River and Village Scenes

Artistic representations and etchings of serene river landscapes and quaint village life, capturing the essence of natural beauty and tranquility.

Knows highlander banks; Bart Omiejczyk, Edmund Ludwik (1885-1950); after 1945 (1945-00-00-1950-00-00);

Canal St. Martin. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 87 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

Plain. Alphonse Legros; French, 1837-1911. Date: 1880-1890. Dimensions: 118 × 178 mm (plate); 165 × 237 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso bottom center - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible. 'n.20' is printed under the image., print, prints, height 145 mm, width 237 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Skåne, Norra Åsbo hd., Östra Ljungby sn. Stone slip at Mölletofta. Drawing of Ferdinand Boberg Nordic

Fisherman's Quarter Made 1915 France. Etching on cream laid paper . Louis Auguste Lepère

Drawing by Ferdinand Boberg. Gävle, Strömsbro Nordic

Hay on a bank. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 64 mm × w 88 mm. Museum: Rijksmuseum, Amsterdam.

Barge moored at the Schiekade, draughtsman: Adolf le Comte, 1860 - 1921,

At Port Henry IV Charles Jacquin. At Port Henry IV. Pigment process. 1900.

The Laundry between Cannes et Mougins. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1934. Dimensions: 162 × 266 mm (plate); 267 × 340 mm (sheet). Etching and drypoint on white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler, Windsor, No 2, 1887 Windsor, No. 2

Louveciennes, Route de Saint-Germain. Camille Pissarro (French, 1830 - 1903)

The Thames. James McNeill Whistler; American, 1834-1903. Date: 1896. Dimensions: 262 x 195 mm (image); 284 x 222 mm (sheet). Lithotint, in black ink, with scraping, on cream wove proofing paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Victor Hugo (1802-1885). "Charrette to be made". Plume, brown ink wash, purple ink wash. 1871. Paris, house of Victor Hugo. 60600-1 Campaign, cart, cart to mend, drawing, brown ink, violet, 19th 19th 19th 19th 19th 19th century, pen

Pennell, Joseph, work, Mond Gas, Dudley, 1909, line etching, major category: printmaking, 17.5 cm x 28 cm

Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

At 't Spaarne, Philip Zilcken, after Johan Hendrik Weissenbruch, 1867 - 1890 print paper. etching / drypoint river. windmill Spaarne. Haarlem

The Storm 1861 United States. Drypoint in black ink on ivory laid paper . James McNeill Whistler

Paris, Pierron, P., Meryon, Charles, Bain-Froid Chevrier dit de l'école, Chevrier's cold-water bathhouse in Paris and poem, verso center - stamped, The Chevrier cold-water bathhouse was located against the northwestern side of the Pont-Neuf in Paris. In the background in the center is the equestrian statue of Henry IV. In the foreground are men at work. Meryon had a poem printed under the representation using a separate etching plate: Eh oui! voila la LOI ... suprème BAIN-FROID., print, poem, gedicht, prints, enten, SH, recto lower right - handwritten, height 130 mm, width 143 mm, height 52 mm, width 82 mm, height 228 mm, width 169 mm, French, 1821-11-23 - 1868-02-14, print maker, prentmaker, 1864 - 1864, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design of, printer

On theMairie. Artist: Eugène Béjot, French, 1867-1931

The birches at the roundabout and the church of Blaricum ..

Artist: Gustave Adolphe Hoffmann, German, 1869-1945, RainyDay, Etching, sheet: 17.8 × 25.6 cm (7 × 10 1/16in.), Made in Germany, German, 19thcentury, Works on Paper -Prints

Ships at a bridge in a city. Draughtsman: Jacob de Vos (1735-1833). After Herman Saftleven. Dating: 1814. Measurements: h 104 mm × w 91 mm. Museum: Rijksmuseum, Amsterdam.

Three dolphins and a dead crocodile, Jacques Callot, 1646 print Presentation of two adult dolphins and a baby dolphin, who swim near a beach on which is a dead crocodile. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching swimming mammals: dolphin. crocodiles

Gangboard on the Oever, behind it two sailing boats, Willem Bastiaan Tholen, 1870 - 1914 print paper etching lake. sailing-ship, sailing-boat

Five landscape studies; verso: sketch of a composition with three figures, double page from a sketchbook. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Little Calais Pier. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1865. Prints; etchings. Etching and drypoint

The Thames Made 1896 United States. Lithotint, in black ink, with scraping, on cream Japanese paper . James McNeill Whistler

Dock, New York River Artist's working dates 1884-1908 United States. Etching with aquatint in black on cream wove paper . Charles Frederick William Mielatz

View of the Elbe at Altona, with fishing boats and bathers. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 9-Aug-1907. Measurements: h 92 mm × w 141 mm. Museum: Rijksmuseum, Amsterdam.

A Jetty in England Made 1879 France. Etching, aquatint, roulette and drypoint on white wove paper . Félix Hilaire Buhot

Forellenweiher. Stuck, Franz von (1863-1928), graphic artist

William Callow, 1812-1908, British, active in France, Windmill, undated. Graphite on medium, slightly textured, blued white, wove paper.

The Marie Bridge Louis-Simon Boizot (1743-1809). The Bridge Marie. Black color pencil on cream thin paper, 1743-1809.

Landscape with bodies including that of a woman with baby and a king, Jan Stobbaerts, 1848 - 1879 print paper etching king. mother and baby or young child. landscapes (+ landscape with figures, staffage). death of human being

The Wawel Castle. Kowalski, Leon (1870-1937), graphic artist

The Smugglers' Cove Made 1906 United States. Etching in brown on cream laid paper . Donald Shaw MacLaughlan

Sortie de la Maison Cochin. Johann Barthold Jongkind (Holland, Lattorp, 1819-1891). Holland, 1878. Prints; etchings. Etching and drypoint

View of Haarlem from the Dunes. Artist: Jan Hendrik Weissenbruch (Dutch, The Hague 1824-1903 The Hague). Dimensions: sheet: 8 15/16 x 13 in. (22.7 x 33 cm). Date: mid-19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Rainy Night, Charing Cross Station 1886 United States. Etching on ivory laid paper . Joseph Pennell

Ponte Vecchio, destroyed plate Made 1880 United States. Etching on ivory chine mounted on ivory wove paper . Otto Henry Bacher

Emilio Sánchez Perrier (Drafstman) / 'Paris Street on a Rainy Day'. 1880 - 1882. Wash, Pencil, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

L'Estacade Norbert Goenuette (1854-1894). The Estacade. Engraving (Floor).

Traliehek, James Louis Cornet, 1825 - 1882 print A dark room. A little light comes in through a grille fence paper etching metalwork of a door

Peasant Dwelling at Cricey. Charles Émile Jacque; French, 1813-1894. Date: 1843. Dimensions: 39 × 107 mm (image/chine); 49 × 115 mm (plate); 147 × 212 mm (sheet). Etching on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Heerengracht in Amsterdam. Liebermann, Max (1847-1935), graphic artist

'The Seine at the Pont National', 1915. Artist: Auguste Lepere.

Landscape with mills, Jan van Lokhorst, 1858 print Landscape with mills, three figures walk on the road. paper. etching windmill in landscape

Mower Honing a Scythe Made 1878 France. Etching on ivory China paper laid down on white wove paper (China paper collÈ) . Jules Bastien-Lepage

Coal--The Great Incline, Breaker, Mahanoy City. Joseph Pennell; American, 1857-1926. Date: 1908. Dimensions: 205 x 280 mm (image/plate); 230 x 335 mm (sheet). Drypoint with etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Watering Place at the Pont Marie Made 1902 France. Etching on cream laid paper . Louis Auguste Lepère

Below Chestnut St. bridge Philadelphia , Boats, Rivers. Joseph Pennell (1857-1926). Prints and Drawings

Bohuslän, Gravarne. Drawing by Ferdinand Boberg. Bodar, suspended fishing nets, rowing boat. Nordic

. .

The Curved Canal. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 224 x 276 mm (image/plate); 245 x 357 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Camille Pissarro (French, 1830 - 1903), Goose Girl (Gardeuse d'oies), 1888, etching and drypoint

La Meuse aDordrecht. Artist: George Charles Aid, American, 1872-1938

Drawing by Ferdinand Boberg. Södermanland, Oppunda hd., Vadsbro K: a Nordic

Village au bord de l'eau.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Storm. James McNeill Whistler; American, 1834-1903. Date: 1861. Dimensions: 156 x 286 mm (plate); 224 x 344 mm (sheet). Drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Hörmann, Theodor von (1840 1895)

Standard Oil, Staten Island 1909 United States. Etching and drypoint on ivory laid paper . Joseph Pennell

The universal exhibition of 1867 Lalanne. "The 1867 universal exhibition".

We Passed...the Parral. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 256 x 193 mm. Oiled charcoal with erasing and stumping, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Dutch Canal, Rijswijk. Artist: Jacob Maris (Dutch, The Hague 1837-1899 Karlsbad). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Market, Venice Made 1908 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Porte Pouchet (dummy title)

Nocturne , Waterfronts, Rivers, Barges, Boatmen. James McNeill Whistler (1834-1903). Lithographs

Above the Old Bridge, Ipswich, or Little Venice. Artist: Arthur Wesley Dow (American, Ipswich, Massachusetts 1857-1922 New York State). Dimensions: image: 5 x 2 1/4 in. (12.7 x 5.7 cm). Date: ca. 1893-95.Part of a series titled "Along Ipswich River," this upright composition echoes Japanese pillar prints and reflects the artist's study of Hokusai and Hiroshige. Dow was one of the first Americans to master Japanese woodblock printing techniques, wedding an admiration for Oriental aesthetics with an English Arts and Crafts sensibility. He called his woodcuts "color themes," and they demonstrate his devotion to Eastern concepts of line, color, and notan-the balance of light and dark. He executed the entire printmaking process by hand, carving and inking the blocks and then printing them sequentially on damp mulberry paper. In this case he uses a linear key block to pull elements together, but often evokes landscape forms simply by juxtaposing color shapes. Museum: Metropolitan Museum of

Emilio Sánchez Perrier (Drafstman) / 'A Waterwheel, Peasants with Rods and a Cat in Alcalá de Guadaíra (), Seville'. Ca. 1880. Pencil, Black ink, Conté crayon on wove paper. Museum: Museo del Prado, Madrid, España.

City square in rain with carriages, draughtsman: Pieter de Josselin de Jong, 1871 - 1906, paper, h 293 mm × w 443 mm

Bolton Abbey, c. late 1840s-1857. David Cox (British, 1783-1859). Watercolor with black chalk; sheet: 48.8 x 75.4 cm (19 3/16 x 29 11/16 in.). This moody, broadly painted watercolor on rough, brown paper is emblematic of David Coxs late style. Velvety grays and greens throughout the composition shift almost imperceptibly and streaks of blue wash, describing the distant hills and sky, are pierced by a sliver of brilliant yellow at the horizon. The ruined 12th-century priory is relegated to the background, nearly lost in the twilight.

Quiet Canal 1879-80 James McNeill Whistler American. Quiet Canal 372706

Good- bye, PAINTED BY CHARLES NAPIER HEMY, May 24, 1841 - September 30, 1917, was a British painter

The Road from Gaud (La Route de Gaud). Artist: Maxime Maufra (French, Nantes 1861-1918 Poncé). Dimensions: Image: 7 7/8 × 11 1/2 in. (20 × 29.2 cm)Sheet: 16 3/8 × 23 1/8 in. (41.6 × 58.7 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album III. Date: 1893. Museum: Metropolitan Museum of Art, New York, USA. Author: Maxime Maufra.

Mouren, Henri Laurent (n.1844 - D.1926), La Seine au Pont -Neuf during the flood of 1896. (Dummy title), 1896. Musée Carnavalet, Histoire de Paris.

Trafalgar Square with bronze Leeuw in London, Willem Witsen, 1890 print Trafalgar Square with a figure seen on the back. To the right one of the four bronze lions that are at the foot of the Nelsonmonument in London. print maker: Londonprinter: Brussels paper etching public road. square, place, circus, etc.. city-view in general; 'veduta' Trafalgar Square

Houtwerf. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 56 mm × w 118 mm. Museum: Rijksmuseum, Amsterdam.

Tramps. Camille Pissarro; French, 1830-1903. Date: 1889-1899. Dimensions: 225 × 291 mm (image); 282 × 361 mm (sheet). Lithograph in gray-brown on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Mills on a canal, draughtsman: Jan Veth, 1887, paper, brush, h 316 mm × w 222 mm

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Poeticque evening." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101785-19 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Rijn, Rembrandt van, Landscape with square tower, lower left - stamped, print, prints, Rembrandt f 1650, lower right, height 88 mm, width 157 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

St. Julien-le-Pauvre. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1899. Dimensions: 148 x 183 mm (image/plate); 190 x 208 mm (sheet). Etching in black on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Altenberg (ErtsgeGergeigten), Leo Gestel, 1923 print View of the city of Altenberg in Saxony, Germany, from a hill. An ox cart on the hill. The landscape is snowy. paper city-view, and landscape with man-made constructions. ox. snow Altenberg. Echo

Point du Jour, Paris. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1905. Measurements: h 115 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Henri Rivière, The Port of Douarnenez, Brittany, 1911, color lithograph on wove paper.

Edgar Thompson Works, Bessemer. Joseph Pennell; American, 1857-1926. Date: 1909. Dimensions: 280 x 214 mm (image/plate); 334 x 237 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Drawing by Ferdinand Boberg. Västergötland, Kållands hd., Sunnersberg's K: a Nordic

Le retour des artistes (The Return of the Artists). Dated: 1877. Dimensions: plate: 20.7 x 32 cm (8 1/8 x 12 5/8 in.) sheet: 27 x 39.2 cm (10 5/8 x 15 7/16 in.). Medium: etching, aquatint, and roulette in black on thin Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

At Valromay (Ain) , 1868. Adolphe Appian (French, 1818-1898), Cadart et Luce, Editeurs, rue Nve. des Mathurins, 58. Etching; sheet: 31.3 x 49 cm (12 5/16 x 19 5/16 in.); platemark: 13.7 x 23.8 cm (5 3/8 x 9 3/8 in.).

De Baarsjes, face on channel. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 168 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam, Schalekamp, JM, Olivier, MM, Brussels, Bouwens, J., Wijsmuller, Jan Hillebrand, Steelink, Willem (II), Near Amsterdam, Landscape with mills along a canal, verso - stamped, Landscape with mills along a canal near Amsterdam. On the right are some tree trunks in the water., print, prints, height 173 mm, width 217 mm, Dutch, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1888, paper, papier, chine collé, etching, etchings, 1855-02-13 - 1925-05-23, after, after painting by, printer, drukker, Publication (Event), Publicatie, publisher

Our Lady

of 2