Rural Life and Nature

Scenic landscapes featuring farmers and serene nature. The artworks reflect daily life in rural settings with detailed engravings and picturesque surroundings.

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Rest on the Flight intoEgypt. Artist: Camillo Procaccini, Italian, ca. 1555-1629

Farmer's wife, Willem Roelofs (I), 1832 - 1897 print In a landscape a farmer's wife runs over a wide path. Next to the Landweg a house, trees and bushes. print maker: NetherlandsBelgium paper. etching / drypoint farmers - AA - female farmer, farmer's wife. road, path. farm or solitary house in landscape

The Morning of Life. Samuel Palmer; English, 1805-1881. Date: 1860-1861. Dimensions: 135 × 210 mm (image); 180 × 250 mm (plate); 222 × 300 mm (sheet). Etching in black on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

La Mort et le bûcheron (2nd plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Etching by Rudolf Jettmar titled 'The Hermit', created in 1904 using etching, roulette, aquatint, and cold needle techniques.

Return of fishing. Coastal landscape with fishermen; Men hanging nets in a tree and a man with a fishing rod that brings a basket to a woman.

Saint Francois a knees Harmensz van Rijn Rembrandt (1606-1669). Saint Fran�ois to Kneoux (B 107 - 2nd state), 1657.

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Rocky Landscape with Distress, Carl Friedrich Holtzmann (Possibly), After Johann Georg Wagner, 1750 - 1811 print Dresden paper etching hut, cabin, lodge. rock-formations. anchorite, hermit

Alphonse Legros, At the Home of the Woodcutters (Chez les bocherons) At the Home of the Woodcutters (Chez les bocherons)

Ponte Lupo a Tivoli, 1792, Collection ou Suite de Vues Pittoresques de l'Italie (plate 52), etching on laid paper, plate: 37.2 x 27.6 cm (14 5/8 x 10 7/8 in.), sheet: 49 x 39.2 cm (19 5/16 x 15 7/16 in.), Albert Christoph Dies (artist) Austrian, 1755 - 1822

Un lever de soleil , Sunrises & sunsets, Hills, Buildings, Alphonse Legros (1837-1911)

At Bawburgh. John Crome; English, 1768-1821. Date: 1813. Dimensions: 152 × 186 mm (plate); 208 × 242 mm (sheet). Etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with jammed car.

Landscape with wooden bridge in Octagonal Framework, Anonymous, After Paul Bril, 1582 - 1700 print Landscape with wooden bridge in Octagonal Framework, copy to print from Paul Bril with landscape Spiegelverd. paper etching landscape with bridge, viaduct or aqueduct

L'Incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

Plate 23 of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Remembrance of Italy 1861-1871 France. Etching on tan laid paper . Jean Baptiste Camille Corot

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Etching by Emil Orlik, 1896, depicting a party scene from Schongau with multiple figures, gestures, and interior elements.

Un lever de soleil , Sunrises & sunsets, Hills, Buildings, Alphonse Legros (1837-1911)

Venus Disarming Cupid. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1852-1862. Dimensions: 387 × 258 mm. Charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woman on Bospad, J. Breuhaus de Groot, 1900 - 1999 print paper etching forest path or lane

A Young Mother at the Entrance to a Wood. Jean-Baptiste-Camille Corot (France, Paris, 1796-1875). France, 1856. Prints. Cliché-verre

Étude pour 'L'enfant Prodigue' , Biblical events, Trees, Prodigal son Parable, Alphonse Legros (1837-1911)

Death and the Young Mother, from Revue Fantaisiste. Rodolphe Bresdin; French, 1825-1885. Date: 1861. Dimensions: 137 × 88 mm (image/chine); 170 × 123 mm (plate); 220 × 159 mm (sheet). Etching and roulette on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

In the shade of a large tree stands a man with a hat on his head and a walking stick. With his right arm he makes and pointing gesture. Next to him is a person sitting in the grass, Landscape with two people Asking for directions, print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 55 mm × w 49 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Persée and Andromède. Forty-nineteenth issue of a series of 52 pieces. (A. de Vesme 537; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

The Morning of Life, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1860-1861, Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm), Plate: 7 1/8 x 10 1/16 inches (18.1 x 25.6 cm), and Image: 5 3/8 x 8 1/4 inches (13.6 x 20.9 cm), animal art, apples, bank, basket, beams, boys, brook, figures, labor, landscape, light, religious and mythological subject, river, sheep, stream, sun, trees, washing, woman, Redhill

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

The Death of Saint Peter Martyr. Dated: c. 1738. Dimensions: sheet: 56.2 x 38.2 cm (22 1/8 x 15 1/16 in.). Medium: chiaroscuro woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Titian.

Landscape with resting travelers, Rodolphe Bresdin, 1843 - 1844 print paper etching 'en route', traveller under way. rocks

Le demeure du poète. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with river and laundry woman, Eugène Bléry, 1843 print Fontainebleau paper. etching / drypoint landscapes. rocks. river. laundering

Quissett, Barnstable County, Massachusetts, 1879. Leroy Milton Yale (American, 1841-1906). Etching;

Depicts a landscape with a shepherd family by Rembrandt, created as an etching with pinion in 1644, showing figures, animals, cottages, and surrounding terrain.

Landscape with Poortgebouw, Jan Frederik van Deventer, 1832 - 1886 print . etching / drypoint gate, entrance

Thomas Gainsborough RA, 1727-1788, British, Wooded Landscape with Figures, ca. 1788. Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper.

The etching by Carl Wilhelm Kolbe the Older from 1777-1835 depicts a young man playing the lyra and a woman in an Arcadian landscape, showing figures, musical instrument, and natural scenery.

Face in a park with a Venus statue, Hubert Robert, 1760 - 1770 drawing Face in a park with the Venus Medici. paper. chalk statues, sculptures in garden. park

The Prodigal Son (2nd Plate). Alphonse Legros (French, 1837-1911). Etching;

Copper engraving and etching by Schelte Adamsz. Bolswert depicting Mercury and Argus, created between 1600 and 1659, illustrating mythological subjects in Baroque style.

Summer Evening. Dated: in or after 1829. Medium: mezzotint progress proof. Museum: National Gallery of Art, Washington DC. Author: David Lucas after John Constable.

Mixed media drawing by Martin von Molitor, 1780-1812, depicting a rural Au landscape with a straw-covered hut, two women, and a dog, illustrating domestic life and natural scenery.

La Mort dans le poirier , Death, Skeletons, Pear trees, Pears, Alphonse Legros (1837-1911)

Print made by William Bernard Cooke, 1778-1855, British, Newark Castle, 1834. Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

A hen and a honeybee near a rosebush in a garden The hen blames the bee for not working Illustration of an allegorical story in which the hen is compared to mockers of poetry, Honeybee and the hen The honigby and the hen , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 251 mm × w 157 mm

Vicinity of Rome Camille Jean-Baptiste Corot (1796-1875). Surroundings of Rome. Floor water and dry tip on sigglared paper of filigree Holland: Aqua-Fortists. 1866. Museum of Fine Arts in the city of Paris, small palace.

Environs de Rome (NearRome). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Rispah: 2nd Book of Samuel, Chap. 21, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Robert Dunkarton, 1744-1811, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 11 inches (21 × 27.9 cm) and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), alone, bodies, death, fire, hill, landscape, moon, mother, mourning, Old Testament, religious and mythological subject, riverbank, sackcloth, sacrifice, skeletons, sons, torch

La Mort d'Uncas (The Death of Uncas) 1839 Rodolphe Bresdin French. La Mort d'Uncas (The Death of Uncas) 429793

A Monk with a Bagpipe Player. Dated: 1846/49. Dimensions: plate: 26.4 x 21.7 cm (10 3/8 x 8 9/16 in.) sheet: 32.9 x 25.1 cm (12 15/16 x 9 7/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Moritz von Schwind.

Virginie shipwreck, Barthélémy Joseph Fulcran Roger, after Pierre Prud'Hon, 1777 - 1841 print paper etching (scenes from) specific works of literature: Bernardin de Saint-Pierre, Paul et Virginie. shipping accident; sickness and death at sea

Siesta in the Country (Sieste dans la capagne). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Alphonse Legros, Banks of the Oise (Bord de l'Oise) Banks of the Oise (Bord de l'Oise)

Pencil sketches by Ferdinand Georg Waldmüller showing studies of figures, objects, landscapes, and compositional arrangements.

La route de La Houssoye (Crèvecœur-le-Grand) (Route from La Houssoye[Crevecoeur-le-Grand). Artist: Auguste Lepère, French, 1849-1918

Print, Repose, from "Etchings of Pictures in the Metropolitan Museum, New York"; France; etching on paper; Plate: 19.8 × 15 cm (7 13/16 × 5 7/8 in.) Paper: 13.7 × 26.8 cm (5 3/8 × 10 9/16 in.)

A lithograph by Eugène Delacroix titled 'Death of Ophélie', created in 1843, showing the tragic death of a figure from Shakespeare's play.

Saint Jerome Reading in an Italianate Landscape. The upright format and diagonal sweep of this etching were derived from Titian. Rembrandt underscored the diagonal layout of the depiction by alternating passages of light and shade. He left the foreground deliberately unfinished to produce the effect of bright sunlight. The shaded area behind Jerome is a dense web of parallel and criss-crossed drypoint lines.

Rest on the Flight into Egpyt(?). Artist: Switbert Lobisser, Austrian, 1879-1943

La Sainte Famille et Les Bergers (The Holy Family and the Shepherds) 1839 Rodolphe Bresdin French. La Sainte Famille et Les Bergers (The Holy Family and the Shepherds) 429782

La Roche-Guyon, 1866. Camille Pissarro (French, 1830-1903). Etching;

A Landscape with a Herd of Cows and Goats, Surmounted by Another Landscape, Upside-down, with a Man Pushing a Wheelbarrow. Dated: c. 1800. Dimensions: sheet: 30.1 x 44.1 cm (11 7/8 x 17 3/8 in.). Medium: pen and black ink with gray-brown wash over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Adrian Zingg.

Study of Stare Wierzb trunks; Bricks, Julian (1827-1910); around 1847 (1844-00-00-1850-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, studies (sketches), willows, purchase (provenance)

Les Faiseurs De Fagots Alphonse Legros (Dijon, France, 1837 - 1911) Male

Two Children Embrace Each Other, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1760-1761, Print, Print

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1) 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1). After John Constable (British, East Bergholt 1776-1837 Hampstead). 1830. Mezzotint touched with white chalk; proof before published state. David Lucas (British, Northamptonshire 1802-1881 London). Prints

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

Mercury Sust Argus asleep, Moyses van Wtenbrouck, 1645 - 1660 print Mercury plays flute for the Argus falling asleep. The cow Io drinks from a pond. Scene from Ovidius' metamorphoses (with. I, 682-687). print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving Mercury lulls Argus into sleep by making music

Landscape with love couple, Peter Paul Rubens (School of), 1600 - 1699 drawing Mythological representation: Landscape with love couple. paper. ink pen / brush forest, wood. couple of lovers

Two astrologers and a boy, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm)Sheet: 13 1/2 x 9 5/16 in. (34.3 x 23.6 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

The Distant City. Rodolphe Bresdin; French, 1825-1885. Date: 1868. Dimensions: 97 × 180 mm (image); 108 × 193 mm (chine); 134 × 210 mm (plate); 272 × 360 mm (sheet). Etching and roulette on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving by Cornelis Cort depicting St. Onophrios living in solitude in the wilderness, created in 1574.

Les faiseurs de fagots , Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Print made by James T. Willmore, 1800-1863, British, Mercury and Argus, 1841. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé.

Lead pencil (Bleigriffel) drawing by the French school depicting Hagar and the angel, created between 1700 and 1750.

Vista with a knotty, distorted tree, Frederick Bloemaert, after Abraham Bloemaert, after 1635 print In the foreground a large knotty, twisted tree from which flowering branches grow. On the left, a hunter with rifle looks at the birds. paper etching landscapes. trees

Die Frau MIT Dem Spinnennetz Zenischen Kahlen Bäumen (melancholy); Friedrich, Christian (1770-1843), Friedrich, Caspar David (1774-1840); 1803 (1803-00-00-1803-00-00);Melancholy (allegory), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, allegories, German graphics, women, German (culture), insects, spiders (zool.), Cobwebs, Old German dress (attribute), animals

L'Avalanche: Frontispiece du 'Triomphe de la Mort' , Trees, Rocks, Scythes, Alphonse Legros (1837-1911)

The Philosopher and the Pheasants. A bearded old man with staff stands under a tree with pheasants in its branches. Copperplate engraving by William Skelton after an illustration by John Wootton from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Rocky Landscape. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Overall: 17 11/16 x 24 3/4in. (44.9 x 62.8cm)frame: 24 1/2 x 16 in. (62.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Rocking with the left the Holy Willem van Maleval, lying with hands on a branch, Christian Wilhelm Ernst Dietrich, 1722 - 1774 print Germany (possibly) paper etching rock-formations. the penitent St. William of Maleval, in armour, tied to a tree. armour

Petroleum God. (IT)

Alphonse Legros, Man with a Punt, Figure to the Right (Pecheurs des truites) Man with a Punt, Figure to the Right (Pecheurs des truites)

Pelgrim enters the Bergweg, Daniel Nikolaus Chodowiecki, 1794 print With inscription in German. Berlin paper etching pilgrim(s). mountains. sunrise

Planche faite pour une exposition chez Dunthorne , Trees, Alphonse Legros (1837-1911)

Skater with sled in a willow, Johannes Franciscus Hoppenbrouwers, 1829 - 1866

Lievens, Jan, Landscape with a group of trees, verso lower left - stamped, The idiosyncratic way in which the woodcut technique has been applied suggests that Lievens himself carved this landscape in wood., print, prints, height 240 mm, width 152 mm, 1607-10-24 - 1674-06-04, print maker, printmaker, 1625 - 1674, second quarter 17th century, third quarter 17th century, paper, ink, woodcut, pen, brush, Work conception, after own design by

Print, Title Page, "Suite de douze Pêcheurs et Chasseurs"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; etching on paper; 33 × 23.5 cm (13 in. × 9 1/4 in.)

Copper engraving and etching by Jeremias Falck, 1661, depicting John the Baptist preaching in the desert, showing his figure, clothing, and surrounding landscape.

Alphonse Legros, Edge of a Brook (Bord de ruisseau) Edge of a Brook (Bord de ruisseau)

Avalanche, Max Klinger, 1881 print Numbered in the bottom right: VI. Nuremberg paper. etching / drypoint landslide. centaurs

Walter R. Locke, Contentment, 1938, etching on laid paper.

Rider at Stenen Brug, Allaert van Everdingen, 1631 - 1675 print Landscape with water feature in the foreground. On the path over the river is a goat and a person on a horse. A few roofs are visible on the other side of the bridge. Netherlands paper etching landscape with bridge, viaduct or aqueduct - II - ideal landscapes (+ city(-scape) with figures, staffage)

Drawing by Francesco Zuccarelli depicting a farmer near a waterfall with a woman carrying a load on her head and holding a child, with a homestead in the background, executed in chalk with white heightening on gray paper.

Le tonnelier (TheCooper). Artist: Alphonse Legros, French, 1837-1911

Etched by Joseph Mallord William Turner, 1775-1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

Interior of a Dutch Cottage, from 'Etchings of Pictures in the Metropolitan Museum, New York', Jules Ferdinand Jacquemart, French, 1837 - 1880, Willem Kalf, Dutch, 1619 - 1693, Etching on paper, A woman sits at the hearth. A man and a cow are in the background., France, 1871, Print, Print

of 3