River and Village Scenes

Artistic representations and etchings of serene river landscapes and quaint village life, capturing the essence of natural beauty and tranquility.

Knows highlander banks; Bart Omiejczyk, Edmund Ludwik (1885-1950); after 1945 (1945-00-00-1950-00-00);

The Young Waltonians. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1840. Dimensions: 297 × 420 mm (image); 412 × 496 mm (sheet). Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Little Barge, Chelsea 1888-1889 England. Etching in black on cream laid paper . Theodore Roussel

The Canal d'Eu (near Tréport). Gustave Leheutre; French, 1861-1932. Date: 1898. Dimensions: 166 × 244 mm (image/plate); 217 × 282 mm (sheet). Etching, drypoint and plate tone on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francis Seymour Haden, 1818-1910, British, By Twickenham, 1865. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper.

Village view, Jakob Smits, 1865 - 1928 print paper. chalk village

Knows highlander banks; Bart Omiejczyk, Edmund Ludwik (1885-1950); after 1945 (1945-00-00-1950-00-00);

San Biagio 1880 United States. Etching and drypoint with foul biting in brown ink on off-white laid paper . James McNeill Whistler

Mill on the water. Three figures in a boat on the water at a mill.

On the Test. Francis Seymour Haden; English, 1818-1910. Date: 1854-1864. Dimensions: 150 × 222 mm (plate); 185 × 248 mm (sheet). Etching with drypoint on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Return from the Market Made 1911 France. Etching on cream laid paper . Louis Auguste Lepère

Auguste Lepère, Arrivee au Marche Arrivee au Marche

Savoy Pigeons 1896 James McNeill Whistler American. Savoy Pigeons 372950

Town on a river, Jan Weissenbruch, 1832 - 1880 drawing prepared paper. ink pen / brush prospect of village, silhouette of village

Seymour-Haden, Francis (Sir), England, Old Chelsae, Old Chelsea Church, Chelsea on the Thames, verso lower left - stamped, The River Thames, with the church and houses of Chelsea on the opposite bank. On the right in the foreground a man in a sailing ship., print, prints, height 113 mm, width 242 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1865 - 1865, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Pont marie in pairs, state and; Pankiewicz, Józef (1866-1940); around 1903 (1902-00-00-1904-00-00);France (state), young Poland (style), Paris (France), Seine (France- river), Wydżga, Bohdan (1858-1933), Wydżga, Bohdan (1858-1933)- dedication for, Przie, Bohdan (1858- 1933) - collection, dedications, French (culture), Polish graphics, bridges (archite.), State prints, city landscapes, Poland (culture), purchase (provenance)

La ferme de Brieux (effet d'orage) , Farms, Storms, Alphonse Legros (1837-1911)

Saltash, Cornwall, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (earlier)

The TinyPool. Artist: James McNeill Whistler, American, 1834-1903

George Hendrik Breitner, Scene in a Dutch City with Pile Driver in Foreground Scene in a Dutch City with Pile Driver in Foreground

Chelsea. James McNeill Whistler; American, 1834-1903. Date: 1878-1879. Dimensions: 133 x 207 mm (plate); 226 x 312 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Francis Seymour Haden, 1818-1910, British, Windmill Hill, no. 1, 1877. Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper.

The Hague, Weissenbruch, Jan, View of the Schenkweg from the Koepel, verso left - stamped, Two men, possibly members of the Haagsche Etsclub, are standing on the Haagse Schenkweg. On the left a stream flows and on the right some trees can be seen., print, prent, prints, prenten, height 91 mm, width 138 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, prentmaker, 1849 - 1849, paper, papier, chine collé, etching, etsen

Ye compleat angler , Mills, Fishermen, Fishing. Francis Seymour Haden (1818-1910). Prints and Drawings

Venice. Whistler, James McNeill (1834-1903). 1879 - 1880. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Basement on a quay, Gerrit Haverkamp, 1898 print On the left a wheelbarrow. On the right a tree. In the foreground water. paper etching housing. quay

Schuitje on the Waterkant, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print View of a river landscape where a boat with two figures lies on the waterfront. In the background a mill and the contours of a church. Utrecht paper. etching / drypoint river. windmill. church (exterior). rowing-boat, canoe, etc.

Village view of 's Gravenmoer, Jan Veth, 1874 - 1925 drawing 's Gravenmoer paper. chalk prospect of village, silhouette of village 's Gravenmoer

Windsor. Francis Seymour Haden; English, 1818-1910. Date: 1878. Dimensions: 330 × 445 mm (image/plate); 462 × 575 mm (sheet). Etching on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Piguet, Rodolphe (n.1840-02-06-D.1915-10-17), edges of the Marne (main title), 1900. Etching and dry tip on Japan paper .. Petit Palais, Museum of Fine Arts of the city of Paris.

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Öster-Lövsta sn., Lövsta Nordic

Scheepswerf, Henri Wouters, 1876 - 1889 print paper. etching / drypoint shipyard, shipdock

Visit of the Queen of Seba, Marius Bauer, 1901 print The Queen of Seba is brought to King Solomon on a portable. Her consequence carries gifts, including an elephant and two leopards. Solomon runs a staircase towards the queen with open arms. On the right in the foreground, people kneel before her. paper etching Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Farmyard with a hayiness and two carts.Leaf 7 recto from a sketchbook with 39 sheets.

Brick-works (La Briqueterie). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Mill and farms on the water, Carel Lodewijk Dake, 1887 print paper drypoint windmill in landscape

Bridge, Bass Rocks. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Image: 6 5/8 × 12 1/8 in. (16.8 × 30.8 cm)Sheet: 10 5/8 × 15 3/16 in. (27 × 38.6 cm). Date: August 17, 1918. Museum: Metropolitan Museum of Art, New York, USA.

Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784, after Nicolle). Artist: Charles Meryon (French, 1821-1868); After Victor Jean Nicolle (French, Paris 1754-1826 Paris). Dimensions: plate: 5 5/16 x 9 3/8 in. (13.5 x 23.8 cm). Date: 1855. Museum: Metropolitan Museum of Art, New York, USA.

a. Two Bridges b. FishingBoat. Artist: Adolphe Appian, French, 1819-1898

View of Rouen, 1884. Camille Pissarro (French, 1830-1903). Etching and soft-ground etching;

Charles Westwood, Active 1819-1838, Hampton Court Palace, 1827-1838. Line engraving, first published state.

River View in Italy. Artist: Gaspar Adriaensz. van Wittel (Dutch, Amersfoort 1652 or 1653-1736 Rome). Dimensions: sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm). Date: mid-17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Polling recto. Dated: late 19th century. Dimensions: image (irregular): 30.48 × 22.54 cm (12 × 8 7/8 in.) sheet: 33.97 × 25.4 cm (13 3/8 × 10 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Walter Shirlaw.

William Radclyffe, 1780-1855, British, Salisbury, Wiltshire, 1827-1838. Open etching.

Une moria a Bordiquier (Italie). Dated: 1873. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

Boats at a city wall, Jan Izaak van Mansvelt, 1771 - 1802 print A city wall with a tower on the water, on which many boats. Two men push their boat left in the foreground. Netherlands paper etching rowing-boat, canoe, etc.. ships (in general). city-walls

Auguste Louis Lepère (French, 1849 - 1918). Les Bords de la Seine, . Etching. Third state.

Harbor face in Boulogne-sur-Mer, Donald Shaw Maclaughlan, 1902 print Face too Boulogne-sur-mer with ships and smaller boats that are dry with low tide. In the foreground a group of figures. France Japanese paper (handmade paper) etching harbour. ships, boats on land, beached Boulogne-sur-Mer

Sunset on the Thames; Sunset on the Thames. Two boats on the River Thames, during sunset. Under the print a text with pencil by Seymour Haden.

Billingsgate , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Laakhaven in The Hague, Willem Adrianus Grondhout, 1888 - 1934 print A woman on a moored living barge. A lamppost on the quay next to the barge. Left in the background the silhouette of a city. paper etching houseboat Laakhaven

The Dock Head. Joseph Pennell; American, 1857-1926. Date: 1904-1905. Dimensions: 217 x 280 mm (image); 262 x 327 mm (sheet). Etching and drypoint on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Matinicus , Piers & wharves. George Bellows (1882-1925). Prints and Drawings

Early Morning, Battersea (Battersea Dawn) (Cadogan Pier) probably 1863 James McNeill Whistler American Whistler here responds to the calm of the Thames at dawn, placing a beached rowboat across the foreground , and small sailboats clustered around a wooden dock at center. Beyond is a wooden ferry terminal on Cadogan Pier and Battersea Bridge extending across the river. Drypoint was combined with etching to create soft effects evocative of misty water under an overcast sky. The was like finished in 1863, and published in 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").. Early Morning, Battersea (Battersea Dawn) (Cadogan Pier) 372528

The Dyer's Boat (Bas-Meudon) ca. 1868 Félix Bracquemond French. The Dyer's Boat (Bas-Meudon) 384651

The 'Adam and Eve,' old Chelsea , Boats, Rivers, Houses, Embankments, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Elle estMorte. Artist: Paul Gavarni, French, 1804-1866

Untitled. Dated: 1886. Dimensions: image: 304 x 456 mm (not including remarque) sheet: 502 x 636 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hendrick Dirk Kruseman Van Elten.

Taneran on the north side, Anonymous, Cornelis de Bruyn (Rejected Attribution), c. 1700 drawing paper. pencil drawing In the. Taneran

Krajobraz z drzewami i wodą. Morgenstern, Carl Ernst (1847-1928), graphic artist

Print, Un Vieux Port de la Normandie (An Old Port of Normandy); France; etching on white mulberry paper; Plate: 29 × 37.7 cm (11 7/16 × 14 13/16 in.) Paper: 31.4 × 40 cm (12 3/8 × 15 3/4 in.); Bequest of George Campbell Cooper; 1896-3-404

Ready to Start. Joseph Pennell (United States, Pennsylvania, Philadelphia, 1857-1926). United States, 1917. Prints; lithographs. Lithograph on MBM paper

Face from the Rokin to the north, Willem Witsen, c. 1911 - c. 1912 print paper etching urban housing. rowing-boat, canoe, etc.. hand-cart. canals, waters (in city) Rock

Print made by Joseph Mallord William Turner, 1775-1851, British, The Evening Gun, ca. 1825. Mezzotint ; engraver's proof d on medium, slightly textured, cream wove paper.

The tank top, railway station, 1894 (dummy title)

The 'Adam and Eve,' old Chelsea , Boats, Rivers, Houses, Embankments, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Drawing by Ferdinand Boberg. Värmland, Gillbergs hd., Stavnäs sn., Sölje Nordic

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a ledge withplanters, Graphite, Wove, 11 × 19.5 cm (4 5/16 × 7 11/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Polling recto, late 19th century, graphite on wove paper, image (irregular): 30.48 × 22.54 cm (12 × 8 7/8 in.), sheet: 33.97 × 25.4 cm (13 3/8 × 10 in.), Walter Shirlaw (artist) American, 1838 - 1909

Village face with Landweg in De Kempen, Frans van Kuyck, 1862 - 1911 print paper etching prospect of village, silhouette of village. road, path. four-wheeled vehicle drawn by one animal Campaign

Chłopcy łowiący ryby. Menzel, Adolph (1815-1905), graphic artist

A sketch from Billingsgate , Sailing ships, Boats, Piers & wharves, Waterfronts. James McNeill Whistler (1834-1903). Lithographs

Little Venice (The Little Venice) James McNeill Whistler American Publisher The Fine Art Society, London British 1879-80

Pont Marie in Para U, Stan V; Pankiewicz, Józef (1866-1940); around 1903 (1902-00-00-1904-00-00);France (state), young Poland (style), Paris (France), Seine (France- river), Wydżga, Bohdan (1858-1933), Wydżga, Bohdan (1858-1933)- dedication for, Przie, Bohdan (1858- 1933) - collection, dedications, French (culture), Polish graphics, bridges (archite.), State prints, city landscapes, Poland (culture), purchase (provenance)

The Louvre, Viewed from the Pont-Neuf, plate thirteen from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 72 × 122 mm (image); 148 × 232 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Une Moria à Bordiquier (Italie), Adolphe Appian, French, 1818 - 1898, Etching on cream paper, A grindstone, operated by a man, stands on a small spit of land bordered by water., France, 1873, Print, Print

Nursemaid and child 1. Whistler, James McNeill (1834-1903). 1859. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Francis Seymour Haden, 1818-1910, British, Dusty Millers, 1877. Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers).

The Towing Path, Print made by Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream antique laid paper, Sheet: 6 3/4 x 9 3/16 inches (17.2 x 23.4 cm), Plate: 5 1/2 x 8 3/8 inches (14 x 21.2 cm), and Image: 5 1/2 x 8 3/8 inches (14 x 21.2 cm), animal art, banks, canal, distance, dog (animal), figures, foliage, hills, landscape, path, reeds, reflections, river, shore (landform), trees, water, East Molesey, England, Europe, Hampton Court, Surrey, United Kingdom

Morning (Le Matin) 1865 Auguste Deltre. Morning (Le Matin). Auguste Deltre (French, Paris 1822-1907 Paris). 1865. Etching and drypoint. Cadart & Luquet (French, active 1863-67). Prints

Grim Spain. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1877. Prints; etchings. Etching and drypoint

Little Wapping (The Little Rotherhithe) 1861 James McNeill Whistler American. Little Wapping (The Little Rotherhithe) 372526

Village scene with carts, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 126 mm × w 210 mm

Savoy Pigeons Made 1896 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Screen of Poplars. Louis Auguste Lepère; French, 1849-1918. Date: 1911. Dimensions: 138 × 187 mm (image); 148 × 193 mm (plate); 212 × 256 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wareham Bridge. Francis Seymour Haden; English, 1818-1910. Date: 1877. Dimensions: 152 × 227 mm (image/plate); 207 × 320 mm (sheet). Drypoint on copper printed on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Ferdinand Boberg. Motala, Nordic

Cottage beside a Canal; View of Ouderkerk. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 5 11/16 x 8 5/16 in. (14.4 x 21.1 cm). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Pencil drawings by Josef Danhauser from 1842 depicting sea and landscape sketches with ships, boats, and detailed rigging elements across multiple levels.

Rindermarkt in Leiden; Liebermann, Max (1847-1935); 1900 (1900-00-00-1900-00-00);Erlot, Henry - collections, Netherlands, Lejda (Netherlands), Osiński Tadeusz (Fl. Ca 1950) - collection, domestic cattle, trade, agriculture, marketplaces, animals

Woman Floating in a River Attended by Several Female Spirits. Dated: c. 1895. Dimensions: overall: 48.1 x 62.6 cm (18 15/16 x 24 5/8 in.). Medium: charcoal with spattering on tan laid paper. Museum: National Gallery of Art, Washington DC. Author: Frederick Trapp Friis.

Ploughman in the Fields near Arles. Dated: 1888. Dimensions: overall: 25.3 x 34.1 cm (9 15/16 x 13 7/16 in.). Medium: reed pen and brown ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: VINCENT VAN GOGH.

Maurice de Vlaminck, La Potinière à Rueil, 1886-1958, lithograph on paper.

River Scene with Boat (Small plate). Henri-Emile Lessore; French, 1830-1895. Date: 1880. Dimensions: 109 × 138 mm (image/plate); 116 × 143 mm (sheet). Drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Vue du Pont des Saints Pères.. 1877. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bridges , France , Paris, Paris (France), Seine River (France)

Artist: Alphonse Legros, French, 1837-1911, Le Soir (Coucher de Soleil) (EveningSunset), Etching and drypoint, platemark: 8.6 × 12.2 cm (3 3/8 × 4 13/16 in.), French, 19thcentury, Works on Paper -Prints

Two rowing boats on the side and a farmer with two cows, Lambert Jacquelart, 1830 - 1910 print paper. etching rowing-boat, canoe, etc.. cow

Repair work on the Steenchuur after the disaster, 1807, Reinier Vinkeles (I), after Hermanus Numan, 1807 print View from the Groenebrug on the repair work in the destroyed area after the gunpowder disaster in Leiden on January 12, 1807. Several boats on the water, on the right you can see a small piece of the boring hall. print maker: Amsterdamafter drawing by: Leidenpublisher: Amsterdam paper etching / engraving gunpowder disaster Rapenburg. Shed

Rijn, Rembrandt van, The Windmill, verso lower left - stamped, print, prints, Rembrandt f 1641, lower right, height 145 mm, width 208 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, papier, etching, etchings ... after own design by" Rijn, design by

Farm. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 105 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

SAFFREY, Henri Alexandre (n. - D.1896), La Berge de la Seine at the Louis -Philippe bridge, 1884 (dummy title), 1884. lead mine. Carnavalet museum, history of Paris.

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