Romantic Landscapes and Rural Scenes

Depictions of serene landscapes featuring rivers, mountains, and foliage. The artworks convey a tranquil mood with soft monochromatic tones and intricate details.

Both, Jan, Kaiser, Johann Wilhelm (I), Dutch masters, Landscape with several figures by a river, verso - stamped, A landscape with several figures and two horses by a river. Three figures are pulling a fishing net out of the water. The print is part of a series of 25 prints after Dutch masters. Above the image: PL X., print, prent, prints, prenten, height 172 mm, width 215 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, Nederlander, 1622 - 1652-08-09

The Voyage of Life , Youth. Cole, Thomas, 1801-1848. 1853. Smillie, James, 1807-1885. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print made by Charles Turner, 1774-1857, British, Totnes, on the Dart, 1823 to 1827. Mezzotint; engraver's proof (d).

Falmouth, Cornwall, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1815, Etching and engraving on moderately thick, slightly textured, cream, wove paper, Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm), Plate: 8 15/16 × 12 inches (22.7 × 30.5 cm), and Image: 6 3/16 × 9 7/16 inches (15.7 × 24 cm)

Chateau Hamelin, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving and graphite, engraver's proof (touched), on moderately thick, slightly textured, cream, wove paper, Sheet: 5 15/16 × 8 15/16 inches (15.1 × 22.7 cm) and Image: 3 5/8 × 5 1/8 inches (9.2 × 13 cm)

Dream of Arcadia. Artist: Engraved by James Smillie (American, Edinburgh 1807-1885 Poughkeepsie, New York); After Thomas Cole (American, Lancashire 1801-1848 Catskill, New York). Dimensions: plate: 11 x 14 5/8 in. (28 x 37.2 cm)sheet: 14 7/16 x 18 1/2 in. (36.6 x 47 cm). Printer: W. E. Smith (American, mid-19th century). Publisher: American Art Union (New York, NY). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Print made by William Bernard Cooke, 1778-1855, British, Margate, 1822. Etching; open etching on medium, slightly textured, cream wove paper with chine-collé.

William Miller, 1796-1882, British, Placenza, 1834. Etching and engraving, engraver's proof (early).

Print made by Thomas Goff Lupton, 1791-1873, British, Warkworth Castle on the River Coquet, 1823 to 1827. Mezzotint; engraver's proof (b).

Crickieth Castle, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, 3rd state on medium, slightly textured, beige, wove paper, Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm), Plate: 9 5/8 × 12 5/8 inches (24.4 × 32.1 cm), and Image: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)

Both, Jan, Kaiser, Johann Wilhelm (I), Dutch masters, Landscape with several figures by a river, verso - stamped, A landscape with several figures and two horses by a river. Three figures are pulling a fishing net out of the water. The print is part of a series of 25 prints after Dutch masters. Above the image: PL X., print, prent, prints, prenten, height 172 mm, width 215 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, Nederlander, 1622 - 1652-08-09

Dunstanborough Castle, Northumberland, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Totnes, on the Dart, Print made by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Mezzotint; engraver's proof (b)

Joppa, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1835-1836, Line engraving, engravers' proof

Vuë des Environs de la Ville de Cosenza, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate 78, facing page 142.

Margate, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Etching; open etching on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm) and Image: 6 1/8 × 9 1/2 inches (15.6 × 24.1 cm)

No. 12. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

View of a hilly landscape with ruins, Jacques-Philippe Le Bas, After Julien Le Roy, 1758 print Print Maker: Parisafer Drawing by: Greece paper etching ruin of a building ~ architecture. landscape with ruins

Margate, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1823, Etching and line engraving on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 6 1/4 × 9 7/8 inches (15.9 × 25.1 cm)

Columbus Setting Sail, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray chine colle, Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm), Plate: 11 1/4 × 6 inches (28.6 × 15.2 cm), Chine collé: 11 × 5 3/4 inches (27.9 × 14.6 cm), and Image: 2 1/4 × 3 1/4 inches (5.7 × 8.3 cm)

Shipbuilding (An Old Oak Dead), Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 17 3/16 × 11 11/16 inches (43.7 × 29.7 cm), Plate: 11 7/16 × 6 inches (29.1 × 15.2 cm), Chine collé: 11 1/8 × 5 5/8 inches (28.3 × 14.3 cm), and Image: 2 1/2 × 3 1/4 inches (6.4 × 8.3 cm)

Print made by Edward Radclyffe, 1809-1863, British, Peat-Gatherers, undated. Etching on medium, cream, smooth wove paper.

Crichton Castle, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, first published state

Ehrenbreitstein, 1845, engraving on chine collé, image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.), plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.), sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.), mat: 55.9 x 71.1 cm (22 x 28 in.), Rawlinson 1913, no. 662, State i/iii, John Pye (artist) British, 1782 - 1874, Joseph Mallord William Turner (artist after) British, 1775 - 1851

Landscape with ruins and women at Beek, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving landscape with ruins. brook

La Laita au Pouldu. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1919. Dimensions: 179 × 263 mm (image/plate); 218 × 298 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Rycina dedykowana Fryderykowi Schillerowi. Reinhart, Johann Christian (1761-1847), graphic artist

Long-ships Light House, Land's End, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof, Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)

Dover, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint (Engraver's Proof c)

Text sheet at Book Illustration, Roeland van Leuve, 1723 text sheet Text sheet at book illustration with the display of a river landscape in setting sun. Amsterdam paper letterpress printing

John Pye, 1782-1874, British, La Riccia, 1819. Etching and engraving on moderately thick, slightly textured, cream, wove paper.

Lake of Albano, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine-collé, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm), Chine collé: 5 11/16 × 8 1/4 inches (14.4 × 21 cm), and Image: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)

John Cousen, 1804-1880, British, Honfleur, 1834. Line engraving, engraver's proof.

Face outside the Utrechtse Poort, Johannes Ludovicus van den Bos, 1815 - 1827 print paper etching Utrechtsepoort

William Miller, 1796-1882, British, Brienne, 1834. Etching and engraving, engraver's proof (touched).

Redel and brush drawing by Franz Edmund Weirotter depicting figures resting on rock banks, emphasizing landscape, posture, and composition.

Robert Wallis, 1794-1878, British, Nemi, 1840. Line engraving, (First Published State).

This engraving and etching by Pierre François Basan, created before 1760, depicts Hamlet of Flanders, highlighting costume, posture, and narrative context.

Celadon and Amelia, Print made by William Woollett, 1735-1785, British, after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), 1766, Line engraving and etching on moderately thick, moderately textured, cream wove paper, Sheet: 18 1/8 x 22 1/4 inches (46 x 56.5 cm) and Plate: 17 1/2 x 21 5/8 inches (44.5 x 54.9 cm), bridge (built work), dead, landscape, lightning, literary theme, meteorology, ruins, science, shepherd, storm

Stage Design, Town Burning, Antonio Giuseppe Basoli, Italian, 1774-1843, Pen and ink, brush and brown wash on paper, Horizontal rectangle. Town in hilly landscape, burning., Italy, ca. 1810-20, theater, Drawing, Drawing

Santa Maria della Spina, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, moderately textured, beige, wove paper, with gray chine colle, Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm), Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm), Chine collé: 8 15/16 × 6 9/16 inches (22.7 × 16.7 cm), and Image: 3 3/4 × 3 3/8 inches (9.5 × 8.6 cm)

Falls of the Rhine, Schaffhausen, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1896, Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm), Plate: 9 × 11 3/8 inches (22.9 × 28.9 cm), and Image: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)

Print made by James C. Allen, active 1821-1831, British, St. Mawes, Cornwall, 1814 to 1826. Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper with chine-collé.

St. Cloud, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Siege Van Sluis, 1794, Cornelis Bogerts, After Jacobus Buys, 1794 - 1795 print Sluis, besieged and taken by the French on August 25, 1794. Northern Netherlands paper etching / engraving Victory, position was Lock

Rochester, Stroud and Chatham, J. C. Varrall, active 1815-1827, after Joseph Mallord William Turner, 1775-1851, British, 1838, Line engraving, 1st state on thick, smooth, cream, wove paper, with, cream chine colle, Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm), Plate: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm), Chine collé: 9 3/16 × 12 3/16 inches (23.3 × 31 cm), and Image: 6 3/8 × 9 1/2 inches (16.2 × 24.1 cm)

Poi cessa colla Sera ogni lavoro (Kiedy nadchodzi wieczór zakończ wszelką pracę); pejzaż z powarcającym stadem i grupa tancerze na moscie. Reinhart, Johann Christian (1761-1847), graphic artist

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe a stretch of England's south coast, with a road below cliffs receding toward forts built to defend against a feared Napoleonic invasion. A distant storm hints at that threat as, in the foreground, a man and woman lead a loaded donkey, and two hussars follow on horseback. The letter "M" in the upper margin indicates Turner's category of Marine landscape.. Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34) 382937

Thomas Jeavons, ca. 1800-1867, British, Knaresborough, Yorkshire, 1828. Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper.

Slag Buses Tchao-Hoei an Aour-Sana, Isida, Isidlas Henri Hmeln, After Instatius Search Bartlines, After Enthin-Aubin, 1784 print print maker: Franceafter design by: Beijingafter print by: Francepublisher: Parispublisher: Paris paper etching / engraving battle. archer's weapons

Road along Waterloo, Anonymous, 1820 - 1850 print View on the road along the battlefield of Waterloo. In the foreground two monuments, in the distance on the right on the road La Haye-Sainte in Mont-Saint-Jean, a village near Waterloo. With threatening air. England (possibly) paper steel engraving landscape with monument Waterloo. Mont-Saint-Jean

The Battle Pass (in Prospect Park, Brooklyn). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Craigmillar Castle, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching ane engraving, engraver's proof

Dartmouth, Devon, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1814, Etching and engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with chine collé, Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm), Plate: 9 1/16 × 11 3/4 inches (23 × 29.8 cm), Chine collé: 7 9/16 × 10 13/16 inches (19.2 × 27.5 cm), and Image: 5 13/16 × 8 9/16 inches (14.8 × 21.7 cm)

Albert Christoph Dies, Cascatella di Tivoli, seconda veduta, 1792 Cascatella di Tivoli, seconda veduta

Crickieth Castle, North Wales, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (touched)

. Dike breach at the goal on the coast of Texel. Part of a group of flood illustrations in 1775.

W. R. Smith, active 1819-1851, Florence, from Fiesoli, 1818-1820. Etching and line engraving on medium, smooth, cream, wove paper, with cream, cchine colle.

Print made by William Miller, 1796-1882, British, Berwick-on-Tweed, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and line engraving on moderateely thick, slightlyt extured, cream, wove paper, with cream, chine colle, Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm), Plate: 11 1/8 × 17 3/8 inches (28.3 × 44.1 cm), Chine collé: 11 1/16 × 17 1/4 inches (28.1 × 43.8 cm), and Image: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)

Walton Bridge, J. C. Varrall, active 1815-1827, after Joseph Mallord William Turner, 1775-1851, British, 1830, Line engraving and etching, 3rd state on moderately thick, smooth, cream, wove paper, Sheet: 10 9/16 × 14 1/2 inches (26.8 × 36.8 cm), Plate: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm), and Image: 6 3/8 × 9 15/16 inches (16.2 × 25.2 cm)

William Bernard Cooke, 1778-1855, British, Lulworth Cove, Dorset, 1811-1812. Line engraving etching and white gouache, engraver's proof (touched) on modertely thick, slightly textured, cream, wove paper.

J. C. Varrall, active 1815-1827, Merrick Abbey, Swaledale, 1822. Line engraving and etching on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

William Miller, 1796-1882, British, Dunstaffnage, 1836. Etching and engraving, engraver's proof.

Les Roches noires près Trouville (Marèe Basse). Dated: 1874. Dimensions: plate: 18.3 x 32.1 cm (7 3/16 x 12 5/8 in.) sheet: 30.4 cm (11 15/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Maxime Lalanne.

Lancaster Sands, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (completed)

William John Cooke, 1797-1865, Irish, Nottingham, Nottinghamshire, 1827-1838. Line engraving, engraver's proof.

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Landscape with face on Sebins to the Danube ..

Drawing by Christian Wilhelm Ernst Dietrich depicting washerwomen on a sandbar in an Italian mountain stream, executed in stone chalk with light brown brushwork, 1761.

James T. Willmore, 1800-1863, British, Clairmont, 1833. Line engraving, engraver's proof (early).

The Death of Prince Józef Poniatowski. Gabriel, A. (fl. ca 1840), graphic artist

Stoop, Dirk (Thierry), work, Reluctant horse, (1000 - 2003), line etching, graphics, leaf width 19.5 cm, leaf height 14.7 cm

Etching and copper engraving by Pieter Bruegel the Elder from 1555-1556 depicting a bird catcher, showing figure, trap, birds, and landscape.

Celadon and Amelia, Engraved by William Woollett, 1735-1785, British, Etched by John Browne, 1741-1801, British, after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), 1766, Line engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm) and Plate: 17 1/2 x 21 5/8 inches (44.5 x 54.9 cm), bridge (built work), castles, cities, clouds, hills, lightning, literary theme, rivers, ruins, science, sheep, shepherds, storms, villas

Albert Christoph Dies, Tivoli, 1793 Tivoli

Hunter with young woman in a landscape and a beggar at a ruin, Johann Georg Wille, 1749 print France (possibly) paper etching landscape with ruins. 'en route', traveller under way. hunter. couple of lovers

Macbeth. Artist: After John Martin (British, Haydon Bridge, Northumberland 1789-1854 Douglas, Isle of Man). Dimensions: Image: 9 7/8 x 13 15/16 in. (25.1 x 35.4 cm)Plate: 12 3/4 x 16 in. (32.4 x 40.6 cm). Engraver: Thomas Goff Lupton (British, London 1791-1873 London). Published in: London. Publisher: Walter Benjamin Tiffin (British, 1795-1877). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA.

Engraving by Gustave DorA© (1832-1883): The Ninth Plague: Darkness (Ex. 10:21-23). This biblical old testament plague was visited upon Egypt as Moses demanded the release of the Jewish people

Harlach Castle. Moran, Thomas, 1837-1926. 1882. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Walvis tussen Zandvoort en Wijk aan Zee aangespoeld, 1762. Aftekening van een Cachelot den 20 feb. 1762 tussen zandvoort en wyk op zee aan strand Gedreven. groot 61 voet 6 duym (title on object). Draughtsman: Jacobus Luberti Augustini (mentioned on object). Dating: 1762. Place: Northern Netherlands. Measurements: h 246 mm × w 378 mm. Museum: Rijksmuseum, Amsterdam.

Face on oours, all, mouzaive and chairière; Our, all, mozéve, cherière. Leaf with four medallions with faces on Belgian villages. Above left a medallion with a view of the village of Ouren on the river Our and at the top right of the village all with the contours of the Sint-Maurus church. At the bottom left a medallion with a face on Mouzaive on the Semois river and the bottom right of the village of Chairière and the Eglise Saint-Walfroid church. A square jump in the middle of the medallions, with the village names. There is a walker at De Viersprong.

Figures on a terrace on a lake with boats, Anne Philiberte Coulet, after Claude Joseph Vernet, c. 1762 print print maker: Francepublisher: ParisFranceFrance paper etching / engraving lake. terrace. traffic on the water. fisherman

James C. Allen, active 1821-1831, British, Harborough Sands, 1819-1826. Etching and engraving, 1st stte on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Mount St. Michael, Cornwall, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Bliżej Kultury Schmied (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Loch Leven Castle, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1836-1837, Line engraving, engraver's proof

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827, Line engraving and etching on moderately thick, slightly textured, cream, wove paper, Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm), Plate: 9 11/16 × 11 3/4 inches (24.6 × 29.8 cm), and Image: 6 11/16 × 9 3/8 inches (17 × 23.8 cm)

Joseph Mallord William Turner, Lauffenbourgh on the Rhine, January 1, 1811, Etching and mezzotint printed in brown inks.

DijkBrraak on Texel, 1775, Simon Fokke, After Hendrik Kobell, 1775 - 1776 print Dike breach at the Doel on the coast of Texel. Part of a group of illustrations of the floods in 1775. paper etching / engraving Dike-Break Texel

Print made by David Lucas, 1802-1881, British, Summer Morning, 1831. Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé.

Print made by James Walker, 1748-1808, British, Rochester, 1794. Line engraving on medium, slighty textured, cream wove paper.

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape in "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched the outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a passage from Exodus 9. The chapter recounts three of the ten plagues that Moses invoked to persuade the Egyptian pharoah to release the Hebrews from bondage. Curiously, the title mentions the fifth plague, directed against domestic animals, but the print focuses on the seventh, an apocalypic storm of hail and fire. The letter "H" in the upper margin indicates to Turner's category of Historical landscape.. The Fifth Plague of Egypt (Liber Studi

Large View of Mariakerke, 1887. James Ensor (Belgian, 1860-1949). Etching;

Print made by David Lucas, 1802-1881, British, Weymouth Bay, Dorsetshire, 1830. Mezzotint on medium, slightly textured, cream laid paper.

The village of Sâlim, situated opposite the eastern entrance to the Vale of Shechem, is depicted beyond the broad plain of Mukhnah. It is believed to represent the Salem near which John baptized his disciples. The image was created by Harry Fenn (1838-1911) and issued between 1881 and 1884 by D. Appleton in New York. The dimensions of the image are 19 x 17 cm. The focus is on villages, valleys, and landscapes of the Middle East

Corinth, (Cenchrea), Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

J. Henshall, Winchelsea, Sussex, 1830. Line engraving, stipple engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper.

Terebovlia on the Gnizna River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

THEBES. Egypt, engraving 1879

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