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Renaissance Religious Art

Triptychs and classic compositions centered around sacred themes, illustrating key religious figures and narratives in vibrant detail.

Murder of children at Bethlehem by Ludovico Mazzolino, oil on wood, 1530, 1480-1528, School of Ferrara, Holland, Amsterdam, Rijksmuseum, 31x38
Murder of children at Bethlehem by Ludovico Mazzolino, oil on wood, 1530, 1480-1528, School of Ferrara, Holland, Amsterdam, Rijksmuseum, 31x38
166 assets in this story
4409-17418272
The Nativity. Artist: Antoniazzo Romano (Antonio di Benedetto Aquilio) (Italian, Rome 1435/40-1508 Rome). Dimensions: 11 1/2 x 26 1/2 in. (29.2 x 67.3 cm). Date: 1480s.This work was painted about 1482--when a team of Florentine and Umbrian painters were decorating the walls of the Sistine Chapel. Antoniazzo, a native of Rome, responded especially to the presence of Perugino and Ghirlandaio. He sets his depiction of the nativity--one of three scenes from the base (predella) of an altarpiece--in a landscape suggestive of Lazio, the region around Rome. Museum: Metropolitan Museum of Art, New York, USA.
6145-58998244
François-Alfred Delobbe (1835-1920). "Family". Sketch for the town hall of the 15th arrondissement of Paris. Oil on canvas. 1884. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, Official art, family, allegorical figure, generation, town hall, mother and child, naturalism, parent and child, pere and child, allegorical character, tenderness, virtue, 19th XIX 19th 19th 19th 19th century, 15th xve XV 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15th 15 District, oil on canvas
4435-7020
LUINI, Bernardino (1480-1532). The Gathering of the Manna. 1520-1523. Piece of the oil on canvas, formerly a wall painting. Renaissance art. Quattrocento. Fresco. ITALY. LOMBARDY. Milan. Pinacotheca of Brera. Proc: ITALY. LOMBARDY. MILAN. Milan. Villa Labia alla Pelluca.
4409-5464
Italian school. Agony in the Garden. 1431. London, National Gallery. Author: ANDREA MANTEGNA (1431-1506). Location: NATIONAL GALLERY. LONDON. ENGLAND. JESUS.
463-283308
Albrecht Drer / The Birth of Christ
900-9661
Lot And His Daughters Guido Reni (1575-1642 Italian)
4409-17526299
Triptych with the Last Supper and Donors. Triptych with the Last Supper (centre panel), Adriana van Roon (c. 1450-1527) with St James the Greater (inner left wing), Dirk Pietersz Spangert (c. 1465-1549) with St Mary Magdalen (inner right wing), the coats of arms of Adriana van Roon (outer left wing) and the Spangert house mark (outer right wing). Dating: c. 1525 - c. 1530. Place: Amsterdam. Measurements: support: h 45 cm (centre panel) × w 39 cm (centre panel) × h 45 cm (left wing) × w 20 cm (left wing) × h 45 cm (right wing) × w 18.7 cm (right wing). Museum: Rijksmuseum, Amsterdam. Author: Jacob Cornelisz van Oostsanen (circle of).
4409-17292128
Pedro Núñez del Valle / 'Noli me tangere'. 1630 - 1635. Oil on canvas. Museum: Museo del Prado, Madrid, España.
4443-21179412
Benozzo Gozzoli, Saint Ursula with Two Angels and Donor, Italian, c. 1421-1497, c. 1455-1460, tempera on panel
4409-17573459
'Carrying of the Cross'. Italy, Ferrara, Between 1528 and 1531. Dimensions: 193x306 cm. Museum: State Hermitage, St. Petersburg. Author: Garofalo (Benvenuto Tisi).
6145-48888116
The Last Supper. Simon Bening (Flemish, about 1483 - 1561)
1848-50982298
FLORENCE, TUSCANY/ITALY - OCTOBER 19 : Madonna of the Magnificat painting in the Uffizi gallery in Florence on October 19, 2019
4443-19588755
Artist: Giovanni Baronzio, Italian, Rimini, active ca. 1326-62, The Coronation of theVirgin, ca.1330, Tempera on panel, framed: 119 × 66.5 cm (46 7/8 × 26 3/16in.), Italian,Rimini, 14thcentury, Paintings
4443-19588990
Artist: Ludovico Brea, Italian, ca. 1450-1522/25, Christ among theDoctors, Tempera on panel, unframed: 26.8 × 42.4 cm (10 9/16 × 16 11/16 in.), Not onview, Italian,Liguria, 15thcentury, Paintings
6145-51820133
God the Father with Four Angels and the Dove of the Holy Spirit Giovanni Francesco da Rimini (Italian, ca. 1420-1470). God the Father with Four Angels and the Dove of the Holy Spirit, ca. 1460. Tempera and gold on panel, 18 1/4 in. (46.4 cm).  The artist, born and trained in Padua, reveals his Northern Italian origin in his intensely linear style, focused in particular on the decorative qualities of Gods curling hair and beard. This circular panel, or tondo, was part of a larger multi-panel work, and was most likely placed above an Annunciation, the scene representing the Virgin at the moment the angel Gabriel announces that she will conceive. Here, God the Father releases the dove of the Holy Spirit, often depicted above Annunciations. The panel shows the characteristic fifteenth-century tension between the traditional flat gold ground, against which figures are compressed, and the three-dimensional space suggested by the flying dove, which is rendered in perfect perspective. Europea
4409-17219360
Antoni Viladomat y Manalt / 'José en la prisión', S. XVIII, Óleo sobre lienzo.
4042-17082618
The Penitence of Saint Jerome, Joachim Patinir, circa 1512-1515, Metropolitan Museum of Art, Manhattan, New York City, USA, North America
4409-17572796
'Meeting of Joachim and Anne near the Golden Gate'. Italy. Dimensions: 82,5x62,5 cm. Museum: State Hermitage, St. Petersburg. Author: BERNARDO CAVALLINO.
1848-78927298
The Presentation of the Lord in the Temple, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown
1746-19659668
Hugo van der Goes The Portinari triptych (middle panel) 1476-78
4266-21643411
Judith Returns from the Enemy Camp at Bethulia, Botticelli, Sandro (1445-1510)
4409-23409
Martyrdom of Saint Cosmas and Saint Damian - 1438-1440- 37,3x46,1- Saint Marco Alterpiece. Author: FRA ANGELICO. Location: LOUVRE MUSEUM-PAINTINGS. France. SAN COSME. SAN DAMIAN. LISIAS.
1899-17835025
Italian Renaissance Piero della Francesca. 1416-17 - 1492. Pala di Brera or Pala di Montefeltro. tempera and oil on wooden boards. 1472 - 1474. cm 251 x 173.
1788-27524
Story of Caesar, Savoy manufacture 18th century tapestry, 1750-56, based on a cartoon by Claudio Francesco Beaumont (1694-1766).
4266-21626
Giorgio Vasari with his wife Niccolosa Bacci by Vasari, Giorgio (1511-1574)/ Badia delle Sante Flora e Lucilla e una chiesa, Arezzo/ c. 1565/ Italy, Florentine School/ Oil on canvas/ Mannerism/ Portrait
1848-50982128
St. Francis throws himself into a rose bush, fresco by Tiberio d'Assisi, 1512, Renaissance, Capella delle Rose, Convent San Fortunato, Montefalco, Province Perugia, Umbria, Italy, Europe
4453-1038
Andrea Mantegna; Italian; lsola di Carturo 1430/31-1506 Mantua; The Adoration of the Shepherds; Tempera on canvas.side; and transferred from wood to canvas
4409-17353345
Archangel Gabriel; The Virgin Annunciate. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Left wing: 34 1/2 x 11 5/8 in. (87.7 x 29.5 cm), painted surface 34 x 11 in. (86.4 x 27.9 cm); right wing: 34 1/2 x 11 3/4 in. (87.6 x 30 cm), painted surface 34 x 11 1/8 in. (86.4 x 28.3 cm). Date: ca. 1510.Gerard David painted in Bruges all his life. Where he trained is unknown, though his early works show the influence of his northern Netherlandish roots, and of the art of Hugo van der Goes and Dieric Bouts. These two Annunciation panels, along with the depictions of the Passion that decorated their reverses (1975.1.119), originally formed the movable wings of an altarpiece. When the wings were closed, the Archangel Gabriel and the Virgin Annunciate were shown. When opened, on certain feast days, the Christ Carrying the Cross and the Resurrection would have been displayed, flanking a central image, perhaps the Lamentation. Characteristic of David's mature style
7155-70381440
Pieta by Veronese, Hermitage, 1528-1588, Italy.
1746-3196
The Rest on the Flight into Egypt (Detail) Joachim Patinir (1480-1524 Flemish)
4409-62749535
Pieter Kempeneer / 'Angels'. 1550. Oil on panel. Museum: Museo del Prado, Madrid, España.
6145-59078615
Plaque;  2 after. 18th century (1750-00-00-1799-00-00);
866-5219
Lot And His Daughters Lucas Cranach the Elder (1472-1553 German) Oil On Panel Christie's Images, London, England
4443-21196174
The Crucifixion; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5/8 x 4 1/2 in.)
900-836
Return of Ulysses to Penelope: From "The Odyssey" C.1509 Pintoricchio (c.1454-1513 Italian) Fresco National Gallery, London, England
4443-21945284
Adoration of the Magi; Andrea Mantegna (Italian (Paduan), about 1431 - 1506); Italy; about 1495 - 1505; Distemper on linen; 48.6 × 65.6 cm (19 1,8 × 25 13,16 in.)
1788-44965
Mary of Magdala (Mary Magdalene), detail from Dinner at the Pharisee's house or Dinner at Simon's house, 1570, by Paolo Caliari known as Veronese (1528-1588), oil on canvas, 275x710 cm.
4409-108638
Robert Campin / 'Saint John the Baptist and the Franciscan Heinrich von Werl', 1438, Flemish School, Oil on panel, 101 cm x 47 cm, P01513. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
6176-67062143
Suffer the little children, (19th century). Artists: Weenix, N v d Linden.
4409-10356
LA REFECCION DE SAN FRANCISCO. Author: FELIPE GIL DE MENA (1603-1673). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SAN FRANCISCO DE ASIS. SANTO DOMINGO DE GUZMÁN (1170-1221).
6145-29755203
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families ca. 1449 Giovanni di ser Giovanni Guidi (called Scheggia) Italian This commemorative birth tray (desco da parto) celebrates the birth of Lorenzo de' Medici (1449-1492), the most celebrated ruler of his day as well as an important poet and a major patron of the arts. Knights extend their hands in allegiance to an allegorical figure of Fame, who holds a sword and winged cupid (symbolizing celebrity through arms and love). Winged trumpets sound Fame's triumph. Captives are bound to the elaborate support. The three-colored ostrich feathers around the rim are a heraldic device of Lorenzo's father, Piero de' Medici. Painted by the younger brother of Masaccio, it was kept in Lorenzos private quarters in the Medici palace in Florence. (reverse of birth tray)The armorial device is that of Lorenzo de Medicis father, Piero de Medici: a diamond ring with three ostrich feathers and a bande
1788-44760
Abraham banishes Hagar, 1657, by Guercino (1591-1666), oil on canvas, 115x154 cm.
4409-130724
Eugène Delacroix / 'Hamlet and Horatio in the Graveyard', 1839, Oil on canvas, 81 x 65 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.
4409-17561409
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper. French (Picardy). Date: 1475-1485. Dimensions: Panel: 117.2 × 50.9 cm (46 1/8 × 20 in.); Painted Surface: 115.6 × 49.7 cm (45 1/2 × 19 9/16 in.). Oil on panel. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: French school.
1899-18305750
Le Chant D'Amour, Burne-Jones, Sir Edward Coley, 1873.
4435-7100
SANCHEZ COELLO, Alonso (1531-1588). Saint Sebastian between Saint Bernard and Saint Francis. 1582. Mannerism art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.
1746-111317970
Painting of a noble family sat around a table with a view of the sea visible through the window. By Lorenzo Lotto (1480 - 1557) Northern Italian painter, draughtsman, illustrator, and member of the Venetian School. Dated 1512.
4409-17572266
'Assumption of the Virgin (copy of the plafond in Parma)'. Italy. Dimensions: 87,5x82 cm. Museum: State Hermitage, St. Petersburg. Author: ANTONIO DA CORREGGIO.
4409-58208159
Augustine of Hippo (354-430). Christian theologian and philosopher. Saint Augustine. Portrait by El Greco (Doménikos Theotokópoulos) (1541-1614), ca. 1595-1600. Oil on canvas. From the Parish Church of San Nicolás de Bari, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco (1541-1614). Spanish painter born in Crete.
4409-21512265
Altarpiece Virgin of the Angels, Circa 1385. Detail of an angel playing muisc. Tempera and gold leaf on wood. 195.8 x 131 x 11 cm. Museu Nacional d'Art de Catalunya. Barcelona. Author: Pere Serra.
4409-44758
ARTE S. XVIII. ESPAÑA. CASTILLO, José del (Madrid, 1737-1793). Pintor español formado en las tendencias decorativas barroquizantes de Giacquinto. Destacó por reflejar con su obra las costumbres madrileñas. "VENDEDORA DE ROSQUILLAS". Museo Municipal. Madrid.
463-283343
N. Poussin / Adoration of the Shepherds
4443-20258094
Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe
1788-47864
The healing of Pietro de Ludovici, ca 1501, by Gentile Bellini (1429-1507), tempera on canvas, 369x259 cm.
6176-67065299
Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar
4266-20010423
Pieta by Weyden, Rogier, van der (ca. 1399-1464) / Museo del Prado, Madrid / c. 1450 / The Netherlands / Oil on wood / Bible / 46,8x34,5 / Early Netherlandish Art
6145-59286222
Salome with the Head of John the Baptist, Jacob Cornelisz van Oostsanen, 1524 painting Salomé with the head of John the Baptist on a large round pewter dish. Standing under an arc, in the distance a landscape with farms on a river. Amsterdam panel. oil paint (paint)  the head of John the Baptist on a platter
4409-17216565
San Simón. Museo del Hospitalet de Llobregat. Author: MANUEL TRAMULLES.
4409-19126341
Pieter Coecke van Aelst (1502-1550). Flemish painter. Triptych of the Descent from the Cross. Central panel: Descent from the Cross, c. 1540-1545. Oil on oak panel. From the Convento dos Remédios, Lisbon. National Museum of Ancient Art. Lisbon, Portugal.
4409-107358
Amico Aspertini; Guido Aspertini / 'The Continence of Scipio', 1496, Italian School, Oil on panel, 46 cm x 157 cm x 1,9 cm, P00525. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
3815-398588
The Deposition 1438-1445 Fra Angelico (ca.1395-1455 Italian) Fresco Museo di San Marco, Florence, Italy
4409-3505
'Extracting the Stone of Madness', ca. 1490, Oil on panel, 48,5 cm x 34,5 cm, P02056. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.
4409-59816
Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Nativity, 1470-75. Tempera on panel. National Gallery. London. England. UK.
4048-21183664
Ill-Matched Lovers, by Quentin Massys, 1520-25, Netherlandish painting, oil paint on panel. The old man's lust for a young woman blinds him to her deception, as she passes his purse to the fool at left (BSLOC_2016_6_121)
4409-17451810
The Crucifixion. Dated: c. 1473/1474. Dimensions: overall (diameter of painted surface): 60 x 63.2 cm (23 5/8 x 24 7/8 in.) framed: 102.9 x 102.2 x 8.9 cm (40 1/2 x 40 1/4 x 3 1/2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DEL COSSA.
475-2541
Heart Of The Rose  Edward Burne-Jones (1833-1898 British) Roy Miles Gallery, 29 Bruton St., London W1 *ADDRESS MUST BE INCLUDED IN CREDIT!
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