Religious and Historical Drawings

Drawings featuring biblical scenes and historical figures, portrayed in an expressive and dynamic manner through ink and pencil.

Birth of the Virgin, intermediary draughtsman: Dirck Vellert, draughtsman: anonymous, 1500, paper, pen, h 200 mm × w 194 mm

Founder with Maria and the child, Jacopo Palma (Il Giovane) (Follower of), 1560 - 1640 drawing A founder, led by an angel for Mary and the child on a throne, next to which a holy is sitting. paper. pencil. ink pen

Three men around a table, print maker: Jabes Heenck, (mentioned on object), Northern Netherlands, 1782, paper, drypoint, w 174 mm × h 133 mm

The Disciples at the Tomb Made 1764 France. Etching on ivory laid paper . Jean Honoré Fragonard

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An Apparition 1615-73 Salvator Rosa Italian. An Apparition 340635

Soldier arouses army leader, Charles Parrcel, 1698 - 1752 print paper etching the soldier; the soldier's life

Saint Anthony of Padua with the Christ Child, in an Interior 1770 Giovanni Domenico Tiepolo Italian. Saint Anthony of Padua with the Christ Child, in an Interior. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). 1770. Pen and brown ink, brown wash. Drawings

James Ward, 1769-1859, British, Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn, undated. Black chalk on medium, smooth, cream wove paper.

Franz Anton Maulbertsch, The Adoration of the Shepherds, 1757 The Adoration of the Shepherds

Birth of the Virgin, intermediary draughtsman: Dirck Vellert, draughtsman: anonymous, 1500, paper, pen, h 200 mm × w 194 mm

James Bruce, 1730-1794, British, Studies of Two Men, undated. Graphite on medium, slightly textured, beige laid paper.

Sketch of a woman sitting Narcisse Diaz de la Pena (1807-1876). Sketch of a woman sitting face. Graphite pencil on paper.

Five Figures in Fantastic Costumes with Two Dogs. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: 9-1/2 x 13-5/8 in. (24.1 x 34.6 cm). Date: 1615-73. Museum: Metropolitan Museum of Art, New York, USA.

Meeting of Maria and Elisabeth, Federico Barocci, 1580 - 1590 drawing paper. ink pen / brush

Studies for a composition of Christ and the Samaritan woman, draughtsman: anonymous, 1700 - 1800, paper, brush, h 258 mm × w 204 mm

A Sleeping Shepherd Boy. Artist: Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam). Dimensions: sheet: 9 x 12 1/8 in. (22.8 x 30.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

H. Filippo Neri in worship kneeling for the Madonna, Alonso Cano (Possible), 1611 - 1667 drawing paper. ink. pencil pen / brush the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Three men around a table.

Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Charcoal and white heightening on rough grey paper, A woman's head, with a right had to her forehead, is depicted in the top right corner. Below, a male figure, depicted from the torso upward, with ample drapery, has his right hand in a similar position; verso: a right hand, depicted with part of a forearm, leans upon something but points of index and third fingers are not shown., Italy, late 17th century, figures, Drawing, Drawing

Three Maria's at the Graf, Bernard Picart, After Salvator Rosa, 1710 - 1733 print The three Holy Women who come to Eintaven come to the grave. The ointment pot in their hands. Amsterdam paper etching three daughters of Anna, all named Mary

Couple Beside Tree Artist's working dates 1675-1690 France. Pen and brown ink and brush and brown wash, with touches of red chalk, over graphite, on cream laid paper, perimeter mounted on tan card . Raymond de Lafage

A brown ink drawing by Wilhelm Busch from 1875-1877 showing Mr. Knopp going out, with Mrs. Knopp, on brownish paper.

Engel appears to Hagar, Jan Brandes, 1770 - 1787 drawing After Hagar Ismaël has placed under a bush, an angel appears to the grieving Hager and points her to a water source. Back: Psalm or speed numbers. Karlberg Palace paper. chalk an angel appears and reveals a well of water to Hagar

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of Abraham receiving the three angels by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 162 mm, width 133 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

Jason on the Flying Ram, 1818 Page 26 Recto from a sketchbook with 94 sheets. paper. pencil. ink pen scenes from the story of the Argonauts that cannot be located in the chronological sequence. ram

Copy from the Watteau image unknown

Mary Magdalen Penitent. Artist: Joachim von Sandrart (German, Frankfurt 1606-1688 Nuremberg). Dimensions: sheet: 3 11/16 x 5 3/8 in. (9.4 x 13.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Fountain with a River God, Dolphins and other Figures 17th century Anonymous, Italian, 17th century Italian. Design for a Fountain with a River God, Dolphins and other Figures 389434

Group seated in a landscape, Gesina ter Borch, c. 1658 - c. 1659, draughtsman: Gesina ter Borch, Zwolle, c. 1658 - c. 1659, paper, h 130 mm × w 198 mm

Consciousness is worn out of consciousness, Herman Frederik Carel ten Kate, 1832 - 1891 drawing Design for a book illustration. paper. pencil brush

Sitting and kneeling. Leaf 3 Verso from a sketchbook with 38 sheets.

Alphonse Legros, Egg sellers, 1st plate (Les marchandes d'oeufs) Egg-sellers, 1st plate (Les marchandes d'oeufs)

Duel after the Masked Ball (recto), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.).

Rembrandt brown ink drawing depicting the Prophet Jonas in front of the walls of Nineveh, showing figure, gesture, and architectural details.

Sketches Seated Man with Head in Hands and Two Figures Bending Toward Others in Background (recto); Reclining Woman (verso) 1847-1875 France. Black and white chalk (recto and verso) on tan wove paper . Jean Baptiste Carpeaux

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Design for a book illustration, Older couple in conversation, draughtsman: Herman Frederik Carel ten Kate, 1832 - 1891, paper, brush, h 77 mm × w 57 mm

Reclining Figure of Saint Holding Cross, Supported by Two Angels. Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 3-15/16 x 4-15/16 in. (10.0 x 12.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Sketch of Kneeling Figure with Putto; Italy; graphite on paper

Giovanni Battista Tiepolo, Classical Figures Gathered around an Urn, 1724 1729 Classical Figures Gathered around an Urn

A Poorly Dressed Peasant 1755-1770 France. Etching on tan laid paper . François Boucher

The Satyr's Family Bacchanales. 1763. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Paul Trogers drawing shows head studies for figures in a crucifixion scene, executed in stone.

Rembrandt van Rijn (1606-1669), wife who bakes pancakes, 1635

Allegory on the commerce with four putti. Design for a decoration.

George Romney, 1734-1802, British, Figure Composition Study 7, undated. Graphite on medium, slightly textured, cream wove paper.

Studies 1813-1814 France. Graphite, on cream wove paper, perimeter mounted on ivory laid paper . Jean Louis André Théodore Géricault

Holy Family with Angel 1520-1530 Italy. Pen and brown ink on cream laid paper, laid down on gray card . Jacopo Palma, called il Vecchio

The agony in the garden prints, etchings, drypoints, works on paper

Stone drawing by Franz Xaver Wagenschön depicting Saint Peter in prayers, showing detailed religious representation.

Rest on the Flight into Egypt, Luca Cambiaso, 1537 - 1585, draughtsman: Luca Cambiaso, 1537 - 1585, paper, pen, h 239 mm × w 347 mm

Hymen; Mehoffer, Józef (1869-1946); 1913 (1913-00-00-1913-00-00);Hymen (Mitol.), Young Poland (Style), Partage Plus, Bale, Polish Graphics, Poland (Culture), Symbolic scenes, symbolism (style), courtship (iconogr.)

The Singer (Hollstein 27) Bega, Cornelis Pietersz. The singer (Hollstein 27). Etching.

Joos van Craesbeeck and Adriaen Brouwer in the studio of Craesbeeck, Ferdinand de Braekeleer (I), 1826 print paper etching painter at work, in his studio. patron (or client) visiting the artist. drinking

Anonymous / 'Saint Cecilia'. Late XVIII century. Grey-brown wash, Black chalk on yellow laid paper. Museum: Museo del Prado, Madrid, España.

The Virgin kneels upon a base, seen from the front. She is supporting the Child together with an angel standing at left, one foot upon the base, the other on the ground. A very large globe with a cross on top, at left, a basket in front, at right. At right, behind the Virgin, is a stone table, with something unidentified on it. A landscape in the background. Framing line. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

'Loyalty' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (private printing ca.1854) Goya (Francisco de Goya y Lucientes) Spanish From the private printing c. 1854 before the plates were cleaned. 'Loyalty' from the 'Disparates' (Follies / Irrationalities) 333835

Two figure studies of a seated man, Bernardino Poccetti, 1558 - 1612, draughtsman: Bernardino Poccetti, 1558 - 1612, prepared paper, h 224 mm × w 105 mm

A sketch by Francesco la Marra depicting the Madonna with child and a sleeping St. Joseph, viewed from the left into a landscape, executed in feather, emphasizing figures and spatial composition.

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Caricature. A woman caressing the dog surrounded by suitors; Scholtz, Julius (1825-1893); 1840-1893 (1844-00-00-1844-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - gift, caricatures, illustration projects, German drawings

Milkmaid in Cows' Stable, G.J. Witteveen, c. 1850 - 1913 print paper etching / drypoint milkmaid. cow

The Supper at Emmaus 1760-1761 France. Known for Rococo fantasies, Jean-HonorÈ Fragonard brought his light touch to this copy of an Italian Baroque masterpiece. This drawing was made for the erstwhile cleric and avid printmaker AbbÈ de Saint-Non, who commissioned Fragonard to make copies after important Old Master paintings in Italy. The original painting (now in the National Gallery, London) hung in the Palazzo Borghese in Rome when the two artists visited it in late 1760 or early 1761. It depicts the moment when two of Jesusís astonished disciples recognize the risen Christ as he blesses a loaf of bread.. Black chalk on ivory laid paper, laid down on off-white laid paper . Jean Honoré Fragonard

The Kneeling Hermit Facing Left. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andries Both.

Study for a door top of the Lannoy Hotel Wealth Fair: In the morning

Drawing, Seated, Crowned Figure Pointing Outward; Italy; pen and ink on paper

The Last Supper ca. 1761-64 Jean Honoré Fragonard French. The Last Supper 397459

Morning Music - Compositional Study, 1864. Artist: Gabriel Dante Rossetti

Hercules Between Virtue and Vice 1849-1852 France. Graphite on tan tracing paper, laid down on ivory wove paper . Eugène Delacroix

Sketches to paintings in the Trinità dei Monti and the Palazzo Spada, Jean Honoré Fragonard, After Daniele Da Volterra, After Guercino, 1742 - 1806 drawing The crossing, Fresco in the Orsini Chapel of the Trinita de Monti (above) and the death of Dido in the Palazzo Spada (below). paper. chalk counterproof picture, painting Rome. Trinità dei Monti. Spada palace

François Boucher after Abraham Bloemaert, Figure Studies including Woman with a Kettle, published 1735 Figure Studies including Woman with a Kettle

Contemplative Circe, sitting next to a monument, draughtsman: Giovanni Benedetto Castiglione, 1648 - before 1653, paper, pen, h 163 mm × w 259 mm

. In a landscape a warrior connects his wounded left leg. Right next to him lies the lifeless body of a soldier, and left his rapier. In the background, some needle trees and the contours of a destroyed facade can be seen.

Stefano Della Bella, Italian (1610-1664), Four Horsemen, 1627-30, pen and brown ink on laid paper

Austrian 18th Century, The Martyrdom of Saint Simon, 1720s 1730s The Martyrdom of Saint Simon

Love Among the Schoolboys 1865 Simeon Solomon The old-fashioned outfits worn by the boys in this drawing connect the subject to the elite British secondary school Eton College. Solomon was close friends with Oscar Browning, a reforming educator and assistant master at the school who sought to overturn long established cruel traditions and his ideas likely inspired this image. The winged figure of Love has appeared in a schoolroom and preaches to boys of different ages. In response, some are transfixed, some embrace their fellows, and one reacts with suspicion. Around this date Solomon devoted a series of line drawings to the Greek philosophical idea that the greatest human intimacy was possible only between persons of the same sex. Repressive Victorian social mores and legal penalities meant that the artist had to express his homosexuality in veiled ways.. Love Among the Schoolboys. Simeon Solomon (British, London 1840-1905 London). 1865. Pen and ink over traces of graphite. Drawings

Martyrdom of Erasmus. The Holy Erasmus lying while executiones with a wind axle pulling the guts out of his body. In the background a watching crowd and in the air two putti with a wreath and a palm branch. Some figures in the show are numbered.

James McNeill Whistler, Gipsy Baby Gipsy Baby

TextielBewerksters, Jean Duplessis -Bertaux, 1760 - 1818 print Numbered at the top right: 5. France paper etching 'cris de Paris', cries of London, etc.. materials ~ textile industry. adult woman

Drawing, Sketch of Figure with Drapery; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on laid paper; 18.7 × 24.3 cm (7 3/8 × 9 9/16 in.); 1914-38-233

Three putti in a landscape. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 234 mm × w 350 mm. Museum: Rijksmuseum, Amsterdam.

Drawing (Italy)

Wiik, Maria, Takasen 'Venus and Cupid', marker, drawing, 20 cm x 29.2 cm, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Pietà (third plate), 1910. Jean Louis Forain (French, 1852-1931). Etching;

Rest on the flight into Egypt, Mary holding and looking at the infant Christ while St. Joseph reads. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 3 1/4 in. × 5 in. (8.3 × 12.7 cm). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

Abraham Dismissing Hagar. Artist: Andrea Sacchi (Italian, Rome () ca. 1599-1661 Rome). Dimensions: Sheet: 7 3/8 x 7 1/2 in. (18.7 x 19.1 cm). Date: 1599-1661. Museum: Metropolitan Museum of Art, New York, USA.

The same composition, with very little variations on either side of the sheet, in opposite directions. The saint drives the tempting woman, evidently Venus, into the sea; Cupid, sitting. At left, a turkey, and a large basket, hanging from a big tree. Framing lines. Date: 1820-1850. Graphite, pen and ink, brush and grey-brown watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Lawyer with customers in court, Jean-Louis Forain, 1909 print France paper etching court-room. lawyer, attorney at law

Seated Child and a Child Playing the Violin, Harmen ter Borch, 1650, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 13-Jan-1650, paper, h 107 mm × w 160 mm

Tobias and the fish. The angel points tobias the fish.

Madonna and Child with SaintJohn. Artist: Unknown

Italy, Testa, Pietro, Martyrdom of Erasmus, verso - stamped, Saint Erasmus lying down while executioners pull his entrails out of his body with a windlass. In the background a crowd is watching and in the air two putti with a wreath and a palm branch. Some figures in the scene are numbered., print, prent, prints, prenten, height 252 mm, width 192 mm, print maker, prentmaker, 1630 - 1631, paper, papier, etching, etchings, Work conception, Italian, 1612 - 1650

Two Women in a Landscape 18th-early 19th century baron Dominique Vivant Denon French. Two Women in a Landscape 385398

Drawing, Extreme Unction; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; pen and brown ink, brush and gray wash over black chalk on paper; 10 × 13.6 cm (3 15/16 × 5 3/8 in.)

The Visitation. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 6-1/4 x 4-5/16 in. (15.9 x 10.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Two studies of a naked man and the head of a boy, c. 1618 - c. 1622 drawing Study magazine with two studies from a naked man who is cutting cloth (), And the head of a smiling boy. Zwolle paper. ink brush

Mother and Children (Charity) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Mother and Children (Charity) 340107

Study of a soldier and an old man.

Figure Composition Study 7. Drawing. Graphite on paper. Height: 140 mm (5.51 in); Width: 197 mm (7.75 in). Author: GEORGE ROMNEY.

Design for a Ceiling showing the Virgin, Catherine, and Agnes. Artist: Matthais Wolcker (German, active Schelklingen () 1730-42 Dillingen). Dimensions: 6 1/4 x 8 3/16 in. (15.9 x 20.8 cm). Former Attribution: Formerly attributed to Matthias Wolf (German, 1685-1716). Date: early to mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

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