Religious Iconography and Architecture

Images of historic religious art featuring crucifixes and sculptures within church interiors, capturing Gothic and Medieval styles with somber tones.

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio01. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annuncia
Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio01. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annuncia
Way of the Cross designed by academic artist Franz Drapela, Marienkirche (St. Mary's Church), Berndorf, Triestingtal, Lower Austria, Austria, EuropeJUNI, JUAN DE. ESCULTOR ESPAÑOL DE ORIGEN FRANCES 1505-1577. " CRUCIFICADO " JESUCRISTO. Author: JUAN DE JUANI.The Crucifixion by Honest Schempp, b.1932Crucifixion. David Jones (1895-1974). Pencil and watercolour. Executed circa 1922. 23.5 x 16.5cm.The Scourging of the Back James Tissot (1836-1902 French) William Jennings Bryan and the Cross of Gold. 'The sacrilegious candidate', color lithograph magazine cover, September 1896Indian freedom fighters, mahatma gandhi, india, asia, 1945 Copyright: xJayanxMitra/DinodiaxPhotoxJesus dying on the crossNorway, Oslo, GolgothaBasilicata Matera Matera Duomo63. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Jesus on crossNGermany, Berlin, 24.12.1992, shop window with alternative Christmas decoration in Auguststraße / Tucholskystraße, (former Konsum Lebensmittel), Freude am Einkauf / Christ, clockClose-up of a mask, Bali, IndonesiaCowboy, cross in the foreground by Stanley Borack, 20th centuryChrist with Shopping Bags, Critique of the Commercialisation of Religious Holidays, 2004, Banksy, Exhibition on the Street Artist, Muelheim, Germany, EuropeKoptisch orthodoxe Kirche des St. Zachäus in Jericho Jesus besucht Zachäus den Zöllner in Jericho. Lukas 19, 110 Copyright: xZoonar.com/HGVorndranx 22063026leiden,dornenkrone,jesus christus,leid,leidend,christus,heiland,jesus,messias ** suffer,crown of thorns,jesus christ,grief,suffers,jesus christs,messiah pr8-mkk ,model released, SymbolfotoMICHAEL PALIN and GRAHAM CHAPMAN in LIFE OF BRIAN (1979), directed by TERRY JONES.Elijah Edward Jakob von Steinle (1810-1886/Austrian)Vintage Photograph. Composite of statue of Jesus standing over globeCaricature of Grigori Rasputin clutching Nicholas II and Tsarina Alexandra. The cartoon is commenting on the control Rasputin holds over the royal family. Grigori Rasputin (1869-1916) a Russian mystic and self-proclaimed holy man who befriended the family of Tsar Nicholas II and gained considerable influence in late imperial Russia. Dated 20th centuryMammon. In the New Testament of the Bible, is material wealth or greed, most often personified as a deity. Drawing by Alejandro Schneider. Engraving by J. Weber. La Ilustracion Artistica, 1896.Inscription on a wayside shrine, outdoor religious landmark, Allgaeu, Bavaria, Germany, EuropeImages of the Senor of Chalma sanctuary sit for sale in the Senor of Chalma sanctuary in Mexico State, Mexico, January 6, 2013. PLEASE NOTE: This image is part of Aurora's myPhonMammon. In the New Testament of the Bible, is material wealth or greed, most often personified as a deity. Drawing by Alejandro Schneider. Colored engraving by J. Weber. La Ilustracion Artistica, 1896.North America,  USA,  South Dakota,  Spearfish,  Black Hills Passion Play. Museum memorabilia. IMAGE RESTRICTED: Not available to US land tour operators.North America,  USA,  South Dakota,  Spearfish,  Black Hills Passion Play. Museum memorabilia. IMAGE RESTRICTED: Not available to US land tour operators.The Christian Warfare Postcard. 1908, The Christian Warfare Postcard German children's elementary reader on the life of the Great Reformer Martin Luther.