Rural Scenes in Traditional Art

Depicting farmers and landscapes, these artworks feature earthy tones and detailed line work, showcasing rural life and nature's elements in dynamic compositions.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Alphonse Legros, Gust of Wind (Un coup de vent) Gust of Wind (Un coup de vent)

The Belfry of St.-Nicolas-les-Arras 1871-72 Camille Corot French. The Belfry of St.-Nicolas-les-Arras. Camille Corot (French, Paris 1796-1875 Paris). 1871-72. Lithograph; second state of two. Prints

St Jerome Beside a Pollard Willow Made 1648 Holland. Etching and drypoint on ivory laid paper . Rembrandt van Rijn

La ferme des Bordes , Farms, Farmers, Alphonse Legros (1837-1911)

Alphonse Legros, View of a Farm (La ferme des Bordes) View of a Farm (La ferme des Bordes)

Landscape with Man Carrying Staff 1800-1827 Paris. Lithograph in black on ivory wove paper . Pierre Antoine Mongin

Pan en Syrinx, Ernst Willem Jan Bagelaar, 1798 - 1837 print The Nymph Syrinx flight for pan in the reeds. In the lower margin a reference to the first book of the metamorphoses of Ovidius in which this scene is described. Netherlands paper etching / drypoint Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)

Saint Francis beneath a Tree, Praying. In depicting Francis, Rembrandt did not choose the traditional moment when the saint receives the stigmata’, the wounds of Christ, but rather represented the saint praying right before this extraordinary event.This is an unfinished proof impression executed in drypoint. Only five impressions of this state are known, all on unusual oriental types of paper or costly vellum. This impression is printed on warm yellow Japanese paper.

Le Berger et La Bergère (The Shepherd andShepherdess). Artist: Charles-François Daubigny, French, 1817-1878

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Souvenir d'Italie, Jean Baptiste Camille Corot, French, 1796 - 1875, Etching and drypoint on cream laid paper, Beyond three feather trees, right, a church is seen behind a low hill. Trees, left middle distance. A figure appears in the left center foreground, 1866, landscapes, Print, Print

The Pit, 1911. Auguste Louis Lepère (French, 1849-1918). Etching;

Souvenir de Salerne. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bathers in a Mountain Pool. Rodolphe Bresdin; French, 1825-1885. Date: 1865. Dimensions: 159 × 243 mm (image); 180 × 251 mm (plate); 275 × 361 mm (sheet). Etching and roulette on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pencil sketches by Ferdinand Georg Waldmüller depicting various subjects and studies on paper, showing line work, form, and composition.

Augustus, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of August. Grain harvest; Farmers bundle the corn. Amsterdam paper etching August ~ other concepts

Jean Baptiste Camille Corot, The Woodcutter of Rembrandt (Le Bucheron de Rembrandt), 1853 French: Le Bûcheron de RembrandtThe Woodcutter of Rembrandttitle QS:P1476,fr:Le Bûcheron de Rembrandt label QS:Lfr,Le Bûcheron de Rembrandt label QS:Len,The Woodcutter of Rembrandt

Figures around a statue in a garden.design for a painting.

Two nurses on the ground next to a loaded horse, Stefano della Bella, 1642 print print maker: Francepublisher: ParisFranceFrance paper etching wet-nurse. horse

View of the Omval, Louis Marvy, After Rembrandt van Rijn, 1825 - 1850 print Numbered in the top left: No. 209 du Cat. de Bartsch. paper etching river. cave, grotto Outfall, the

Poplars with a chapel in the background, Jean Pierre François Lamorinière, 1838 - 1911 print paper etching trees: poplar. church (exterior) - QQ - small church, chapel

Le jardinier et la jeune femme , Gardening, Alphonse Legros (1837-1911)

The Washing Place, called The Washerwomen (Le Lavoir, Dite "Les Laveuses"). Alphonse Legros (French, 1837-1911). Drypoint;

Artist: Alphonse Legros, French, 1837-1911, Lever du Soleil:l’Automne, Etching, platemark: 27.5 × 35.3 cm (10 13/16 × 13 7/8in.), French, 19thcentury, Works on Paper -Prints

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Alphonse Legros, Plate made for an Exhibition at the Dunthorne Home (Planche faite pour une exposition chez Dunthorne) Plate made for an Exhibition at the Dunthorne Home (Planche faite pour une exposition chez Dunthorne)

Salmon Fisher (Le pecheur du saumon). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

A Cottage on a Lane. Dated: probably 1800/1810. Dimensions: overall: 40.9 x 30 cm (16 1/8 x 11 13/16 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: John Varley.

Etching by Daniel Düringer from 1735-1786 showing a landscape with a watermill, including natural features and architectural details, emphasizing composition.

Bather (Evening) III 1896 Anders Zorn Swedish. Bather (Evening) III. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1896. Etching; second state of two. Prints

Les chemineaux: Après le crime , Tramps, Victims of crimes, Alphonse Legros (1837-1911)

Alphonse Legros, At the Home of the Woodcutters (Chez les bucherons) At the Home of the Woodcutters (Chez les bucherons)

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

The little hunt with two lions Harmensz van Rijn Rembrandt (1606-1669). The little hunt with two lions (B 115 - single state), around 1632.

Pan reclincing near a large vase set in a landscape ca. 1645 Giovanni Benedetto Castiglione (Il Grechetto) Italian In the 1640s, Castiglione produced a group of etchings that bring to life the world of Theocritus' 'Idylls' and Virgil's 'Eclogues', in which Pan is frequently invoked as lord of the flocks and patron of pastoral poetry. In this etching, the resting god, wearing his usual crown of pine, receives a second crown of grape leaves. The volcano must be Etna, for the rustic verse of both the Greek Theocritus (ca. 300-260 B.C.) and the Roman Virgil (70-19 B.C.) is set in Sicily.. Pan reclincing near a large vase set in a landscape 335667

Artwork by Jean-Baptiste Camille Corot titled 'The Girl and Death', produced as a glass cliché on chinapapier in 1854, depicting a figure interacting with a symbolic representation of death.

Edge of a Brook (Bord de ruisseau). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Le repos du berger , Shepherds, Hills, Buildings, Alphonse Legros (1837-1911)

Le petit mendiant , Beggars, Trees, Alphonse Legros (1837-1911)

Print, Two Standing Magicians and a Child, plate 13 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.3 x 17.7 cm (8 3/4 x 6 15/16 in.); 1931-67-58

Design for a print, Study of a landscape, draughtsman: Parmigianino, 1513 - 1540, paper, pen, brush, h 230 mm × w 186 mm

Rocky landscape with waterfall, intermediary draughtsman: Roelant Savery, draughtsman: anonymous, 1600 - 1650, paper, pen, brush, h 268 mm × w 210 mm

Resting shepherds at sunset, Daniel Nikolaus Chodowiecki, 1799 print Berlin paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sunset

Unobserved Man Spying on Reclining Lovers 1795 Germany. Etching on cream wove paper . Johann Heinrich Ramberg

Alphonse Legros, Across Country (A travers champ) Across Country (A travers champ)

Artist at work in the field, Félicien Rops, 1875 print Namur China paper etching / drypoint painter at work, in his studio - CC - out of doors

Little Shelter (Le petit hangar). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Print made by John Sell Cotman, 1782-1842, British, A Bridge, undated. Soft-ground etching on moderately thick, slightly textured, cream wove paper.

Virginie shipwreck, Auguste Thomas Marie Blanchard, After Pierre Prud'Hon, 1829 - 1898 print paper etching (scenes from) specific works of literature: Bernardin de Saint-Pierre, Paul et Virginie. shipping accident; sickness and death at sea

River landscape with boats, A. Carracci (Manner of), 1570 - 1650 drawing River landscape; On the shore cows and a woman with child. paper. chalk counterproof

Rocky Landscape with Waterfalls and Goats, Henry Swinburne, 1743-1803, British, undated, Pen and black ink, gray ink, gray wash, black wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm) and Sheet: 7 7/8 × 10 1/2 inches (20 × 26.7 cm)

Rest 1849 Charles Jacque. Rest. Charles Jacque (French, Paris 1813-1894 Paris). 1849. Etching. Prints

Salmon Fisher (Le pecheur du saumon), etching, Bliss 1923, no. 223, Alphonse Legros (artist) French, 1837 - 1911

Roman Ruin (Ruine romaine). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Man with bottles, Anonymous, After Jean Baptiste Pillement, 1776 print A man is seen on the back in a landscape under awnings. He puts bottles on a table. Augsburg paper etching standing figure. container of glass: bottle, jar, vase

A Bridge, Print made by John Sell Cotman, 1782-1842, British, undated, Soft-ground etching on moderately thick, slightly textured, cream wove paper, Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm) and Plate: 6 15/16 x 4 15/16 inches (17.7 x 12.5 cm), bridge (built work), landscape, stream, trees

Le mendiant aveugle , Beggars, Blind persons, Alphonse Legros (1837-1911)

The Turret. Francis Seymour Haden; English, 1818-1910. Date: 1879. Dimensions: 143 × 222 mm (image/plate); 228 × 288 mm (sheet). Etching on zinc printed on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Le voleur de poires (1st plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Avant deMourir. Artist: Paul Gavarni, French, 1804-1866

A Landscape with Farm Buildings among Trees. Dated: c. 1650/1655. Dimensions: overall: 6.2 x 16.7 cm (2 7/16 x 6 9/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Landscape with Poortgebouw, Jan Frederik van Deventer, 1832 - 1886 print Netherlands . etching / drypoint gate, entrance

Alphonse Legros, Little Wandering Jew (Le petit juif errant) Little Wandering Jew (Le petit juif errant)

Alphonse Legros, Banks of the Marne (Bord de la Marne), French, 1837-1911, drypoint and etching on light green paper

Study of Tree Trunks and Roots Study of Tree Trunks and Roots, draughtsman: Roelant Savery, c. 1606 - c. 1607, paper, brush, h 482 mm × w 370 mm

Landscape (recto); View of a City(verso). Artist: Unknown After: Giovanni Francesco Grimaldi, Italian, 1606-1680

Landscape with a Man and a Dog. Dated: c. 1580. Dimensions: overall: 16.8 x 23.3 cm (6 5/8 x 9 3/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Leandro Bassano after Titian.

Figure on a country road in Valkenswaard, 1866 - 1922 Leaf 37 Recto from a sketchbook with 42 sheets. Valkenswaard paper. chalk village street (+ city(-scape) with figures, staffage) Valkenswaard

Herder and his cattle near a tree, Jacob van de Velde (engraver), after Nicolaes Pietersz Berchem, 1770 print Shepherd who leans against a tree, stands around him his cattle. The print is loose in an album, see page 140, 141. Amsterdam paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock. leaning figure

Landscape with Sheep and Two Figures (recto); Faint Sketch of a Figure with a Hat (verso) 1623-73 Attributed to Jacob van der Does Dutch. Landscape with Sheep and Two Figures (recto); Faint Sketch of a Figure with a Hat (verso). Attributed to Jacob van der Does (Dutch, Amsterdam 1623-1673 Amsterdam). 1623-73. Brush and brown wash, black chalk (recto); red chalk (verso). Drawings

Willem Buytewech (Dutch, 1591-1592-1624), The Charcoal-Burner, 1621, etching

Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap ca. 1642 Rembrandt (Rembrandt van Rijn) Dutch At first glance, this image looks like a small man contemplating a large tree with a mysterious dark pattern to its right. When the print is viewed sideways, it becomes clear that this area is actually the beginning of a self-portrait that Rembrandt never finished. The combination of fragmentary elements on this sheet reveals how spontaneous Rembrandt's prints could be. He moved from studying how light plays across his velvet cap and eyes, to the structure of the tree, and finished by experimenting with hatched lines in the space beside the tree and across its trunk. Significantly, the cap studied here is worn by Rembrandt in many of his self-portraits, including the Museum's painted version of 1660.. Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap 359970

Design for a room decoration: a panel with birds.design for a room decoration: a panel with birds at weapons and sheets or paper. Design for a Wall Decoration.

Night face with a figure in a boat. Night face with a figure in a rowing boat surrounded by water and trees. In the background a church tower and two mills.

My Farm (Ma ferme), etching, Bliss 1923, no. 266, Alphonse Legros (artist) French, 1837 - 1911

Leicester Castle, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 283 × 385 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Design for wallpaper painting, Jurriaan Andriessen, 1752 - 1819 drawing Design for a wall painting. paper. ink. graphite (mineral) pen / brush

View in a garden with a figure with a rake in the foreground. Design for a painting.

Le dormoir des vaches (The CowPasture). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Landscape with bird catchers, Jan van de Velde (II), 1615 print Landscape with bird catchers with their nets. Seventeenth print from a series of eighteen. Northern Netherlands paper etching finch trap, finchery. fowling, fowler

Le petit berger, 2e planche (réduction). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Shepherds

Witch and her Guardians. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 11 13/16 × 9 5/8 in. (30 × 24.4 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Ashestiel, Print made by John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper with chine-collé

Saint Jean-Baptiste sitting in the desert (Bartsch 34) Swanevelt, Herman. Saint John the Baptiste sitting in the desert (Bartsch 34). Etching. 17th century.

Outside the Westeinde of The Hague. Outside the Westeinde of The Hague between the Vaert and the Klingh.

Vine at a tree; Life of Mary in emblems. Presentation of a vineyard that swings around a tree. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

Gerda Grönberg III Made 1892 Sweden. Etching on ivory wove paper . Anders Zorn

Nymphs etFaunes. Artist: Ker-Xavier Roussel, French, 1867-1944

Farm, Willem de Zwart, c. 1895 - c. 1896 print Possible at Soest paper etching farm or solitary house in landscape Soest (Utrecht)

Etched by Joseph Mallord William Turner, 1775-1851, British, Apuleia in Search of Apuleius, between 1813 and 1823. Etching, printed in brown ink Modern impression, canceled plate on medium, slightly textured, cream wove paper.

Brown pen and lead pencil drawing by Paul Troger depicting a Roman fountain situated behind trees.

Title print with wall and fountain, Karel du Jardin, 1652 print Amsterdam paper etching utilitarian, public pump or water fountain

Hunting for Birds: The Cabin Boy Scares the Birds 1862 Charles-François Daubigny. Hunting for Birds: The Cabin Boy Scares the Birds. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper. Drawings

Putto playing under a tree, Reinier Vinkeles (I), After Immerzeel, 1751 - 1816 print Amsterdam paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Flot, Ails, Tibia. Empty Bird Cage. Trees

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 11.5 cm, Berndtson, Gunnar

Chinese family with musical instrument, surrounded by vegetation, François-Antoine Aveline, After Jean Baptiste Pillement, 1759 print London paper etching / engraving pastorals, Arcadian scenes. Chinese. musical instruments; group of musical instruments

Jager with dogs and a landscape, 1839 - c. 1872 Page 69 Verso from a sketchbook with 73 sheets. Cleves paper. pencil landscapes. hunter. dog

Grown mountain slope with women wearing goods on their heads, Wijnand Otto Jan Nieuwenkamp, 1911 print Japanese paper (handmade paper). pencil etching mountains. jungle. carrying something on the head or on the shoulders Bali

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Cavalier arrêté dans la campagne (2nd state). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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