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Rural Scenes in Traditional Art

Depicting farmers and landscapes, these artworks feature earthy tones and detailed line work, showcasing rural life and nature's elements in dynamic compositions.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)
La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)
246 assets in this story
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Le lavoir, or Les laveuses (Washhouse, orWasherwomen). Artist: Alphonse Legros, French, 1837-1911
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The Devils Pulpit, for an engraving in The Talisman. Artist: John Neilson Jr., American, 1799-1851
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Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a landscape with tree, fence and femalefigure, Black chalk, White wove, 35.2 × 50.6 cm (13 7/8 × 19 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors
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Woman sitting in garden - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897
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Detail of Martyrdom of Saint John the Evangelist, after Callot, after 1634. Stefano Della Bella (Italian, 1610-1664). Pen and brown ink with brush and brown wash over black chalk (upper portion of soldier's armor); sheet: 12.8 x 18.6 cm (5 1/16 x 7 5/16 in.).
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John Cousen, 1804-1880, British, The Temptation on the Mountain, 1835. Line engraving, first published state.
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Jean-François Raffaëlli, Le Remouleur (The Knife-Grinder), 1909, etching on paper.
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Sidewall. Date/Period: 1835-45. Sidewall. Block-printed on paper. Height: 1,210 mm (47.63 in); Width: 570 mm (22.44 in). Author: UNKNOWN.
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Rebecca and Eleazar (according to Paolo Veronese) Normand, Charles (1765 1840), Veronese, Paolo (1528 1588)
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Design for wallpaper painting with Dutch landscape, Jurriaan Andriessen, c. 1752 - c. 1819, Design for a wall painting., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 274 mm × w 111 mm
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Figures under an arbor - (unidentifiedillustration). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897
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Design for a wallpaper painting, draughtsman: Isaac de Moucheron, 1677 - 1744, paper, pen, brush, h 124 mm × w 88 mm
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A engraving drawing note from ed. I. Vivier; Ruszczyc, Ferdynand (1870-1936); 1904 (1904-00-00-1904-00-00);Partage Plus, French inscriptions, notes, composition sketches, purchase (provenance)
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Woman with a child on her arm on a bridge, Richard Nicolaüs Roland Holst, 1902 print In the foreground there are circles in the water, possibly due to precipitation. In the background a kneeling figure in the water. The air is involved. paper. mother and child(ren), woman and child(ren) (family group). carrying a person. bridge. rain
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Edmond Morin (1824-1882). "Gastronomic months: August". Bois, 1877. Museum of Fine Arts of the city of Paris, Petit Palais. August, bucolic, campaign, grass lunch, summer, gastronomic month, picnic, picnic, engraving
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Villagers' rest 1800-29 Jean Louis de Marne (called Demarnette). Villagers' rest. Jean Louis de Marne (called Demarnette) (French, 1754-1829). 1800-29. Lithograph. Prints
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Rev. Charles Annesley, 1787-1863, British, The Devil's Bridge, Aberystwyth, undated. Watercolor and pen and brown ink on medium, slightly textured, cream wove paper.
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Meister mit den Bandrollen's 'The Martyrdom of St. Sebastian' (c. 1450-1475) is a copper engraving depicting St. Sebastian tied to a post, highlighting posture, anatomy, and surrounding figures.
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Christ in the Garden of Gethsemane. Artist: Gaspare Diziani (Italian, Belluno 1689-1767 Venice). Dimensions: sheet: 7 13/16 x 6 9/16 in. (19.8 x 16.6 cm) maximum; irregular borders. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
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Rosalind: Give me your hand, Orlando,” illustration for Act IV, Scene i, As You Like It. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897
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A Tower of Cortez 1883 United States. Etching, with roulette, on cream chine, laid down on ivory wove paper . Thomas Moran
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Album magazine with two performances of two trees: on the left the design, on the right the version, 1816 print Album magazine with two performances of two trees: on the left the design, on the right the version. Is part of an album with 18 magazines with studies of trees. paper trees. the graphic arts
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Evil spirits and angels; Tutti del Male i Tenebrosi Spirti Sul Franco Suol Si Riversar (...); Illustrations at Melchiore Cesarotti poem pronea, apology for Napoleon Bonaparte; La Pronea del Cesarotti Delineata Ed Incisa Dal Matteini. Under the show a versitive in Italian. Print is part of an album.
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Netherlands, Bemme, Joannes, An overgrown tree trunk, There is moss on the tree trunk. Only the lower part of the tree is depicted., print, prints, height 348 mm, width 272 mm, Noord-Nederlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1809 - 1841, paper, papier, lithografie (technique)
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A pencil drawing book by Josef von Führich, begun May 6, 1807, containing sketches focused on figures, landscapes, and compositional form. Emphasis on observation and detail.
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Vanneaux et Sarcelles 1862 Félix Bracquemond French. Vanneaux et Sarcelles 395801
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The Critic, Louis Monziès, French, 1849 - 1930, Etching on paper, Landscape with a seated boy admiring a painting on a stool, in foreground. In middle distance, a river and a tree, right. trees also in far distance. Inscribed, lower right: 'Louis Monzies'., France, ca. 1880, Print, Print
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Cypresses (Les Cyprès) Vincent van Gogh (Dutch, 1853-1890). Cypresses (Les Cyprès), June 1889. Brown ink and graphite on wove Latune et Cie Balcons paper, 24 3/8 x 18 5/8 in. (61.9 x 47.3 cm). This drawing dates from Vincent van Goghs 1889 stay at a psychiatric asylum in Saint-Rémy-de-Provence, during a period when he became fascinated with the dark, obelisk-like forms of cypress trees. He sent it to his brother Theo in July of that year as a way to “show” him what the paintings he was working on looked like. The canvas that corresponds to this drawing is now in the Metropolitan Museum of Art. Not only is Brooklyns work on paper a “reproduction” in the sense that it was made to represent a painting, but it also draws from the visual vocabulary of the inexpensive contemporary prints that van Gogh adored, using an abbreviated language of dots and dashes to communicate tonal effects. He executed this and other drawings of this period with an improvised pen made from a sharpened stalk o
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Wright, Magnus von, work, Termopylai near Tampere, 1846, pencil, category: drawing, 27 cm x 34 cm
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Netherlands, Bagelaar, Ernst Willem Jan, Forest view with seated man, print, prints, height 32 mm, width 64 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation
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Design for ceiling painting. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 199 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.
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Lesclid, Richard (n.1825 - D.1892-05-15), Camille or Le Subternat (title given by the author), 1878. House of Victor Hugo - Hauteville House.
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Print (France)
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The Plow with Burdock Plants. Artist: Eugène Stanislas Alexandre Bléry (French, Fontainebleau 1805-1887 Paris). Dimensions: Sheet: 9 13/16 × 14 1/16 in. (25 × 35.7 cm)Plate: 4 15/16 × 8 9/16 in. (12.5 × 21.7 cm). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.
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The Vintage (Souvenir of the Morvan). Charles François Daubigny; French, 1817-1878. Date: 1865. Dimensions: 197 × 336 mm (image); 239 × 367 mm (plate); 323 × 454 mm (sheet). Etching and drypoint on light gray chine laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Charles Francois Daubigny.
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Sir Robert Smirke the younger, 1781-1867, British, Tombstone, 1802-1804. Brown wash and graphite on thin, slightly textured, beige, wove paper.
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The Hague, Royal Dutch Lithography of CW Mieling, Netherlands, Bos, Gerardus Johannes, Gerard Jan, Two boys in scare ducks, The boys are hidden in the forest by the water. They are watching a duck that flies up in fright. One of the boys is holding a long branch., print, prints, height 257 mm, width 395 mm, 1860 - 1943-05-24, print maker, printmaker, 1835 - 1898, paper, papier, chine collé, lithografie (techniek), Work conception, 1825-04-09 - 1898-05-13, after a design by, printer, drukker
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In the Country Winter, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company 1889 Issued by Kinney Brothers Tobacco Company Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.. In the Country Winter, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company. 1889. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company
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Végéteaux qui servent à faire des liens Imbire (Cipò imbé), Cotonnier (Sapoucaÿa)' by Jean Baptiste Debret, issued between 1834 and 1839 in Paris by Firmin Didot Frères. The work focuses on plants used for making ties, specifically the imbire and cotton plant, highlighting aspects of social life and customs in Brazil
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Drawing by Ferdinand Boberg. Södermanland, Österrekarne hd., Barva church Nordic
1899-44839
Decoration of Suardi Oratory. Eucharistic Christ and Stories of St Barbara, St Bridget and Putti harvesting grapes., by Lotto Lorenzo, 1523 - 1524, 16th Century, fresco. Italy. Lombardy. Bergamo. Trescore. Suardi Oratory. Detail. Dioscuro, the father of Barbara, who wears a white turban and Ottoman-style/Turkish fashioned clothes, is chasing his daughter along a path on a hillside, among green bushes/shrubs and trees. His daughter Barbara wears a light blue garment/dress and has a little dog wit
1899-32140
Landscape, by probably Luini Bernardino, 16th Century, fresco. Italy, Lombardy, Milan, San Maurizio al Monastero Maggiore Church. Whole artwork. Landscape clouds light blue: azure plants trees stream green meadow: lawn water mountains scenery.
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River landscape with thistles in center foreground. unknown c. 1600-1700 Tapestry Dimensions: H 8'2" x W 14'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henri Bendel 12/14/1918; sold cut down tapestry to Miss M. M. Newell 7/7/1920; sold settee to A. J. Miller 2/19/1920.
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Plaque 1877 Charles Volkmar. Plaque. American. 1877. Earthenware or lava. Made in Marlotte, France
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Page from a Sketchbook ca. 1848 () Samuel Palmer British. Page from a Sketchbook 355604
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Study of a Stump with Aerial Roots mid-19th-early 20th century Woldemar Friedrich German. Study of a Stump with Aerial Roots 383907 Artist: Woldemar Friedrich, German, Gnadau 18461910 Berlin, Study of a Stump with Aerial Roots, mid-19thearly 20th century, Watercolour, bodycolour, over graphite, sheet: 18 x 11 15/16 in. (45.7 x 30.4 cm). The Metropolitan Museum of Art, New York. Purchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2008 (2008.611)