Rural Life and Nature

Scenic landscapes featuring farmers and serene nature. The artworks reflect daily life in rural settings with detailed engravings and picturesque surroundings.

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

St Jerome Reading in an Italian Landscape Made 1648-1658 Holland. Etching, burin, and drypoint on ivory laid paper . Rembrandt van Rijn

LIBRO ECOS DE MONTANA DE ZORRILLA-GRABADO:VIAJERO HACIA EL CASTILLO WAIFRO. Author: Gustave Dore (1832-1883). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Souvenir of Tuscany 1840-1850 France. Etching on ivory laid paper . Jean Baptiste Camille Corot

Redding van Oedipus, Salvator Rosa, 1625 - 1673 print The young Oedipus hangs tied to his feet in a tree. A man loosens him. Italy paper etching / drypoint (story of) Oedipus. infancy, upbringing of Oedipus

Rome, Lavallée-Poussin, Etienne de, Mort de la Madeleine, Death of Mary Magdalene, verso bottom center - stamped, Mary Magdalene lying against a rock under a tree, a crucifix in her left hand. Two angels appear to her., print, prints, height 137 mm, width 92 mm, 1733 - 1793-11-18, print maker, printmaker, 1743 - 1793, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, Work conception, after own design by

The Raising of Lazarus: SmallPlate. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Etching by Johann Elias Ridinger, 1730-1760, depicting Adam with animals in Paradise, illustrating biblical scene with diverse fauna in detailed style.

Illustration of a Landscape with a Thorn Border. Artist: William Hyde (British, active from 1889, died 1925). Dimensions: sheet: 14 7/8 x 11 11/16 in. (37.8 x 29.7 cm). Date: 1880-1925. Museum: Metropolitan Museum of Art, New York, USA.

Horseman in the Mountains 1866 France. Etching on paper . Odilon Redon

Jean Jacques Outhwaite, after Charles François Daubigny, La Mare au diable La Mare au diable

Etching by Jean-Baptiste Camille Corot depicting the fortifications of Douai, printed on Japan paper around 1869-1870.

Print made by William Bernard Cooke, 1778-1855, British, Newark Castle, 1834. Line engraving; engraver's proof, 1st published state on medium, slightly textured, cream wove paper with chine-collé.

Tobit Burying the Dead Tobias Burying the Dead. 1601 - 1700. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Embers Glow. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Plate: 9 13/16 x 8 1/4 in. (25 x 21 cm). Date: 1890-97. Museum: Metropolitan Museum of Art, New York, USA.

Une Carrière à pltre près de Lagny (département de Seine-et-Marne); from Magasin Pittoresque ca. 1852 Charles Jacque. Une Carrière à pltre près de Lagny (département de Seine-et-Marne); from Magasin Pittoresque. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1852. Wood engraving. Prints

William Blake, The Pastorals of Virgil, 1821 The Pastorals of Virgil

Eugène Delacroix (1798-1863). The death of Ophélie (Delteil-Strauber 115). Lithography. 1843. Museum of Fine Arts of the City of Paris, Petit Palais. Lithography, death

Tekenende vrouw en liggende man in een landschap. Le repos (title on object). Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 285 mm × w 201 mm. Museum: Rijksmuseum, Amsterdam.

Les chemineaux: Après le crime , Tramps, Victims of crimes, Alphonse Legros (1837-1911)

An Artist Seated in the Ruins of the Colosseum. Hubert Robert; French, 1733-1808. Date: 1754-1764. Dimensions: 417 × 540 mm. Red chalk, on ivory laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fragment of Copperplate Printed Cotton with Hunting Scene Design, c. 1815. Horace Vernet (French, 1789-1863). Copperplate printed cotton; overall: 58.4 x 80.1 cm (23 x 31 9/16 in.).

Environs de Rome 1866 Camille Corot French. Environs de Rome. Camille Corot (French, Paris 1796-1875 Paris). 1866. Etching; between second and third state of three. Cadart & Luquet (French, active 1863-67). Prints

Young Women in a Landscape with Architectural Fragments ca. 1773 Hubert Robert French French artists of the eighteenth century frequently made counterproofs of their chalk drawings, but Hubert Robert stands apart for his sustained practice of re-working his counterproofs in pen and wash to create attractive works for the market (Sarah Catala, "Les usages de la contre-épreuve dans le dessin français du XVIIIe siècle", Cahiers dhistoire de lart, 2015, no. 13, 35-43). A counterproof is made by placing a moistened sheet of paper on a red or black chalk drawing and then running them though a printing press. Excess chalk from the original transfers to the blank sheet, resulting in a pale replica in reverse direction. A counterproof is always characterized by a uniform distribution of the chalk, more or less intense depending on the humidification of the paper. This fast and straightforward technique was an essential part of Roberts working process, as it both preserved the original (by re

Face on the bain de Pfeffers, 1726; Vuë du bain de Pfeffers, and Suisse; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the Bain de Pfeffers, houses and baths at a waterfall in Switzerland. Plate No. 334 in Part XIV of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title and inscriptions in French.

Environs de Rome (NearRome). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

The proclamation to the shepherds. Photo reproduction of an ETS from Rembrandt, 'the proclamation to the shepherds' (B. 44)

Men at a campfire, Dirck Bosboom, in or after 1674 - c. 1685 print Part of the crew of the VOC ship Terschelling tries to come to the mainland with a raft but eventually returns to the island. Around the campfire, the men consult what can now be done. Amsterdam paper engraving / etching camp-fire; watch-fire

Sewing on the grass.. Cassatt, Mary, 1844-1926. 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Camille Pissarro, A Woman Emptying a Wheelbarrow (Femme vidant une brouette), 1880 A Woman Emptying a Wheelbarrow (Femme vidant une brouette)

Victims of the flood disaster of 1855, Charles Rochussen, After Hendrik Albert van Trigt, 1855 print In a collapsed hut there are victims of the flood disaster of 1855. On the right a number of rescue staff. Title print for a series of 24 prints about the flood disaster of 1855. Amsterdam paper etching rescue work during a flood. flood

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible 1831 England. Mezzotint in black on ivory wove paper . John Martin

Design for a painting, Garden view with decorations, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, brush, h 202 mm × w 166 mm

A Children's Garden Party Made 1880 France. Drypoint on cream laid paper . James Tissot

Poughkeepsie, Ingen, Henry van, Reclining shepherd dog, verso - stamped, A reclining shepherd dog next to a bush. A stick lies in the grass in front of the dog. A hill is in the background., print, prent, prints, prenten, height 56 mm, width 70 mm, 1833-11-12 - 1898-11-17, print maker, prentmaker, 1864 - 1864, paper, papier, chine collé, etching

Grotto and Friars, from The Ruins of Rome. Bartholomeus Breenbergh; Dutch, 1598-1657. Date: 1635-1645. Dimensions: 100 x 61 mm (plate); 102 x 63 mm (sheet). Etching in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Le jardinier , Trees, Alphonse Legros (1837-1911)

This etching and aquatint by Francisco José de Goya, created in 1810, depicts scenes from 'The Disasters of War', showing violence, suffering, and destruction in a conflict setting.

Sadeler, Marcus, Stevens, Pieter (II), Pieter (I), Major, Isaak, Ten landscapes, River with a chapel on the right, verso - stamped in red, print, prints, height 235 mm, width 179 mm, German, 1576 - 1642, print maker, printmaker, 1586 - 1630, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1540 - 1620, after a design by, 1567 - 1624, Publication (Event), Publication, 1614-04-11 - 1650, publisher

Plate 3, 'Suite de douze Pêcheurs et Chasseurs', Jean-Baptiste Pillement, French, 1728-1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Etching on paper, Decorative landscape with Chinese figure holding spear with arrow point and pursuing fantastic bird. Two framing lines. Right top corner: '3'; bottom of the design: 'J pillement in.'; 'j. j. avril.sculp.1771.', France, 1771, Print, Print

Districted stone gate in a landscape, Jacob Lutma, after Jan Both, 1665 - 1683 print Amsterdam paper etching landscape with ruins. wooden container: barrel, cask (+ variant). trough

Wijnstok near a tree, Jacques Callot, 1646 print Presentation of a wine rank that winds around a tree. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching vine. bunch of grapes. trees

Part of a ruin with ivy and other plants, Eugène Bléry, 1860 print Paris paper ruin of a building ~ architecture. plants and herbs: ivy. plants and herbs

Joseph Mallord William Turner, Mill near the Grand Chartreuse, January 1, 1816, Etching and mezzotint printed in brown inks.

Neuville, Alphonse Marie de (N.1835-05-31-D.1885-05-19), 7. Fauchelevent opens the coffin. (The cemeteries take what they are given) (dummy title), 1865-04. Graphite pencil. Ink and raises of white gouache on paper. Houses of Victor Hugo Paris - Guernsey.

Title page for: A. Loosjes Pz. 'History of Miss Susanna Bronkhorst', 1806, Reinier Vinkeles (I), 1806 print View of a field with trees where a woman runs a man. There are two children in the bushes. Amsterdam paper etching / engraving running - AA - female human figure. improvised bridge, temporary bridge ~ military engineering. landscapes

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Two oxen that pull a car through a river, Wijnand Otto Jan Nieuwenkamp, 1914 print In the background a steep rock wall with sculptures on it. paper drypoint river. ox. four-wheeled vehicle drawn by two animals. inland cliff face. piece of sculpture, reproduction of a piece of sculpture

Saint Francis. Dated: 1592-1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Herdersjongen, Gillis van Scheindel (I), 1605 - 1653 print A young shepherd's whistle is playing with a tree. There are two of his goats in front of him. A hilly landscape in the background. The print is part of a series of twelve landscapes. Netherlands paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. goat. flute, aulos, tibia - CC - out of doors

Philis kisses the sleeping lady, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print Philis kisses the sleeping shepherd DAKETAS. A dog watches, the herd of sheep in the background. Amsterdam paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. (lovers) kissing each other. dog. sheep

1892 Art Work - Gerda Granberg II - Anders Zorn.

A Dell, Helmingham Park, Suffolk 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Dell, Helmingham Park, Suffolk. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; fourth state of five. Prints

Rembrandt van Rijn, Saint Jerome Reading in an Italian Landscape, c 1653 Saint Jerome Reading in an Italian Landscape

Roslin Castle, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

The ghost illusion, figure 7, page 69. Robert-Houdin, Jean-Eugène, 1805-1871. Illustrations. 1881. Billy Rose Theatre Division. Magic tricks, Projectors, Magical devices, Stages (Platforms)

L'homme au fourrage , Laborers, Trees, Alphonse Legros (1837-1911)

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), L'Arcouve (main title), 1901. Gypsography, brown and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Un Abri (A Shelter). Dated: 1858. Dimensions: sheet: 25.1 x 20 cm (9 7/8 x 7 7/8 in.) support: 43.5 x 29.9 cm (17 1/8 x 11 3/4 in.). Medium: lithograph in black on chine collé. Museum: National Gallery of Art, Washington DC. Author: Karl Bodmer.

Joseph Mallord William Turner, Aesacus and Hesperie, published 1816 Aesacus and Hesperie

Les Baigneuses, 19th century, Paul Huet, French, 1803-1869, 5 7/8 x 9 in. (14.92 x 22.86 cm) (plate)10 5/8 x 15 11/16 in. (26.99 x 39.85 cm) (sheet), Etching, France, 19th century

Democritus Meditating. Dated: 1654. Dimensions: sheet (cut to platemark): 16.1 x 13.1 cm (6 5/16 x 5 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Heinrich Schönfeld.

Village de Saint-Pierre: Effet d'orage , Villages, Hills, Storms, Alphonse Legros (1837-1911)

The Salutation of the Birds (Il Saluto degli uccelli). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: 1 engraved illustration on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.

Shipwreck. Dated: 1840. Dimensions: plate: 10.9 x 8.1 cm (4 5/16 x 3 3/16 in.) sheet: 35.2 x 26.2 cm (13 7/8 x 10 5/16 in.). Medium: etching with roulette on chine collé. Museum: National Gallery of Art, Washington DC. Author: ALEXANDRE CALAME.

Edmond Morin (1824-1882). "The war". Bois, 1870. Museum of Fine Arts of the city of Paris, Petit Palais. Campaign, eclair, war, peasant, raptor, thunder, engraving

Girl with basket on the Waterkant, Dirk Jurriaan Sluyter, 1826 - 1886 print A girl with a cap on the head sits on the banks of a stream with her feet in the water. There is a basket next to her. Possibly an illustration of the Red Riding Hood fairy tale. Amsterdam paper etching / steel engraving tales and fairy tales: Little Red Riding-hood

La Maison Rondest, à l'Hermitage.. 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Trees , France, Houses , France, L'Hermitage (France)

Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.5 cm (7 7/16 x 4 15/16 in.).

Le voyageur étendu sur le gazon , Trees, Travelers, Alphonse Legros (1837-1911)

Stone drawing by Joseph Rosa showing a mountain stream (Gebirgsbach) within a landscape, including terrain, rocks, and vegetation.

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Capital with oak leaves from the Cologne Cathedral. Leaf 4 recto from a sketchbook with 27 sheets.

A Woodland Study. Samuel Palmer; English, 1805-1881. Date: 1851-1861. Dimensions: 225 × 172 mm. Brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

View of the Botanic Garden at Naples La Floridiana, Anonymous, 1800 - 1900 drawing paper. pencil garden. landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). gulf, bay. city-view in general; 'veduta' (+ city(-scape) with figures, staffage) Naples. Villa Floridiana

Bella, Stefano della, Life of Saint John Gualbert, Monastery of Vallombrosa, verso - stamped, View of the Vallombrosa Monastery (Abbazia di Vallombrosa) shortly after its foundation. The monastery was founded by Saint John Gualbert in 1038. Explanatory list with letters in the lower margin., print, prints, height 175 mm, width 131 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etsen

Francis Seymour Haden, 1818-1910, British, Challow Farm, 1877. Etching and drypoint on medium, slightly textured, cream antique laid paper.

Rispah: 2nd Book of Samuel, Chap. 21, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Robert Dunkarton, 1744-1811, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), Bible, bird, body, bundle, cloud, corpse, crown, field, hood, landscape, lion, moon, moonlight, mother, night, protection, religious and mythological subject, river, riverbank, Rizpah, in mourning garments watches over the dead, keeping off birds and wild beasts, rock, shadow, shroud, skeleton, torch, tree, trees, wheat, woman, Israel, Jerusalem

Grot, Josephus Augustus Knip, 1787 - 1847 print In a cave a man on his knees makes a fire, while two other men are on the edge of a pond. In the background, outside the cave, a mountainous landscape with trees and the tower of a castle. paper etching camp-fire; watch-fire. landscape with tower or castle. cave, grotto

Bound Print, Man Holding a Sickle; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on laid paper

Nieuwer-Amstel, Stark, Elias, Bos te Bentheim, verso - stamped, print, prints, height 97 mm, width 155 mm, Dutch, 1849-08-15 - 1933-02-06, print maker, printmaker, 1886-06-02 - 1886-06-02, paper, papier, etching, etchings

Rochussen, Charles, Netherlands, Weissenbruch, Isaac, Men working with pickaxes in the rocks, print, prints, height 127 mm, width 106 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1814-08-01 - 1894-09-22

A Woman Making Water, Rembrandt van Rijn, 1631 print Equipped woman puts her need on the floor. paper etching urination. defecation

Hamalls or Potters Resting after Laying down their Burdens, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 6 inches (20 × 15.2 cm)

Feather and brush drawing by an anonymous artist depicting the Deucalion flood, created in gray over pen designation, late 17th century.

Souvenir of Italy, 1866. Jean Baptiste Camille Corot (French, 1796-1875), Cadart and Chevalier. Etching; sheet: 45.7 x 35.5 cm (18 x 14 in.); platemark: 31.8 x 23.6 cm (12 1/2 x 9 5/16 in.).

Winter landscape with skaters and lumberjack, Hermanus van Brussel, c. 1800 - in or before 1815 print Netherlands paper etching landscapes in the temperate zone. woodcutting, woodcutter ~ forestry. skates (winter sports)

La Fée des Alpes (1re planche) , Fictitious characters, Magic, Supernatural beings, Schumann, Robert, 1810-1856. Manfred. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Cart with two figures on a country road along a forest ..

Finale de la Valküre , Fictitious characters, Fire, Odin Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Walküre. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Raising of Lazarus: Small Plate. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1642. Prints; etchings. Etching with touches of drypoint

Study of Trees, Red chalk on laid cream paper, A large tree, surrounded by bushes, is depicted on the left. The presence of other trees is suggested in the background. The top corners of the sheet are chamfered., Italy, 1650-1700, landscapes, Drawing, Drawing

Hylas kidnapped by the Mysian Naiads (Euneica, Malis and Nycheia), who dwelled in the spring of Pegae near lake Askanios. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.

Scene pres du cours d eau. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

The Hague, Wtenbrouck, Moyses van, Bather steps out of the water, verso lower left - stamped, print, prints, height 124 mm, width 146 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, engraving, engraving (printing process), etching

Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from 'Les soirées de Rome' 1764 Hubert Robert French. Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from 'Les soirées de Rome' 399280

Grotto and Friars, from The Ruins of Rome Made 1635-1645 Holland. Bartholomeus Breenbergh produced a series of 50 small-scale etchings of Roman ruins based on drawings he made in Rome during the 1620s. He worked them into prints after his return to the Netherlands and published them as a set around 1640. His paintings and prints did not yet show the influence of Rembrandtís experimental effects with the etching needle. As a result, this scene of tiny religious figures huddled under an outcropping of rock is more documentary than emotionally charged.. Etching in black on ivory laid paper . Bartholomeus Breenbergh

The Entombment. School of Andrea Mantegna; Italian, 1431-1506. Date: 1485-1490. Dimensions: 495 × 371 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Scene from a poem with a man in the arms of a woman, Anonymous, After Charles Monnet, 1776 - 1800 print France paper etching / engraving literary characters and objects. couple of lovers

Landscape with bathing women; Les Baigneuses. Landscape with a group of four bathing women on the shore of a lake. Palm trees and a dangerous looking monument with a kind of animal head are on a column on the shore.

Study magazine with a landscape with a tree, and the forehead of Rembrandt, with a velvet beret.

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