Lindenholz; original version. (Schwaben; iberach; about 1520; aquired 1911 Sculpture Collection)

Monteleone di Fermo (Italia, Marche - provincia di Fermo) chiesa della Misericordia. Orfeo Presutti, Il Giudizio Universale, affresco (parete sinistra), XVI secolo. Particolare

Varlaam Khutynskiy with Life, 16th Century, tempera on wood, State Russian Museum, St Petersburg

Two Episodes from the Parable of the Prodigal Son: The Prodgal Offering Jewels to Luxuria. Culture: South Netherlandish. Dimensions: Overall: 93 x 64 1/4in. (236.2 x 163.2cm). Date: ca. 1510-25. Museum: Metropolitan Museum of Art, New York, USA.

Triptych 16th century Italian, Lombardy. Triptych 193999

"Predella panel showing Christ Crowned with Thorns 1454 Oil on panel by Joan Reixao,"

Throne of grace: alabaster bas-relief. unknown, sculptor

Counselors visit the glass exhibition of El Borne on the first day of the year. Tapestry (1929). of Aymat House (Sant Cugat del Valle´s), on a carton of Catalan modernist painter Fe´lix Borrell Mestres (1872-1933). Barcelona City Council. Catalonia. Spain.

Raffaellino del Garbo (Italian, 1466 - 1524), Saint Roch between Saints Anthony Abbot and Catherine of Alexandria, c. 1485-1495, gouache and brown wash heightened with white on laid paper

Copper engraving by Giovanni Volpato depicting Raphael's loggias in the Vatican at Pilastro, showing a scene with a river god during a dinner, created in 1776 and colored.

Sant'Elpidio a Mare (Italia, Marche - provincia di Fermo), Pinacoteca Civica Vittore Crivelli. Vittore Crivelli, Polittico dell'Incoronazione, fine XV secolo (anni 80), proveniente dalla chiesa dei Minori Osservanti. Nella predella storie di San Giovanni Battista (S. Giovanni Battista nel deserto)

Città della Pieve (Italy, Umbria, province of Perugia), Church of Santa Maria dei Servi. Chapel of the Madonna della Stella, Perugino, Deposition from the cross, fresco, 15th-16th century. Detail

Abstract background

Fabriano (Italia; Marche, provincia di Ancona), Oratorio della Carità, ciclo di affreschi di Filippo Bellini (raffigurazione di Opere di Carità Spirituale e Carità Materiale). BONUM CONS. PETEN. DARE Consigliare i dubbiosi, lato sinistro

'Tríptico de la Redención: la moneda del César', 1455-1460, Oil on panel, 195 cm x 77 cm, P01892. Author: VRANCKE VAN DER STOCKT (1420-1495). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Scene from the Life of St. Catherine of Alexandria 1428-31 Masolino da Panicale (1383-ca.1440 Italian) Fresco Basilica di San Clemente, Rome, Italy

Figures of ladies and of angels, detail of a fresco from 1475, by Giovanni Pietro da Cemmo (1483-1486), Church of the Annunciation, Piancogno. Italy, 15th century.

Album n � 4; Stained glass project for Etampes; WINDOW TO THREE TRAVIES Gsell-Laurent workshop. Album n � 4; stained glass project for Etampes; Three span window. Pencil, watercolor on layer.

Baker's coat of arms-guild badge, Freiburg Cathedral, Germany, 13c.

Tapiz procedente de la Seu Vella, la antigua catedral de Lleida. Tejido en Bruselas hacia 1500-1510. Museu de Lleida.

Council Chamber entirely painted with 15th century astrological and religious fresco cycle, Palazzo della Ragione, built as a courthouse, 13th c. Padua, Treasury in the heart of Veneto, Italy, Padua, Veneto, Italy, Europe

AZULEJO PROFETA BOOZDERAHAB. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN. BOOZDERHAB.

Paradise by Giovanni di Paolo (Giovanni di Paolo di Grazia); Tempera and gold on canvas transferred from wood; Circa 1445

Frieze; handpainted in oil on canvas; Overall (a): 95.5 x 160 cm (37 5/8 in. x 5 ft. 3 in.) Overall (b): 95.5 x 160 cm (37 5/8 in. x 5 ft. 3 in.) Overall (c): 95.5 x 21.5 cm (37 5/8 x 8 7/16 in.) Overall (d): 325.1 x 96 cm (10 ft. 8 in. x 37 13/16 in.) Overall (e): 325.1 x 96 cm (10 ft. 8 in. x 37 13/16 in.) Overall (f): 487.7 x 96 cm (16 ft. x 37 13/16 in.) Overall (g): 317.5 x 96 cm (10 ft. 5 in. x 37 13/16 in.)

Allegory of March: Triumph of Venus, Francesco del Cossa (1436-1478)

Mosaics in Cappella Palatina, Palazzo dei Normanni, Palermo, Sicily, Italy

Design for a window in the Noordertransept in the Dom in Utrecht, c. 1878 - c. 1938 drawing cardboard. chalk brush

Design for Old Testament Window ca. 1870 Attributed to Dante Gabriel Rossetti British. Design for Old Testament Window 363972

The Song of Solomon - 'Whither is thy Beloved gone, O thou fairest among Women', 1862-3. Sir Edward Burne-Jones (d.1898). Design for St Helen's Church, Darley Dale, Derbyshire

Justice, 16th century tapestry based on a cartoon by Bernaert van Orley, manufacture of Brussels, from the series Honors.

Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin, 1459. Italy, Florence. Embroidery with gold, silver, and silk thread; split, satin, and couching stitches, or nué (shadedgold); overall: 57.8 x 57.8 cm (22 3/4 x 22 3/4 in.).

Fragment of an Orphrey 13th century British. Fragment of an Orphrey 465913

Sundial, Neuburg am Inn Castle, Neuburg am Inn, Lower Bavaria, Bavaria, Germany, Europe

TAPIZ DEL APOCALIPSIS - LA TIERRA ABSORBE EL RIO ... (carton de Jean de Bruges) - S XIV. Location: CASTILLO. Angers. France. SAN JUAN EVANGELISTA Y APOSTOL.

Watercolor by Caspar Jele showing a detailed design for a glass window. The painting emphasizes pattern, symmetry, and decorative motifs.

The Seven Virtues. Date/Period: From 1465 until 1470. Painting. Tempera and gold leaf on wood. Height: 498 mm (19.60 in); Width: 1,593 mm (62.71 in). Author: Anton Francesco dello Scheggia.

Deposition, by Carrucci Jacopo know as Pontormo, 1526 - 1528, 16th Century, oil on panel. Italy, Tuscany, Florence, Santa Felicita church, Capponi Chapel. Whole artwork. Dead Christ death women men pain suffering tears colors transport.

Allegorical frontispiece with figures of the Middle Ages and the Renaissance meeting. A herald angel with trumpet introduces them. Bishops, soldiers, page boys, courtiers watch them. Four shields at left inscribed Italy, France, Germany, Spain. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Volume II of Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

David with Goliath's severed head, fresco, 1496, cloister

Frank M Keane, Panel from Circus Wagon, c 1938 Panel from Circus Wagon

Crivelli, Carlo (c. 1435-c. 1495) National Gallery, London Painting 207x146,7 Bible The Annunciation, with Saint Emidius

SAN BENITO SAN MAURO SAN PLACIDO. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

The Seven Capital Virtues, 16th century tapestry based on a cartoon by Bernaert van Orley, manufacture of Brussels, from the series Honors.

REPRESENTACION DE SEGOVIA - FIRMA DE LA CONCORDIA DE SEGOVIA ENTRE ISABEL Y FERNANDO EN 1475 - MOSAICO DE LA PLAZA DE ESPAÑA DE SEVILLA - SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN. Catholic Monarchs. ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO.

Sant'Elpidio a Mare (Italia, Marche - provincia di Fermo), Pinacoteca Civica Vittore. Vittore Crivelli, Trittico della Visitazione, (1490-95), proveniente dalla chiesa dei Minori Osservanti, tempera su tavola. Da sinistra a destra, San Giovanni Battista, Visitazione (visita di Maria alla cugina Elisabetta), San Francesco, nell'ordine superiore la Crocifissione

AZULEJO DE TALAVERA CON LA IMAGEN DE SAN PEDRO. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. APOSTLE PETER.

Triptych; c. 1325/30. ( by Jacopo del Casentino)

Diptych 1400-1410 Workshop of Paolo di Giovanni Fei Italian. Diptych 458962

Mary with the Child and two Angels playing music. 1496/98. (Raffaellino del Garbo; on 1479 1524 or 1527 Florence Florence)

O cruxave. Artist: Unknown

Roundel with the Adoration of the Magi. Artist: After Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Culture: South Netherlandish or Lower German. Dimensions: Overall: 8 5/8 in. (21.9 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Edward Burne-Jones, 1833-1898, British, Preparatory Design for a Stained Glass Window, Virgil and Horace, undated. Graphite and watercolor on moderately textured, cream wove paper.

Falconry costumes in Flanders and France, 12th to 14th century. Falconers with birds of prey, hawks, falcons, leather gauntlets, hoods, bird claws, with musicians playing horns at top. From various manuscripts. Fauconnerie 1, facsimile de miniatures de manuscrits, Flandres et France, XIIe, XIIIe et XIVe siecles. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Religious illustration by Bernt Notke, oil on wood, circa 1483, circa 1435-1509, Germany, Lubeck, Sankt-Annen-Museum, 2x201x71

Drawing, Stained glass window: Christ and Peter; Designed by John C. Wolf; USA; brush and watercolor on heavy paper; Mat: 35.7 × 45.7 cm (14 1/16 in. × 18 in.) 18.5 × 10.9 cm (7 5/16 × 4 5/16 in.)

Fra Angelico , Albertus Magnus , Paint.

Justitia (Justice) from Los Honores. Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artist, 1520/25; Possibly produced at the workshop of Pieter van Aelst (Flemish, c. 1450-1533; top left corner an dcenter of lower section); Flanders, Brussels, (top left corner and center of lower section); Belgium or France, 1905/08 (remaining sections). Date: 1520-1532. Dimensions: 511.8 × 454.03 cm (201 1/2 × 178 3/4 in.). Wool and silk, tapestry weave; three-quarters of piece rewoven. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

altarpiece of Santa Cristina, 15th century, tempera on wood, chapel of Santa Cristina de Corça, Baix Empordá, Girona art museum, Girona, Catalonia, Spain.

18th century tapestry, from the Hermitage Museum, St Petersburg, Russia. Depicts a group of people playing musical instruments next to a river scene

Design for a window in the Noordertransept in the Dom in Utrecht, c. 1878 - c. 1938 drawing cardboard. chalk brush

Spring, 16th century tapestry woven by Jan Rost for the Medicean Tapestry Factory (Arazzeria Medicea), manufacture of Florence, 1549.

Joseph of Arimathea Preaching to the Britons. Dated: c. 1794/1796. Dimensions: plate: 7.6 x 10.8 cm (3 x 4 1/4 in.) sheet: 32.1 x 24.1 cm (12 5/8 x 9 1/2 in.). Medium: relief etching, color-printed, with pen and watercolor. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Drawing, Corner detail of ceiling, Hotel de Cluny, Paris; Frederick Marschall; USA; graphite, brush and watercolor, gold on heavy paper; 21.3 x 17.7 cm (8 3/8 x 6 15/16 in.)

Detail from the Devonshire Hunting Tapestries, 15th century. Artist: Unknown

Loggia with courtly-dressed ladies and decoration with the Tyrolean eagle, 1385-1413, by artists from the Bolzano School, fresco, bathroom, Runkelstein Castle, Bolzano, Trentino-Alto Adige (Sudtirol), Italy, detail.

The Dream of Life. Chromolithography by Franz Kellerhoven after a fresco attributed to Andrea Orcagna (1308-1368), in the cloister of the Camposanto Monumentale in Pisa (Italy). "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877. Author: Franz Kellerhoven (1814-1872). German lithographer.

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