Renaissance Madonna Paintings

Features religious depictions of the Virgin Mary with Child and angels. Rich colors and intricate details characterize these serene, classical artworks.

The Virgin and Child Sandro Botticelli (1444-1510 Italian) Musee du Louvre, Paris

Madonna and Child with an Angel, by Sandro Botticelli, circa 1465, Ospedale degli Innocenti, Florence, Tuscany, Italy, Europe

The Virgin and Child Sandro Botticelli (1444-1510 Italian) Musee du Louvre, Paris

Louvre museum, Paris, France.Bernardino Luini, The Infant Jesus asleep.oil on panel transferred to canvas, about 1525-1530.

Painting titled 'The Virgin and Child' by Filippo Lippi (1406-1469) an Italian painter of Quattrocento. Dated 15th Century

fine arts, Botticelli, Sandro, (1445 - 1510), painting, ""La Madonna del Guidi di Faenza"", circa 1465 - 1470, 73 cm x 49 cm, Louvre, Paris, France, Europe, 16th century, renaissance, religion, christianity, Saint Mary, Jesus Christ, child,

Virgin and Child, Francesco Napoletano (attributed to), 1490 - 1510 painting Maria with child. Maria standing next to the Christ child that sits on a pillow on balustrade with a bird in the hands. panel. oil paint (paint) Madonna: Mary standing (or half-length), Christ-child close to her bosom

Madonna of the Goldfinch, raffaello sanzio

Mary in the rose garden, 1473, by Martin Schongauer (ca 1430-1491), tempera on panel, 200x115 cm. Detail. St Martin Church, Colmar.

Workshop of Giovanni Bellini, Madonna and Child in a Landscape, c 1490 1500 Madonna and Child in a Landscape

Madonna and Child with the Infant Baptist (The Garvagh Madonna) 1509-1510, depicting the moment when Christ takes the carnation from John the Baptist's Hand. Raphael (1483-1520) Raffaello Santi, Italian painter. Oil on Wood.

Madonna Lactans by Leonardo da Vinci, tempera on canvas, 1490-1491, 1452-1519, State Hermitage, St. Petersburg42x33

'Madonna and Child'. Italy, Late 1520s. Dimensions: 70x59 cm. Museum: State Hermitage, St. Petersburg. Author: Girolamo Romanino.

Virgin and Child 1460-1500 Belgium. Combining tenderness and regal authority, Rogier van der Weydenís influential compositions of the Virgin and Child were repeated and varied by the master, his workshop, and by later Netherlandish painters. Here the Virgin supports the Child on a cushion that appears to rest on the edge of the pictureís frame, as though revealing the infant to the viewer through a window opening. Van der Weyden used elements such as the gems decorating the Virginís dress, her pearl-studded circlet, and the thronelike associations of the rich red velvet hanging behind her to characterize her as the queen of heaven. At the same time, by depicting her nurturing her infant, the artist emphasized Christís human nature and the Virginís role as an intercessor for mankind.. Oil on panel . Workshop of Rogier van der Weyden

. Maria with child, embossed, polychromed and gold-plated stucco. Sitting until the knees and three-quarters shown to the right. Maria overlooks a veil. The child, frontal, is placed on her lap in half, half-sitting attitude. With the fingers of one hand, she supports the left leg; With the other hand, she expresses the child that holds part of his windslings in every hand. Part of the folding chair handrail consists of a volute, including a Cherub. Profiled picture frame in which pearl and leaf edge and a plinth on which Ave gratia plena.

Pietro Perugino, Madonna and Child, c 1500 Madonna and Child

Painting titled 'The Virgin and Child' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 15th Century

Copy after Madonna of the Magnificat. Date/Period: Ca. 1490. Painting. Oil on panel. Diameter: 95 cm (37.4 in). Author: SANDRO BOTTICELLI.

The Virgin and Child', c1511 Artist: Leonardo da Vinci. The design is based on two Leonardo paintings, the 'Litta Madonna' and the 'Madonna of the Yarn-Winder'

Virgin and Child with Saint Jerome; about 1475-80 Oil on panel Pinturicchio bernardino di Betto Italian onebrian; about 1454-1513

Vittore Carpaccio, Madonna and Child, Italian, c. 1465-1525-1526, c. 1505-1510, oil on panel

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 257v, Madonna and Child, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Virgin and Child, c. 1460. Neri de Bicci (Italian, 1419-1491). Tempera on wood panel; framed: 59.1 x 35.6 x 3.8 cm (23 1/4 x 14 x 1 1/2 in.); unframed: 54 x 30.8 cm (21 1/4 x 12 1/8 in.).

Madonna and Child. Artist: Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Overall 18 x 22 in. (45.7 x 55.9 cm); painted surface 17 x 21 1/2 in. (43.2 x 54.6 cm). Date: ca. 1508.This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child with Angel, Botticelli, Sandro, (Workshop)

The Family of St Anne, by Master of the Family of St Anne, circa 1500, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile76. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Heinrich Gotthelf Schaufuß's 18th-19th century watercolor copy after Guido Reni showing Maria with the sleeping boy, executed in brown brushwork.

Artist: Taddeo Gaddi, Italian, Florence, ca. 1300-1366, Virgin and ChildEnthroned, ca.1350, Tempera on panel, 86.7 × 52.4 cm (34 1/8 × 20 5/8 in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Mary with the child. (Solly Madonna). 1502. (Raffaello Santi; called Raphael 1483 Urbino-1520 Rome)

Madonna Aldobrandini, Madonna Garvagh, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian pain...

Pseudo Boltraffio. Name given to an unknown painter of the Lombard school, active in Milan between 1500 and 1530. "Madonna enthroned with Child", 1510-1515. Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

Madonna and Child in a Garden. Dated: c. 1460/1470. Dimensions: overall: 53.4 x 37.2 cm (21 x 14 5/8 in.) framed: 60.96 × 43.18 × 8.26 cm (24 × 17 × 3 1/4 in.). Medium: tempera (and possibly oil) on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Cosme Tura.

Madonna with Child, by Giovanni Antonio Boltraffio (1467-1516).

Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist ca. 1523 Giuliano di Piero di Simone Bugiardini Italian Bugiardini almost certainly painted this altarpiece for Bindo Altoviti, a Florentine banker who was one of the greatest patrons of his day. Altoviti commissioned it for a private chapel dedicated to the Magdalen that he founded in the town of Cappiano in the Arno valley in 1523. Remarkably, the painting has survived in its original framethe Altoviti arms are on the base of the pilastersprobably designed by the talented architect and woodworker Baccio d’Agnolo and painted by a specialist in ornament. The artist achieved a harmonious synthesis of space, figures, and gestures, making this a grand statement of Florentine Renaissance painting.. Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist. Giuliano di Piero di Simone Bugiardini (Italian, Florence 1475-1554 Florence). ca. 1523. Oil on wood. Paintings

Virgin and Child, Fra Filippo Lippi, circa 1460-1465, Alte Pinakothek, Munich, Germany, Europe

Giovanni Agostino da Lodi (active 1467-1524/1525). Italian painter. Virgin with Child and devouts, ca.1505. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Bernard van Orley / 'The Holy Family', 1522, Flemish School, Oil on panel, 90 cm x 74 cm, P02692. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Unterlinden Museum. The Isenheim Altarpiece, Nikolaus Hagenauer and Matthias GrŸnewald, in 1512Ð1516. Detail from the Virgin and Child. Colmar. France. Colmar. France.

La Porciúncula / The Porciúncula. Date/Period: From 1609 until 1610. Painting. Oil on panel. Height: 2,515 mm (99.01 in); Width: 1,650 mm (64.96 in). Author: Baltasar de Echave Orio.

Painting titled 'The Virgin and Child in the Garden' in the style of Martin Schongauer (1448-1491) a German engraver and painter. Dated 15th Century

Bartolomeo Cincani (1450-1523), known as Montagna. Italian Renaissance painter. Madonna and Child, 1480-1490. Oil on wooden panel (64 x 53 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

Carlo Crivelli, Madonna and Child, Italian, c. 1430-1435-1495, c. 1490, tempera on panel

The Virgin holding the sleeping infant Christ on her lap, after Reni. Artist: Anonymous; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 17 1/2 × 19 7/8 in. (44.4 × 50.5 cm). Publisher: François-Alexander Chasteau (French, Paris, recorded 1741-84). Date: 1741-84. Museum: Metropolitan Museum of Art, New York, USA.

Raffaello Sanzio da Urbino (1483-1520). Italian painter. High Renaissance. The Holy Family. 1518. Louvre. Paris. France.

fine arts, Raphael (Raffaello Santi) (6.4.1483 - 6.4.1520), painting ""The Virgin of the Rose"", circa 1518, Museo del Prado, Madrid,

Two side panels of altarpiece of the Bichi chapel in S. Agostino in Siena. 1491. (Luca Signorelli; 1445/50; 442/43; Cortona Cortona 1523)

'Madonna and Child with Angels'. Italy, Late 15th - early 16th century. Dimensions: 52x40 cm (with framing: 58x46 cm). Museum: State Hermitage, St. Petersburg. Author: late 15th-early 16th centuries Unknown artist of the Lombardian School.

Madonna and Child with Six Saints. Artist: Pesellino (Francesco di Stefano) (Italian, Florence ca. 1422-1457 Florence). Dimensions: 8 7/8 x 8 in. (22.5 x 20.3 cm). Date: late 1440s.Pesellino specialized in delicately executed small-scale paintings ideal for private study or to carry for private devotion. Remarkably, despite their small size, the figures are described with a mastery that opens a new chapter in Florentine painting. Left to right the saints are: Anthony Abbot, Jerome, Cecilia, Catherine of Alexandria, Augustine, and George. The figure types and lighting reveal the influence of Fra Filippo Lippi, with whom Pesellino occasionally collaborated. Museum: Metropolitan Museum of Art, New York, USA. Author: Pesellino (Francesco di Stefano).

Tuscany Siena Montalcino Museo Diocesano21. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Nocera Inferiore S. Antonio1. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Passe, Crispijn van de (I), Utrecht, Sibyls, Sibylla Tiburtina., Tiburtine Sibyl, verso lower left - stamped, The Tiburtine Sibyl sits with a spear in her hand. In front of her stands a young girl who offers her a jug. In the margin a caption in Latin. Print from a series with sibyls., print, prent, prints, prenten, height 269 mm, width 194 mm, 1564 - 1637, print maker, prentmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Madonna and Child, Fra Filippo Lippi, circa 1440, National Gallery of Art, Washington DC, USA, North America

Domenico Beccafumi (Cortine in Valdibiana Montaperti, 1486-Siena, 1551). The Virgin and Child with the Infant Saint John and Saint Jerome (ca. 1523 - 1525). Oil on panel. 85.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico4. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist. Date/Period: Ca. 1485-88. Painting. Distemper, oil, and gold on canvas. Height: 62.90 mm (2.47 in); Width: 51.30 mm (2.01 in). Author: ANDREA MANTEGNA.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"35. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jan van Dornicke. First half of 16th century. Triptych of the Adoration. Detail. Lazaro Galdiano Museum. Madrid. Spain.

Madonna and Child with God the Father Blessing and Angels. Dated: c. 1370/1375. Dimensions: painted surface: 139.8 × 67.5 cm (55 1/16 × 26 9/16 in.) overall: 141.2 × 69 × 1.5 cm (55 9/16 × 27 3/16 × 9/16 in.) framed: 156.8 x 84.1 x 6.7 cm (61 3/4 x 33 1/8 x 2 5/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopo di Cione.

Bartolomé Estéban Murillo Zwiastowanie; Ermitaż, Petersburg. Karta No. 249 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 5, publisher of E. A. Seemann, Leipzig 1910. Publisher by A.E. Seemann in Leipzig, Murillo, Bartolome Esteban (1618 1682)

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

'Madonna and Child, with Sts Barbara, Francis, Dominic, Archangel Raphael and Tobias'. Italy. Dimensions: 183x141 cm. Museum: State Hermitage, St. Petersburg. Author: Innocenzo da Imola (Francucci).

Madonna of the Goldfinch, 1750. Tiepolo, Giovanni-Battista.

'The Madonna Conestabile', 1502-1503. Artist: Raphael

Marches Macerata Camerino Pinacoteca8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Asciano Museo di Arte Sacra2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante33. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

National Museum of Ancient Art. The Flight into Egypt. Detail. Gregorio Lopes. 16th century. Oil on oak panel. Altarpiece of Paraiso.

Madonna Alba, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raffael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

Abruzzo L'Aquila Sulmona S. Maria della Tomba9. Hutzel, Max 1960-1990 Exterior views of the 15th century facade of church and 16th century facade of the adjoining confraternity include details of the main portal and rose window (c. 1400) and bell tower (c. 1579). Views of a typical 16th century, romanesque-gothic interior, revealed after a 1970-72 restoration which removed the more recent baroque decoration. Views include: piers (14th century), relief sculpture of Adam and Eve (13th century), a bronze bell (1313), marble ciborium, winding column and capital, 13th and 14th century fresco fragments, 16th and 17th century altar paintings, altar sculpture, crucifix and terracotta statues. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the E

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

FRANCONIAN-1510s Virgin and Child Oil on canvas 48x35 State Pushkin Museum of Fane Arts Moscow

Rafael Tegeo (1798-1856). Spanish painter. Virgin of the goldfinch, 1825-1828. Museum of Romanticism. Madrid. Spain.

Painting titled 'The Madonna and the Basket' by Antonio da Correggio (1489-1534) painter of the Parma school of the Italian Renaissance. Dated 16th Century

"The Virgin and Child and St. John," by Professor C. Verlat, in the International Exhibition, 1871. Engraving of a painting. 'Lengthened comment on this picture by Professor C. Verlat, which forms a conspicuous ornament of the Belgian section of the International Exhibition, would hardly be necessary, as it was reviewed by us when exhibited last year in the gallery of the New British Institution. We may take the opportunity, however, to remark that the artist evinces at the International Exhibition, and elsewhere, a versatility of power which has hardly a parallel in modern art. M. V

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"9. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with Saints and Angels. Dated: c. 1345. Dimensions: painted surface: 50.2 x 24.2 cm (19 3/4 x 9 1/2 in.) overall (including engaged frame): 57.1 × 30.5 × 2.6 cm (22 1/2 × 12 × 1 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Bernardo Daddi.

Correggio, The Mystic Marriage of Saint Catherine, Italian, 1489-1494-1534, 1510-1515, oil on panel

Gian Francesco Bembo. Italian painter born in Cremona, active from 1515 to 1543. Virgin and Child with Saint Stephen (fragment). Oil on panel. Ala Ponzone Civic Museum. Cremona. Italy. Author: Giovanni Francesco Bembo. Italian painter (fl. 1515-1543).

Lazio Roma Anguillara Sabazia S. Francesco0. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

The Alba Madonna, Raphael, circa 1510, detail, National Gallery of Art, Washington DC, USA, North America

Raphael, The Niccolini Cowper Madonna, 1508 The Niccolini-Cowper Madonna

Triptych of the Virgin and Child with Saints. South German. Date: 1520-1530. Dimensions: Center: 54 7/8 × 40 11/16 in. (139.5 × 103.3 cm)Painted surface: 53 15/16 × 39 3/4 in. (137 × 101 cm)Left wing, painted surface: 54 1/16 × 16 5/8 in. (137.5 × 41.9 cm)Right wing, painted surface: 53 15/16 × 16 3/8 in. (137 × 41.6 cm). Oil and tempera on panel. Origin: Germany. Museum: The Chicago Art Institute, FLORENCIA, USA.

Camillo Boccaccino (1504/1505-1546). Italian painter. Madonna and Child, Saint Michael the Archangel and Blessed Ambrogio Sansedoni, ca. 1520-1540. Oil on canvas. From the church of San Domenico, Cremona. Museo Civico Ala Ponzone. Cremona Italy.

Madonna and child, domenico veneziano, washington Painting; tempera on poplar panel; overall: 83 x 57 cm (32 11/16 x 22 7/16 in.) framed: 124.5 x 100.3 x 9.8 cm (49 x 39 1/2 x 3 7/8 in.);

Rafael Tegeo (1798-1856). Spanish painter. Virgin of the goldfinch, 1825-1828. Museum of Romanticism, Madrid, Spain.

Virgin and Child, Gossaert, Jan (ca. 1478-1532)

'Madonna and Child, Seated on the Throne in Clouds'. Spain, 1660s. Dimensions: 99x75 cm. Museum: State Hermitage, St. Petersburg. Author: Sebastián Martínez Domedel.

Anonymous Netherlandish Artist active in Antwerp (Active in Antwerp ca. 1525). The Virgin lactans (ca. 1525). watercolour and gold on Cloth attached to panel. 39.7 x 29.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

'Madonna and Child'. Italy. Dimensions: 55,5x40,5 cm. Museum: State Hermitage, St. Petersburg. Author: GIULIO CESARE PROCACCINI.

Artist: Jacopo del Casentino, Italian, Florence, ca. 1297-1358, Virgin andChild, ca.1340, Tempera on panel, 60 × 39.4 cm (23 5/8 × 15 1/2in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

'Relief: Madonna and Child with St John the Baptist'. Italy, Florence, 15th - early 16th century. Dimensions: 67,0x48,0 cm. Museum: State Hermitage, St. Petersburg.

Felipe Pablo de San Leocadio / 'Adoration of the Shepherds'. Ca. 1539. Oil on panel. Museum: Museo del Prado, Madrid, España.

Madonna and Child, by Bartolomeo Cavarozzi (ca 1590-1625), oil on canvas, 145x110 cm.

Italy, Guercino, Curti, Francesco, Virgin and Child with Book, verso - stamped, Virgin and Child kneeling next to the Christ Child, holding a book out to him. With her other hand she picks a flower. Text and a coat of arms in the lower margin., print, prints, height 283 mm, width 201 mm, 1603 - 1670, print maker, printmaker, 1613 - 1670, paper, engraving, engraving (printing process), Work conception, Italian, 1591-02-08 - 1666-12-22

Przeszłośc Przyszłości France, Giacomo (Ca 1486 1557)

'Virgin and Child with St Anne', 1502-1516. Artist: Leonardo da Vinci

Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87-1466, Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 -1495/99, Virgin andChild, Polychrome and gilt stucco, unframed: 59.69 × 38.1 cm (23 1/2 × 15in.), Made in Italy, Italian, 15thcentury, Sculpture

Antoni Viladomat / 'Nacimiento de San Francisco', 1729-1733, Óleo sobre lienzo. Colección privada.

Virgin. Date/Period: Ca. 1450. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 2,133 mm (83.97 in); Width: 1,604 mm (63.14 in). Author: JAUME HUGUET.

Madonna and Child with Saint John the Baptist, Saint Peter, and Two Angels. Dated: c. 1290. Dimensions: painted surface (original panel including painted frame): 34.3 × 24.7 cm (13 1/2 × 9 3/4 in.) overall (including added wooden strips): 36 × 26 cm (14 3/16 × 10 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Tuscan 13th Century.

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