Roman Mythological Reliefs

Sarcophagi reliefs representing mythological narratives with figures and scenes from ancient mythology, illustrating artistic detail and storytelling.

Frieze of the Parthenon dated 432 BC

Funerary relief Woman with servant, Attic tombs limestone End 4 century BC Near Idalion

Depiction of Typhon from the pediment of an early temple. Artist: Unknown

Relieve romano del llamado sarcófago de Badminton, que representa el triunfo de Dionisio y las cuatro estaciones. Mármol, c. 260-270. Museum: Metropolitan Museum of Art, New York.

Perugia (Umbria - PG), Major Fountain in Piazza IV Novembre, Nicola and Giovanni Pisano, tiles. In each compartment there are two tiles. The expulsion from Eden

Aimé-Jules Dalou (1838-1902). "Blacksmith". Terracotta, after 1896. Museum of Fine Arts of the City of Paris, Petit Palais. Horse, iron, ferrer, Marechal-Ferrant, Terracotta

Roman sarcophagus, Ostia Antica archaeological site, Ostia, Rome province, Latium (Lazio), Italy, Europe

Relief depicting officials and praetorians

Greek civilization, relief depicting three Muses, attributed to School of Praxiteles, from Mantineia, Greece

Greek Art. Parthenon. 5th century B.C. Marshal looking towards the horseman who overtakes him on the left. West Frieze I. It comes from the Acropolis in Athens. British Museum. London. England. UK.

Apollo and Artemis slaying the children of Niobe. Roman art. 1st century BC. From italy. British Museum. London. England. United Kingdom.

Reconstruction of the east pediment of the Parthenon according to drawing by K Schwerzek (1904) The Parthenon was built on the Acropolis, Athens, Greece in the 5th Century BC.

Greek civilization, Plinth of kouros statue, bas-relief depicting Hoplites, circa 490 BC

Apollo and Vulcan. Dimensions: overall: 4.2 x 4 cm (1 5/8 x 1 9/16 in.) gross weight: 15 gr. Medium: silvered bronze. Museum: National Gallery of Art, Washington DC. Author: Master I. S. A.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Greek art. Classical period. Grave stele. Relief. Funerary banquet scene. The man lying holding in his hand a "Philae" and a boy came from a crater serves. Dated in 400 BC, was found in the Asklepieion (Piraeus). National Archaeological Museum. Athens. Greece.

Sarcophagus of the Muses, from the surroundings of Rome, Italy, circa 150 B.C.

Detail van Het Beeldhouwerk in archivolten van from Middenpoort van de Notre Dame, Parijs detail of an ogive called elected officials / detail of an ogive (middle door), PL. 2; J.B.A. Lassus, E.e. Viollet-le-Duke, Monograph of Notre-Dame de Paris and the new sacristy of MM. Lassus and Viollet-le-Duke containing 63 ponders, engraved by MM. Hibon, Ribault, Norman, etc., 12 photographic boards, MM. Bisson Brothers, 5 chromolithographic boards, from Mr Lémercier, preceded by a historical and archaeological record by Mr Celtibere, Architect-Archaeologist, Paris (A. Morel).

54 Museo, Relief The judgment of Paris, 54 Giustizia di Paride Museo, photograph, photo, foto's, height 145 mm, width 103 mm, photographer, 1860 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Thomas Eakins, Knitting, 1881 Knitting

The Ecstasy of Mary Magdalene. Dated: c. 1680. Dimensions: overall: 26 x 12.5 cm (10 1/4 x 4 15/16 in.). Medium: ivory. Museum: National Gallery of Art, Washington DC. Author: François van Bossuit.

Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.

Pentecost relief, 11th century, First Master, cloister of Santo Domingo de Silos, Burgos province, Spain.

Fragment of a Funerary Lekythos (Monument in the Shape of an Oil Jar). Greek; Halai Aixonides, Athens; Attributed to the Demagora Master. Date: 400 BC-301 BC. Dimensions: 55.3 × 43.7 × 17.2 cm (22 × 17 1/4 × 6 3/4 in.). Marble. Origin: Athens. Museum: The Chicago Art Institute, Chicago, USA. Author: ANCIENT GREEK.

Rude bas-relief, apparently connected with the worship of Delphi, late style. Stephen Thompson (British, about 1830 - 1893)

John Singer Sargent, Study for Apollo and the Muses, c 1921 Study for Apollo and the Muses

Roman funerary altar, detail of relief depicting family servants bearing objects for sacrifice

Marble sarcophagus, Relief depicting Prometheus myth, Detail, group of Roman women, From Arles

Marble relief of a horseman. Culture: Greek. Dimensions: H. 18 in. (45.7 cm). Date: 1st century B.C..This relief of a pacing horse with a nude rider is a tour de force of almost excessively sensitive surface texture and exaggerated anatomical detail. Decorative showiness takes precedence over organic unity, in a style often found in classicizing works of the first century B.C. The piece may copy one that was well-known in antiquity, for two others are preserved that show an almost identical horseman followed by another rider on a horse with the same pacing gait. Museum: Metropolitan Museum of Art, New York, USA.

Massacre of the Innocents, Romanesque capital, San Pedro el Viejo Monastery, Huesca, Aragon community, Spain.

Carved capital at the Abbaye de la Sauve Majeure, France, Europe

Shell from Trajan period with relief portraying cultured lady lying on bed writing, from Villa Albani Museum, Rome

Saint Sebastian early 17th century Spanish. Saint Sebastian. Spanish. early 17th century. Gilt bronze. Medals and Plaquettes

Epitaph of C, Stazio Celso, scriba librarius (secretary and copyist), consisting of inscription and relief depicting togaed Stazio Celso accompanied by a lictor

Altar of Juturna in Roman Forum, Relief portraying Dioscuri

Wrestlers. Fragment of bas-relief frieze c.500 BC. The Panathenaia, a state religious festival dedicated to Athena, was held every 4 years and included Drama, Music and Athletics. Atheltic element formed Panathenaic Games, precursor of Olympic Games. Archaeological Museum of Thessaloniki

Terracotta panel showing a scene in a palaistra (wrestling school) Roman, Made in Italy, about 1st century AD.

Satyrs at Play. Dated: c. 1783/1785. Dimensions: diameter: 28.73 cm (11 5/16 in.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: CLODION.

German or South Netherlandish 17th Century, The Triumph of Religion, c 1600 The Triumph of Religion

Old statues in the Santa Giulia Museum, Unesco world heritage site Brescia, Italy, Europe

Legend of Medea, sarcophagus, marble, 2nd century A. C. Palazzo Duccale, royal palace, Castle San Giorgio, Mantua, Lombardy, Italy, Mantua, Lombardy, Italy, Europe

Roman Art. Relief of sarcophagus. Child and tutor writing on wax tablet with a Styli. Vatican Museum. City of the Vatican.

BECERRA, GASPAR ESCULTOR ESPAÑOL. BAEZA 1520 - 1568. DETALLE DEL BAJORRELIEVE DEL ALTAR MAYOR DE LA CATEDRAL DE ASTORGA. LEON.

View of ancient stone carvings of seated figures, one headless, evoke a sense of history and mystery against a backdrop of weathered stone, Taxila, Khyber Pakhtunkhwa, Pakistan.

Decoration of a temple, Cham Museum, Da Nang, Vietnam, Southeast Asia, Asia

Relief of a Falling Warrior. Roman. Date: 101 AD-200 AD. Dimensions: 53.3 × 81 × 17.5 cm (21 × 31 15/16 × 6 7/8 in.). Marble. Origin: Piraeus. Museum: The Chicago Art Institute, Chicago, USA. Author: ANCIENT ROMAN.

Marble relief of a horseman 1st century B.C. Greek This relief of a pacing horse with a nude rider is a tour de force of almost excessively sensitive surface texture and exaggerated anatomical detail. Decorative showiness takes precedence over organic unity, in a style often found in classicizing works of the first century B.C. The piece may copy one that was well-known in antiquity, for two others are preserved that show an almost identical horseman followed by another rider on a horse with the same pacing gait.. Marble relief of a horseman 247989

Male figure and loutrophoros, funerary urn, marble, 1st cent. b. C. Palazzo Duccale, Royal Palace, Castle of San Giorgio, Mantua, Lombardy, Italy, Mantua, Lombardy, Italy, Europe

Panel ornament mid-19th century French. Panel ornament 190454 French, Panel ornament, mid-19th century, Gilt bronze, 4 14 in. (10.2 35.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.510.401)

Relief plate from the silver Gundestrup cauldron , 1st Century AD, Artist Unknown, Metal Relief, Found in the moors near Gundestrup, Jutland, National Museum, Copenhagen, Denmark

Marine Scene. Gerard van Opstal (Flemish, 1605 - 1668)

Carved oak depicting men pulling an ox and measuring forces by Peter Sanglada, Spanish sculptor. Dated 14th Century

A lenos sarcophagus with processus consularis. Roman. 270 AD. National Roman Museum. Palace Massimo. Rome. Italy.

Pediment (one of a pair) ca. 1525-30 French This pediment carving and its mate (23.168.1), with the busts of two philosophers, were perhaps installed in a library over a bookcase or doors.. Pediment (one of a pair). French. ca. 1525-30. Carved oak. Woodwork

Marie de' Medici as Pallas Athena by Pieter Paul Rubens, oil on wood, 1622, 1577-1640, Russia, St. Petersburg, State Hermitage, 22, 5x15

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)50. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Model for Sculpture: The South Wind. Eric Gill (1882-1940). Bath stone relief. Carved in 1929. 25.6 x 68 x 10.2cm. Gill was commissioned to carve three reliefs for the exterior of the new London Underground HQ at 55 Broadway, SW1. The full size figures were carved on site and models of the three winds were made for exhibition at the Goupil Gallery.

Stele of Hegeso , Bas-reliefs, Antiquities, Stelae. Nicholas Catsimpoolas Collection

Bas-relief, two characters and a medion, No591 by the sculptor Georges Diebolt (1816-1861), Turgot Pavilion, Louvre Palace, 1st arrondissement, Paris Bas-relief, two characters and a medallion, Nº591 by the sculptor Georges Diébolt (1816-1861), Pavilion Turgot, Louvre Palace, Paris (IER ARR.). 1855. Photograph of Edouard-Denis Baldus.

Heracles marble sarcophagus, Perge, 2nd c. Archaeological Museum, Antalya, Turkey, Antalya, Turkey, Asia

Relief depicting members of family, from Thessaloniki, Greece

Sculpture, excavations at Curetes Street in Ephesus, UNESCO World Heritage Site, Ephesus, Ephesos, Efes, Izmir, Turkish Aegean, western Turkey, Turkey, Asia

The Triumph of Religion. Dated: c. 1600. Dimensions: overall: 6.6 x 12.6 cm (2 5/8 x 4 15/16 in.) gross weight: 182 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: German or South Netherlandish 17th Century.

Fountain in the courtyard of Buesing-Palais, neo-baroque town palace from 1775, today municipal library, Klingspor Museum for International Book and Script Art, event centre, Offenbach am Main, Hesse, Germany, Europe

Roman Art. Tower of the Winds (Horologion). Octogonal pentelic marble clocktower on the Roman Agora. I was supposedly built by Andronicus of Cyrrhus Around 50 BC. Frieze showing the wind gods. (NE). Eurus. Athens. Central Greece. Attica. Europe.

In the left section of the scene, Poseidon holding a trident and Apollo holding a laurel branch with the other. beside them sit two sister divinities, Artemis and Aphrodite. Parthenon Frieze Athens

Dionysus marble sarcophagus, Perge, 3rd c. Archaeological Museum, Antalya, Turkey, Antalya, Turkey, Asia

Old Age or Winter. Unknown maker, American

TheLamentation. Artist: Unknown

Maenad and satyrs in a Dionysiac procession. Detail satyr play pipe. AD 100. Quintiliana, Appian way, Rome, Italy. British Museum. London. GBR.

Marble sarcophagus. Sarcophagi from the excavations of the city of Perge Antalya, Turkey - May 20, 2019: Marble sarcophagus. Sarcophagi from the excavations of the city of Perge. Scenes and symbols carved in the bas-relief on the walls of the sarcophagus. Museum of antiquity of Antalya. Copyright: xZoonar.com/LeonidxEremeychukx 14022694

Cassone (chest), pair with 1975.1.1940. Culture: Italian (Rome or Siena). Dimensions: H. 87.6 cm, W. 1.7 m, D. 61 cm. Date: mid-16th century (with 19th-century additions). Museum: Metropolitan Museum of Art, New York, USA.

Delphi (archaeological site), Greece exposed in the open-air in front of the museum, the sarcophagus of Meleagre. The boar hunt in the city of Calydan , 1913 - Balkans, Italy - Jean Brunhes and Auguste Léon - (September - October 23) (French - Delphes ( site archéologique ) , Grèce Exposé en plein-air devant le musée , le sarcophage de Meleagre. La chasse au sanglier de la ville de Calydan). Tomb, archaeological vestige, funeral architecture, sculpture, bas-relief, legend , myth, Greco-Roman polytheism, Antiquity, religious architecture, Habitat , Architecture , Art , Religion, Greece, Delphi, the tomb in front of the museum

Front Panel of a Garland Sarcophagus; Roman Empire; about A.D. 140-170; Light gray marble (Phrygian marble); 91.5 × 226 × 18.5 cm (36 × 89 × 7 5,16 in.)

Georges Lacombe birth, love and death, Musée d'Orsay, French Ministry of Culture and Communication, Paris, France.

Marble statues of women and children. Antalya Museum. Antalya, Turkey - May 20, 2019: Marble statues of women and children. Antalya Museum Copyright: xZoonar.com/LeonidxEremeychukx 14016889

Incantation, 1892. Henri Cros (French, 1840-1907). Pte-de-verre; overall: 33.4 x 23.3 cm (13 1/8 x 9 3/16 in.). Henri Cros (French, 1840-1907) Incantation, 1892 Pte-de-verre The Cleveland Museum of Art, James Parmelee Fund 1969.24

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