Romantic Landscapes and Rural Scenes

Depictions of serene landscapes featuring rivers, mountains, and foliage. The artworks convey a tranquil mood with soft monochromatic tones and intricate details.

Both, Jan, Kaiser, Johann Wilhelm (I), Dutch masters, Landscape with several figures by a river, verso - stamped, A landscape with several figures and two horses by a river. Three figures are pulling a fishing net out of the water. The print is part of a series of 25 prints after Dutch masters. Above the image: PL X., print, prent, prints, prenten, height 172 mm, width 215 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, Nederlander, 1622 - 1652-08-09

Solway Firth from Allonby, Cumberland, Print made by Edward Francis Finden, 1791-1857, British, after Anthony Vandyke Copley Fielding, 1787-1855, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé

Joseph Mallord William Turner, Rispah, Published April 23, 1812, in Part IX, Etching and mezzotint printed in brown inks.

Wille, Johann Georg, inventor: Gaspar Netscher, work, Death of Cleopatra, 1754, copper engraving, graphics, width 30 cm, image width 29, 3 cm, image height 40 cm, height 40.4 cm

Loch Leven Castle, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1836-1837, Line engraving, engraver's proof, touched

The port of Livorno, Simon Fokke, After Claude Joseph Vernet, 1760 - 1784 print The port of Livorno in stormy weather. In the foreground, a group of five men pulls a boat on the country. In the distance the contours of the city of Livorno. Under the show a text in French and the stadholder's weapon with the order of the garter. Amsterdam paper etching harbour Livorno

On the Rhone. Date/Period: Ca. 1780. Painting. Brushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper. Height: 219 mm (8.62 in); Width: 337 mm (13.26 in). Author: Mary Harcourt.

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), Chine collé: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), and Image: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)

Thomas Abiel Prior, 1809-1886, British, The Goddess of Discord, 1859-1879. Steel engraving.

'New Haven and Vicinity', 1874. 'The Judge's Cave; Near Savins' Rock; New-Haven from Fort-Hill; New-Haven Light; West-Rock; East-Rock and Meadows', Connecticut, USA. '...a positive historic charm in the shape of the Regicides' or Judges' Cave. In a deep cleft, among a wild group of large, loose bowlders, the famous regicides Goffe and Whalley were concealed for several days, in 1661. This cave is reached by a difficult path over the rocky table of the cliff The legend is, that the regicides were frightened out of this inhospitable place by the glittering eyes of some wild animal glaring in upo

Loch Leven Castle, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1836-1837, Engraver's proof, touched

Jason and the Argonauts sail through the Symplegades, a pair of clashing rocks, but they lose their helmsman Tiphys in the process

Pyramid with a quadrangular base covered with shrubs, Tehuantepec, Oaxaca, Mexico, Zapotec civilization, engraving from Antiquities of Mexico: comprising fac-similes of ancient Mexican paintings and hieroglyphics, by Edward King Kingsborough, volume IV, plate 1, 1831-1848, London.

Sketchbook of American and Italian Subjects William Trost Richards (American, 1833-1905). Sketchbook of American and Italian Subjects, 1855-1856. Sketchbook containing drawings in graphite on wove paper, 4 1/16 x 6 5/8 x 3/8 in. (10.3 x 16.8 x 1 cm). Richards first traveled to Europe in 1855, remaining abroad for a year and spending most of the time in Italy. Like so many artists before him, Richards was overjoyed to be in Florence: I have not as yet realized that I am in Italy that all the dreams of a boyhood are fulfilled.” Richards carried this small sketchbook on a walking tour in the Apennine mountains in October 1855. The carefully drawn vista shown here of the broad valley through which the Arno river winds reminded Richards, always quick to compare American and European landscape scenery, of the view of the Hudson from the Catskill Mountain House. American Art 1855-1856

Danube views, Hungary, Oven and plague, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

George Morland, 1763-1804, British, Smugglers, 1793. Hand colored mezzotint.

Ospitaletto di San Francesco, fuori di Subiaco, c. 1795, Collection ou Suite de Vues Pittoresques de l'Italie (plate 30), etching on laid paper, plate: 28.1 x 37.4 cm (11 1/16 x 14 3/4 in.), sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.), Jacob Wilhelm Mechau (artist) German, 1745 - 1808

Bally-Burgh Ness, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, late published state

Giovanni Battista Borra, 1713-1770, Italian, Monte delle Beatitudini, ca. 1750. Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper.

W. R. Smith, active 1819-1851, Harlech Castle, North Wales, 1827-1838. Open etching.

A Mill 1832 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Mill. David Lucas (British, Northamptonshire 1802-1881 London). 1832. Mezzotint; fourth state of five. Prints

Beach face with two sailing boats in the Branding, Leonard de Koningh, after Johannes Christiaan Schotel, 1822 - 1845 print One of the two boats has thrown out the anchor. Two figures are waiting on the beach. Three more figures in the dunes. On the right of the beach are sailing boats on the dry. Dordrecht paper. beach (+ landscape with figures, staffage). coast. sea (seascape). sailing-ship, sailing-boat (+ arrival, coming to anchor, at anchor). ships, boats on land, beached. surf, breakers

The Happy Passage ca. 1765 After Joseph Vernet. The Happy Passage. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1765. Engraving. Anne Philiberte Coulet (French, born 1736). Prints

Aurora Made 1613 Netherlands. Goudt was an engraver, draughtsman and painter. In 1604, he traveled to Rome, where he lived with the German artist Adam Elsheimer from 1607 on, serving as his patron and pupil. His seven engravings after Elsheimerís work made him famous for his extraordinary mastery of technique. Goudt created this print following his departure from Rome, and probably modeled it after a painting in his own collection.. Etching and engraving in black on ivory laid paper . Hendric de Goudt

National Rewards Commission. (IT)

Print made by George Arnald, 1763-1841, British, Left Bank, Meuse, between 1818 and 1828. Mezzotint and etching, printed in brown ink on moderately thick, moderately textured, cream laid paper.

Der Schiffbruch. The shipwreck.. Peters. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Shipwrecks, Castles & palaces, Lifeboats

River Wye (Liber Studiorum, part X, plate 48) May 23, 1812 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Annis here added mezzotint to evoke a peaceful evening on the River Wye with the sun settng behind Chepstow Castle (the latter also appears in "The Junction of the Severn and the Wye," no. 28 in the Liber). It is as though the artist decided to produce a perfect example of the Picturesque, a kind of landscape much debated in eighteenth-century Britain. Characteristic elements include the pleasing irregularity of the ruined castle over the looping river, and smudge of smoke produced by a charcoal burner, with placid

Robert Wallis, 1794-1878, British, Ludlow Castle, Shropshire, 1827-1838. Line engraving, engraver's proof.

William Radclyffe, 1780-1855, British, Salisbury, Wiltshire, 1827-1838. Line engraving, first published state.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Delineatio Cataractae vel vehmentissimi et rapidissimi Fluminis prope pagum Husqwarn in Smolandia tribus quadrantibus a Civitate Iounecopensi versus orientem, View of the waterfalls of Huskvarna, The print is part of an album., print, album page, prints, height 227 mm, width 340 mm, 1655 - 1727-05-18, print maker, printmaker, 1708 - 1708, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Robert Brandard, 1805-1862, British, Graville, 1834. Line engraving, engraver's proof.

Rainbow Bridge Henry aka Harry Fenn (American, 1845-1911). Rainbow Bridge, n.d. Wash, graphite and charcoal on paper mounted to paperboard, paperboard: 12 1/16 x 15 1/2 in. (30.6 x 39.4 cm). American Art n.d.

On the Neckar. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Approach to Royat, France, Print made by J. C. Varrall, active 1815-1827, James Duffield Harding, 1798-1863, British, Published by Fisher, Son & Co., active 1821-1848, British, 1838, Line engraving and etching on medium, slightly textured, cream wove paper

View of serinhaem, approx. 1637; Serinhaim. View of the city of Serinhaem, approx. 1637. In the foreground an oxen car at a stream. In the air the winged banderole with the title and a weapon with a horse. In the caption the statement of the letters A-E in Latin. Plate No. 12 In a series of 55 performances from the trip to and the stay in Brazil from Count Johan Maurits van Nassau in the years 1636-1644.

John Pye, 1782-1874, British, Ehrenbreitstein, 1828. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper.

Corinth (Cenchrea), Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof, touched

Mysia knew in Kruszwica; Frenzel, Johann Gottfried Abraham (1782-1855), Jentzsch, Johann Gottfried (1759-1826), Printing House of the Order (Poznan); 1842 (1842-00-00-1842-00-00);

Théodore Gudin, Tems de Grain, 1812-1880, lithograph on chine appliqué on wove paper.

Seascape with ship -fored ships, Reinier Nooms, 1651 - 1652 print Ships thrown on the rocks after a storm. On the coast under parts of the ship -forgiving ship, five crew members and three dead. print maker: Netherlandspublisher: Amsterdam paper etching / engraving wreck ashore. drowning, shipwrecked person

Venados cruzando un rio. Museum: FREE LIBRARY PHILADELPH USA. Author: CHARLES BODMER.

Mount Vesuvius in quiescence by night, 1757, with the Bay of Naples and fishermen. Etching by R. Benard after Delarue.

Arundel Castle and Town, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, 2nd state on thick, smooth, cream, wove paper, with cream, chine colle, Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm), Plate: 10 3/16 × 12 3/4 inches (25.9 × 32.4 cm), Chine collé: 9 3/8 × 12 1/8 inches (23.8 × 30.8 cm), and Image: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)

$William Bernard Cooke, 1778-1855, British, Ilfracombe, North Devon, 1818. Etching and engraving, first published state on moderately thick, slightly textured, cream, wove paper, with cream, chine collé.$

Ateny i Akropol. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Print made by Frederick Christian Lewis the Elder, 1779-1856, British, New Weir on the Wye, 1825. Mezzotint; engraver's proof (b).

Philosopher Empedocles near the summits of Etna, Louis Mayer, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Mayer, 1778, paper, h 248 mm × w 449 mm

Samuel Davis, 1757-1819, British, Hurdum ?, undated. Watercolor, pen, gray ink, graphite on moderately thick, slightly textured, cream laid paper.

Erichem, Hardenbergh, Cornelis van, Netherlands, Vinkeles, Reinier (I), Flood in Erichem, 1809, verso - stamped, Flood of the village of Erichem during the flood of January 1809. Houses, people and cattle are swept away by the water., print, prints, Frederik Muller Historieplaten, height 250 mm, width 340 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1809 - 1809, paper, papier, etching, engraving, engraving (printing process), 1755-05 - 1843-02-02, intermediary draughtsman

One of Seven Engraved Reproductions from 'Roger's Italy', M. H. Long, after Joseph Mallord William Turner, 1775-1851, British, 1884, Engraving

The Walls of Jericho Fall Down (Josh. 5:16, 6:1-10,13-19), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful

Robert Wallis, 1794-1878, British, Ludlow Castle, Shropshire, 1827-1838. Open etching.

Engraving by Gustave DorA© (1832-1883)

Albenga on the Corniche (Costal) Road. Elizabeth Murray; English, c. 1815-1882. Date: 1841. Dimensions: 188 mm × 267 mm. Watercolor and white gouache over graphite on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Giovanni Battista Piranesi, Veduta della Cascata di Tivoli, Italian, 1720 - 1778, 1766, etching

M. H. Long, One of Seven Engraved Reproductions from 'Roger's Italy', 1884. Engraving.

The School of Homer, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, 3rd state on medium, slightly textured, cream, wove paper, Sheet: 6 5/8 × 3 15/16 inches (16.8 × 10 cm) and Image: 3 1/4 × 3 1/4 inches (8.3 × 8.3 cm)

Robert Brandard, 1805-1862, British, Orford, Suffolk, 1827. Line engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper.

Eugène Isabey, Radoub d'une barque à Marée Basse, 1833 Radoub d'une barque à Marée Basse

From the shores of the Vistula. 1. Dobrzyń. 2. The Reformed Church in Włocławek. 3. Wyszogród. 4. The church of St. Witalis in Włocławek. 5. From the vicinity of Włocławek. 6. Under Nieszawa; Z: "Kłosy" 1886, No. 1093 (June 10), p. 361; Brochocki, Walery (1847-1923), Nicz, Edward (1851-1916), Kłosy (Warsaw; Drzewytownia; 1865-1890); 1886 (1887-00-00-1887-00-00);

Woodcut by Leonhard Beck from the Weißkunig series depicting Emperor Maximilian I with a log house in Antwerp. Created 1514-1516 on wooden stick.

Shows women of a pasha escorted by servants on the right bank of the Danube on 7 July 1837, drawn by Auguste Raffet as a lithograph on rolled china paper in 1838, depicting figures, clothing, and river landscape.

Raby Castle, Wohnsitz des Earl of Darlington. Date/Period: 1818. Painting. Oil on canvas. Height: 119 cm (46.8 in); Width: 180.6 cm (71.1 in). Author: J. M. W. Turner.

Money or your Life! / N � 1. (Registered Title) | Eight Eightbook 1828 (IFF 48) (Title of all)

Drawing by Marquard Fidel Dominikus Wocher depicting the Virgin Horn in Lutherbrunnenthal, Canton Bern, executed with feder in black and brown brush over pencil in 1796.

Camping Out in the Adirondack Mountains, from Harpers Weekly, November 7, 1874. Artist: Winslow Homer, American, 1836-1910

The Temple of Neptune in Pestum 1826 Louis Léopold Boilly French. The Temple of Neptune in Pestum. Collection of Sketches Drawn in Rome by Jules Boilly and Lithographs by His Father(Recueil de Croquis dessinés à Rome par Jules Boilly et lithographiés par son père). Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). 1826. Lithograph. Prints

Danube views, Hungary, Area at Karva, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Shelter under a stone in the Zimna Woda valley at the Łomnica; from: `Kłosy` 1883, no. 944 (August 2nd), p. 68. Eljasz-Radzikowski, Walery (1841-1905), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Pomianowski, Kazimierz (fl. 1876-1896), woodcutter

Print made by William Miller, 1796-1882, British, Edinburgh from Blackford Hill, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

Joseph Mallord William Turner, Oberwesel, 1840 Oberwesel

The Straw Bale 1879 Jean Ferdinand Chaigneau. The Straw Bale. Jean Ferdinand Chaigneau (French, Bordeaux 1830-1906 Barbizon). 1879. Etching. Prints

W. R. Smith, active 1819-1851, Harlech Castle, North Wales, 1827-1838. Open etching.

'Matlock', c1910. Creator: Unknown.

View of Mount Parnassus in Greece from near Delphi on the road to Livadia. A peasant with donkey next to the fountain of Castalia, a spring sacred to the Muses. Ansicht des Parnassus. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Razvaliny Drevniago Khersona. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Watercolor by Fritz von Dardel. From the sketch book "Halte at the Fornsteken July 27, 1856". Nordic

Asia. Pacific Island. Expedition of Malaspina (1789-1794). Anchorage of Umatac in Guam Island. Feather drawing by Fernando Brambila. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. America's Museum.

Harbours of England, Catwater, 1856. Author: J M W Turner. Engraver: Thomas. Lupton. Author: John Ruskin. Publisher: E. Gambart and Co. Printer: Spottiswoode & Co

Ancient temples and rocks covered with bas relief carving in the city of Mahabalipuram, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Color print by Friedrich Capelari depicting a landscaped motor scene in Tokyo, created in 1925, showing urban and mechanical elements.

Matthieu van Plattenberg's drawing depicts a shipwreck against cliffs, rendered in brown ink, graphite pencil, brown washes, and traces of white highlighting the turbulent scene.

Das Schloss Prediama in Crein XII Stund: von Triest. Artist: Karl Friedrich Schinkel (German, Neuruppin 1781-1841 Berlin). Dimensions: sheet: 17 13/16 x 14 3/16 in. (45.2 x 36 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Artist: Currier & Ives, American, active 1834-1907, After: Frances Flora Bond Palmer, American, 1812-1876, Lake Winnipiseogee, from Centre Harbor, NH, Lithograph in color, Sheet: 47 × 61 cm (18 1/2 × 24in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Giant's Causeway, Ulster, Ireland, circa 1800. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Reproduction of a painting: Brodowski, Karol (1784-1832), From our meadows; from: `Biesiada Literacka` 1900, II, 180. Biesiada Literacka (Warszawa ; czasopismo ; 1876-1917), publisher

Massa di granito; Veduta di File, 1835 - 1837, Denon, Vivant (1747-1825), Firenze, Publisher, Nello stabilimento posto nei Fondacci di S. Spirito N. 1993, 1837, Egypt, Antiquities

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Allan Donn puts to sea , Sailing ships. George Bellows (1882-1925). Prints and Drawings

Buxa Duar, Bhutan. Illustration by Lieutenant Samuel Davis from Captain Samuel Turners Account of an Embassy to the Court of the Teshoo Lama in Tibet, 1800. Copperplate engraving by Dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817.

Stairs of the chalk grooves of Les Montalais, Louis Albert Bacler d'Albe, 1822 - 1824 print Two miners rest at the bottom of the stairs. Paris paper quarry. kinds of non-precious stone: chalk. industries ~ clay, sand, chalk, etc.. staircase. miner Domaine des Montalais

Vue de Schadau. Medium: etching and engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis.

Malta. Ghar il-Qamh, island of Gozo. Clockmaker's Salt pans. Water jet. Engraving. Lemaitre direxit. History of Malta and Gozo, by Frederic Lacroix. Panorama Universal, Spanish edition, printed in Barcelona, 1850.

Findlater Castle, Banff. Date/Period: Between 1792 and 1793. Architectural subject. Watercolor and scratching out, over graphite on medium, slightly textured, wove paper, mounted on thick, slightly textured, beige, wove mount paper. Height: 248 mm (9.76 in); Width: 297 mm (11.69 in). Author: Thomas Girtin.

View of Seal Bay and large nest on Hartik Island, near Melbourne, South Australia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration copied from Nicolas Petit plate in Peron's "Voyage de Decouvertes aux Terres Australes," 1807.

Cave of Surtshellir or Robber's Cavern, Iceland, Charles Hamilton Smith, 1776-1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm) and Binding: 16 1/8 inches (41 cm), landscape, marine art

Zulu Kraal near Umlazi in Natal, by George French Angas (1822-1886), lithograph. South Africa, 19th century.

sea, Caspar Luyken, Jan Luyken, Christoph Weigel, c. 1700

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