Religious and Sacred Engravings

A series of engravings featuring religious subjects, including Mary and the Christ Child, in styles reflective of the Italian Renaissance and Baroque periods.

Italy, Parmigianino, Bonasone, Giulio, Mary with the Christ Child and Saints, verso - stamped, Mary sits with the Christ Child on her lap. Before her kneels Margaret of Antioch with a dragon next to her. Behind Mary are Saint Benedict, an angel and Saint Jerome., print, prints, height 346 mm, width 213 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), 1503-01-11 - 1540-08-24

The Virgin and Child with the Pear, 1511. Albrecht Dürer (German, 1471-1528). Engraving;

Rome, Carracci, Annibale, Italy, Maria crowned by Christ, verso - stamped, Mary is crowned by Christ. Above them the Holy Ghost as a dove and around them three putti., print, prent, prints, prenten, height 260 mm, width 208 mm, print maker, prentmaker, 1570 - 1659, paper, papier, etching, etchings, Italian, 1560-11-03 - 1609-07-15

Italy, Parmigianino, Bonasone, Giulio, Mary with the Christ Child and Saints, verso - stamped, Mary sits with the Christ Child on her lap. Before her kneels Margaret of Antioch with a dragon next to her. Behind Mary are Saint Benedict, an angel and Saint Jerome., print, prints, height 346 mm, width 213 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), 1503-01-11 - 1540-08-24

The Holy Family with Two Angels. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: plate: 8 11/16 x 5 7/8 in. (22 x 15 cm). Museum: Metropolitan Museum of Art, New York, USA.

Martin Schongauer, The Agony in the Garden, c 1480 The Agony in the Garden

Time kneels for a craftsman at a loom, Gerard de Lairesse, 1675 - 1680 print The winged time is with a piece of fabric in his hands, symbol of quality and sustainability, kneeling for a woman who is working behind a loom. The craftsman is assisted on the right by Mercury, god of trade. In the background, the personalized invention is watching. paper etching Father Time, man with wings and scythe. weaving-loom. textile fabric, cloth. (story of) Mercury (Hermes). Invention, Inventiveness; 'Inventione' (Ripa)

Copper engraving by Hendrick Goltzius from 1596 depicting a burial scene, showing figures around a coffin with gestures and expressions.

Madonna of Saint Margaret. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Master I 0 V (active ca. 1542-45). Dimensions: Sheet: 14 x 9 5/8 in. (35.5 x 24.5 cm). Date: ca. 1543. Museum: Metropolitan Museum of Art, New York, USA. Author: After Parmigianino (Girolamo Francesco Maria Mazzola). Master I 0 V.

Augsburg, Heart, Johann Daniel (I), Italy, Carlone, Carlo Innocenzo, Saint Carlo Borromeo distributing hosts to plague victims, verso sheet - stamped, View of a room with plague victims. Saint Carlo Borromeo distributing hosts to plague victims. Angels are floating at the top left., print, prints, height 364 mm, width 218 mm, Italian, 1686 - 1775-05-17, print maker, printmaker, 1696 - 1775, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, German, 1693 - 1754, publisher, uitgever

The Prophet Jeremiah, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Sacred Conversation ca. 1550-56 Léon Davent French. Sacred Conversation 337452

The Entombment, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury unknown

Parmigianino, The Boy and Two Old Men The Boy and Two Old Men

Astrronomie Anonymous, after Francesco Dimaticcio, 1592 print The female personification of astronomy, crowned the crescent and stars, measures a globe with her compass. She holds an Arillarium in her other hand. She is surrounded by figures with various astronomical attributes. In the context in the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving 'Astronomy' (~ quadrivium); 'Astronomy' (Ripa)

Virgin and Child with St. John the Baptist and St. Elizabeth. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 6 7/8 × 6 1/16 in. (17.5 × 15.4 cm). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Raphael, Romano, Giulio, Caraglio, Giovanni Jacopo, Annunciation with God the Father, verso - stamped, The angel Gabriel announces to Mary that she will become pregnant. Mary kneels at a lectern. The Holy Spirit descends like a dove. God the Father also appears in a cloud at the top left., print, prints, height 312 mm, width 206 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, 1483-04-07 - 1520-04-07

Drawing by François Boucher depicting a rural family idyll, executed with brown feder and brush with reddish lavation.

The Holy Family. According to Karel van Manders Schilder-boeck (1604), Lucas was a wunderkind and only in his teens when he made this print. The somewhat stiff figures still fit stylistically in the late 15th-century tradition. And yet the endearing family scene shows that already at a young age Lucas could devise a new and original composition for a traditional visual theme.

Parmigianino, Virgin and Child Virgin and Child

Portrait of Georg Christoph eimmart. Portrait bra is worn by two putti. Above the self-portrait an angel with a lightning bolt in the hand, to the left of it Saturn and the right minerva who envelops.

The Holy Family resting on their flight into Egypt. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Plate: 8 13/16 × 6 11/16 in. (22.4 × 17 cm). Date: ca. 1637-1639. Museum: Metropolitan Museum of Art, New York, USA.

Holy Family. Dimensions: plate: 23 x 13.8 cm (9 1/16 x 5 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: GUIDO RENI.

unknown, Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Judit and Holofernes, verso lower left - stamped, Judit stands about to cut off Holofernes' head in his army tent. Next to her her servant with a lantern., print, prints, height 306 mm, width 204 mm, South Netherlands, 1615, print maker, printmaker, 1633 - 1633, paper, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, granter of privilege

Title page of Adrian Spinniker 'De Werken en Vergelding Der Barmhertigheid En Ombarmhertigheid' 1711, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Mozes and Aaron for the Pharaoh, Anonymous, After Cornelis Cort, After Federico Zuccaro, After 1567 - Before c. 1625 print The pharaoh sits on the left on a high throne under a canopy. Soldiers are standing next to him. Moses and Aaron stand for him. The city can be seen through an arc -shaped niche. A group of people are waiting for the Pharaoh Palast. paper engraving Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

In the foreground a woman clad with the sun and a crown of twelve stars. She is standing on a crescent moon. Next to her a large dragon, with seven crowned heads. With his tail the dragon drags the stars into the sky. In the sky the newborn child of the woman who wanted to devour the dragon The child flies to God in the sky. Next to God the angel Michael (Op. 12:1-6), Appearance of the apocalyptic woman and the seven-headed dragon Ornatvr Mulier Phaebo Lvnaqve Decore, Revelation of John (series title)., print maker: Gerard van Groeningen, Antwerp, 1563 - 1574, paper, etching, engraving, h 266 mm × w 248 mm

Enea Vico (Italian, 1523-1567) after Raphael (Italian, 1483 - 1520). Joseph of Arimathea, 1543. Engraving. Plate: 250 mm x 398 mm (9.84 in. x 15.67 in.). First of two states.

The Penitent Saint Mary Magdalene, kneeling before a skull and bones 1640-60 Giulio Carpioni. The Penitent Saint Mary Magdalene, kneeling before a skull and bones. Giulio Carpioni (Italian, Venice 1613-1678 Venice). 1640-60. Etching; second state of two. Matteo Cadorin (Italian, active ca. 1648). Prints

The mystic marriage of Saint Catherine. Artist: Anonymous, Italian, 16th century; After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); After Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: plate: 8 1/16 x 5 13/16 in. (20.5 x 14.8 cm)sheet: 8 1/2 x 6 1/4 in. (21.6 x 15.8 cm). Date: ca. 1560-1600. Museum: Metropolitan Museum of Art, New York, USA.

Young pair and Death, Israhel van Meckenem, After Albrecht Dürer, 1455 - 1503 print A young man and a young woman walk in a hilly landscape. From behind a tree, death (in the form of an hourglass) lurks on them. Under the show a rule of Dutch text in Gothic script: "Ten is not already fixed. Der does Komppt and brings the Aevent". Bocholt (Germany) paper engraving Death as skeleton. couple of lovers. (personifications of) 'Vanitas', the vanity of human life; Fragilití humana, Fugacití delle grandezze & della gloria mondana, Meditatione della morte, Opera vana, Piacere vano, Vana gloria, Vanití (Ripa). clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). head-gear (BONNET) (+ men's clothes). head-gear (BONNET) (+ feathers used for clothes). dress, gown (+ women's clothes). cape (+ men's clothes)

Allegorical portrait of Carlos III standing on a pedestal flanked by figures (War and Peace) 1778 Manuel Salvador Carmona. Allegorical portrait of Carlos III standing on a pedestal flanked by figures (War and Peace). Manuel Salvador Carmona (Spanish, 1734-1820). 1778. Engraving. Prints

The lamentation over the dead Christ ca. 1545-50 Andrea Schiavone (Andrea Meldola) Italian. The lamentation over the dead Christ 389445

Judith slaying Holofernes 1705-62 Johann Georg Bergmüller German. Judith slaying Holofernes 400615

Giovanni, Domenico Cerrini Perugino, Italy, Beinaschi, Giovanni Battista, The Holy Family with Angels, verso - stamped, A landscape with the Holy Family and three angels. Text in Italian in the lower margin., print, prent, prints, prenten, height 450 mm, width 341 mm, 1636 - 1688-09-28, print maker, prentmaker, 1652 - 1652, paper, papier, etching, etsen, Work conception

. A ready man puts the head of John the Baptist on a scale that holds Salome. Johannes's beheaded body is on the floor for her. A four-line text in Dutch in the margin.

Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Master of the Die Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Master of the Die (Italian, active Rome, ca. 1530-60). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

Saints Sebastian, Anthony and Roch. Artist: Jean Duvet (French, ca. 1485-after 1561). Dimensions: sheet: 9 13/16 x 6 5/8 in. (24.9 x 16.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Susanna and the Elders. Dated: c. 1590/1595. Dimensions: plate: 34.7 x 31.2 cm (13 11/16 x 12 5/16 in.) sheet: 36 x 32.4 cm (14 3/16 x 12 3/4 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

FotoReProducty engraving the lattis of the garden.

Italy, Parmigianino, Bonasone, Giulio, Mystical Marriage of Saint Catherine, verso - stamped, Mary sits with the Christ Child on her lap. Christ slides a ring on the finger of Saint Catherine who kneels before him. In the foreground on the left a piece of the wheel of Saint Catherine. In the foreground on the right a man., print, prent, prints, prenten, height 196 mm, width 154 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), 1503-01-11 - 1540-08-24

Italy, Sirani, Elisabetta, Virgin and Child with the Young John the Baptist, verso - stamped, Three-line Latin text in bottom margin., print, prints, height 234 mm, width 218 mm, Italian, 1638-01-08 - 1665-08-28, print maker, printmaker, 1648 - 1665, paper, papier, etching, etchings

The child Heracles strangling the snakes sent by Juno to kill him, Herculaneum, Campania, Italy, engraving by Nicola Billi from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 7, 1757-1787, Naples.

The Holy Family with Saints. Léon Davent (French, active 1540-1560); after Parmigianino (Italian, 1503-1540). Date: 1540-1555. Dimensions: 241 × 194 mm (image); 254 × 215 mm (sheet). Etching in black with engraving on ivory laid paper, tipped onto cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Allegorical scene with a sacrificial lamb 1640-70 Giovanni Battista Bonacina. Allegorical scene with a sacrificial lamb. Giovanni Battista Bonacina (Italian, Milan 1620-ca. 1670). 1640-70. Etching and engraving. Prints

God appears to Noah after the flood, Marcantonio Raimondi, After Rafaël, 1513 - 1515 print paper engraving God orders Noah to disembark and opens the ark

Benedikt Carpzov bij tronende koningin; Wigand Molleri Repertorium Carpzovianum; Titelpagina voor: Wigand Möller, Repertorium rerum, verborum, et notabilium, 1676.Lawyer Benedikt Carpzov is standing next to a queen on a throne. Both show their right-hand leg under their clothing. On the right is an open book on a desk. Left in the foreground is a putto with a branch. At the top two putti fly with a scale and drapery with title.

The Rest on the Flight into Egypt. Dated: 1721. Dimensions: plate: 15.6 x 11.4 cm (6 1/8 x 4 1/2 in.) sheet: 15.9 x 11.8 cm (6 1/4 x 4 5/8 in.). Medium: etching with roulette on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

Wszyscy Święci w MNK Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Job on the dung heap, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), Amsterdam, 1712, paper, etching, h 138 mm × w 81 mm

Minerva as patroness of the arts, Jan van Munnickhuysen, 1681 print Minerva accompanied, as patroness of the arts, the personifications of architecture, painting and sculpture. In the background buildings. Amsterdam paper engraving Minerva as patroness. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa)

Susanna and the elders, Annibale Carracci, 1590 - 1595 print The bathing Susanna is harassed by two old men who are in danger of indicating her on accusation of adultery if she opposes them. In the foreground a fountain with a putto on a turtle and a naked figure standing on a shell. A landscape in the background. Text and coat of arms in STUDMARGE. Italy paper etching / engraving Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants. garden fountain

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Sovius, Simon, Goltzius, Hendrick, Haarlem, Ecce Homo, Christ on the Cold Stone between Two Angels, verso lower left - stamped, Christ sitting on the cold stone, flanked by two kneeling angels with torches. In his hands he holds a rod and a whip which were used for flogging, on his head the crown of thorns., print, engraving, engraving (printing process), Noord-Nederlands, 1558-01 - 1617-01-01, after, after painting by, writer, Publication (Event), Publication, 1571-10-15 - 1631-01-20, publisher, uitgever, 1552-07-18 - 1612-01-20, verlener van privilege

A Nobleman and a Lady Seated in a Landscape. Dated: 1520. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

The Visitation. Draughtsman: anonymous. Dating: 1779. Place: France. Measurements: h 210 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Albrecht Altdorfer, The Holy Kinship, in or after 1520 The Holy Kinship

The Desperate Man n.d. Albrecht Dürer German. The Desperate Man 391233

Josiah, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Historical Scene: Study for an Engraving 18th century Anonymous, Italian, first half of the 18th century Italian. Historical Scene: Study for an Engraving 342149

Eustachian Avril thrown by Calvinists off the stairs, Adriaen Millaert, 1645 - 1668

The Entombment ca. 1500-1534 Marcantonio Raimondi Italian. The Entombment 342734

The Adoration of the Magi. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 1/2 x 8 5/8 in. (29.2 x 21.9 cm) trimmed to block line. Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Carracci, Ludovico, Stefanoni, Giacomo Antonio, Virgin and Child with John the Baptist, verso - stamped, Virgin and Child seated in a landscape with the Christ Child on her lap. On the left the young John the Baptist with the wicker cross and on the right two angels., print, prent, prints, prenten, height 264 mm, width 205 mm, Italian, print maker, prentmaker, 1632 - 1632, paper, papier, etching, etchings, Work conception, 1555 - 1619-11-13

Francesco Brizio (Italian, ca. 1574-1623) after Annibale Carracci (Italian, 1560 - 1609). The Virgin with the White Raven (La Vièrge du Corbeau Blanc). Etching.

The Death of the Virgin, 1470-75. Martin Schongauer (German, c.1450-1491). Engraving; sheet: 25.5 x 16.9 cm (10 1/16 x 6 5/8 in.).

Jacques Stella, Sibylla Delphica, 1625 Sibylla Delphica

unknown, Rubens, Peter Paul, The Hague, Stock, Andries Jacobsz., Sacrifice of Isaac, verso - stamped, Abraham, with a knife in his hand, is about to sacrifice his son Isaac, but an angel stops him. On the left a ram in the bushes, which will be sacrificed in Isaac's place., print, prints, height 450 mm, width 322 mm, Northern Netherlands, 1582 - 1648, print maker, printmaker, 1614 - 1638, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, granter of privilege

The Nativity early 16th century Parmigianino (Girolamo Francesco Maria Mazzola) Italian. The Nativity 391606

Italy, Schiaminossi, Raffaello, Prophaetarum, Prophets, Moyses propheta, Prophet Moses, verso sheet - stamped, The prophet Moses standing and leaning with his left hand on a writing tablet. In the background a landscape with buildings. Title in bottom margin and numbered lower left: 2., print, prent, prints, prenten, height 193 mm, width 133 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1609, paper, papier, etching, etsen, Work conception, after own design by

Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere") ca. 1560 Attributed to Jacopo Bassano (Jacopo da Ponte) Italian In this expressively pictorial composition of the "Noli me tangere" (John 20:14-18), done quickly with the brush and brown wash with white gouache highlights, the resurrected Christ, in the guise of a gardener, stands at left before the kneeling Saint Mary Magdalen on the right, who is seen from behind. The present sheet, acquired in 2008, marks a new addition to Jacopo Bassano's oeuvre, who is best known for his innovative pastel drawings. Around 1561, Jacopo Bassano's manner of painting radically changed to embrace what scholars have called a "style of light": This new period of work coincided with Bassano's experimentation with a light-handed brush with wash drawing technique, often highlighted with whites. The present drawing exemplifies this new brush style: no use of fine contours or of the pen is made, and if any outlines are suggested, they flutter with pi

Carlton, Dudley (earl of Dorchester), Spanish crown, Antwerp, Vorsterman, Lucas (I), Rubens, Peter Paul, Descent from the Cross, verso lower left - stamped, print, prints, height 585 mm, width 435 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1620 - 1620, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege, English, 1573 - 1632

Return home of the lost son, Jan Punt, Afters Dionys van Nijmegen, 1743 print The lost son returns home. He is met there by his father, who warmly welcomes him. He takes his son in his arms while he begs him for forgiveness. Other family members are waiting in the background. Amsterdam paper etching / engraving the prodigal son kneels before his father who takes him in his arms

Drunk Silenus supported by bacchants. The Drunk Silenus is supported by bacchants. Silenus has a wreath of wingerd leaves on the head.

Allegorical frontispiece with portrait of Willem III, 1691 print Allegorical frontispiece with portrait of Stadholder-King Willem III. The Dutch Virgin with personifications of Eendracht, Architecture, Painting and Faam. print maker: Northern Netherlandspublisher: The Hague paper etching personifications of countries, nations, states, districts, etc.. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa) Netherlands

Depicts Circe with the companions of Odysseus in a Clair-obscur woodcut by Antonio da Trento using two plates in 1525-1527, showing mythological figures and interior setting.

The Adoration of the Shepherds, plate three from The Birth and Early Life of Christ 1594 Netherlands. Engraving on paper . Hendrick Goltzius

The Holy Family with John the Baptist, c. 1616 drawing Zwolle paper. ink brush Holy Family with John the Baptist (as child)

Heilige Familie, Agostino Carracci, 1597 print Maria is sitting on her lap with the Christ child. Joseph is sitting next to her. Italy paper engraving Holy Family, and derived representations

Bologna, Reni, Guido, Italy, Bolognini, Gian Battista (I), Massacre of the Innocents at Bethlehem, verso - stamped, Desperate mothers try to protect their children from Herod's soldiers. Buildings in the background. Top left two putti with bunches of palm branches on clouds., print, prent, prints, prenten, height 405 mm, width 264 mm, 1611 - 1688-11-02, print maker, prentmaker, 1621 - 1688, paper, papier, etching, etchings, Italian, 1575-11-04 - 1642-08-18

Piermans, Antwerp, Wierix, Hieronymus, Christ Child Sleeping in the Cradle, verso - stamped, The Christ Child sleeps peacefully in his cradle. At the head an angel with the instruments of the Passion. Mary, Joseph, Elizabeth and the young John the Baptist are seated around the cradle. In the foreground a basket of fruit and a dog. In the margin a six-line caption, in two columns, in Latin., print, prints, height 102 mm, width 66 mm, Southern Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1563 - 1619, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher, granter of privilege

Drie Muzen en and Putto Gebarende, Giorgio Ghisi, After Francesco Primaticcio, 1541 - 1582 print Three sitting muses. A gestic putto is floating upstairs. print maker: Italyafter design by: Fontainebleau paper engraving the Muses acting together (as group). cupids: 'amores', 'amoretti', 'putti'

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 400708

Esther Knelt for Ahasverus, Lucas van Leyden, After 1525 - 1599 print Esther kneels for Ahasverus, surrounded by servants and royalists. paper engraving Ahasuerus holds out his sceptre to Esther (Esther usually kneeling)

unknown, Schut, Cornelis (I), Madonna and Child with John the Baptist, verso lower left - stamped, In a landscape, Mary sits on the ground with the Christ Child on her lap. He extends his hand to the young John the Baptist who kneels before him. His arm rests on a lamb; in the other hand he holds a victory banner. Above Mary, a putto hands her a wreath of flowers. In the background a fence overgrown with roses., print, prints, height 217 mm, width 157 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Seated woman holding a tablet and compass (allegory of learning), a winged putto at right. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 6 1/4 × 7 1/8 in. (15.8 × 18.1 cm). Date: ca. 1600-1640. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the toilet of the new bride, from an ancient bas-relief (A. de Vesme 205 ; Dutuit 196) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Madonna of Loreto. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 11 5/16 x 8 1/2 in. (28.8 x 21.6 cm) trimmed. Date: by 1575. Museum: Metropolitan Museum of Art, New York, USA.

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Copper engraving depicting a young couple, showing their figures, posture, and interaction, created by Marcantonio Raimondi in the first half of the 16th century.

Lust; Seven deadly sins. Personification of the lust. Woman sitting on a dromedary, in her right hand, a banner with a credit of a fox. At the top right a coat of arms with a path, above a rooster. Under the show a two-legged text in Latin. Fourded from a series of seven.

Print made by Bernard Lens, 1659-1725, British, Madonna, Child, and Angel, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Odoratus. Dated: 1561. Dimensions: sheet (trimmed to plate mark): 20.5 x 26.9 cm (8 1/16 x 10 9/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Cornelis Cort after Frans Floris I.

Gaetano Gherardo Zompini depicted Saint Joseph holding the child Jesus using gray brushwork and visible traces of the medium.

Amsterdam, Luyken, Jan, Liberation of Peter from prison, verso - stamped, print, prints, height 128 mm, width 72 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Jozef explains dreams in prison, Lucas van Leyden, 1512 print Joseph seated between two other prisoners. Above heads of prisoners oval with image of dream. print maker: Low Countriesafter own design by: Leiden paper engraving Joseph interpreting the dreams of the butler and the baker (the two dreams combined)

The Virgin and Child on a Grassy Bank 1553 Heinrich Aldegrever German The crowned figure of the Virgin holds the Child to her left side. The figure, standing at center on the crescent moon above a landscape with a town at bottom right, is slightly turned to the right.. The Virgin and Child on a Grassy Bank 428372

Saint Anthony of Padua adoring the Christ Child in Glory, copy after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Plate: 10 3/8 × 7 1/16 in. (26.3 × 18 cm). Date: ca. 1640 or after. Museum: Metropolitan Museum of Art, New York, USA.

La toilette de la nouvelle mariée. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Piëta, verso - stamped, Mary grieves at the foot of the cross with the body of the dead Christ in her lap. Next to her stands John., print, book illustration, prints, height 88 mm, width 62 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, woodcut, letterpress printing, Work conception, South Netherlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

The virtuous woman serves her family, 1555 print The virtuous housewife serves food for her family. In the background a winter scene with skaters on a river. The print is based on Proverbs 31:15: "She gets up when it's still dark, arranges the work in the house, bears her servants tasks" and Proverbs 31:21: "No one in her house has to fear snow, she she Has dressed them all warm. " The image has a German caption and is part of a six -part press series that praises the activities of the virtuous housewife. print maker: Haarlemafter design by: Haarlempublisher: Groningen paper etching / engraving the book of Proverbs (with BOOK CHAPTER:VERSE). evening meal, dinner, supper. skates (winter sports). winter landscape; landscape symbolizing winter (the four seasons of the year). ideal wife

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