Renaissance Religious Art

Triptychs and classic compositions centered around sacred themes, illustrating key religious figures and narratives in vibrant detail.

Murder of children at Bethlehem by Ludovico Mazzolino, oil on wood, 1530, 1480-1528, School of Ferrara, Holland, Amsterdam, Rijksmuseum, 31x38

Filippo Mazzola (1460-ca. 1505). Italian painter. Virgin and Child on the throne, Saint John the Baptist and Saint Bartholomew. Triptych. Tempera on board. Ala Ponzone Civic Museum. Cremona. Italy.

Four Scenes from the Passion. Artist: Follower of Bernard van Orley (Netherlandish, ca. 1520). Dimensions: 11 3/4 x 11 3/8 in. (29.8 x 28.9 cm).This panel was probably the centerpiece of a small triptych intended to assist its owner in the empathetic experience of Christ's Passion. Depicted in four delicately painted miniature scenes are the Agony in the Garden of Gethsemane, Christ Bearing the Cross, the Crucifixion, and the Lamentation. In this densely ornamental work, elaborate fictive frames with statues of Old Testament prophets in Gothic niches surround the narrative episodes that are close in style to paintings by Bernard van Orley. The poses and gestures of the figures also reveal an acquaintance with Albrecht Drer's Engraved Passion of 1507-12. Museum: Metropolitan Museum of Art, New York, USA.

Colonna Altarpiece, Raphael, Raffaello S., .

The Pieta, Botticelli, Sandro, 1490.

Last Supper /Fresco by Lorenzetti/c.1325

The Adoration of the Magi. Dating: c. 1560. Place: Amsterdam. Measurements: h 167.5 cm × w 180 cm; w 62 kg. Museum: Rijksmuseum, Amsterdam. Author: PIETER AERTSEN.

The Descent from the Cross, Veronese, Paolo (1528-1588)

The deposition, by Giacomo Carucci known as the Pontormo (1494-1557), fresco. Church of Santa Felicita, Florence.

Murder of children at Bethlehem by Ludovico Mazzolino, oil on wood, 1530, 1480-1528, School of Ferrara, Holland, Amsterdam, Rijksmuseum, 31x38

Judgment of Paris ca. 1509 Pinturicchio One of twenty-two panels (14.114.1-.22) forming the ceiling from the Palace of Pandolfo Petrucci, called Il Magnifico, Siena. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art- especially sarcophagi.. Judgment of Paris. Pinturicchio (Italian, Perugia 1454-1513 Siena). Italian, Umbria. ca. 1509. Fresco, transferred to canvas and attached to wood panels. Paintings-Decorative

Diego de la Cruz / 'San Juan Bautista y una donante', 1480-1485, Spanish School, Oil on panel, 96 cm x 60 cm, P02516. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna in Glory / Perugino

Garofalo, Benvenuto Tisi da (1481-1559) National Gallery, London Painting 49,2x38,7 Bible The Agony in the Garden

Spanish school. The passage of Saint Hermenegildo. Transito de S Hermeregildo. Seville, The Museum of Fine Arts. Convento Mercedarias Calzadad. Seville. Author: VAZQUEZ ALONSO. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. SAN HERMENEGILDO.

Adoration of the Magi. Artist: Imitator of Netherlandish (Antwerp Mannerist) Painter. Culture: Netherlandish. Dimensions: Arched top: 9 1/16 x 5 9/16 in. (23 x 14.2 cm). Date: probably seventeenth century.This small panel is framed as the center of a triptych with a prayer to the Virgin inscribed on the interior of its wings. The figures and architectural setting recall the paintings of the Antwerp Mannerists, who popularized the theme of the Adoration of the Magi at the beginning of the sixteenth century, but the way the motifs are combined indicates that this work is of more recent origin. Also indicating a later provenance is the presence of pigments that do not appear in paintings until the seventeenth century. The Lehman panel incorporates elements from several widely disseminated compositions from the Antwerp group. Among these are the orientation and elaborate costume of the aged, kneeling magus, the pose of the black magus, the details of costume and accessories throughout the

Christ Taking Leave of his Mother. Dating: c. 1515 - c. 1520. Place: Leiden. Measurements: support: h 54.7 cm × w 44 cm × h 54.2 cm (painted surface) × w 43.3 cm (painted surface); h 63.7 cm × w 53.5 cm × t 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Engebrechtsz.

Louvre museum, Paris, France.The Virgin and child surrounded by two angels, Sainte Rose and Saint Catherine of Alexandria.painting on panel, about 1490-1495.

The Holy Night by Correggio (1489-1534) State Art Gallery, Dresden 1527-1530 Oil on wood 256,5x188 Italy, Parmese School Renaissance Bible Painting

Men walking by Altobello Melone, Oil on wood, circa 1516, circa 1490-before 1543, United Kingdom, London, National Gallery, 145,5x144

Artist: Ludovico Brea, Italian, ca. 1450-1522/25, TheVisitation, ca.1500, Tempera and gold on panel, 25.7 × 42.5 cm (10 1/8 × 16 3/4in.), Italian, 15thcentury, Paintings

The Virgin and Child Surrounded by Two Angels, Saint Rose and Saint Catherine Pietro Perugino (ca.1450-1523 Italian) Oil on wood Musee du Louvre, Paris, France

interiors of Raphael rooms, Vatican museum, Vatican VATICAN CITY, VATICAN, JUNE 15, 2015 : interiors and architectural details of Raphael rooms in Vatican museum, june 15, 2015, in Vatican city, Vatican Copyright: xZoonar.com/patrickxmichelettix 17111963

Anonymous (Copy after Correggio (Antonio Allegri)) / 'The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus'. Mid-XVIcentury. Oil on walnut panel. Museum: Museo del Prado, Madrid, España.

Epiphany. Date/Period: Ca. 1520. Painting. Oil on wood. Height: 370 mm (14.56 in); Width: 278 mm (10.94 in). Author: UNKNOWN.

COECKE VAN AELST, Pieter (1502-1550). The Adoration of the Magi. 1529 - 1549. Central panel (87 x 55 cam). Flemish art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Saint Columba Altarpiece, Triptych, Adoration of the Kings, Rogier van der Weyden, circa 1455, Alte Pinakothek, Munich, Germany, Europe

The Holy Family, by Antonio Allegri, known as Correggio (1489-about 1534).

Triptych with the Adoration of the Magi , c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.).

Abruzzo, L'Aquila, Sulmona, Museo Civico, Italy, 20th century, photo, photography, Europe

Andrea Mantegna or Follower (Possibly Giulio Campagnola), Italian (c. 1431-1506), Judith with the Head of Holofernes, c. 1495-1500, tempera on panel

Cupid and Psyche - Palace Green Murals - Psyche entering the Portals of Olympus, 1881. By Sir Edward Burne-Jones and Walter Crane.. A scene from William Morris' epic poem, 'The Earthly Paradise'

Holy Kinship (Detail of Artist and His Family) 1510/12 Lucas Cranach the Elder (1472-1553 German) Akademie der Bildenden Kunste, Vienna, Austria

LA MUJER ADULTERA - SIGLO XVII - BARROCO FLAMENCO. Author: ANTON VAN DYCK. Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN. JESUS.

Ecce Homo Triptych, portraits of founder on the wings. Heemskerck, Maerten van (1498-1574), painter

El Descendimiento de la cruz. Date/Period: Finales del siglo XV ó principios del XVI. Painting. Oil on panel. Height: 98 cm (38.5 in); Width: 65 cm (25.5 in). Author: COLIJN DE COTER.

Salome Asking Herod for the Head of Saint John the Baptist. Date/Period: 1455/60. Painting. Tempera on panel Tempera on panel. Height: 691 mm (27.20 in); Width: 360 mm (14.17 in). Author: GIOVANNI DI PAOLO.

The Agony In The Garden C.1465 Giovanni Bellini (ca.1430-1516 Italian) Oil On Wood Panel National Gallery, London, England

Lamentation Of Christ Taken Down From The Cross by Joos van Cleve, 1525, France, Paris, Musee du Louvre

Saint Jerome (San Girolamo), by Giovanni Battista Cima known as Cima da Conegliano, 1490-1495, 15th Century, oil () on board, 37 x 30 cm

Martyrdom of Saint Bartholomew, Calvary and Death of Saint Mary Magdalene. Date/Period: From 1465 until 1480. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 2,433 mm (95.78 in); Width: 1,462 mm (57.55 in). Author: JAUME HUGUET.

Noli Me Tangere Fra Bartolommeo (1472-1517 Italian) Musee du Louvre, Paris

Basilica of Santa Maria Novella, Florence, Italy FLORENCE, ITALY, OCTOBER 26, 2015 : interiors and architectural details of Santa Maria Novella basilica, october 26, 2015 in Florence, Italy Copyright: xZoonar.com/patrickxmichelettix 17483400

The Coronation of the Virgin, detail from the central panel from the Pesaro Altarpiece, 1475, by Giovanni Bellini (1431-36 - 1516), oil on canvas, 262x240 cm.

Madonna del Magnificat by Sandro Botticelli, Tempera on panel, 1483, 1445-1510, Italy, Florence, Galleria degli Uffizi, 118x118

Daniel interprets Nebuchadnezzar's Dream 1815-83 Franz von Hauslab the Younger Austrian. Daniel interprets Nebuchadnezzar's Dream 382751 Artist: Franz von Hauslab the Younger, Austrian, Vienna 17981883, Daniel interprets Nebuchadnezzar's Dream, 181583, Watercolor, gouache, and traces of graphite. Black pen and ink border added when laid on blue mount., image: 16 x 12 1/16 in. (40.6 x 30.7 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1953 (53.600.3520)

Museum of the st. martin basilica: st peter of verona by palma il vecchio, 1526, alzano lombardo, Italy

The Judgment of Solomon, c. 1530. Dirk Vellert (Netherlandish, 1480/85-1547). Pot metal, white glass, and silver stain; overall: 69.3 x 46.4 cm (27 5/16 x 18 1/4 in.).

The Agony in the Garden. Unknown

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Allegory of Pistoia. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari.

Stefan Lochner (ca. 1410-1451). German painter. International Gothic period. The Presentation in the Temple (front panel), 1447. Tempera and oil () on panel. Calouste Gulbenkian Museum. Lisbon, Portugal. Author: Stefan Lochner (ca.1410-1451). German painter.

Jacob Returning to Canaan with Rachael and Leah Pursued by Laban, c. 1525. North Netherlands, 16th century. Pot-metal and white glass, and silver stain; overall: 71.1 x 50.3 cm (28 x 19 13/16 in.).

Altarpiece showing the Virgin and Child; with Saints George and Catherine of Alexandria; and a Putto c. 1520 Oil on canvas Domenico Campagnola Italian active Venice and Padua Born c. 1500; died 1564

Bernardino da Asola (1490-1535) National Gallery, London Painting 109x160,6 Bible The Adoration of the Shepherds

Fabriano (Italia; Marche, provincia di Ancona), Oratorio della Carità, ciclo di affreschi di Filippo Bellini (raffigurazione di Opere di Carità Spirituale e Carità Materiale). IGNORANTES DOCERE Insegnare agli ignoranti, lato sinistro

Archangel Gabriel by Orazio Samacchini, oil on canvas, 1560s, 1532-1577, Russia, Tula, State Art Museum, 102x82

Deposition from the Cross, detail from the Altarpiece of the Annunciation, 1503-1507, by Filippino Lippi (1457-1504) and Pietro Vannucci, known as Perugino (ca 1480-1523), tempera on wood, 334x225 cm.

Girolamo Imparto (1550-1607). Italian painter working in a late-Renaissance or Mannerist. Circumcision, 1606. Oil on canvas. Museum of Capodimonte, Naples, Italy.

Illustration of Saint Catherine of Alexandria by Bernaert van Orley, oil on wood, 1488-1541, Ukraine, Kiev, Museum of Western and Oriental Art, 135, 5x102,

Madonna and Child with Saint Anthony Abbot and Saint Sigismund. Dated: c. 1490/1495. Dimensions: overall: 158.5 x 142 cm (62 3/8 x 55 7/8 in.) framed: 194 x 178.4 x 12.7 cm (76 3/8 x 70 1/4 x 5 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NEROCCIO DE' LANDI.

The Birth of the Virgin (Scenes from the Life of the Virgin) by Sano di Pietro (1406-1481) / Museo Civico Archeologico e d'Arte Sacra Palazzo Corboli Asciano / 1437-1439 / Italy, School of Siena / Tempera on panel / Bible / 222x172,5

LATERAL EL TRIPTICO DE LAS TENTACIONES DE SAN ANTONIO - SAN ANTONIO Y LA REINA DE LOS DIABLOS - 1505-1506 - OLEO/TABLA - 131,5 x 53 cm. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MUSEO DE ARTE ANTIGUO. LISBOA. PORTUGAL. Anthony the Great.

Martyrdom of Saint Justina. Date/Period: From 1570 until 1575. Painting. Oil on canvas. Height: 103 cm (40.5 in); Width: 113 cm (44.4 in). Author: PAOLO VERONESE.

Madonna of Victory, 1496, by Andrea Mantegna (1431-1506), tempera on canvas, 280x166 cm.

The Rest on the Flight into Egypt', by Bernaert van Orley , 16th century.

New Testament. Jesus before Herod. Painting by Andrea Meldolla called the Schiavone (around 1520-1563). Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Francesco Pesellino (1422-1457). Italian painter. Stigmata of St. Francis. 1440-1445. Louvre Museum. Paris. France. Renaissance.

Frei Carlos. Portuguese Renaissance painter, active between 1517 and 1540. The Assumption, 1520-1530. Detail. National Museum of Ancient Art. Lisbon, Portugal. Author: Frei Carlos. Portuguese Renaissance painter. Active from 1517 to 1540.

Appearance of Angel by Jacopo Bassano il Vecchio, oil on copper, circa 1510-1592, 16th century, Venetian School, Ukraine, Sevastopol, Kroshitsky Art Museum, 54x42

Joseph's death by Giuseppe Maria Crespi, Oil on canvas, circa 1712, 1665-1747, Russia, St. Petersburg, State Hermitage, 234, 5x187

Triptych. 1388. (Agnolo Gaddi 1350 Florence - 1396 Florence)

Bliżej Kultury Publisher of A.E. Seemann in Leipzig, Dürer, Albrecht (1471 1528)

Achilles among the Daughters of Lycomedes; Pietro Paolini, Italian (Lucchese), 1603 - 1681; about 1625 - 1630; Oil on canvas; Unframed: 127 x 203.2 cm (50 x 80 in.), Framed: 150.5 x 218.8 x 10.2 cm (59 1/4 x 86 1/8 x 4 in.)

The funeral of Saint Stephen, by Filippo Lippi (1406-1469), fresco. Choir of the Cathedral, Prato.

Painting titled 'The Continence of Scipio'. Painted by Karel van Mander (1548-1606). Dated 17th Century

LA SAMARITANA - 1496/1504 - 24x17cm - PINTURA FLAMENCA. Author: JUAN DE FLANDES (1465-1519). Location: LOUVRE MUSEUM-PAINTINGS. France.

Sébastien Louis Guillaume Norblin (1796-1884). "Sketches for the Saint -Gervais and Saint -Louis -en -l'Ile churches: Prudence - Justice - Force - Temperance - The Seven Works of Mercy". Oil on canvas in the upper part, oil on paper laminated in the lower part. 1843-1868. Museum of Fine Arts of the City of Paris, Petit Palais. Female allegory, Christian art, religious art, sketch, allegorical figure, Christian iconography, religious iconography, allegorical character, oil on canvas

A wall painting in the Doges Palace.

The Middelburger Altar, Rogier van der Weyden, circa 1445-1450, Gemaldegalerie, Berlin, Germany, Europe

Tomb; unknown, Goltzius, Hendrick (1558-1617); 19th century (1801-00-00-1900-00-00);Kolasiński, Wojciech (1852-1916), Kolasiński, Wojciech (1852-1916)-collection, folding to the grave (iconogr.), Copies, Dutch painting, graphic prototype, purchase (provenance)

A Scene from the Story of Tobit. Artist: Henri Lehmann (French, Kiel 1814-1882 Paris). Dimensions: 7 1/16 x 6 5/16 in. (17.9 x 16 cm). Date: ca. 1834-82. Museum: Metropolitan Museum of Art, New York, USA.

Agostino da Casanova. Italian painter documented in Liguria from 1523 to 1564. Simon the Zealot and John the Evangelist. Panel of a polyptych. Oil on panel. Ala Ponzone Civic Museum, Cremona, Italy.

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Pietro Vannucci detto Il Perugino, Annunciazione, olio su tavola, 1488-89

Birth of Achilles, by Anonymous artist, 16th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Stanza di Achille. Whole artwork. Birth newborn Achilles mother Thetis goddess bed canopy maid wet-nurse maid servants floor squares perspective white red brown

Pinturicchio, Bernardino (1454-1513) National Gallery, London Painting 56,5x38,1 Bible Saint Catherine of Alexandria with a Donor

Mary (leyden lucas van; around the year 1489 suffer suffer-1533) with the child and engeln. About 1520

The Holy Trinity, Donors and Patron Saints, unknown artist, circa 1480, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

Martyrdom of Saint Sebastian, Sebastiano (c. 288 in Rome) a Roman soldier. He has been venerated as a martyr and saint in the Catholic and Orthodox churches since the 4th century, digitally restored reproduction from an original of the time

Histories of Alexander, by Francesco de Mura (1696-1784), painting, Royal Palace, Turin, Italy.

GRECO, EL. ( DOMINICOS THEOTOKOPOULOS ). PINTOR CRETENSE. 1541-1614. " SALUTACION DEL ANGEL " OLEO SOBRE LIENZO. MUSEO CAMON AZNAR . ZARAGOZA.

Virgin of the Rose Garden; about 1475-80; Oil on oak panel Master of the Saint Lucy Legend; Netherlandish; active about 1480-1510

Trivulzio Madonna Oil on canvas,1497, Castello Sforzesco, Museo Civico dArte Antica, Milan, by Andrea Mantegna (c. 1431 September 13, 1506) Italian Renaissance painter

"Wing from an altarpiece showing the Adoration of the Magi c. 1504 Oil on panel Master of the Morrison Triptych, Netherlandish"

The Ascension, panel of the Triptych in the Uffizi with the Ascension, the Adoration of the Magi and the Circumcision, 1463-1464, by Andrea Mantegna (1431-1506). Tempera on wood, 86x161.5 cm.

Saints Paul and Peter. Date/Period: Ca. 1427-28. Painting. Tempera and tooled gold on panel with vertical grain Tempera and tooled gold on panel with vertical grain. Height: 1,143.76 mm (45.02 in); Width: 543.31 mm (21.39 in). Author: MASOLINO DA PANICALE.

CONQUISTA DE MEXICO-BAUTIZO DEL REY DE TEZCUCO COMO FERNANDO-1519-1521-PINTADO EN COBRE- S XVIII. Author: ANONYMOUS. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN. Fernando. TEZTUCO REY.

Gregório Lopes (active 1513-1550) and Jorge Leal (active 1513-1525). Portuguese painters. "The Visitation", 1520-1525. Detail. Oil on oak panel. It belongs to the group of paintings of the altarpiece of Sao Bento, from the convent of the same name in Lisbon, where it comes from. Originally it was in the Convent of Sao Francisco da Cidade, Lisbon. National Museum of Ancient Art. Lisbon, Portugal.

Francisco Bayeu y Subías / 'Saint John Evangelist', 1771, Spanish School, Oil on canvas, 58 cm x 58 cm, P02486. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Spring 1480, Spring, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record date not stated

A pencil and cover color drawing by Edward Jakob von Steinle from 1885 depicting Dante with the women of Ravenna, emphasizing figures, gestures, and composition.

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