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Renaissance and Medieval Artworks

Paintings and frescoes featuring biblical themes and historical narratives, exemplifying styles from the Renaissance to the Middle Ages.

Duke Ludovico and family by Mantegna

269 assets in this story

The Beheading of Saint John the Baptist. Giovanni di Paolo; Italian, 1398-1482. Date: 1455-1460. Dimensions: 68.6 × 39.1 cm (27 × 15 3/8 in.); painted surface: 66.3 × 36.6 cm (26 1/16 × 14 7/16 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Josse Lieferinxe (1508) / St Sebastian pleading for the life of a gravedigger afflicted with plague during the 7th-century Plague of Pavia. óleo sobre tela. 81,8 cm x 55,4 cm. Walters Art Museum, Baltimore, USA.

Incoronazione Maringhi or Coronation of the Virgin, 1441-1447, by Filippo Lippi (ca 1406-1469), tempera on wood, 200x287 cm. Detail.

Tryptych Perez Pompei, by Martino da Verona, 15th Century, board,

Doge Niccolo da Ponte receiving an olive branch from Venice, by Jacopo Robusti known as Tintoretto (1518-1594). Detail. Sala del Maggior Consiglio (Hall of the Great Council), Palazzo Ducale, Venice.

Passion of Christ, left panel of the diptych with Christ and the Mother of Sorrows, ca 1520, by Hans Holbein the Younger (1497 or 1498-1543), wood, 29x19.5 cm.

Saint John the Baptist Preaching; 1505; oil painting on poplar wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Part of the Ansidei Altarpiece, San Fiorenzo, Perugia, Italy.

Tobias and the Angel Filippino Lippi Tobias and the Angeltitle QS:P1476,en:Tobias and the Angel label QS:Len,Tobias and the Angel label QS:Lde,Tobias und der Engel label QS:Lfr,Tobie et l'Ange; National Gallery of Art Scan

Bettona (Umbria - PG), Municipal Art Gallery. Perugino, Madonna della Misericordia with Saints Stephen and Jerome and the patrons, tempera on wood, second decade of the 16th century

Love and the Maiden, Stanhope, John Roddam Spencer, 1900.

St Jerome and a devotee, 1450, by Piero della Francesca (1412-1492), tempera on panel, 40x42 cm.

ESTIGMATIZACION DE SAN FRANCISCO - POLIPTICO DE SAN ANTONIO - SIGLO XV - TECNICA MIXTA/TABLA DE ALAMO - 36 x 49 cm. Author: PIERO DELLA FRANCESCA. Location: GALERIA NACIONAL DE UMBRIA. PERUSA. ITALIA. SAN FRANCISCO DE ASIS.

Angel with Harp and Angel with Mandola, by Ferrari Gaudenzio, 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Semi-lunettes left and right musician angels little angels music instruments mandolin harp putti: cherubs.

The Nativity, c. 1425, Fra Angelico (Fra Giovanni da Fiesole), Italian, (Florence), 1395/1400 - 1455, 11 1/8 x 6 1/2 in. (28.26 x 16.51 cm) (panel)11 x 6 1/2 in. (27.94 x 16.51 cm) (sight)14 5/8 x 9 x 1 3/4 in. (37.15 x 22.86 x 4.45 cm) (outer frame), Tempera on poplar panel, Italy, 15th century

Sculpture, Notre Dame de Paris Cathedral, Paris, France, Europe

Roundel with Christ Carrying the Cross with Saint Veronica. Culture: South Netherlandish. Dimensions: Overall: 8 11/16 in. (22 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

Works of Mercy, glazed terracotta tondo by Andrea della Robbia, located between two arches of the old Ospedale di San Paolo, in Florence, Italy Works of Mercy, glazed terracotta tondo by Andrea della Robbia, located between two arches of the old Ospedale di San Paolo, in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20183479

Gonzaga child by Mantegna

Unterlinden Museum. The Isenheim Altarpiece, Nikolaus Hagenauer and Matthias Grnewald, in 1512Ð1516. The Annunciation. Detail. Colmar. France. Colmar. France.

Noli me tangere, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, fresco. Italy, Tuscany, Florence, San Marco Convent, cell 1. Detail. Hands of Mary Magdalene meadow flowers shrubs leaves.

A Performance of the Farce Playerwater at a Flemish Festival (Village Kermesse) Belgium , Pieter Balten, c. 1540 - c. 1598

The Lamentation; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5/8 x 4 1/2 in.)

The Blessed Andrea Gallerani (died 1251) 1447-65 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian This panel along with two others in the Lehman Collection (1975.1.56 and 1975.1.33) and three in the Department of European Paintings (1997.117.2; 1997.117.3, 32.100.95) belonged to an altarpiece, which may have been commissioned by the guild of the Pizzicaiuoli (purveyors of dry goods) in 1447 for their new chapel in the church of the hospital of Santa Maria della Scala in Siena. The present panel and that portraying another standing figure (The Blessed Ambrogio Sansedoni; 1975.1.56), formed pilasters of the altarpiece. The Blessed Andrea Gallerani, who died in 1251, is portrayed wearing a letter M surmounted by a cross, the emblem of the Confraternity of the Misericordia. The additional panel in the Lehman Collection and the three in European Paintings comprise a narrative cycle depicting scenes from the life of Catherine of Siena, a fourteenth-century Dominican saint, who was a m

Altarpiece from Verdú, 1432 - 1434. Adoration of the Shepherds. Detail. Lleida school. Tempera on wood. 159 x 93 cm (12 panels). From the high altarpiece of the parish church of Santa Maria in Verdú (Urgell). Museu Episcopal de Vic. Author: JAUME FERRER II.

Memorial Panel with Nine Female Portraits, probably Kathrijn Willemdsdr van der Graft and Family, with Saint Mary Magdalene and the Van Soutelande Family and Van der Graft-Van Soutelande Crests, inner right wing of an altarpiece. Dating: c. 1515 - c. 1520. Measurements: support: h 101 cm × w 35.7 cm. Museum: Rijksmuseum, Amsterdam. Author: MASTER OF ALKMAAR.

The Banishment of Hagar and Ishmael - Jan Mostaert, circa 1525

'Santa Úrsula con las once mil vírgenes', ca. 1490, Tempera on panel, 112 x 79 cm, P01293. Author: MAESTRO DE LAS ONCE MIL VIRGENES (S. XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Jacob Meeting Rachel at the Well by Drager, Anton Josef (1794-1833) Stadtmuseum Simeonstift Trier c. 1826 Germany Oil on hardboard Painting Bible

Italy, Florence. Paintings and frescoes in Santa Maria Novella.

The Adoration of the Magi by Mantegna, Andrea (1431-1506) J. Paul Getty Museum, Los Angeles c. 1500 Tempera on canvas 48,6x65,6 Italy, School of Mantua Renaissance Bible Painting

Saints Fabian and Sebastian. Paintig by Benedetto Bonfigli (1420-1496). Museum of Montserrat, Catalonia.

The Princess Sabra Led to the Dragon, Burne-Jones, Sir Edward Coley, 1866.

Pieter Huys (ca.1519-ca.1584). Flemish Renaissance painter. The Hell, 1570. Fight of angels, demons and infernal torments. Prado Museum. Madrid. Spain.

Allegory of love by Matthias Gerung, oil on wood, 1500-1568/70, Moscow, State A. Pushkin Museum of Fine Arts, 51x33

MEZQUITA DE CORDOBA. CUADRO DE SANTA BARBARA. CORDOBA, ESPAÑA.

Juan de Flandes/ TRIPTYCH OF SAN MIGUEL - CENTRAL DETAIL - CIRCA 1505 - HISPANIC-FLAMENCO RENAISSANCE - SET 63657. Author: JUAN DE FLANDES (1465-1519). Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. SAN MIGUEL. LUCIFER. DEMONIO.

Italy, Monte Oliveto Abbey, Abbazia di Monti Olivieti Maggiore, the cloister with frescoes by Luca Signorelli and Giovanni Antonio Bazzi, called Sodoma, Renaissance fresco cycles, Come Benedetto perdona al monaco che volendo fuggiere del moastero trova uno serpente nella via, Benedict forgives a Moench who wanted to flee and saw a snake on the way, Tuscany, Italy, Europe

Juan Correa de Vivar / 'The Annunciation', 1559, Spanish School, Oil on panel, 225 cm x 146 cm, P02828. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

MAXIMILIAN I 1459-1519 Archduke of Austria, German King, Holy Roman Emperor, with his first wife Mary Duchess of Burgundy 14571482 and their family: their son Philip 1478-1506 (later Philip I the Handsome, of Castile), Philips two sons Charles 1500-1558 and Ferdinand 1503-1564 and Maximilians adopted son Louis 1506-1526, heir to the kingdoms of Hungary and Bohemia. Painted 1516

Bliżej Kultury Verlag von A.E. Seemann in Leipzig, Cima da Conegliano, Giovanni Battista (1459/1460 1517/1518)

fine arts, Brueghel, Jan the Elder, (1568 - 1625), painting, ""flower wreath"", Prado, Madrid,

St Peter and St John the Evangelist, by Giovanni Agostino da Lodi known as Pseudo Boccaccino, 15th Century, tempera and oil on canvas. Italy: Lombardy: Milan: Brera Art Gallery: Reg. Cron. 2119. Whole artwork. St Peter and St John the Evangelist three-quarter figure head face old/aged man young man fair curls/ringlets beard moustache white garment/dress mantle/cloak red yellow

Alvise Vivarini, Saint Jerome Reading, Italian, 1442-1453-1503-1505, c. 1476, tempera on panel

The Sleep of King Arthur in Avalon 1894 Edward Burne-Jones (1833-1898 British)

Italy, Umbria, Orvieto, Cathedral, Duomo Santa Maria Assunta, Opera del Duomo Museum

Saint John the Baptist. Date/Period: Ca. 1505. Painting. Tempera on wood. Height: 470 mm (18.50 in); Width: 307 mm (12.08 in). Author: Raffaellino del Garbo.

Temptation of Saint Anthony by Hieronymus Bosch, oil on wood, 1550, Holland, Amsterdam, Rijksmuseum, 68,7x86,9

Daniel Saving Susanna, the Judgment of Daniel, and the Execution of the Elders 1495-1505 Florence. Tempera on panel . Master of Apollo and Daphne

Saint Peter Martyr by Berruguete, Pedro (1450-1503) / Museo del Prado, Madrid / Gothic / 1493-1499 / Spain / Oil on wood / Bible / 177x90

Master of the Saint Godelieve Legend (Netherlandish, active 1475-1500). Oil on wood. Altarpiece. The Life and Miracles of Saint Godelieve. Godelieve is shown with her prosperous family. Godelieve distributes food to the poor.

The Last Judgment by Bosch, Hieronymus (c. 1450-1516) / Groeningemuseum, Bruges / ca 1490-1510 / The Netherlands / Oil on wood / Bible / 110x98,7 / Early Netherlandish Art

Illustration with knight by Vittore Carpaccio, Oil on canvas, 1510, 1460-1526, Thyssen-Bornemisza Collections, 219x152

Bosch, Hieronymus Van Aeken, called (1450-1516). Table of the Seven Deadly Sins. 1475 - 1480. Representation of the Hell in a circle situated on the lower left side of the table. Flemish art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Artist: Guido da Siena, Italian, active ca. 1250-1300, TheCrucifixion, ca.1270-80, Tempera on panel, 65.1 × 96.5 × 1 cm (25 5/8 × 38 × 3/8in.), Made in Siena, Italy, Italian,Siena, 13thcentury, Paintings

Europe, Italy, Lombardy, Monza. The Arengario is the ancient town hall, dates back to the 13th century. The Teodolinda chapel was affrequented by the Zavattari "History Longobardorum" telling about the life of Queen Theodolinda.

Frescoes of grataroli house, oneta, Italy

The Annunciation. Jean Hey, known as The Master of Moulins, active about 1475-about 1505. Date: 1490-1495. Dimensions: 28 1/2 × 19 11/16 in. ( 72.5 × 50.1 cm); painted surface: 28 1/4 × 19 3/8 in. (71.7 × 49.2 cm). Oil on panel. Origin: France. Museum: The Chicago Art Institute, USA.

Village scene by Pieter Bruegel the Elder, Oil on wood, 1559, circa 1525-1569, Germany, Berlin, Staatliche Museen, 117x163

The Annunciation, by Jan Provost (1465-1529), painted on board, 300x200 cm.

Adoration of the Magi, 1435-1440, by Domenico Veneziano (ca 1400-1461), tempera on panel, diameter 84 cm.

The Virgin Spanish (Catalan) Painter Spanish The present painting is the second in a sequence of five panels from a dismembered banco (predella) that may have formed part of the same altarpiece. The four others are, in sequence: 1) Saint Barbara (formerly Nathan Ottinger collection, New York), 4) Saint John the Evangelist (formerly Ottinger collection), 3) the Man of Sorrows (Campion Hall, Oxford), and 5) Saint Catherine of Alexandria (Hans Brantschen collection, Monte Carlo, from 1980). The paint surface of the present painting is much abraded, but the picture preserves its original gold ground and part of its engaged frame.. The Virgin. Spanish (Catalan) Painter (second quarter 15th century). Tempera and oil on wood, gold ground. Paintings

TRASLACION DEL CUERPO DE SANTIAGO - PRIMERA MITAD DEL SIGLO XVI - O/T 890x765 - ESCUELA CASTELLANA. Author: MAESTRO DE ASTORGA (S. XVI)-PINTOR ANONIMO. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

The Annunciation Gerard David Netherlandish 1506 These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of Northern and Italian artistic modes that perhaps reflect the patrons ties to both regions. View more Listen to experts illuminate this artwork's story #2621. The Annunciation 0:00 RWSkip backwards ten seconds. FWSkip forwards ten seconds. 0:00 Your browser doesn't support HTML5 audio. Here is a link to download the audio instead. View Transcript. The Annunciation. Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). 1506. Oil on wood. Painti

Painting by Hieronymus Bosch, 'The Garden of Earthly Delights', in the Museum de Prado, Prado Museum, Madrid, Spain

fine arts, Bruegel, Pieter the Elder (circa 1528 - 1569), painting, ""The Flemish Proverbs"", 1559. Oil on panel, Gem_ldegalerie, Berlin,

Paradise by Hieronymus Bosch, Oil on wood, circa 1500, 1450-1516, Spain, Madrid, Museo del Prado, 220x195

Street market by Pieter Aertsen, Oil on wood, 1551, 1508-1575, Sweden, Uppsala University, University Art Collections, 123,3x150

Diptych with Virgin and Child and Three Donors, by The Master of Saint Ursula Legend, 1486, Groeningemuseum, Bruges, West Flanders, Belgium, Europe

St Jerome in his study, ca 1445, by Niccolo Colantonio (ca 1420-1460), mixed media on canvas, 125x150 cm.

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