Renaissance Madonna Paintings

Features religious depictions of the Virgin Mary with Child and angels. Rich colors and intricate details characterize these serene, classical artworks.

The Virgin and Child Sandro Botticelli (1444-1510 Italian) Musee du Louvre, Paris

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Madonna and Child with Saints Bonifacio de' Pitati (Bonifacio Veronese) Italian A contemporary of Titian and Palma il Vecchio, Bonifacio Veronese acquired a considerable reputation in Venice as a painter of compositions of the Madonna and Childat once grand and informal. The saints in this fine example are, left to right, Elizabeth and Zaccharia with their son, John the Baptist, followed by Joseph, and Catherine of Alexandria.. Madonna and Child with Saints. Bonifacio de' Pitati (Bonifacio Veronese) (Italian, Verona 1487-1553 Venice). Oil on wood. Paintings

Lazio Roma Subiaco S. Francesco2. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lucas Cranach the Elder (c. 1472-1553). German Renaissance painter and printmaker. The Virgin and the Child under an apple-tree, 1520s-1530s. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Charity from The Work of Edward Burne-Jones, 1900 After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, Art Movement, Pre-Raphaelite, 19th Century, Photographic print, Photogravure, Female, Child, Barefoot, Fruit

Madonna of Humility. Madonna of Humility (Madonna dell'Umiltà). Dating: c. 1390. Measurements: h 76.5 cm × w 53.5 cm; h 100.5 cm × w 60.5 cm × d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Agnolo Gaddi (circle of). Gherardo Starnina (rejected attribution).

Madonna and Child. Dated: c. 1475. Dimensions: overall: 48.3 x 38.9 cm (19 x 15 5/16 in.) framed: 102.2 x 62.2 x 13.3 cm (40 1/4 x 24 1/2 x 5 1/4 in.). Medium: glazed terracotta. Museum: National Gallery of Art, Washington DC. Author: Luca Della Robbia.

The Mystic Marriage of Saint Catherine; About 1550-60; Oil on canvas Paolo Veronese; Italian; 1528-88

Painting titled 'The Madonna with the Long Neck' by Parmigianino (1503-1540) Italian Mannerist painter and printmaker. Dated 16th Century

Old Masters Picture Gallery

Artist: Giovanni di Bartolomeo Cristiani, Italian, Pistoia, documented 1347-ca. 1400, Saint LucyEnthroned, ca.1375, Tempera on panel, 83.2 × 77.5 × 0.9 cm (32 3/4 × 30 1/2 × 3/8 in.), Onview, Italian,Pistoia, 14thcentury, Paintings

Abruzzo, L'Aquila, San Vittorino, Catacomb of S. Vittorino, Imag, Italy, 20th century, photo, photography, Europe

Leonardo da Vinci, The Virgin and Child with Saint Anne, before restoration. Circa 1503-1519. Museum: Louvre, Dpt. des Peintures, BUDAPEST, France.

Drawing, Madonna and Child; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, graphite on cream paper; 20.9 × 14 cm (8 1/4 × 5 1/2 in.); 1914-38-197

'Madonna of the Magnificat', 1481. Artist: Sandro Botticelli.

Mary with the Child and the Young St John 1590. (Ippolito Scarsella; gen. Scarsellino; By 1550; Ferrara Ferrara-1620)

Judith with the Head of Holofernes Mantegna, Andrea (Ca 1431 1506)

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche24. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maestro de don Álvaro de Luna / 'The Nursing Madonna', ca. 1490, Spanish School, Panel, 112 cm x 71 cm, P01289. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lazio Rieti Rieti S. Giuseppe6. Hutzel, Max 1960-1990 Post-medieval: Architecture, stucco wall and ceiling decoration, painting. The church possesses two paintings by the artist Vincenzo Manenti, depicting the Holy Family and the Transito of S. Joseph. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Domenico di Michelino (1417-1491). Italian painter. Sacred conversation. Tempera on panel. National Museum of Fine Arts. Valletta. Malta.

Cassetta frame. Culture: Italian, Venice. Dimensions: 73.6 x 54.9, 57.2 x 38.3, 59 x 40.6 cm.. Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

FLORENCE, TUSCANY/ITALY - OCTOBER 19 : Madonna of the Pomegranate painting in the Uffizi gallery in Florence on October 19, 2019

Florence, Italy - The Madonna of the Chair, named Madonna della Seggiola, by Raffaello Sanzio, Raphael Florence, Italy - 27 June 2023: The Madonna of the Chair, named Madonna della Seggiola, by Raffaello Sanzio, named Raphael, executed c. 1513 Copyright: xZoonar.com/PaoloxGallox 22017273

Adoration of the Magi. Culture: German. Dimensions: 11 7/16 × 8 13/16 × 1 3/4 in. (29 × 22.4 × 4.5 cm). Date: 1470-1480.Cartapesta (papier-maché) was an inexpensive and widely used medium for sculpture in the late Middle Ages and the Renaissance. Due to its inherent fragility, few examples survive. This relief includes a playful detail embraced by artists working in other media as well: as the kneeling king touches the baby Jesus, the child reaches for his beard and grasps a tuft of hair on his balding pate. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo L'Aquila Sulmona Museo Civico6. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Reproduction by Leonardo da Vinci, Virgin on the rocks, Louvre, Anonymous, After Leonardo da Vinci, 1907 - 1935 photograph glass slide picture, painting

CARRACHE, Annibale. Pietˆ. 1599 - 1600. Baroque art. Oil on canvas. ITALY. CAMPANIA. Naples. National Museum of Capodimonte.

Madonna and Child with Angels. Artist: Pietro di Domenico da Montepulciano (Italian, Marchigian, active first quarter 15th century). Dimensions: Overall, with engaged frame, 34 5/8 x 26 1/4 in. (87.9 x 66.7 cm); painted surface 30 5/8 x 22 1/4 in. (77.8 x 56.5 cm). Date: 1420.This exquisite painting is notable for the refinement of its tooled and freehand work on the gold ground. The picture alludes to the Madonna's humility (she is seated on grass), and to her roles as Queen of Heaven (the angels tooled into the gold background suspend a crown over her) and the beloved enclosed in a garden. She unveils her sleeping child--an allusion to his future sacrifice and death. It is one of the finest works by Pietro di Domenico, who was active in the region of the Marches. Exceptionally, the picture survives intact with its original engaged frame decorated with a continuous flower pattern and the artist's signature. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Perugia Pale Eremo di S. Maria Giacobbe8. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco wall decoration. This structure was partly sculpted out of the rocks on the hillside and its interior is completely covered with frescoes dating from the 14th and 15th centuries. Above the main altar is a representation of S. Maria Giacobbe, by Lattanzio di Nicolo (1507). Object Notes: 2 sets of prints: earlier set does not have any negatives. Most prints from the second set are duplicates of the first. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, cit

Studio of Andrea della Robbia, Madonna and Child with God the Father and Cherubim, 1480 1490 Madonna and Child with God the Father and Cherubim

The Spinola Holy Family. Romano, Giulio (1492-1546). Oil on panel. 76 x 63.5cm.

Nativity scene by Pieter Aertsen, Oil on wood, circa 1565, 1508-1575, Private Collection, 70x52

Belgium, Brugge. The 'Madonna and Child' (1504-5) by Michelangelo Buonarotti is carved in Carrara marble. It was intended for an altar in the Cathedral of Sienna but the Mouscron family of Bruges bought it and gave it to Our Lady's Church.

Madonna of the Cherries by Giampietrino (1 Half of 16th cen.) / Private Collection /Italy, Milanese school / Oil on wood / Bible / 64,8x49 / Renaissance

Madonna and Child. Artist: Probably after Lorenzo Ghiberti (Italian, Florence 1378-1455 Florence). Culture: Italian, Florence. Dimensions: Overall: 34 1/2 × 28 1/2 in. (87.6 × 72.4 cm). Date: ca. 1425-40.This composition is apparently a variant of another Madonna relief which Ghiberti designed specifically to be molded and reproduced in painted stucco. See 08.22.3 for a painted stucco version of that composition. The type of base derives from the niche of the Parte Guelfa on Or San Michele by Donatello, finished in 1423. See 07.120.3 for a terracotta version of this composition. Museum: Metropolitan Museum of Art, New York, USA.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico3. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory of Music. (The Muse Erato). 1500. (Fra Filippo Lippi 1457 Prato-1504 Forenz)

Painting titled 'The Flight into Egypt' by Goswin van der Weyden (1455-1543) a Flemish Renaissance painter. Dated 16th Century

Grabado del libro 'Consolat de Mar' (Consulado del Mar), 1518, biblioteca Palauet Casades, actual Col·legi d'Advocats de Barcelona.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche59. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets. This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste. Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period. Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.

Relief of the Madonna on Thurau Castle, now castle ruins, Alken on the Moselle, Rhineland-Palatinate, Germany, Europe

VERONICA DE LA VIRGEN DE GONZALO PERIS SARRIA (1380-1451) Y PERE NICOLAU OBRA DE (1403-1410). Author: GONZALO PEREZ SARRIA (1380-1451) GONÇAL PERIS. Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPAIN. VIRGIN MARY.

Madonna del prato. Rafael Sanzio (1483-1520), author of a model, unknown, painter

Lazio Viterbo Viterbo Museo Civico2. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

Simone Martini (c._1284-1344). Italian painter. Sienese school. Madonna from the Annunciation Scene, 1340-1344. Right-hand wing of a folding diptych. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.

Triptych with Virgin and Child, John the Evangelist and Mary Magdalene, by Jan Provoost, circa 1520-5, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

M.Schongauer / Mary in the Rose Arbour

Francisco Camilo / 'La Sagrada Familia, o La Trinidad en la Tierra', 17th century, Spanish School, Canvas, 157 cm x 120 cm, P03876. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Magdalene Unknown. , late 19th century. Glazed ceramic tile, 9 15/16 x 7 1/2 in. (25.2 x 19.1 cm). European Art late 19th century

A Lady in Her Bath. Dated: c. 1571. Dimensions: overall: 92.3 x 81.2 cm (36 5/16 x 31 15/16 in.). Medium: oil on oak. Museum: National Gallery of Art, Washington DC. Author: FRANCOIS CLOUET.

The Madonna and Child, Seated Under a Canopy, at a Table with Fruit, in a Landscape. School of Joos van Cleve (died 1540/1541). Oil on panel. 56 x 39cm.

Francesco Benaglio, Italian (c. 1432-1492), Madonna and Child, late 1460s, tempera on panel transferred to canvas

Fragment from Christ Carrying the Cross: Mourning Virgin. Jean Hey, known as the Master of Moulins; Active Lyon and Moulins, c. 1475-c. 1505. Date: 1500-1505. Dimensions: 10 13/16 × 7 7/8 in. (27.5 × 19.9 cm); image: 10 3/8 × 7 1/4 in. (26.3 × 18.4 cm). Oil on panel. Origin: Unknown Place. Museum: The Chicago Art Institute, Chicago, USA.

Salvator Mundi ca. 1622-23 Domenico Fetti Italian In his use of textured brushstrokes and illusionistic devices, in this painting Fetti pays a sort of homage to the great sixteenth-century painter Correggio. Note how Christs gaze is directed down at the viewer and how playfully the puttis heads peek out from Christs robe or support his extended foot. Following a fight with a fellow painter, Fetti moved from Mantua to Venice, where he executed this painting for Count Francesco Gambara of Brescia.. Salvator Mundi 438169

Jacob Jordaens (1593 Ð 1678). Flemish Baroque painter. The Satyr and the Peasant. 1620-1621. Alte Pinakothek. Munich. Germany.

Italy, Lazio, Rome, 18Th Century Mosaic Of The Madonna On The Corner Of A Building In The Campo De Fiori The Open Air Market

Pieta, 1493-1494, by Pietro Perugino (ca 1450-1523), oil on panel.

Justice, fresco by Raphael in the Vatican, vintage engraved illustration. Magasin Pittoresque 1877.

Maria Magdalena kopia z Guido Reni. Thil, Wilhelimine Louise du (1782-1819), painter

The Prioress's Tale, Burne-Jones, Sir Edward Coley, 1898.

Pauline Runge with her two-year-old-son by Runge, Philipp Otto (1777-1810) Staatliche Museen, Berlin 1807 Oil on canvas 97x73 Germany Romanticism Portrait Painting

England, London, Trafalgar Square, National Gallery, Painting titled "Allegory of Grammar" by Laurent de La Hyre dated 1650

The Madonna with the Seven Founders of the Servite Order. Agostino Masucci; Italian, c. 1691-1758. Date: 1723-1733. Dimensions: 68 13/16 x 45 9/16 in. (174.8 x 115.7 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Marches Macerata Castelsantangelo sul Nera S. Stefano6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Delphic Sybil, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy: Lombardy: Bergamo: Trescore: Suardi Oratory. Detail. Face of the Delphic Sibyl orange light blue/azure cartouche crown laurel

The Virgin Adoring the Host. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 15 7/8 x 12 7/8 in. (40.3 x 32.7 cm). Date: 1852.This small, jewel-like devotional painting was made as a gift for Ingres's friend Louise Marcotte, who introduced the artist to Delphine Ramel, whom he married in 1852. The Raphaelesque composition is based on one Ingres first painted in 1841 for the future czar Alexander II, which includes the two patron saints of Russia, Alexander Nevsky and Nicholas (Pushkin Museum of Fine Arts, Moscow). For this version, Ingres replaced the Russian saints with two French ones. He would go on to paint four more variants, as well as, in 1855, a watercolor for Madame Ingres herself (Fogg Museum, Cambridge, Mass.). Museum: Metropolitan Museum of Art, New York, USA.

Mother and Child 1903 Paula Modersohn-Becker (1876-1907 German) Oil on Canvas Haags Gemeentemuseum, The Hague, Netherlands

Galo B Ocampo, 'Mother and Child' 1976, Oil on canvas

Julian Tellaetxe Julian Tellaetxe, motherhood, 1922, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain Copyright: xZoonar.com/Tolox 21893111

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