Religious Tapestries and Icons

A collection of historical religious artworks, including the Birth of Christ and the Last Supper. Features intricate designs, vibrant colors, and depictions of significant biblical figures.

Birth of Christ: Holy Family 'Trinitas terrestris'. unknown c. 1510-1530 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. On throne, Christ-child, seated on Virgin Mary's lap, reaching out for rosary handed to him by St. Anne; St. Joseph hands down pear from above; surrounded by male figures, women & children (L, UPR & R BRD) intertwining vines of foliage interspersed with small birds; (UPR BRD) saints in corners: St. Peter holding key (L) & St. Paul () holding sword (R); (LWR BRD) 2 dragons face-to-face; coats of arms in corners No French & Co. stock sheet in archive, no stock number

Birth of Christ: Holy Family 'Trinitas terrestris'. unknown c. 1510-1530 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. On throne, Christ-child, seated on Virgin Mary's lap, reaching out for rosary handed to him by St. Anne; St. Joseph hands down pear from above; surrounded by male figures, women & children (L, UPR & R BRD) intertwining vines of foliage interspersed with small birds; (UPR BRD) saints in corners: St. Peter holding key (L) & St. Paul () holding sword (R); (LWR BRD) 2 dragons face-to-face; coats of arms in corners No French & Co. stock sheet in archive, no stock number

Passion of Christ: Last Supper. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after) painter c. 1540-1545 Tapestry Dimensions: H 10'3" x W 9'7" Tapestry Materials/Techniques: wool (warp: 18-19/in.; 7-8/cm); silk; metallic thread (silver); metallic thread (silver-gilt) Culture: Flemish Weaving Center: Brussels Ownership History: Electors of Saxony coll. (as early as 1554 until c.1928); sold by Prince Ernst Heinrich. French & Co. purchased from Prince Ernst Heinrich, invoiced 4/19/1928; sold to the Metropolitan Museum of Art, New York, 6/7/1944. United States, New York, New York, The Metropolitan Museum of Art, accno. 44.63.4. Inscriptions: City mark on lower guard, left; unidentified weaver mark on right guard, bottom Institution of Eucharist; Christ blessing bread (host) & wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25) (BRD) bunches of flowers & fruit twisting around central palm tree motif rod; (LWR

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle1. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed i

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church3. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Icon cover and frame (Riza) with Bogoliubskaya Mother of God with the Chosen Saints 1815 Maker of frame: Ph. Phralov. Icon cover and frame (Riza) with Bogoliubskaya Mother of God with the Chosen Saints 205079

Abruzzo Pescara Loreto Aprutino S. Maria in Piano18. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

Joseph's dreams. unknown c. 1640-1660 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in upper border cartouche: HISTORIA / /IACOB ET IOESEP / ET PHARAONIS Joseph relates his first dream to his father (Jacob), mother (Rachel) & brothers about 11 sheaves of wheat of his brothers that encircle his own sheaf & bow down (Genesis 37:1-11); 12 sheaves in sky next to sun & moon (BRD) twisting garlands of flowers; (L & R BRD) ribbon-tied garlands hang before pilaster topped by cherubim; (UPR BRD) headed by cartouche with inscription No French & Co. stock sheet in archive, no stock number Related Works: Panels in set: GCPA 0236345-0236349, 0184662

Paul Preaching at Philippi from a set of Scenes from the Life of Saint Paul Adapted from a design by Raphael (Raffaello Sanzio or Santi) Italian some aspects adapted from Pieter Coecke van Aelst Netherlandish Unidentified Weaver's Mark ca. 1600

Bliej Kultury unknown

Umbria Perugia Spello S. Lorenzo6. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Cathedral at Mont St Michel, France - Detail depicting Jesus descending into hell to free the Old Testament Saints from 'Limbes' or 'Limbo' (the original of this oft-used term!). Date: circa 1910s

Abruzzo Pescara Loreto Aprutino S. Maria in Piano31. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

Campania Salerno Teggiano S. Maria Maggiore, Cathedral8. Hutzel, Max 1960-1990 This church was rebuilt after an earthquake in 1857, but kept elements of its 1274 construction and later additions; the two portals date to 1279 and 1509. Interior views focus on architectural sculpture and sculpture: a polychrome crucifix, a marble ambo with symbols of the Evangelists (1721); a holy water font (14th century); wooden states of angels; choirstalls (15th century); tomb monuments of Enrico Sanseverino (1336), the Malavolti (1479) and Eustachio de Eustachiis (1472); tomb slabs; capitals; a white barrel-vaulted ceiling with frescoes and stucco decoration. Negatives show another tomb, perhaps that of the Schifani. Also, a view of a 16th-century altarpiece and a painting in the sacristy of St. Michael or St. George and the Dragon. Antiquities: Immured spolia and the base of the holy water font. Object Notes: Hutzel photo campaign date: 12/29/82 General Notes: Some altar paintings and choirstalls t

Tuscany Siena Abbadia Isola Abbey (Cistercian) S. Salvatore, Abbey church. Hutzel, Max 1960-1990 Views of the monastery building, the cloister, and, primarily, the interior and exterior of the church. Antiquities: sarcophagus German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto (environs) S. Sebastiano1. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Lady pleading before a lord in his court. unknown c. 1500-1525 Tapestry Dimensions: H 9'3" x W 7'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Lady holding clasped hands up towards lord, who holds his crossed arms over his chest; courtiers look on; landscape in background (BRD) garland with flowers Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number

Tuscany Siena Abbadia Isola Abbey (Cistercian) S. Salvatore, Abbey church. Hutzel, Max 1960-1990 Views of the monastery building, the cloister, and, primarily, the interior and exterior of the church. Antiquities: sarcophagus German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Casperia S. Maria di Legarano4. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Umbria Perugia San Giacomo di Spoleto S. Giacomo1. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Abruzzo Pescara Loreto Aprutino S. Maria in Piano4. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Lazio Rieti Amatrice S. Francesco9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. S. Francesco is a large Romanesque/Gothic church, dating to the late 14th century. The facade has a richly ornamented portal. In the lunette of the portal are figures of polychromed terracotta representing the Madonna and Child with 2 angels. Post-medieval: Views of the exterior and interior, including: wooden pulpit, Baroque altar and tabernacle, sculpture, frescoes. The walls within the church are covered with fresco decoration from the 15th century by artists of the Marche school. The Nativity, the Madonna Enthroned with Saints, the Tree of Jesse, the Coronation of the Virgin, and the Last Judgment are some of the scenes depicted. The church also contains a Baroque altar created by Giovanni Battista Gigli, created to house a gothic reliquary attributed to Pietro Vannini (1472). Object Notes: Coverage offers views of the exterior and interior of the church, including the main po

Abruzzo Teramo Teramo S. Berardo, Cathedral2. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Annunciation. unknown c. 1410-1430 Tapestry Dimensions: H 11'6" x W 9'9" Tapestry Materials/Techniques: wool (warp: 5-6/cm); wool with some metallic thread (weft) Culture: Southern Netherlands Ownership History: French & Co. United States, New York, New York, The Metropolitan Museum of Art, accno. 45.76. Virgin Mary seated on throne on dais beneath fabric canopy & next to book on reading stand, in interior of small marble mansion with lustreware vessel containing lilies on tiled floor; in garden to L of mansion, archangel Gabriel appears beneath arched entrance, God the Father sends nude Christ-child of Incarnation with cross in upper R, angels above mansion carry coat of arms Borders missing. The panel could be a fragment of a larger tapestry, or tapestry in its own right. If the latter, the piece would have belonged to a series of hangings showing scenes from the life of the Virgin or of Christ. French & Co. stock sheet missing from archive, 20015 Cavallo, Medieval Tapestries (1993),

Lazio Viterbo Montefiascone S. Flaviano. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views of

In the treasuries of churches Cologne.(See accompanying article).Cologne cathedral.Epiphany shrine / Adoration of the Three kings. August 12, 1935.

The visitation of the Blessed Virgin Mary to Saint

Kraków St. Mary's Church the main altar of Wita Stwosz the birth of the Mother of God. unknown

Historical depiction of the disputation of St Catherine of Alexandria, also known as St Catherine of the Wheel and the Great Martyr Catherine, in front of the Western Roman buffy-tufted marmoset (Petronius) Maximus, painting in the House of Borgia, Rome, Italy, Historical, digitally restored reproduction of a 19th century original, exact original date unknown, Europe

Martin Luther slams the 95 theses on the church door in Wittenberg (centre), indulgence preacher Tezel (left), Wittenberg students burn Tezel's opposites (right), religion, Catholic, Protestant, opponents, 16th century, historical illustration around 1860

Umbria Perugia San Giacomo di Spoleto S. Giacomo4. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Saint John Nepomuk Unknown. Saint John Nepomuk, late 18th century. Oil on paper mounted to canvas, 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm). American Art late 18th century

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Mine Mary of the Virgin Mary - Quarter: Parents give In. Wojciech at the teachings to Magdeburg (fragment: school and priest in tonsura, in the background architecture of the cathedral and school door); Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Gold binding adorned with rhinestones covered with the Gospel of the 11th century and representing Jesus crucified with the Virgin and Saint John at the foot of the cross. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Abruzzo L'Aquila Tagliacozzo SS. Cosma e Damiano. Hutzel, Max 1960-1990 Exterior views: facade (15th century), portal leading to courtyard (1452), facade portals and windows. Interior views: ribbed vaulting, baroque altars lining the the sides of the cruciform church, apse fresco, gilt baroque tabernacle in the form of a temple (18th century), tabernacle statues, pulpit, Orsini coat-of-arms, details of altar paintings, and the tomb of General Conte Resta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia San Giacomo di Spoleto S. Giacomo0. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Umbria Perugia Spoleto S. Gregorio Maggiore3. Hutzel, Max 1960-1990 Exterior views of a restored 12th century church: bell tower; facade with niched saints, triforium windows (12th century), and porch (16th century); cloister; frescoed baptismal chapel (1536) and font (15th century). General views of interior and crypt: remnants of frescoes by Umbrian artists (13-16th centuries), including two of the Madonna lactans; altar frescoes of Saints Sebastian, Roch, and Abbondanza around a marble tabernacle (1526); holy water fonts (14th century); baroque domed chapel with fresco and stucco decoration and tabernacle; apse frescoes of clerical saints in medallions (11th century); Roman steles used as altar bases; sarcophagus of St. Abbondanza; columns and capitals of various styles. Object Notes: Hutzel photo campaign date: February 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)32. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Combat of Virtues and Vices. unknown c. 1500-1525 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Juan Rodríguez de Fonsca coll., bishop of Burgos (purchased total of 8 tapestries between 1519-1524); bequeathed to Cathedral of Burgos in 1526. French & Co. Spain, Burgos, Burgos, Santa María, Cathedral. Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum Inscriptions: Inscription in central field, on banderole held by angel at left & continuing on banderole held by angel on right: PANGE LINGUA / GLORIOSI PRAELIUM CERTAMINIS Inscriptions: Inscription in central field, on banderole held by Prophet at left partially legible in photograph: IPSE VENIT ET SALUABIT VOS ISAIS Inscriptions: Inscription in central field, on banderole held by Prophet at right reweaving has made inscription illegible, but it may possbily have read: HIS PLAGATUS SUM ISAIS XIII Inscriptions: Inscriptions in central field, identifying figures

Court scene with enthroned queen. unknown c. 1500-1520 Tapestry Dimensions: H 10'4" x W 6'2" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. (). "Mrs. P. Morgan" written in pencil on verso of photograph. Enthroned queen flanked by man & women (above); noble man with attendant kneeling before another man (below) (BRD) garland with flowers & grapes The borders are pieced. No French & Co. stock sheet in archive, no stock number

The Congregation of the Mother of God. Artist: Russian Painter (late 16th/early 17th century). Dimensions: 14 1/8 x 12 1/4 in. (35.9 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Umbria Perugia Campi Vecchio S. Salvatore4. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Kraków St. Mary's Church the main altar of Wita Stwosz Homage of the Three Kings unknown

Umbria Perugia Spoleto S. Maria Assunta, Cathedral3. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Umbria Perugia San Giacomo di Spoleto S. Giacomo6. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

David's choir leader, miniature in a psalter from the end of the eleventh century, Germany, digitally restored reproduction of an original from the ni...

Gniezno. The door is angry in the Basilica of the Primate's ascenda of the most of the Mary of the Virgin Mary - a fragment of the Bordic and Quarters: Transfer of zw OK. Wojciech and the body of the body. Wojciech to the grave; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Umbria Terni Terni S. Alo7. Hutzel, Max 1960-1990 Exterior views of 11th century church with special attention to immured relief sculpture and the apse. Interior views focus on columns, capitals and frescoes (13th-16th centuries). Fresco subjects include: St. Silvester, St. Mary Magdalen, St. Catherine of Alexandria, St. Joseph, St. John the Baptist, St. Pellegrino, St. Sebastion, St. Roch, St. Lucy, the Crucifixion, the Madonna lactans and Madonna and Child. Object Notes: Hutzel photo campaign date: October 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by provi

Abruzzo, Alanno, Madonna delle Grazie, Italy, 20th century, photo, photography, Europe

Umbria Perugia San Giacomo di Spoleto S. Giacomo2. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Meeting of SS. Anna and Joachim at Golden Gate. Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1575 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co purchased from American Foreign Trade Development Co. 2/5/1964 also lists: 2/27/1964. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom In landscape, Anna (Anne) & Joachim embrace each other next to gate (immaculate conception of Virgin Mary); annunciation of birth of Mary to Joachim by angel appearing in sky (BRD) festoons of flowers & oversize fruit tied with ribbons French & Co. stock sheet in archive, G-375-x

Adoration of Christ-child by Virgin Mary and St. Joseph, Adoration of Christ-child by Magi (wise men/kings) and Annunciation. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop, attr.) weaver c. 1520 Tapestry Dimensions: H 2.60 x W 2.75 m Tapestry Materials/Techniques: wool (warp: 10/cm); silk; metallic thread Culture: Southern Netherlands Ownership History: Demeter Mapragi, Bishop of Györ, bequeathed to Cathedral in 1609. Purchased by Francis Joseph in 1904; given on permanent loan to the museum in 1914. Hungary, Budapest, Imparmüvészeti Múzeum, accno. 18328. Inscriptions: Inscription in central field on banderole at left:.. VETRVS VIRGINIS ERIT.. Inscriptions: Inscription in central field on banderole at right: DEVS NASLETVR EX VIR.. In stable, Adoration of Christ-child by Virgin Mary, Joseph & angels; above, host of singing angels; central scene flanked by 2 columns, woman on each side holding scrolling banderoles with inscriptions; top left corner,

Umbria Terni Terni S. Alo. Hutzel, Max 1960-1990 Exterior views of 11th century church with special attention to immured relief sculpture and the apse. Interior views focus on columns, capitals and frescoes (13th-16th centuries). Fresco subjects include: St. Silvester, St. Mary Magdalen, St. Catherine of Alexandria, St. Joseph, St. John the Baptist, St. Pellegrino, St. Sebastion, St. Roch, St. Lucy, the Crucifixion, the Madonna lactans and Madonna and Child. Object Notes: Hutzel photo campaign date: October 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by provin

Lazio Roma Rome SS. Nereo e Achilleo3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculpture, mosaics, intarsia. Post-medieval: Architectural sculpture, painting, fresco, tapestries Object Notes: Located on via delle Terme di Caracalla. Church dates from 4th century, actual church today conserves restorations of 8th and 9th centuries, and the later and larger restoration of the 15th century. In the 16th century, Cardinal Baronio stipulated in his will that things should remain unchanged in the design of the church. Mosaics in the apse are creation of late Byzantine during pontificate of Leone III (795-816). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Lazio Rieti Casperia S. Maria di Legarano4. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime0. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Moses and Aaron before Pharaoh. unknown c. 1625-1675 Tapestry Dimensions: H 13'9" x W 14'9" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Rodman Wanamaker, invoiced 12/17/1935; returned, 11/26/1937. Before enthroned Pharaoh, Aaron performs miracle of rod changing into snake (Exodus 5-7:13); group of male figures recoil (L & R BRD) male & female herms supporting baskets of flowers on their heads, parrot perched at bottom; (UPR & LWR BRD) ribbon-tied festoons flank central empty cartouche French & Co. stock sheet in archive, 18539-b

Umbria Perugia Spello S. Maria della Rotonda0. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

GRUPO ESCULTORICO DEL CALVARIO "CRISTO DEL CORPUS" - SIGLO XVI - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: JACOPO TORNI (1456-1526) JACOBO FLORENTINO o INDAC. Location: IGLESIA DE LA MAGDALENA. JAEN. SPAIN. JESUS. VIRGIN MARY. CRISTO CRUCIFICADO. SAN JUAN EVANGELISTA Y APOSTOL.

Bliżej Kultury unknown

Lazio Roma Subiaco Sacro Speco9. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Campania Salerno Padula Monastery of S. Lorenzo13. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Vintage Photograph. M.H. De Young Memorial Museum- San Francisco, California. "Madonna and Child" , French about 1340 from a church in Metz Limestone with traces of polychromy.

Abruzzo L'Aquila Bazzano S. Giusta. Hutzel, Max 1960-1990 Exterior views of this 13th century church focus on the west facade and richly ornamented portal (1238). Prints in the Hutzel collection include views of the main altarpiece, east wall frescoes, crucifix, and 13th century nave frescoes. In the Medieval core collection are general views of the interior, including the arcade, and the crypt. Carved on the pulpit (1180) are signs of the Four Evangelists, the Lamb of God, and St. George Slaying the Dragon. Views of the crypt (13th century) show an entryway to the 3rd century catacombs and a wooden statue of S. Giusta. Views of the interior (remodelled in the 15th century) focus on reused Roman architectural elements (1st century BC - 1st century AD). The arcade includes piers, Roman columns, and a frescoed ancient Roman cornice frieze. In the crypt are Roman gravestones. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his d

Gniezno. The door is angry in the Basilica of the Primate's ascenda of the most important Mary of the Virgin Mary - quarters: Donation. Wojciech; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Umbria Terni Lugnano in Teverina S. Francesco5. Hutzel, Max 1960-1990 Exterior views of this 13th-century church and cloister that was the site of a miracle by St. Francis (1212) include a bell tower, details of the medieval architecture and a well in the courtyard. The lunettes of the cloister are decorated with a cycle of frescoes that portray the miracles of St. Francis (1616) by an unknown master from Foligno. Interior views of the restored church interior focus on the altar paintings and marble intarsia altars, some of which also show scenes from the life of St. Francis. Object Notes: Hutzel photo campaign date: September 9, 1985 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Orphrey, Cross 15th century French. Orphrey, Cross 463907

Abruzzo Teramo Teramo S. Berardo, Cathedral5. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Battle of Karbala Abbas Al-Musavi. Battle of Karbala, late 19th-early 20th century. Oil on canvas, 69 1/16 × 134 1/2 × 2 1/4 in. (175.4 × 341.6 × 5.7 cm). This painting commemorates the martyrdom of Imam Husayn, the grandson of the prophet Muhammad and the third imam, or leader, of the Shica Muslims. Husayn was killed by the forces of the Umayyad caliph Yazid I (r. 680-683) in the desert of Karbala in central Iraq in 680 c.e. This battle emphasizes the divide between the Sunni and Shica branches of Islam; Husayn led a resistance against what the Shica Muslims believed was the Umayyads illegitimate rule. The focus of this painting is Husayns half brother, cAbbas, mounted on a white horse as he stabs a member of Yazids army. Individual episodes related to the agonies suffered by Husayn and his companions leading up to and during the battle are illustrated in smaller-scale vignettes on the left. The hereafter is shown at the right, with Husayn and his companions in heaven above and th

Umbria Perugia San Giacomo di Spoleto S. Giacomo2. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Umbria Perugia San Giacomo di Spoleto S. Giacomo3. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Umbria Perugia Campi Vecchio S. Salvatore7. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Lazio Rieti Casperia S. Maria di Legarano4. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Marches Macerata San Severino Marche S. Lorenzo in Doliolo0. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Rebecca at the Well ca. 1700 British. Rebecca at the Well 229441

Saint Lawrence Buried in Saint Stephen's Tomb Lorenzo di Niccolò (Italian, Florentine, documented 1393-1412). Saint Lawrence Buried in Saint Stephen's Tomb, ca. 1412. Tempera and tooled gold on poplar panel, 13 x 14 3/16 in. (33 x 36 cm). A horizontal panel that supports the main altarpiece, a predella often presents narrative scenes from the life of the saint or holy figure who is represented in the main image above it. In this example, Lorenzo illustrates the life of Saint Lawrence, a third-century deacon of the Catholic Church and an early martyr. At an undetermined time and for reasons that remain unclear, this predella was removed from its altarpiece and cut into several pieces. Scholars have reconstructed the approximate sequence, following art-historical precedent, and arranged the scenes according to the devotional function of the predella rather than providing a strict chronology of events. This ordering places the widest panelthe depiction of the martyred Lawrence liberatin

Christ is born as Man's Redeemer. unknown c. 1500-1520 Tapestry Dimensions: H 13'3" x W 26' Tapestry Materials/Techniques: wool (warp: 15-18/in.; 6-7cm); wool & silk (weft) Culture: Southern Netherlands Ownership History: Juan Rodríguez de Fonsca coll., bishop of Burgos (purchased total of 8 tapestries between 1519-1524); bequeathed to Cathedral of Burgos in 1526. Cathedral of Burgos coll.; sold in 1926. French & Co. purchased from Mr. R. Raimundo Ruiz, invoiced 5/7/1931; sold to the Metropolitan Museum of Art 2/4/1938. United States, New York, New York, The Metropolitan Museum of Art, accno. 38.28. Inscriptions: Inscription in central field, on banderole held by seated man in L corner: Dominus egredietur de loco / Isaie xxxvi/sci suo Inscriptions: Inscription in central field, on banderole held by seated man in R corner: Parvulus nats est nobis ysaie ix Inscriptions: Inscriptions in central field, identifying figures some include: HOMO (Man), PAX (Peace), MISERICORDIA (Mercy), JVSTICI

Umbria Perugia Gubbio S. Domenico. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

David and Abigail. unknown c. 1465-1500 Tapestry Dimensions: H 16'6" x W 14'8" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in banderole at top, left: David la mort nabal. Inscriptions: Inscription in banderole at top, center: De que nabal tout plainement. Inscriptions: Inscription in banderole at top, right: Et tout que pour. Within architectural setting, creating 3 scenes; left, Nabal's refusal to give food to David's servants; center, meeting of David & Abigail; right, David sends messengers to Abigail with proposal of marriage (1 Samuel 25); cityscape in background; at top, 3 banderoles with inscriptions Borders missing. No French & Co. stock sheet in archive, no stock number

Lazio Rieti Rieti S. Agostino3. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, painting. The church dates from the 13th century, and still possesses two gothic portals. The main portal, of the 14th century, contains a semicircular tympanum within which is a fresco of the Madonna and Child with S. Augustine and S. Nicholas of Bari, a work of the Sienese school from 1354. Above the lunette in the gable is a relief of the Lamb of God. The other medieval portal on one of the transept arms is less elaborate than the main portal, consisting of double-arcaded windows and a central round window above. Post-medieval: Architecture, sculpture, painting. The interior of the structure dates from the Baroque period (end 17th century). In a left side chapel is a cycle of frescoes dating from the 16th century, depicting Christ blessing. In a right side chapel is a cycle of scenes from the life of S. Augustine, dating from the 17th century. Above the altar of the left transept arm, is a paint

Kraków Wawel Cathedral Stanisław BM and Wacław A fragment of the silver coffin of Saint Stanisław unknown

Hippolyte Malègue, Tapestry from the Chaise-Dieu (Christ before Pilate), 1857, salt print from paper negative.

Bliej Kultury unknown

Albrecht, V. Count of Habsburg (July 125) (1 May 1308), was from 1282 Duke Albrecht I of Austria, of Styria and of Carniola as well as Lord of the Win...

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Passion of Christ: Crucifixion of Christ on millefleurs ground. unknown c. 1500-1535 Tapestry Dimensions: H 3'2" x W 6'1" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from D. G. Kelekian (with 1/2 share with Drecier & Co.) 1/5/1917; sold left side to E. S. Bayer 1/24/1924 SS 7132. French & Co. purchased left side of panel from Mrs. E. S. Bayer, n.d.; sold to Parish Watson 10/26/193 SS 17031. French & Co. purchased right side of panel from American Art Association, Anderson Galleries (New York), 11/5/1931 (S. N. Grier sale); sold to Parish Watson 3/8/1935 SS 38454. Christ on cross flanked by Virgin Mary, SS. John the Evangelist, Mary Magdalene & other female figures; Adam's skull at foot of cross (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38) The main fragment with the "Crucifixion" was cut to make 2 tapestries & the "Crucifixion" itself was eliminated. Each piece was filled out wi

Interior of St. Michael Church. American Views. New York City. 1860. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. New York (State), New York (N.Y.), Manhattan (New York, N.Y.), Religious facilities , New York (State) , New York, Episcopal churches, Altars, Organ lofts, Chancels, St. Michael's Church (New York, N.Y.)

Krakow St. Mary's Church the main altar of Wita Stwosz folding to the grave unknown

Abruzzo Teramo Teramo S. Berardo, Cathedral2. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Umbria Perugia Trevi S. Francesco0. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

Coronation of the Virgin and related subjects. Culture: South Netherlandish. Dimensions: Overall: 162 x 245 1/4in. (411.5 x 622.9cm). Date: ca. 1500-1515. Museum: Metropolitan Museum of Art, New York, USA.

Resurrection. unknown c. 1500-1525 Tapestry Dimensions: H 13'4" x W 20'2" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Duke of Berwick & Alba coll. French & Co. Gift to museum from Mrs. Chauncey McCormick, Mrs. Richard Ely Danielson & William Deering Howe. French & Co. United States, Illinois, Chicago, Art Institute of Chicago, accno. 46.47. Inscriptions: Inscription in central field, on banderole held by Zecharias at left: ECCE REX TVVS VENIT TIBI Inscriptions: Inscription in central field, on banderole held by Hosea at right: VIVIFICARIT NOS POST DVOS DIES Inscriptions: Inscriptions in central field, identifying figures some include: VOLUPTAS (Pleasure), VELOCITAS (Agility), CARITAS (Chastity) & HOMO (Man) In center, risen Christ, holding cross with banner of Resurrection, surrounded by 6 female personifications, including Beauty (Pulchritudo), Pleasure, Fortitude, Health (Sanitas) Duration (Diuturnitas) & Agility (Velocitas) (=7 gifts o

Umbria Perugia San Giacomo di Spoleto S. Giacomo3. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

David chosen as king by God: Samuel anointing David. unknown c. 1580-1600 Tapestry Dimensions: H 11'7" x W 9'9" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Inscriptions: Unidentified weaver mark on lower guard, right In landscape, Samuel anointing David in presence of his father Jesse & his mother () (1 Samuel 16:1-13); R background, God appears to David () (2 Samuel 24; 1 Chronicles 21) (BRD) segmented border with allegorical figures, vases of flowers & fruit, satyrs playing lutes, & grotesques, framed by columns & pergolas Related Works: Panels in set: GCPA 0237746-0237756

Umbria Perugia Spoleto SS. Giovanni e Paolo. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans an

Painting of the Seven Stars (Chil Sung) Korean. Painting of the Seven Stars (Chil Sung), early 19th century. Hanging scroll: color on cloth, 81 × 75 in. (205.7 × 190.5 cm). Asian Art early 19th century

Bliżej Kultury unknown

Lazio Rieti Casperia S. Maria di Legarano3. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church9. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Christ's Entry into Jerusalem. Artist: Russian Painter (probably 17th century). Dimensions: 12 1/4 x 10 1/4 in. (31.1 x 26 cm). Museum: Metropolitan Museum of Art, New York, USA.

Unknown photographer, carved Gothic altar shrine, Segeberg (without dat.): View. Photo, 23.5 x 31.1 cm (including scan edges)

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