Rural Scenes in Traditional Art

Depicting farmers and landscapes, these artworks feature earthy tones and detailed line work, showcasing rural life and nature's elements in dynamic compositions.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Aquemoun, Algeria. Gustave-Achille Guillaumet; French, 1840-1887. Date: 1860-1870. Dimensions: 308 × 461 mm. Charcoal heightened with white chalk on tan laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Öland, Runsten's hd., Långlöt. Basement. Drawing by Ferdinand Boberg. Nordic

Drawing, Harbor Scene; Designed by Pierre-Jacques Volaire; France; pen and ink, brush and wash on paper

The Woodcutter of Rembrandt (Le Bûcheron de Rembrandt) May 1853 Camille Corot French. The Woodcutter of Rembrandt (Le Bûcheron de Rembrandt). Camille Corot (French, Paris 1796-1875 Paris). May 1853. Cliché-verre; first state () of three. Prints

Draftsman and shepherd in landscape; Different landscapes; Diverses paisages. A landscape with a draftsman in the foreground and a shepherd with his goats and cows around a large marble block. On the side of the block, remains of a carved figure in gowns can be seen. A ruin in the background on the left.

The Garden 1891 James McNeill Whistler American. The Garden. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1891. Transfer lithograph, drawn on medium-grained transfer paper, printed in black ink on ivory laid paper; only state (Chicago). Prints

Design for wallpaper painting. Design for a wall painting.

A Large Tree 1615-73 Salvator Rosa Italian Of his myriad achievements as an artist and man of letters, the brilliant and moody Salvator Rosa's contributions to the increasingly popular genre of landscape in the seventeenth century loom large. This spirited drawing of a towering, gnarled tree, its dense matrix of branches and leaves rendered in careful detail, is exceptional not only for its monumental scale but also for its exclusive focus on a single specimen: divorced from any narrative context, the tree is also isolated from a broader landscape-the arboreal equivalent of a solitary, standing figure. An early work by Rosa, the drawing is iconic of his lifelong fascination with the haunting power and majesty of landscape. While it may well have been executed with no particular purpose in mind, a possible function, though conjectural, is worth considering: one of Rosa's most accomplished and masterful etchings, The Rescue of the Infant Oedipus, is a technical tour de force due to the m

Charles H Woodbury, Wood Interior, 1920 Charles H. Woodbury (American, 1864 - 1940), Wood Interior, 1920, graphite, John Davis Hatch Collection 1984.7.125

Park face with girls at a Herme, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Family with cattle stop at a source, Philippe Jacques de Loutherbourg (attributed to), 1750 - 1812 drawing A cattle migrating family stops at a source in a plain, under a cloudy air. paper. ink. pencil pen / brush cattle. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. pastorals, Arcadian scenes

Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Primitive Cottage, Shoreham, undated. Pen and dark brown ink and gray wash on medium, moderately textued, cream heavy wove paper.

El Torro. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 9 13/16 × 12 15/16 in. (25 × 32.9 cm)Plate: 8 7/16 × 11 7/8 in. (21.5 × 30.2 cm). Date: 1920-22. Museum: Metropolitan Museum of Art, New York, USA.

Landscape (verso). Armand Guillaumin (1841-1927). Landscape (verso). Pastel on paper. Museum of Fine Arts of the city of Paris, small palace.

Two women paying nets, in Katwijk aan Zee, Jan Toorop, 1899 print paper drypoint mending of fishing nets Katwijk aan Zee

Augustin Hirschvogel (German, 1503-1553), River Landscape with the Temptation of Christ, 1545, etching, counterproof

Vignette with two putti with a burning heart in a dangerous area, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching beasts of prey, predatory animals: lion. cupids: 'amores', 'amoretti', 'putti'. snakes. heart symbolism

Winter face with knot willow and man with sled, Johannes Franciscus Hoppenbrouwers, 1829 - 1866 drawing paper. chalk. pencil brush ice ~ freezing weather

Artist: Master M. Z., German, active 1500-1503, TheLovers, ca.1500, Engraving, platemark: 15 × 12.4 cm (5 7/8 × 4 7/8in.), German-Bavarian, 16thcentury, Works on Paper -Prints

The Big Rock 1810 Spain. Etching and burnished aquatint on laid paper . Francisco José de Goya y Lucientes

L'Abreuvoir. 1812 - 1887. Palizzi, Giuseppe, 1812-1888. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Alphonse Legros, Rest Rest

The Nest Robber. Hubert Robert; French, 1733-1808. Date: 1780-1789. Dimensions: 363 × 287 mm (primary support); 445 × 370 mm (secondary support). Red chalk, with touches of orange chalk, with touches of pen and brown ink, on cream laid paper, incised with a compass, laid down on blue wove board. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Un charron , Wheelwrights, Wheels, Alphonse Legros (1837-1911)

Drawing, Landscape; Italy; charcoal, pen and ink on paper

Wythburn, Near Thirlmere, 26 December 1834, Capt. Thomas Hastings, 1778-1854, British, 1834, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm)

Print, Charles Emile Jacque, French, 1813 - 1894, Etching on laid paper, France, 1813-1894, Print

Drawing, El Khasneh from the Sik, Petra; Frederic Edwin Church (American, 1826-1900); USA; graphite on brown wove paper; 38.1 × 27.3 cm (15 in. × 10 3/4 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

Book Illustration 1773-1828 England. Wood engraving on paper . Thomas Bewick

Bather (Evening) III Made 1896 Sweden. Etching on tan wove paper . Anders Zorn

Post and the bust of Rejtan, studies to the painting "Rejtan. Fall of Poland"; Matejko, Jan (1838-1893); 1864-1865 (1864-00-00-1865-00-00);

Landscape with a castle on a rock, Landscape with a castle on a rock, draughtsman: Paul Bril, (circle of), 1564, paper, pen, brush, h 267 mm × w 195 mm

Au bord de la route.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dogs

The Raising of Lazarus: Small Plate. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1642 (later printing). Prints; etchings. Etching with touches of drypoint

Bottom & Titania, illustration for A Midsummer Nights Dream, Act III, Scene i. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Columns at the Edge of the Water - no. 23 from the series Lux Claustri” (The Light of the Monastery). Artist: Jacques Callot, French, 1592-1635

The Raising of Lazarus: Small Plate, Rembrandt van Rijn, 1642 print paper etching the raising of Lazarus ('Lazarus, come out')

Child with dogs, Otto Eerelman, c. 1865 - 1918 drawing tracing paper. pencil dog. child

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

Mendiant avec son chapeau à la main , Beggars, Hats, Trees, Alphonse Legros (1837-1911)

Landscape with Figures 17th century Anonymous, Italian, 17th century Italian. Landscape with Figures 342137

Landscape with a Mounted Herdsman and Cows, a City in the Background. Artist: Attributed to Jan Both (Dutch, Utrecht ca. 1618-1652 Utrecht). Dimensions: 11 1/8 x 7 15/16 in. (28.2 x 20.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Den Haag, Jonge, Jan Karel Jacob de, Twee honden, The Hague, verso left - stamped, Landscape with ruins and two dogs, one of them is gnawing on a bone., print, prints, height 109 mm, width 155 mm, Dutch, 1828-06-17 - 1880-03-15, print maker, printmaker, 1851 - 1851, paper, papier, pencil, crayon, chalk, etching, drypoint, dry needle

Francis Seymour Haden, 1818-1910, British, The Three Sisters, after 1867. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper.

Woman sitting on a chair next to a crib, Albert Roelofs, 1887 - 1920 print The woman leans with her arm on the edge of the cradle. paper etching cradle, crib. mother and child(ren), woman and child(ren) (family group). cradle, crib

Gallen-Kallela, Akseli, work name: Rantamaisema, 1916, line etching, graphics, plate width 9.5 cm, plate height 13.9 cm, leaf width 17.7 cm, leaf height 22.8 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Gallen-Kallela, Akseli, work, Eteläportaaat talvella (Kalela 1897), 1915, line etching, graphics, plate width 6.6 cm, plate height 9 cm, leaf width 21.7 cm, leaf height 26.3 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Barth Erwin (1880-1933), green area at the Buschkrug in Berlin-Britz (1928-1928): Perspective view with a view of the grove, stamp. Light break on the cardboard, 48.5 x 73.9 cm (including scan edges) Barth Erwin (1880-1933): Grünanlage am Buschkrug, Berlin-Britz

Garden with obelisk. Design for a painting.

Alphonse Legros, Returning with the Hay (Rentrant le foin) Returning with the Hay (Rentrant le foin)

Children Swinging, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Stipple engraving on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm), Plate: 10 3/16 × 5 9/16 inches (25.9 × 14.1 cm), Chine collé: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm), and Image: 2 3/4 × 3 inches (7 × 7.6 cm)

Scene from Pliny. Christian Bernhard Rode; German, 1725-1797. Date: 1775-1776. Dimensions: 317 x 207 mm (plate); 416 x 256 mm (sheet). Etching in brown-black on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Terni Amelia Palazzo Venturelli3. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

The Road to Houssoye Made 1913 France. Etching on cream laid paper . Louis Auguste Lepère

Edelfelt, Albert, Sketch book, 1890-91, drawing, 21.5x30, Edelfelt, Albert, 1890-91, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Magician pointing out a burning head to two youths, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 7 5/16 in. (22.8 x 18.5 cm)Sheet: 13 7/16 x 9 5/16 in. (34.2 x 23.6 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

Holmberg, Werner, work, Sketch book, drawing, 24 cm x 30.5 cm, Holmberg, Werner

Chinese Working Outside a Hut, after George Chinnery, 1774-1852, British, undated, Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper, backed with India or Japanese paper., Sheet: 15 3/8 × 23 13/16 inches (39.1 × 60.5 cm)

Design for a room decoration with garden vase with plants and birds. Design for a wall painting.

Burdock 1820-90 George Richmond British This study belongs to a group of drawings that descended in the artist's family (the Museum's "Hagar and Ishmael," 2002.119a,b, comes from the same group).. Burdock 420547

Le Saules au Bord de l'Eau (The Willows at the Waterfront), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 23 1621-35 Jacques Callot French. Le Saules au Bord de l'Eau (The Willows at the Waterfront), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 23. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Design for room wallpaper with landscape with Kar, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a wall painting. paper. watercolor (paint). ink. graphite (mineral) pen / brush

Square figure between trees in Buitenzorg, Willem Witsen, c. 1921 print Amsterdam paper etching plantation. squatting, crouching figure. trees Outdoor care

Figures by the Shore. Dated: c. 1830-1835. Dimensions: sheet: 13.34 × 14.61 cm (5 1/4 × 5 3/4 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES GOODWYN CLONNEY.

Le petit beûleur d'herbe , Trees, Buildings, Alphonse Legros (1837-1911)

Artist: Boetius Adams Bolswert, Flemish, 1580-1633, After: Abraham Bloemaert, Dutch, 1566-1651, A shed, Mercury andArgus, Engraving and etching, image: 20.3 × 26.1 cm (8 × 10 1/4in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Kruidnagelboom and Man on Ambon, Moluccas, Adrianus Johannes Bik, 1821 drawing Moluccas paper. chalk Ambon

Eight studies and small landscapes, Karel du Jardin, 1652 - 1659 print Leaf with eight small etchings, a man and a woman, a study of heads and a series of six small landscapes. Netherlands paper etching low hill country. male sex; man. postures of the head

Tavenraat, Johannes, Kleef, Study sheet, Cleves, recto - engraved, Study sheet with various male faces with headdresses. Bottom left a dog. Middle right a mill by the water., print, prints, verso - stamped, Failed etching attempt, The etching ground is too hard, height 81 mm, width 98 mm, Dutch, 1809-03-20 - 1881-04-02, print maker, printmaker, 1819 - 1881, paper, papier, etching, etchings, counterproof, counter pressure, Work conception, after own design by

Dans la Pusta. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1879. Prints; etchings. Etching with a touch of drypoint

La Fenaison (Harvest). Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Image: 8 1/4 × 13 1/2 in. (21 × 34.3 cm)Sheet: 11 5/8 x 14 9/16 in. (29.5 x 37 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing, 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Augsburg, Probst, Johann Michael, Pillement, Jean Baptiste, Cahier de six Baraques Chinoises, Man with bottles, verso - stamped, In a landscape under awnings stands a man seen from the back. He places bottles on a table., print, engraving, ornament engraving, prints, engravings, ornament engravings, height 303 mm, width 196 mm, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, Work conception, Frans, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, - 1809-07-24, publisher

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

Morning, Crossroads of the Forts de Marlotte. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1889. Dimensions: 235 × 153 mm (image); 307 × 232 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jean Louis Forain, The End Verdun, c 1916 The End - Verdun

Dry oak against the background of a forest. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Jasieński, Feliks (1861-1929), merchant employer, Wyczółkowski, Leon (1852-1936), graphic artist

Landscapes after old masters dated 1630 Dong Qichang Chinese This album demonstrates Dong Qichang's interpretation of the entire spectrum of Song and Yuan styles using a set of contrasting brushstroke methods, which could also be used for depicting actual landscapes. The great theorist and painter took as his point of departure the works of the Yuan master Ni Zan (1306-1374), whose paintings were regarded as calligraphic abstractions of earlier Song styles. In the first two leaves, Dong contrastsin what he regards as the early and late styles of Ni Zan's art-an "earthen" landscape (round, parallel, "hemp-fiber" brushstrokes) with a "rocky" one (angular, oblique, "folded-ribbon" brushstrokes). In successive leaves, Dong juxtaposes various "earthen" and "rocky" themes in order to evoke different paradigmatic styles of the Northern Song period. Listen to experts illuminate this artwork's story Listen Play or pause #7690. Landscapes Supported by Bloomberg Philanthropies We're sorry, the t

Wagenbauer, Max Josef, Examples for Landscape Sketchers, Examples for the landscape artist, Silhouettes of various branches and shrubs, print, prints, height 375 mm, width 290 mm, German, 1774-07-28 - 1829-05-12, print maker, printmaker, 1823 - 1823, paper, papier, lithography (technique)

Meeting in the Woods. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 272 × 205 mm (image); 295 × 211 mm (sheet). Transfer lithograph on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

L'Estampe Originale: Normandy, 1893. Pierre Puvis de Chavannes (French, 1824-1898). Color lithograph;

Contemplation , Cliffs, Thinking, Sitting. Charles H. Woodbury (1864-1940). Prints

Alphonse Legros, Prospect (Le point de vue) Prospect (Le point de vue)

Bosgezicht, Moses of Giosuè Bianchi, 1855 - 1886 print Italy Japanese paper (handmade paper) etching forest, wood

Illustration for a Book: Attacks on the Walls of a City 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Attacks on the Walls of a City. See Metropolitan Museum of Art acc. nos. 59.600.176 - 59.600.212. Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). 1696-1770. Black chalk. Horizontal and vertical centering lines ruled in faint black chalk. Drawings

View of the Tombes of Horatii and Curiatii, Israel Silvestre, 1636 - 1661 print paper etching city-view, and landscape with man-made constructions. grave, tomb Tombes van Horace en curiatii (Albano)

The Gallic Clearing. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1857. Dimensions: 183 × 142 mm (image); 200 × 163 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Conversation under the Statue, Luxembourg Gardens. James McNeill Whistler; American, 1834-1903. Date: 1893. Dimensions: 170 x 154 mm (image); 294 x 200 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Multiple Sketches. Louis H. Sullivan; American, 1856-1924. Date: 1881. Dimensions: 16 × 11 cm (18 × 14 in.). Graphite on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 46 cm x 29.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The Hague, Smits, Jan Gerard, Wooden gate with rain barrel, verso center bottom - stamped, print, prints, height 111 mm, width 76 mm, Dutch, 1823-02-14 - 1910-09-08, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings

Drawing, Sketch, Sycamore, Santa Barbara, California; Samuel Colman (American, 1832 - 1920); USA; black crayon, pen and dark ink, brush and brown watercolor wash on light cream paper; 11.1 × 19.6 cm (4 3/8 × 7 11/16 in.)

Title page for: Adriaan Pietersz. Loosjes 'wealth, secondary position and poverty', 1803, Reinier Vinkeles (I), after Adriaan Pietersz. Loosjes, 1803 print Title page with three putti with attributes in a mountain landscape. A putto stands at agricultural equipment, another is next to a beehive and the last one has its glass. Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. bee-hive. agricultural implements: spade

This 1920 lithograph by Julius Zimpel depicts a coffee house interior, showing figures seated at tables and interacting in a social setting.

Helena: Stay, though thou kill me, sweet Demetrius,” illustration for Act II, Scene iii, A Midsummer Night’s Dream. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Jean Baptiste Camille Corot, Luncheon in a Clearing (Un Dejeuner dans la clairiere), 1857 Luncheon in a Clearing (Un Dejeuner dans la clairiere)

Alphabet Book Design (Letters C and K) ca. 1830 Miss L. E. M. Jones British In this drawing the letter "C" is formed by a tower that stands beside a raging sea and the letter "K" made out of trees that cross over a stream. These charming conceptions were made for an alphabet book published in 1831 with lithographed plates by Charles Joseph Hullmandel (57.606), a project for which the Museum has other drawings in an album (66.631.5).. Alphabet Book Design (Letters C and K) 418573

Well in a landscape, Moses ter Borch, 1660, draughtsman: Moses ter Borch, Zwolle, 1660, paper, h 204 mm × w 325 mm

Laprade, Pierre, Two girls in a cornfield, recto lower right - embossed, print, prints, verso - stamped, height 150 mm, width 204 mm, French, 1875-07-25 - 1931-12-23, print maker, printmaker, 1885 - 1931, paper, papier, etching, etchings, plaattoon

Dorpsstraat with a quack and other figures.

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