Renaissance Religious Art

Engravings depicting biblical scenes and figures, showcasing the intricate artistry and thematic depth of Renaissance works.

Den Gefallenen, board 4; Hegenbarth, Josef (1884-1962), Richter, Emil (Dresden; Art Gallery, Publisher; 1848-1930); 1915 (1915-00-00-1915-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław- 1880-1945)- collection, acts, female acts, German graphics, German (culture), eagle (allegory), allegorical scenes, World War (1914- 1918), wars, soldiers

Woodcut by Gaspare Ruina depicting the creation of Adam in the Sistine Chapel, created between 1505 and 1533, illustrating biblical scene and Renaissance art.

Copper engraving of Saint Jerome in the wilderness by Nicolas Beatrizet, created between 1530 and 1565.

The horrors of the war, number 6, Gottfried Bernhard Götz, 1742 print Vulcanus oversees a siege from his cave. On top of the cave, gunpowder is made for the bombs. Part of a series of seven prints (plus title print) about the horrors of the war in ornamental rococo lists. paper etching / engraving rocaille ornament. horrors of war. (story of) Vulcan (Hephaestus) - specific aspects, allegorical aspects, as patron of. siege. projectiles, explosives, etc.: gunpowder

Etching by Max Beckmann on handmade paper from 1918 titled 'Coffee Music,' depicting figures in an interior setting engaged with musical instruments and social interaction.

Copper engraving by Jérôme David illustrating the Parable of the Rich Man, created in the 17th century, depicting the biblical story with multiple figures.

Den Gefallenen, board 4; Hegenbarth, Josef (1884-1962), Richter, Emil (Dresden; Art Gallery, Publisher; 1848-1930); 1915 (1915-00-00-1915-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław- 1880-1945)- collection, acts, female acts, German graphics, German (culture), eagle (allegory), allegorical scenes, World War (1914- 1918), wars, soldiers

L'Incendie de Louvain, 1914. Auguste Louis Lepère (French, 1849-1918). Pen and brush and black ink with white highlights;

Heuvellandschap with bridge in Bath, Pieter Dupont, 1899 print In the foreground deaf naps. Bottom left the text 'For Frederike', a reference to the fiancée of Pieter Dupont, Frederike Vaarzon Morel. print maker: Parisafter drawing by: Bath paper etching low hill country. bridge. plants and herbs: nettle Bath

The Lizard, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 270 x 215 mm (image); 370 x 277 mm (sheet). Aquatint, sugar lift etching, and drypoint on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Interior with naked woman and window, Gustave De Smet, 1918 print paper standing figure - AA - female human figure. interior of the house. closed window

A 1913 pen drawing by Paul Klee on paper mounted on cardboard showing a figure with a half laugh expression, highlighting facial features and form.

Etching by Bartolomeo Pinelli from 1817 showing historical architecture, streets, and public life in Rome, reflecting cultural and urban characteristics.

La colère (Wrath), from the portfolio Les péchés capitaux (The DeadlySins). Artist: James Ensor, Belgian, 1860-1949

Lucas de Evangelist, Antoine Sallaert, 1590 - 1650 print Lucas the Evangelist is painting Mary with Christenkind. The easel supports on the back of the ox lying at his feet. Brussels paper Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll

Will-O'-the-Wisp. Ernst Barlach (Germany, 1870-1938)Paul Cassirer Verlag (Germany, Berlin). Germany, 1922, published 1923. Prints; woodcuts. Woodcut on Japan paper

Battle scene with Shimura Shōzo Katsutoyo. Donation Gerhard Schack

Lazio Roma Rome S. Giuseppe dei Falegnami4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Washed up bones; A few bones by breaking the Dyk by Loenen, raised by the water. Bones that were washed up to a dyke breach at Loenen during the flood of 1809 flooding large parts of Central Netherlands.

Illustration for xenophone.

Copper engraving by Jan van Londerseel created between 1590 and 1624 depicting a landscape with a raid scene, showing armed figures, buildings, and natural surroundings.

Deliberation (Beratung). Dated: 1913. Medium: woodcut in blue. Museum: National Gallery of Art, Washington DC. Author: Christian Rohlfs.

Child with flowers and dogs, Ad. Hoffmann, 1900 - 1947 print paper color woodcut dog. boy (child between toddler and youth)

Death beating a drum above, an owl and a bell attached to a ribbon below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) ca. 1650-56 Stefano della Bella Italian. Death beating a drum above, an owl and a bell attached to a ribbon below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) 397828

Sater and man who is bitten by lion, c. 1625 print The lower body of the man who is bitten ends in a leaf vank with flowers. Leaf from series of 10 sheets with vertical panels full of leaf vines, figures and animals. Venice (possibly) paper etching beasts of prey, predatory animals: lion. satyr(s) (in general)

A skeleton running with a crowbar in his hand, from a broadside entitled ' Calavera llorando el hueso' ca. 1880-1910 José Guadalupe Posada. A skeleton running with a crowbar in his hand, from a broadside entitled ' Calavera llorando el hueso'. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Arnold Houbraken etching from 1675-1719 depicts mythological scenes including Venus with a Satyr and Jupiter with Antiope, illustrating 17th-18th century classical themes.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 243 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Basilicata Matera Montescaglioso Abbazia di S. Angelo69. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

La blague de léléphant (The Elephants Joke). Artist: James Ensor, Belgian, 1860-1949

Sur le Chemin. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

Boys with SugarCane. Artist: Gloria Escoffery, Jamaican, 1923-2002

Garden with playing putti, nymphs and saters, Pierre Brebiette, 1617 - 1626 print Rome paper etching cupids: 'amores', 'amoretti', 'putti'. satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). goat

Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

A 1920 caltnadel by Carl Anton Reichel titled Mahler: To the Children's Death Songs (op. 268), depicting figures, gestures, and symbolic elements.

Maria Josefa, Princess of Bavaria.

Dragon; Gory, Wiktoria (1902-1945); around 1930 (1925-00-00-1935-00-00);

Huculi w lesie. Wąsowicz, Wacław (1891-1942), graphic artist

The Apocalypse: The Opening of the Seventh Seal, 1561. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 32.5 x 24.3 cm (12 13/16 x 9 9/16 in.); plate: 30.2 x 21.9 cm (11 7/8 x 8 5/8 in.).

Farm and shed between trees. Draughtsman: Leo Gestel. Dating: 1929. Measurements: h 225 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Dancing over fire; Skoczylas, W Adys Aw (1883-1934); around 1921 (1915-00-00-1925-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), highlanders, fire, dance

Terraces in Ganges, Benares, Wijnand Otto Jan Nieuwenkamp, 1915 print Stone stairs and terraces on the banks of the Ganges in Benares. Right in the foreground women in the water of the river. paper etching taking a bath - AA - in the open air. river. sloping street; street with steps or stairs Benares. Ganges

Pablo Picasso / 'The Wasp', 1942. Museum: PRIVATE COLLECTION.

Self-Portrait in a Crowd. Red Grooms; American, born 1937. Date: 1962. Dimensions: 118 x 152 mm (plate); 260 x 195 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Maruru; Merci - An Offering ofGratitude. Artist: Paul Gauguin, French, 1848-1903

Man plagued by all kinds of natural phenomena and animals, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing animals threatening man. storm

The Man In Love. Paul Klee; German, born Switzerland 1879-1940. Date: 1922-1923. Dimensions: 274 x 190 mm (plate); 330 x 270 mm (sheet). Color lithograph with red plate tone on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Albert Besnard, The Accident (L'accident), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Paul Gauguin, Interior of a Hut (Interieur de case), in or after 1895 Interior of a Hut (Interieur de case)

Seguito delle battaglie e delle conquiste di Menphtah I Seti I, rappresentate in grandi basso-rilievi sulla parete esterna sud-est dell'edifizio di Karnac Karnak.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Temple of Amon (Karnak, Egypt), Campaigns & battles , Egypt, Chariots, Horses, Monuments & memorials , Egypt, Seti I, King of Egypt, Soldiers

Flowers, Kees Stoop, c. 1944 - c. 1990 print Flowers inside arch, with long hanging leaves. paper etching flowers

Self -portrait and hand with stem, Kees Stoop, 1972 print Self -portrait and hand which stem holds. paper etching portrait, self-portrait of artist

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Marais (Filigrans), Musées et Salons (publishing series - Paris - Fl. Ca 1884-1893), Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967) - collection, Venus (iconogr.), Wenus (Wenus (iconogr. Mitol.), Zefir (Mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, Poland (culture), remarks, purchase (provenance)

Figure pierced by an arrow, holding a serpent and surrounded by flames ca 1890-1910 José Guadalupe Posada. Figure pierced by an arrow, holding a serpent and surrounded by flames. José Guadalupe Posada (Mexican, 1851-1913). ca 1890-1910. Metal plate engraving. Prints

Two girls catch the butterflies, Lucien Pissarro, 1873 - 1944 print Two girls run with a net behind a butterfly. paper etching / drypoint hunting butterflies

Della Bella, Stefano, work, Ornaments and grotesques (11 leaves from a series of 12 leaves), 1653 , technique text: line etching, graphics, dimensions : plate width 6.5 cm, plate height 16.3 cm

Gelmeroda with the Fir Tree. Lyonel Feininger; American, 1871-1956. Date: 1918. Dimensions: 218 x 172 mm (image); 292 x 230 mm (sheet). Woodcut on Japanese yellow-gold carbon-copy tissue. Origin: United States. Museum: The Chicago Art Institute, USA.

La colère (Wrath), from the portfolio Les péchés capitaux (The DeadlySins). Artist: James Ensor, Belgian, 1860-1949

Perseus and Andromeda. Perseus is on a rock near the sea. Above him Andromeda floats on the winged horse Pegasus through the air. She holds the head of Medusa in her right hand. In the waves under Perseus is the sea monster to which Andromeda was sacrificed.

Entführung, Bl. 9, Opus VI, Ein Handschuh. Felsing, Friedrich Kupferstich-Druckerei (Monachium, Berlin ; zakład graficzny ; fl. ca 1865-1880), printing house, Klinger, Max (1857-1920), graphic artist

ROMANCERO GITANO DE FEDERICO GARCIA LORCA-LITOGRAFIA. Author: RAFAEL ALBERTI (1902-1999).

A woodcut in two plates by Christophe Jegher from 1633-1636 depicting the Rest on the Flight into Egypt, showing the Holy Family resting during their journey.

Depicts Dew Odjesch, op. 130, by Carl Anton Reichel, created in 1915 using etching and pinnate technique, showing figure, composition, and detailed line work.

St. Joris, Bernard Willem Wierink, 1920 - 1923 print paper the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

St. Sebastian. 1750 - 1900. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman on chair and sailor with accordion, André Lhote, 1925 print This print is part of a cover with six prints. paper accordion. sailor

Soldat allemand, 1914. Auguste Louis Lepère (French, 1849-1918). Black crayon;

Coral, Leo set, 1891 - 1941 drawing paper. India ink (ink). pencil pen / brush coelenterata: coral

Etching by Giovanni Battista Fontana depicting Aeneas and his soldiers fighting the servants of King Latinus, created between 1540 and 1587, showing figures, combat gestures, and battlefield elements.

. Design for a print.

Le CalvaireBreton. Artist: Paul Gauguin, French, 1848-1903

Joanna d'Arc - capture; Gory, Wiktoria (1902-1945); 1927 (1927-00-00-1927-00-00);

Copper etching by Jacques Tortorel illustrating France 1559-1570, depicting military, religious, and civic events across urban and rural areas.

Te Po (The Long Night). Dated: 1894/1895. Medium: woodcut printed in red-brown, yellow and black by Louis Roy. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Etching by Franz Gabet depicting a landscape with a forest hut, with women collecting firewood in the foreground, created between 1785 and 1847, illustrating rural life and natural terrain.

Paris, Robert Delaunay (1885-1941), 1895 - 1941 print France paper city-view in general; 'veduta'

Rome, Rossi, Giovanni Giacomo de', Parma, Correggio, Italy, Vanni, Giovanni Battista, Dome decorations by Correggio in the S. Giovanni Evangelista in Parma, Bishop surrounded by seven angels, verso - stamped, A bishop on clouds, surrounded by seven angels., print, prints, height 503 mm, width 418 mm, Italian, 1599-02-21 - 1660-07-27, print maker, printmaker, 1609 - 1660, paper, papier, etching, etchings, 1489 - 1534-03-05, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher

Franz Marc, Two Mythical Animals (Zwei Fabeltiere), 1914 Two Mythical Animals (Zwei Fabeltiere)

And I Saw an Angel Come Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand, plate 8 of 12. Odilon Redon; French, 1840-1916. Date: 1899. Dimensions: 304 × 232 mm (image); 306 × 235 mm (chine); 452 × 349 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by August Macke depicting three girls and a rider, created in 1912.

Dance of Death, Anno Domini 17 (Dead Man's Hill), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 245 x 300 mm (plate); 475 x 353 mm (sheet). Etching, aquatint and drypoint on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

De Elfenzeelel, Willem Arondéus, 1918 drawing Surrealistic composition with in the foreground a woman in a cloak with arms spread. Blaricum paper. pencil. ink pen / brush elf

Recto shows Christ above, in a blaze of light, flanked by the Virgin and St. John. Many figures below. An open tomb, with figures, in the foreground. Verso shows twelve lines of inscription from Virgil's Georgics. Date: ca. 1590. Pen and ink, brush and brown wash, black chalk on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Woman driving a donkey. To the right of them a jar with two handles and a tree. In the background sailing ships at sea and a castle on a cliff.

Two fantasy figures in three women, Henri Jonas, 1921 print paper surrealia, surrealistic representations

Without title (symbolistic hallucinatory scene), P.C. Hamburg (Possible), c. 1890 - c. 1910 print On the front table top on the front is a glass with liquid and a spoon in it (absint) And a candlestick with a candle that has just been extinguished. The smoke strings of the Cand Walm have been worked ornamentally in an irregular pattern of winding lines over almost the entire image surface. A few motifs can be recognized between those lines: a somewhat larger and very small skull, a portrait, a setting sun, a bare foot and roosters. paper

On the Street, c. 1914. Ernst Ludwig Kirchner (German, 1880-1938). Etching and aquatint;

Mermaid. Mermaid with two dogs or wolves. With a text from Erasmus. Print No. 25 on leaf 14 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Terms and naked male figures, Carlo Cesio, After Annibale Carracci, 1656 print A medallion with a performance. Around the medallion sculptures of naked figures and putti. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. The (nude) Human figures; 'Humano body' (Ripa)

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610-1664, Etching on paper, Vertical rectangle showing a symmetrical design composed of horse heads terminating in acanthus leaves, a shield with a small mask at top, a military trophy in the antique style., Italy, ca. 1653, ornament, Print, Print

A sailing ship at sea a full page Illustration Against the poem Głos Sea in: Zygmunt Lubicz Zaleski, on A Narrow Sleep and Storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer i Ska, 1914, p. 91 Arranged and Decorated. Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Horatius Cocles Leaping into theTiber. Artist: Albrecht Altdorfer, German, ca. 1480-1538

L'Opium Victor-Emile Prouvé (French, 1858-1943). L'Opium, 1894. Lithograph on white wove paper, Image: 24 1/4 x 16 7/8 in. (61.6 x 42.9 cm). European Art 1894

Duma o kruku złowrogim, ryc.8. Goryńska, Wiktoria (1902-1945), graphic artist

Woman with one -hand (art); Skoczylas, W Adys Aw (1883-1934); 1919 (1919-00-00-1919-00-00);

Rybacy. Wąsowicz, Wacław (1891-1942), graphic artist

The Gothic Arch, plate 14 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

A lithograph by Edvard Munch titled 'Omega's Death', made in 1908-1909, showing a dramatic scene with symbolic figures.

Greeting (Begrüssung). Artist: August Macke (German, Meschede 1887-1914 near Perthes-les-Hurlus). Dimensions: block: 9 1/2 x 7 1/2 inches (24 x 19 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

of 2