Renaissance and Baroque Paintings

Stunning oil paintings from the Renaissance and Baroque periods, portraying biblical episodes and historical figures with dramatic expressions and colors.

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Saint Sebastian tended by Saint Irene, Saint Sebastian tended by Saint Irene, Painting, Reproduction of the painting in its original state, Work of art, Historical, Painful expression of a man bound, immersed in darkness

Paolo Veronese (Paolo Caliari), (1528-1588). Italian Renaissance painter. Venetian School. The Lamentation, 1576-1582. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Art History museum, Kunsthistorisches Museum. Tintoretto ( 1518 - 1594 ). St Hieronymus. 16 th century. . Vienna. Austria.

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Saint Sebastian tended by Saint Irene, Saint Sebastian tended by Saint Irene, Painting, Reproduction of the painting in its original state, Work of art, Historical, Painful expression of a man bound, immersed in darkness

The Crowning with Thorns; about 1620 Oil on canvas Valentin de Boulogne French; active in Italy; 1591-1632

The Trinity by El Greco, 1577, Spain, Madrid, Museo Nacional del Prado

'Carrying of the Cross'. Netherlands, 16th century. Dimensions: 75x93,5 cm. Museum: State Hermitage, St. Petersburg. Author: Netherlands artist. 16th century.

Crucified Christ Triumphant over Death, Evil, and Sin, 1621, Paolo Guidotti, called Cavalier Borghese, Italian, Lucca c. 1560-1629 Rome, 16 1/8 × 9 1/4 in. (41 × 23.5 cm) (sight)16 1/8 × 9 7/16 in. (41 × 24 cm)21 1/8 × 14 5/8 × 3 1/8 in. (53.7 × 37.1 × 7.9 cm) (outer frame), Oil on walnut panel, Italy, 17th century, Paolo Guidotti was a true Renaissance man. Interested in flying machines, he made wings from whale bones, feathers, and springs and attempted to fly off a roof, breaking his leg. To study anatomy, he reportedly removed body parts from recently buried corpses. He also practiced architecture and law. Commentators have called him 'a crazy master' whose expressive, eccentric style verged on the 'hallucinatory.' Guidottis eccentricity is on display in this haunting, unusual Crucifixion. He set the tragic scene in the darkness of night, with Christs tortured body stilled by suffering and his head bowed in sorrow. Below the cross is a heap of vanquished figures: Death, represent

'The Lamentation'. Italy, Middle of the 1530s. Dimensions: 197x145 cm. Museum: State Hermitage, St. Petersburg. Author: Perino del Vaga (Piero Buonaccorsi).

Pieta or Dead Christ Supported by Angels, ca 1474, by Giovanni Bellini (1431-36 - 1516), tempera on panel, 91x131 cm.

Christ as the Suffering Redeemer by Mantegna, Andrea (1431-1506) Statens Museum for Kunst, Copenhagen 1489 Tempera on panel 83x51 Italy, School of Mantua Renaissance Bible Painting

The Sacrifice of Isaac by Orrente, Pedro (1588-1645) Museo de Bellas Artes de Bilbao c. 1615 Spain Oil on canvas Painting Bible

Seven Works of Mercy, by Merisi Michelangelo known as Caravaggio, 1606 - 1607, 17th Century, oil on canvas. Italy, Campania, Naples, Pio Monte della Misericordia Church. Detail. Arm beggar man.

Tanzio da Varallo / 'David with the Head of Goliath', First quarter 17th century, Italian School, Canvas, 75 cm x 60 cm, P00567. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Tribute Money. Painting. Oil on canvas. Height: 112.2 cm (44.1 in); Width: 103.2 cm (40.6 in). Author: TITIAN.

Job and His Comforters. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.

Russia, Saint Petersburg, Hermitage State Museum, Descent from Cross, Pieter Paul Rubens, Circa 1617-1618

The Mystic Marriage of Saint Catherine; About 1510-14; Oil on panel (transferred) Correggio (Antonio Allegri); Italian; 1489-1534

RUBENS, Peter Paul (1577-1640). The Death of Seneca. 1614. Flemish art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Pieta, by Marco Zoppo (1433-1478).

Umbria Perugia Trevi Palazzo Communale, Pinacoteca7. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Saints Sebastian and Roch. Two sided painting. unknown

Lazarus by Paolo Pagani, Oil on canvas, Baroque, 1660-1716, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 117x151

Toledo Sep 2013, original paintings exhibited in the House of the painter El Greco. In Toledo Spain 2013

St. John the Baptist. Date/Period: Ca. 1542 - 1545. Painting. Oil on panel. Height: 1,540 mm (60.62 in); Width: 530 mm (20.86 in). Author: Agnolo Bronzino.

ECCE-HOMO - SIGLO XVII - BARROCO ESPAÑOL. Author: Mateo Cerezo. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Ecce Homo. Hoffmann, Hans (ca 1545 aut 1550-1591 aut 1592), painter

Tribute Money, by Titian, 1560's, National Gallery, London, England, UK, GB, Europe

Ecce Homo Christ crowned with thorns. In the National Gallery, pp. 134 & 135, 1876, Correggio, 1489-1534

Vincenzo Foppa (1430-1516). Italian painter. Martyrdom of St. Sebastian, 1490-1500. Oil on wooden panel transferred to canvas. Detail. Pinacoteca Castello Sforzesco, Milan, Italy. (On loan, from Civico Templo di San Sebastiano, Milano). Author: Vincenzo Foppa (ca. 1430-1516). Italian painter.

Wszyscy Święci w MNK Regulski, Aleksander Tadeusz (1839 1884), Brygierski, Antoni (1722 1791)

Ecce Homo, 1878-1879, by Gaetano Previati (1852-1920).

Russia, Saint Petersburg, State Hermitage Museum, St Jerome, by Jan Sanders van Hemessen, 1543

Saint Sebastian, Bazzi, Giovanni Antonio, calle, 1525.

Anonymous / 'The Adoration of the Shepherds'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Epitaph of Goldsmith Nicolas Müller of Prague. Date/Period: 1592 - 1593. Painting. Oil on canvas. Author: Bartholomeus Spranger.

Italy, Lombardy, Soncino, Santa Maria Delle Grazie, fresco

SANTISIMA TRINIDAD - SIGLO XVI - OLEO/TABLA - 98 X 84 CM - NP 3210 - ESCUELA FLAMENCA. Author: Jan Cornelisz Vermeyen. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Gallerie dell'Accademia. The Incredulity of Saint Thomas by Giambattista Cima da Conegliano Conegliano. Wood panel 1504/1505.

Wszyscy Święci w MNK French, William (1815 1898), Tiziano Vecellio (CA 1488 1576), Glücksberg, Michał (1838 1907)

Triptych of the Flagellation. Attributed to the Master of Los Luna, Spanish painter active in Castile from 1480 to 1500. Painting on panel, ca. 1490-1500. Detail of the central board. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Master of Los Luna. Spanish painter active in Castile (fl. 1480-1500).

CAVARO, Pietro (-1538). Descent. beg. 16th c. Detail. Renaissance art. Oil. ITALY. SARDINIA. Cagliari. National Picture Gallery.

Angel Pieta. Boccaccino (ante 1466-1525), painter

Ecce Homo. Date/Period: Late 16th / early 17th century. Painting. Oil on canvas. Height: 968 mm (38.11 in); Width: 782 mm (30.78 in). Author: British School.

Russia, Saint Petersburg, State Hermitage Museum, Trinity, by Robert Campin, Master of Flemalle, circa 1380

The Deposition from the Cross, Bronzino, Agnolo, 1553.

Massacre of the Innocents, by Reni Guido, 1611, 17th Century, oil on canvas. Italy: Emilia Romagna: Bologna: National Gallery of Art. Detail. Young women crying, trying to protect their children, while two men armed with knives vigorously hit the first-born

Ecce Homo, 1606, by Michelangelo Merisi da Caravaggio (1571-1610), oil on canvas, 128x103 cm.

'The Lamentation'. Italy, 1527. Dimensions: 122x154 cm. Museum: State Hermitage, St. Petersburg. Author: MARCO BASAITI.

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica89. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Last Supper', Detail, 1495-1498 Artist: Leonardo da Vinci. Jesus with the twelve apostles. The painting is a mural commissioned by Lodovico Sforza, Duke of Milan for the refectory of the convent of Santa Maria delle Grazie, Milan, Italy.

EL EXPOLIO - 1580-86 - OLEO/LIENZO - 72 x 44 cm - MANIERISMO ESPAÑOL. Author: EL GRECO. Location: ALTE PINAKOTHEK. MUNICH. DEUTSCHLAND. JESUS. MARY MAGDALENE. Mary Of Clopas. VIRGIN MARY. CRISTO EXPOLIO. TRES MARIAS.

Two philosophers, study for "the Romans of decadence Thomas Couture (1815-1879). Two philosophers, study for the Romans of decadence.

Anonymous (Copy Zuccaro, Taddeo) / 'Two figures lifting an Urn; and male head'. Second half of the XVI century. Wash, White lead, Black chalk on paper. Museum: Museo del Prado, Madrid, España.

An allegory by Sir Edward Coley Burne-Jones titled 'The Wheel of Fortune', 1875-1883. The painting shows Fortune, a goddess in antiquity, or a dame in the Middle Ages, turning her wheel. From the collection of the Musee d'Orsay, Paris.

'The Dead Christ supported by an Angel', 1475-1476, Italian School, Mixed media on panel, 74 cm x 51 cm, P03092. Author: ANTONELLO DE MESSINA (1430-1479). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

Cristóbal García Salmerón / 'The Good Shepherd'. Second third of the XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

'Death of the Virgin', c1606. Artist: Michelangelo Caravaggio.

Louvre museum, Paris, France.Jusepe de Ribera, The deposition from the cross.oil on canvas, about 1622-1624.

St. John the Baptist, by Reni Guido, 17th Century, 1625, oil on canvas, cm 115 x 95

VAN DYCK, Sir Anthony (1599-1641). The Crowning with Thorns. 1618. Van Dyck offered this as a gift to Rubens. Variation of the painting in the Museum of Berlin, inspired in a Ecce-Homo by Titian. Flemish art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

'The Last Supper', Detail, 1495-1498. Artist: Leonardo da Vinci

Hercules Destroying the Centaur Nessus.Hercules beats the Centaur Nessus. Panel from a series of twelve representations of strong men from mythology and biblical history. Four panels in the Rijksmuseum: SK-A-3511/3514.

The Woman Taken inAdultery. Artist: John Trumbull, American, 1756-1843

Lazio Frosinone Alatri S. Francesco9. Hutzel, Max 1960-1990 Medieval: late 13th c. architecture. 13th century with a facade articulated by a gothic-arched doorway and a rose window. Post-medieval: Sculpture, fresco, painting, stucco decoration, redecorated in the 18th century, 14th, 15th c. frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ecce Homo by Caravaggio, Michelangelo (1571-1610) / Musei di Strada Nuova, Genoa / c. 1605 / Italy, Roman School / Oil on canvas / Bible / 128x103

Illuminated page from the Historia Naturalis. Dated 18th Century

S MATEO- S XVII-PINTURA BARROCA ESPAÑOLA-ESCUELA SEVILLANA. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN. SAN MATEO APOSTOL Y EVANGELISTA.

Flagellati by Tommaso Salini, oil on canvas, circa 1610, circa 1575-1625, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 125x90

La Primavera by Sandro Botticelli, tempera on wood, 1481, detail, 1444-1510, Italy, Florence, Galleria degli Uffizi

'St Jerome'. Italy, Between 1498 and 1505. Dimensions: 44,5x26 cm. Museum: State Hermitage, St. Petersburg. Author: Sandro Botticelli (Alessandro da Mariano di Vanni di Amedeo Filipepi).

'Vision of Blessed Alonso Rodriguez', ca. 1630, Oil on canvas, 266 x 167 cm, Spanish Baroque. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN.

Unterlinden Museum. Jesus pulls Adam and Eve out of their graves at resurrection. Detail. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.

Kreuzabnahme

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

He was Wounded for our Transgressions, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Guido Reni, Italian, 1575-1642, Italian, 1802, Engraving

Bartolomé Esteban Murillo / 'The Head of Saint John the Baptist'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Allegory of Winter, Antonio Carneo, oil on canvas, 17th century, Galeria d'Arte Antica, Castello di Udine, seat of the State Museums, Udine, most important historical city of Friuli, Italy, Udine, Friuli, Italy, Europe

Rafael Tegeo (1798-1856). Spanish painter. Heracles and Antaeus, 1835-1836. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

George Richmond, 1809-1896, British, The Agony in the Garden, 1858. Oil on panel.

Roman Charity 1623 Hendrick ter Brugghen A woman kneels to nurse her elderly father, his hands shackled behind his back. These are Cimon, a man sentenced to death by starvation, and his daughter Pero, who defies both the law and social taboo to save her fathers life. Recorded by the Roman historian Valerius Maximus, this potentially shocking episode was celebrated in seventeenth-century Europe as an exemplar of filial piety. Ter Brugghen emphasizes the solemnity of the scene at the same time as he hints at lurking danger through the inclusion of a barely visible voyeur figure in the background.. Roman Charity. Hendrick ter Brugghen (Dutch, The Hague? 1588-1629 Utrecht). 1623. Oil on canvas. Paintings

Christ carrying Cross by Altobello Melone, Oil on wood, circa 1515, circa 1490-before 1543, United Kingdom, London, National Gallery, 61x46.5

11/22/2013 Madrid. Masaveu Collection in Centro Centro, Madrid city hall. photo, Isabel Permuy ARCHDC.

Saint George. Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian (Ferrarese), about 1490 - 1542)

Saint Sebastian by Titian, oil on canvas, circa 1570, 1488-1576, Russia, St. Petersburg, State Hermitage, 210x115, 5

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

John Baptist by Niccolo Renieri, oil on canvas, 1615-1620, circa 1590-1667, Venetian School, Russia, St Petersburg, State Hermitage, 179, 5x142

Lazio Viterbo Viterbo Palazzo Comunale. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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The Good Samaritan. Date/Period: Between 1751 and 1752. Painting. Oil on canvas. Height: 1,988 mm (78.26 in); Width: 1,222 mm (48.11 in). Author: Francis Hayman.

The Tribute Money - 1646 - 191x230 cm - oil on canvas - Spanish Baroque - NP 598. Author: ANTONIO ARIAS FERNANDEZ (1614-1684). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS.

St. Sebastian - 176x116 cm - oil on panel - Italian Renaissance. Author: PIETRO PERUGINO (1445-1523). Location: LOUVRE MUSEUM-PAINTINGS. France.

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (b. 4 November 1575 in Bologna, d. 18. August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Martyrdom of Saint Andrew (1600s), Martyrdom of Saint Andrew (17th century), Three men prepare the crucifixion, a gloomy and dramatic scene

Antonio de Pereda y Salgado / 'Saint Peter Freed by an Angel', 1643, Spanish School, Oil on canvas, 145 cm x 110 cm, P01340. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lazio Roma Carpineto Romano S. Leone2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Museum of religious art and paleontology, Church of San Bartolome, Atienza, Guadalajara Province, Spain, Europe

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Grünewald, Matthias (1480/1483 1528)

Umbria Perugia Bevagna Convento dell'Annunziata8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Carrying of the Cross (copy from the lost original)'. Spain, 17th century. Dimensions: 125x183 cm. Museum: State Hermitage, St. Petersburg. Author: JUSEPE DE RIBERA.

Print, Head of Christ, 1802; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Guido Reni (Italian, 1575 - 1642); Italy; stipple engraving in color and black ink on white paper; 48.3 × 35.5 cm (19 × 14 in.); Bequest of George Campbell Cooper; 1896-3-310

The choir, Santa Giulia Museum, Unesco world heritage site Brescia, Italy, Europe

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