Rural Life and Nature

Scenic landscapes featuring farmers and serene nature. The artworks reflect daily life in rural settings with detailed engravings and picturesque surroundings.

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Woman in Raffiarok Bij Kind in Hakmat, Adolphe Mouilleron, 1830 - 1880 print The sea in the background. Paris paper coast (in tropical and sub-tropical regions). adult woman

Rocks with draftsman and wife, Eugène Cicéri, 1854 print Paris paper rocks (+ landscape with figures, staffage). draughtsman at work - CC - out of doors

La passerelle , Hills, Trees, Rivers, Gates, Alphonse Legros (1837-1911)

François Nicolas figure (1825-1901). "The wind was blowing in lightning". Albumin paper. 1868. Paris, house of Victor Hugo.

Winter. Dated: 1871. Dimensions: plate: 42.1 × 31.2 cm (16 9/16 × 12 5/16 in.) sheet: 58 × 44.4 cm (22 13/16 × 17 1/2 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: after Eduard Marak Eduard Willmann.

Franchard Valley. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1888. Dimensions: 196 × 158 mm (image); 316 × 267 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wooded Lane at Pontoise. Camille Pissarro; French, 1830-1903. Date: 1879. Dimensions: 161 × 213 mm (image/plate); 203 × 270 mm (sheet). Aquatint with etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Happy Accident of the Swing Made 1792 France. Engraving in black ink on ivory laid paper . Nicolas Delaunay

Print, Personnage sous une arcade faite d'architecture construite et de rochers; France; etching

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Frederick Landseer Maur Griggs, 1876-1938, British, Carnagh, 1915. Etching.

De Delftsevaart at the Molentje at Nacht, Ernst Willem Jan Bagelaar, 1798 - 1837 print paper etching / drypoint landscapes with waters, waterscapes, seascapes (in the temperate zone) Delftsevaart

PortraT van Anton Ignaz von Fugger -Glött, Johann Esaias Nilson, 1769 - 1788 print With caption in Latin. paper etching historical persons. archbishop, bishop, etc. (Roman Catholic). unicorn. armorial bearing, heraldry. ornament ~ medallion

Title Page to Series of Landscapes 18th century Louis Philippe Joseph, duc de Chartres. Title Page to Series of Landscapes. Louis Philippe Joseph, duc de Chartres (French, 1726-1785). 18th century. Etching. Prints

Gampert, Otto, Beukenbos, verso - stamped, print, prent, prints, height 168 mm, width 254 mm, 1842 - 1897, print maker, printmaker, 1892 - 1905, paper, papier, etching, etchings, plaattoon

Jeńcy na wozach w lesie, z cyklu "Versuche auf Stein mit Pinsel und Schabeissen". Menzel, Adolph (1815-1905), graphic artist, Verlag von Gebrüder Rocca (Berlin, Getynga ; wydawnictwo ; 1815-1874), publisher

Print made by Luigi Schiavonetti, 1765-1810, Italian, The Descent of Man into the Vale of Death, 1808, published 1813. Etching on moderately thick, slightly textured, cream wove paper.

A Subiaco, 1793, Collection ou Suite de Vues Pittoresques de l'Italie (plate 33), etching on laid paper, plate: 37.2 x 28.1 cm (14 5/8 x 11 1/16 in.), sheet: 49.1 x 39.1 cm (19 5/16 x 15 3/8 in.), Feuchtmayr 1975, Vol. A, no. 67, State iii/iii, Johann Christian Reinhart (artist) German, 1761 - 1847

Jean-Baptiste-Camille Corot, Saint Sebastian Succored by the Holy Women, French, 1796-1875, 1874, oil on canvas

Flight to Egypt, Lodewijk Schelfhout, 1930 print Maria driving on a donkey in a hilly landscape with a bridge. She wears the Christ child in her arms, which hide behind her cloak. paper drypoint flight into Egypt and miracles during the journey. ass, donkey

Jean Baptiste Isabey, Colossus L'Apenin, Pratolino, 1822 Colossus L'Apenin, Pratolino

Plate 4, 'Suite de douze Pêcheurs et Chasseurs', Jean-Baptiste Pillement, French, 1728-1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Etching on paper, Decorative landscape with Chinese figure carrying two nets on a pale walking toward steps which lead to a small pavilion. Two framing lines. Right top corner: '4'; bottom of the design: 'j. pillement del.'; 'j. j. avril.sculp.1771.dec.', France, 1771, Print, Print

Copper engraving by Albrecht Dürer depicting the Holy Hieronymus in a desert landscape around 1496, showing figure, robe, posture, and surrounding terrain.

Print, Design for Cartouche Forming a Bridge (Horizontal); Designed by Jacques de Lajoüe (French, 1687-1761); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Platemark: 24.9 x 21.2 cm (9 13/16 x 8 3/8 in.) Sheet: 33.2 x 24 cm (13 1/16 x 9 7/16 in.)

Carl Wilhelm Kolbe, Bathing Maiden, 1796 1800 Bathing Maiden

Drawing, The Flight into Egypt, After Domenichino; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown watercolor wash on paper; 21.8 x 15.4 cm (8 9/16 x 6 1/16 in.)

Psyche Wandering, plate 28 from Cupid and Psyche 1880 Germany. Etching and aquatint on paper . Max Klinger

Various pencil sketches by Ferdinand Georg Waldmüller depicting figures, landscapes, and studies on paper.

Hospice of the Great St. Bernard (vignette), Print made by W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1830, Engraver's proof; line engraving and etching on medium, slightly textured, cream wove paper with chine-collé, Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm), Plate: 10 5/16 × 5 5/8 inches (26.2 × 14.3 cm), Chine collé: 10 × 5 1/2 inches (25.4 × 14 cm), and Image: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm)

THE PALACE OF SLEEP, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for Charles Perrault (1628-1703), Fairy Tales. 1870, Art, Artist, romanticism, colour, color

South America, vintage engraved illustration. Magasin Pittoresque 1857.

'THE COTTAGE DOOR' BY GAINSBOROUGH

Beyond Human Forces (Part 2), 1897. Edouard Vuillard (French, 1868-1940). Lithograph;

Print (France)

Ways to catch crows in winter, Bernard Picart (workshop or), After Bernard Picart, 1730 print Two performances on a leaf. Upstairs: Men in dark suits catch crows in the trees at night. Below: catching crows with papers's cones in the snow. Amsterdam paper etching bird hunting. finch trap, finchery. song-birds: crow

Drawings reproductions: Anna Bilińska-Bohdanowicz (1857-1893), Sketches from sea studs; Z: "Tygodnik Ilustrowany" 1893, No. 172 (April 15), p. 229; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1893 (1893-00-00-1893-00-00);

African slaves in the jungles of the French Caribbean; drawings after M Regis de Trobriand.

The Lonely Tower. Samuel Palmer; English, 1805-1881. Date: 1880. Dimensions: 167 × 235 mm (image); 189 × 253 mm (plate); 288 × 412 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Stage Design, Caves; Italy; pen and brown ink, brush and wash, ruled border in graphite on white wove paper, laid down on white laid paper

Five characters in the park, at the monument Norblin, Jan Piotr (1745 1830)

William Blake, 1757-1827, British, Illustrations of Imitation of Eclogue I, Page 15, 1821. Wood-engraving and letterpress on medium, slightly textured, cream wove paper.

Lulworth Cove, Dorset, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1811-1812, Line engraving and etching, engraver's proof on moderately thick, smooth, beige, wove paper, with beige, chine colle, Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm), Plate: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), Chine collé: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm), and Image: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)

Villa of Pratolino: The Appenino ca. 1653 Stefano della Bella Italian. Villa of Pratolino: The Appenino 377481

Moses and the Burning Bush, from Illustrations of the Bible 1833 England. The visionary Romantic painter John Martinís Illustrations of the Bible (1831ñ35) boasts some of the most dramatic mezzotints of the 19th century. This series enthusiastically embraced J. M. W. Turnerís ìhistoricalî category from the Liber Studiorum (1807ñ1819). Yet ìMadî Martin eschewed Turnerís sepia tonality for a deep, velvet black periodically ripped asunder by lightning bolts. He engraved over 100 mezzotints, with special attention paid to the light and dark contrasts of Old Testament miracles and disasters. Although the series remained unfinished, his taste for elaborate destruction was sometimes well remunerated when his gigantic oil painting Belshazzarís Feast (1821; private collection) was put on view soon after being made, it attracted 50,000 paying viewers.. Mezzotint in black on ivory wove paper . John Martin

Village de Saint-Pierre: Effet d'orage , Villages, Hills, Storms, Alphonse Legros (1837-1911)

Le jardinier , Trees, Alphonse Legros (1837-1911)

Jefferson's Rock 1826 United States. Lithograph on cream wove paper, laid down on blue wove card . Rembrandt Peale

On the Shore. Artist: After John William North (British, London 1842-1924 Stamborough, Somerset). Dimensions: Image: 6 9/16 × 4 13/16 in. (16.6 × 12.2 cm)Sheet: 9 5/8 × 7 5/8 in. (24.5 × 19.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1865-70. Museum: Metropolitan Museum of Art, New York, USA.

Aquatint by Johann Heinrich Roos depicting a shepherd family in an idyllic landscape, created in 1800.

A woman is swept away by the tempestuous deluge; a small company of people on a hill try to save themselves; a serpent slithers beside them. Mezzotint after J. Martin.

Etching by Rudolf Jettmar from 1910 depicting Prometheus, exploring his mythological narrative and symbolic gesture in artistic composition.

Rizpah protecting the bodies of her murdered sons Armoni and Mephibosheth. Watercolour after J.M.W. Turner.

Was a final farewell, vintage engraving. Was a final farewell, vintage engraved illustration. Jules Verne 3 Russian and 3 English, 1872. Copyright: xZoonar.com/PatrickxGuenettex 10647565

Night scene in a 19th century Tunisian cemetery. Tunisia, Africa. Old 19th century engraved illustration from El Mundo Ilustrado 1879

Edward Hopper, Night in the Park, 1921 Night in the Park

Shepherd with cows at a fordable place, Anonymous, Camille Corot (Possibly), 1868 - 1886 print paper etching / drypoint cow. ford

Die Ruinen des Schlosses von Canossa, Provinz Reggio Emilia, Norditalien, Italien, digitale verbesserte Reproduktion eines Originals aus dem Jahr 1880

Probably a title print for a series. Other prints from the series are not known., Cockerel next to a tree trunk, print maker: Pieter Gerardus van Os, (mentioned on object), Netherlands, 1811, paper, etching, h 90 mm × w 102 mm

F.N. RolfFSen (1719-1802), Gravmaele, 1719 - 1802

Rotswand, Edward John Poynter (Sir), 1910 drawing paper. pencil

Combe Bottom. Francis Seymour Haden; English, 1818-1910. Date: 1860. Dimensions: 114 × 151 mm (image/plate); 159 × 215 mm (sheet). Etching and drypoint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Francis Seymour Haden.

Saint Jerome Made 1631 Holland. As a disciple of Rembrandt, Jan Georg van Vliet worked in his masterís manner and produced scenes that spanned a range of lights and darks.. Etching on ivory paper . Jan Georg van Vliet

Hercules and the Hydra of Lerna 1866-1898 France. Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board . Gustave Moreau

Berken. .

Joseph Mallord William Turner, The Temptation of Christ on the Mountain, c. 1834, watercolor and gouache with graphite on cream wove paper.

Delphi, from the Stadium 1913 United States. Etching on heavy cream wove paper . Joseph Pennell

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Bruegel, Jan (St.; 1568 1625)

Reproduction of a painting: Dmochowski, Tadeusz Jan (1856-1930), On a July Night; from: "Tygodnik Ilustrowany" 1907, I, 135. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Parijs, Leviez, Charles, Pillement, Jean Baptiste, Deny, Jeanne, Recueil Des Fontaines, Chinoises, Fontein in landscape, Paris, verso - stamped, In a landscape with a fence a figure stands with a bowl under a fountain., print, engraving, ornamental print, prints, engravings, ornamental prints, height 242 mm, width 163 mm, French, 1749 - 1815, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, 1708 - 1778, publisher

Lorenz Adolf Schönberger painting depicting a storm at sea with a ship struck by lightning, executed with brown and gray brush, highlighted in white and laved, 1799.

Brzozowski, Feliks (1836-1892), In Springtime; from: "Tygodnik Ilustrowany" 1883, I, 337. Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Cascati di Caseati (Napoli); Sommer & Behles (Italian, 1867 - 1874); 1865 - 1870; Albumen silver print

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Fishing boat from Blankenberge along the coast, Egidius Linnig, 1842 print paper etching sailing-ship, sailing-boat. rocky coast Blankenberge

France, Paris, Set design for act III of The Ring of the Nibelung - The Rhinegold by Richard Wagner

Tobias and the Angel. Cavaliere Pietro Tempesta (Pieter Mulier); Dutch, c. 1637-1701. Date: 1685-1701. Dimensions: 77 1/2 × 97 3/4 in. (196.9 × 248.3 cm). Oil on canvas. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Pieter Mulier (il Cavaliere Tempesta).

Adam board No. V with: Max Klinger, Eva and the Future Opus III , print. Wilhelm Felsing, Berlin Leipzig 1898, Max Klinger Klinger, Max (1857 1920)

Moonlight After Charles-Émile Jacque (French, 1813-1894). , ca. 1888. Etching on wove paper on machine-made Japan paper mark, 21 1/4 x 17 1/2 in. (54.0 x 44.5 cm). European Art ca. 1888

CAMPESINO CON RED - HACIA 1750 - OLEO/LIENZO. Author: NADAL FERRAGUT JAUME. Location: POSESION DE MASSANELLA. ESCORCA.

Hagia Triada - Avenue et Couvent.. William J. Stillman (American, 1828 - 1901)

Image reproduction: Julian Fa AT (1853-1929), Daniel killed; Z: "Tygodnik Ilustrowany" 1899, No. 43 (21 PA Obrnik), p. 845; Meisenbach RiffArth & Co. (Munich, Berlin, Leipzig; Graphic and Retoproductive Zak 1892-), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1899 (1883-00-00-1883-00-00);

Séeberger, Jules (n.1872 - D.1932), Les Jardins Prives in Paris / La Picillette / View taken in the Garden on rue Cortot, at n ° 16 / July 1904 (title registered (letter)), 1904-07 . Rose silver-silver gelatin-bromure draw .. Carnavalet museum, History of Paris.

The Bathers, Woodcut Engraving from the Original Painting by Claude Joseph Vernet, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

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