Renaissance and Baroque Paintings

Stunning oil paintings from the Renaissance and Baroque periods, portraying biblical episodes and historical figures with dramatic expressions and colors.

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Saint Sebastian tended by Saint Irene, Saint Sebastian tended by Saint Irene, Painting, Reproduction of the painting in its original state, Work of art, Historical, Painful expression of a man bound, immersed in darkness

Deruta (Umbria - PG), Municipal Art Gallery. Perugino, Eternal Father with Saints Rocco and Romano (at the feet of the saints the view of the city of Deruta), detached fresco, datable to 1477-78

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Theotokopuli (El Greco), Domenico (1547 1614)

ESTIGMATIZACION DE SAN FRANCISCO - S XVII - BARROCO ESPAÑOL. Author: BARTOLOME ESTEBAN MURILLO. Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN. SAN FRANCISCO DE ASIS.

Palma, Jacopo (1480-1528). The Visitation (Visitazione). 1520-1522. Early work. Renaissance art. Cinquecento. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Salvator Mundi (Saviour of the World) by Massys, Quentin (1466ñ1530) / Museo del Prado, Madrid / 1529 / The Netherlands / Oil on wood / Bible / 44x35 / Early Netherlandish Art

Umbria Terni Narni S. Giovenale, Cathedral12. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Italian 16th Century, Pietà, 16th century Pietà

'Hercules and Cerberus', 1634, Oil on canvas, 132 cm x 151 cm, P01247. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Sandro Botticelli (1445-1510). Italian painter. Saint Sebastian, 1474. Gemaldegalerie. Berlin. Germany.

Seven Works of Mercy, by Merisi Michelangelo known as Caravaggio, 1606 - 1607, 17th Century, oil on canvas. Italy, Campania, Naples, Pio Monte della Misericordia Church. Detail. Woman of the people breastfeeding breast nude face old beard.

Homer Epic Poetry (reduction of a mural in Boston Public Library); about 1895 Oil on canvas Pierre Puvis de Chavannes French; 1824-1898

Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Mond Crucifixion. 1502-1503. National Gallery. London. United Kingdom.

Aimé Morot (1850-1913). "The Good Samaritan". Oil on canvas, 1880. Museum of Fine Arts of the city of Paris, Petit Palais. 26981-15 Help, help, ane, realistic art, bible, hurts, good samaritan, catholic, chretian chretian, new will, nudite, parable, realism, biblical scene, 19th XIX 19th 19th 19th 19th 19th century, animal, oil on canvas, naked

BELLINI, Giovanni (1430-1516). Dead Christ Supported by Two Angels (Pietˆ). ca. 1460. Renaissance art. Quattrocento. Venetian school. Tempera on wood. ITALY. VENETO. Venice. Museo Correr.

'Head of St Joseph'. Spain, 17th century. Dimensions: 35,5x28 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the spanish school. 17th century.

Saint Luke. Lithograph by G. Küstner after J.G. Schreiner after B. Weiss.

The Dead Christ Supported by an Angel, ca 1476, by Antonello da Messina (1430-about 1479), oil on wood, 74x51 cm.

El Greco / 'The Holy Visage', 1586-1595, Spanish School, Oil on canvas, 71 cm x 54 cm, P02874. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Watercolor and black chalk drawing by Adam Friedrich Oeser showing a bust of the Savior, with reddish and black chalk details and white brush highlights, dated 1778.

Anonymous / 'Holy Trinity', 18th century, Spanish School, Canvas, 119 cm x 89 cm, P03267. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Alphonse Daudet, 1893. Eugène Carrière (French, 1849-1906). Lithograph; sheet: 58.6 x 45.7 cm (23 1/16 x 18 in.); image: 39.8 x 30.9 cm (15 11/16 x 12 3/16 in.).

Christo benedicto, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

TheEntombment. Artist, attributed to: Andrea Solario, Italian, Lombardy, ca. 1465- ca. 1524

Sant Crist de la Paciència, Bartolomé Esteban "Murillo", iglesia de San Julián, 1858-1873, Neoclassical style, Campos, Majorca, Balearic Islands, Spai...

'Desinterés de San Cayetano', 17th century, Oil on canvas, 123 cm x 76 cm, P00464. Author: ANDREA VACCARO (1604-1670). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

Portrait of Zeno of Elea Zenon Philosophe , print maker: Bernard Picart, (mentioned on object), Rembrandt van Rijn, (possibly), publisher: Bernard Picart, (mentioned on object), Paris, 1699, paper, engraving, h 175 mm × w 120 mm

The Flagellation. (Ugolino di Nerio; 1324-5 Berlin)

The Penitence of Saint Jerome, Joachim Patinir, circa 1512-1515, detail, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Germany, Dresden, Saint Sebastian

Mother of God by Andrea del Sarto, Oil on wood,1517, 1486-1531, Italy, Florence, Galleria degli Uffizi, 178x207

The three ages of man, 1500-1502, by Giorgione (1478-ca 1510), oil on canvas, 62x77 cm.

Adam. Panel from the altarpiece of the Adoration of the Mystic Lamb. Polyptych attributed to the Flemish painters Hubert van Eyck (ca. 1366-1426) and his brother Jan van Eyck (ca. 1390-1441). Oil on panel, 1430-1432. St Bavo's Cathedral. Ghent, Belgium. Author: Hubert van Eyck (ca. 1366-1426) and Jan van Eyck (ca. 1390-1441). Flemish painters.

Jacob Wrestling with the Angel, Rembrandt, circa 1659, Gemaldegalerie, Berlin, Germany, Europe

Giuseppe Frascheri 1809-1899 "Dante and Virgil entangle Paolo and Francesca" 1852, 282 x 179.8 cm oil on canvas.

El Greco Workshop. Saint Peter. Oil on canvas 1607-1613. Detail of the feet. From the former Chapel of Doña Isabel de Oballe, in the church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

Beccafumi, Domenico (1486-1551) National Gallery, London Painting 92,1x53,3 Mythology, Allegory and Literature Tanaquil

MANTEGNA, Andrea (1431-1506). Saint Sebastian. 1600 - 1605. ca. 1480. Renaissance art. Quattrocento. Oil on wood. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Tiziano Vecellio, Pala Gozzi (Madonna in Gloria con i santi Francesco e Biagio), 1520, opera firmata, tecnica mista su tavola

EL SALVADOR (Ojo no aparece la amarilla, ni las blancas). Author: EL GRECO ESCUELA. Location: MUSEO DE CACERES / PALACIO DE LAS VELETAS. CACERES. SPAIN.

Unterlinden Museum. The Isenheim Altarpiece, Nikolaus Hagenauer and Matthias Grnewald, in 1512Ð1516. The apostles. Colmar. France. Colmar. France.

Martyrdom of St. Severus of Barcelona (died 304). Bishop of Barcelona. Martyred during the persecution of Christians by Diocletian. Atarpiece from the old hospital de Clerques (1541-1542). By Pere Nunyes and Henrique Fernandes. Diocesan Museum of Barcelona. Catalonia. Spain.

Egyptian Fayum portrait of a man, Roman Period. 2nd century AD. Artist: Unknown

Campania Caserta Capua Museo Campano, Italy, 20th century, photo, photography, Europe

Cena in Emmaus, Evening Painting in Emmaus, painting by Michelangelo Merisi da Caravaggio called Caravaggio, 1571 - 1610, early baroque, Pinacoteca di Brera, Milan, Lombardy, Italy, Europe

Saints Peter and Paul Bartolomeo Manfredi Italian 1620s Treating Saints Peter and Paul in a double portrait has a longstanding tradition in European painting with origins in late Byzantine icons. Here, an early follower of Caravaggio updated this iconography in a Baroque mode, engaging a strong light source from the left and carefully depicting the idiosyncrasies of his models faces rather than relying on idealized types. Stylistic and technical analysis suggest that this painting may have been executed by two artists: the senior painter Manfredi for Saint Peter and his French acolyte and pupil in Rome, Nicolas Tournier, for Saint Paul. If so, it may have functioned as a personal token of friendship, or been fashioned for an astute collector attuned to how Caravaggios style was disseminated among artists in Rome. View more. Saints Peter and Paul. Bartolomeo Manfredi (Italian, Ostiano 1582-1622 Rome). 1620s. Oil on canvas. Paintings

Collage, 1973 by Jacques Prévert (1900 - 11 April 1977); French poet and screenwriter.

Adam / Painting by Duerer / 1507

The Way to Calvary; Domenichino (Domenico Zampieri) (Italian, 1581 - 1641); about 1610; Oil on copper; 55.2 × 67.6 cm (21 3,4 × 26 5,8 in.)

The Man with an Infirmity of Thirty-Eight Years (Le malade de trente-huit ans) James Tissot (French, 1836-1902). The Man with an Infirmity of Thirty-Eight Years (Le malade de trente-huit ans), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 10 1/2 x 6 1/4 in. (26.7 x 15.9 cm). European Art 1886-1894

Madrid, 18/11/2024. Prado Museum. Opening of the temporary exhibition "Shaking hands. Sculpture and color in the Golden Age". Photo: Guillermo Navarro. ARCHDC.

Samson with the Jawbone. Date/Period: 1636. Painting. Oil on canvas. Height: 622 mm (24.48 in); Width: 508 mm (20 in). Author: SALOMON DE BRAY.

David with the Head of Goliath. Dated: c. 1450/1455. Dimensions: overall (width at top): 115.5 x 76.5 cm (45 1/2 x 30 1/8 in.) overall (width at bottom): 115.5 x 40.6 cm (45 1/2 x 16 in.). Medium: tempera on leather on wood. Museum: National Gallery of Art, Washington DC. Author: ANDREA DEL CASTAGNO.

They Dressed Him in His Own Garments (On remet à Jésus ses vêtements) James Tissot (French, 1836-1902). They Dressed Him in His Own Garments (On remet à Jésus ses vêtements), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 1/2 x 6 3/16 in. (21.6 x 15.7 cm). European Art 1886-1894

Pieta / Antonello da Messina / c.1477

IXION - DETALLE - 1632 - OLEO/LIENZO - BARROCO ESPAÑOL - NP 1114 - CONJUNTO 36481. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

David Slew Goliath, Castagno, Andrea del

Francisco de Goya y Lucientes (1746-1828). Spanish painter. Annunciation, 1785. Private Collection.

Cupid. Date/Period: Ca. 1530. Painting. Oil on panel. Height: 79.1 cm (31.1 in); Width: 38.1 cm (15 in). Author: Lucas Cranach the Elder.

Theseus, a hero of Greek mythology, king of Athens and Ariadne, in Greek mythology the daughter of the Cretan king Minos and his wife Pasiphae, wall painting, fresco from historical Pompeii, digitally restored

King Henry VIII of England with his daughters and the navigator John Cabot (1450-1498), fresco by Manescardi, the Map Room or the Shield Room in Palazzo Ducale, Venice, Detail: the navigator's face.

The Resistance; La Resistance. Marc Chagall (1887-1985). Oil on canvas. Painted circa 1963-68. 61 x 50.5cm.

Saint John the Baptist in the Desert, Allori, Cristofano Bronzino, 1625.

The Last Supper' (1803) Michael Kock (1765-1825) copy of the picture by Leonardo da Vinci. Private Collection

Umbria Perugia Bevagna S. Michele. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rafael Estrany i Ros / 'Tossa de Mar. Gitanos', 1929, Óleo sobre lienzo, 120 x 160 cm. Colección privada.

NLD, Netherlands, Amsterdam: Amsterdams Historisch Museum. Rembrandt Painting. "Anatomy lesson of Dr. Jan Deijman" from 1656

Francisco de Zurbaran, The Holy Face, 1660, oil on canvas, Museo de Bellas Artes, Bilbao, Spain, Europe

RITO DEL OTOÑO - 1982 - O/L - 130x75. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Portrait of Raphael and his Fencing Master, Raphael, Raffaello S., 1515.

Gabriele d'annunzio and vittorio emanuele

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