Scenes of Roman Triumphs and Battles

Prints depicting historical events in ancient Rome, such as triumphs and battles, rich in action and historical context, illustrating Roman imperial power.

Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Triumphal trip of Emperor Aurelianus in 274, Bernard Picart (workshop of), After Bernard Picart, 1720 print Emperor Aurelian drives his triumphal wagon, which is pulled by deer. He triumphs over the chained Zenobia, Queen of Palmyra. He takes her and Tetricus to Rome to show them to the people. Amsterdam paper etching / engraving the triumph of Aurelian (Lucius Domitius Aurelianus), the Roman emperor; possibly with Zenobia, queen of Palmyra, and Tetricus as captives

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, De Batavische Oft Oude Hollandtsche Oorloghe tegen de Romeynen, De Bataafse Opstand, Civilis prevents quarrel between the Dutch and the German soldiers, 69-70, Civilis intervenes and prevents the Dutch and German soldiers from fighting each other to come to blows. Print number 22 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. On the back text in Latin., print, image, history print, prints, Frederik Muller Historieplaten, height 163 mm, width 209 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, Work conception, South Dutch, 1556 - 1629-05-06

Antigonus by order of Antonius beheaded, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing violent death by beheading

Plate 22: Civilis Separates German and Dutch Troops, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 7/16 × 8 1/8 in. (16.4 × 20.7 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

The Triumph of David over Goliath. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Cerialis forgive Roman soldiers who had helped civilis, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The Roman captain Cerialis forgive the Roman soldiers who had helped Julius Civilis. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands Publisher: Antwerp Zuid-Nederland paper etching / letterpress printing the soldier; the soldier's life. granting mercy; free pardon

Abigaïl asks David to forgiveness. Abiginal kneels down for David and asks him for forgiveness for the behavior of her husband Nabal, who refused David food. His fellow fighters are behind David. Behind Abigaïl's servants and servants with food. Italian text in four columns in undermarge.

Johann Wilhelm Baur, Capricci di varie battaglie, 1635 Capricci di varie battaglie

Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

The Romans burn the Dutch countryside, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The Roman troops burn Dutch settlements in the countryside. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands South Netherlands paper etching the soldier; the soldier's life. battle. burning

Proclamation of the peace of Osnabrück in a city, 1648, Caspar Luyken (attributed to), 1701 print Frankfurt am Main paper etching proclamation of peace. city-view in general; 'veduta'

The Burning of the Old Fortress. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Tacito, De Batavische oft Oude Hollandtsche Oorloghe tegen de Romeynen, De Bataafse Opstand, Civilis has his hair cut, 69-70, Italy, Civilis has his hair cut in accordance with his promise to defeat the Romans. He also has his grandson shoot arrows at Roman prisoners. Print number 20 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe tegen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Women and children watch Julius Civilis defeat the Romans, Women and children watch from a distance as Julius Civilis and his Batavian soldiers defeat the Romans. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Northern Netherlands, Hooghe, Romeyn de, Fokke, Simon, Mutilation of the bodies of the De Witt brothers, 1672, The mutilation of the bodies of the brothers Johan and Cornelis de Witt, 20 August 1672., print, history print, prints, Frederik Muller History plates, height 93 mm, width 108 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1782 - 1784, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, 1645-09-10 - 1708-06-15

Workshop of Hendrick Goltizus, after Hendrick Goltzius, Mercury Falling in Love with Herse, 1590 Mercury Falling in Love with Herse

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustration of Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: sheet: 9 15/16 x 7 5/16 in. (25.2 x 18.5 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

Johan van Oldenbarnevelt beheaded, 1619, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing violent death by beheading

Elisa and the Sunnemy woman travel back; The story of Elisa and the Sunnemy woman. Together with Elisa, the Sunnemy woman travels back home. Elisa sends his servant with his staff towards her house, with the order to lay the staff on the child's death bed. The print has a Latin caption and is part of a series about Elisa and the Sunnemy woman.

Giovanni de 'Medici at King Frans I, Hendrick Goltzius (attributed to), after Jan van der Straet, 1583 print Giovanni de 'Medici walks towards Frans I, who sits in front of a royal tent in an army camp. In the foreground a horse and a dog; A castle on fire in the background. Two lines of Latin under the performance. This print is part of a 22-part series of prints of the history of Giovanni de 'Medici, called' Dalle Bande Nere '. print maker: Haarlempublisher: Antwerp paper engraving (military) camp with tents

This etching by Pietro Aquila depicts the fall of Jericho, showing walls collapsing, figures, and surrounding landscape in 1675.

Antwerpen, Bouttats, Gaspar, Eight representations from the life of the De Witt brothers, Parts of the bodies are sold, 1672, Antwerp, Seventh print in a series of eight representations about the life of Johan and Cornelis de Witt. All prints are by Gaspar Bouttats and have a verse of four or two lines. The depiction shows how parts of the bodies of the De Witt brothers are sold and eaten, 20 August 1672., print, prent, prints, prenten, Frederik Muller Historieplaten, height 120 mm, width 135 mm, 1640 - 1695, print maker, prentmaker, 1672 - 1672, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Brinno chosen the leader of the North Hollanders and elevated on a shield, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Brinno chosen the leader of the North Hollanders and elevated on a shield. Two Roman units defeated by the Batavians. Print number 5 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Hudibras' first adventure. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Simson and Delila, Antonie Wierix (II), After Maerten de Vos, 1643 print Simson is sleeping on Delila's shot and she cuts his hair. Armed Philstines appear behind the tree to capture Simson. On the right in the landscape a bridge over a river. Under the show a reference in Latin to the Bible text in Ri. 16:19. Amsterdam paper engraving Samson's hairlocks are cut off by Delilah

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "Mariotto". Thirty-third number of a suite of 42 pieces (Lieure 110, Meaume 292). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-17 Burin, Gravure

The Salian Franks submit to the Roman commander-in-chief Flavius Claudius Julianus in 358. Print marked top right: Book III. Bl. 242. Salian Franks submit to Julian, 358 The Salians in Batavia submit zig to the Field Lord Julian , print maker: Jacob Folkema, (mentioned on object), intermediary draughtsman: Louis Fabritius Dubourg, (mentioned on object), 1749 - 1759, paper, etching, h 164 mm × w 203 mm

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King Arthur, Charlemagne and Godfried van Bouillon, Harmen Jansz Muller, after Maarten van Heemskerck, 1565 - 1569 print Three famous field lords from the Christian era on horseback, who are part of the nine best. On the left King Arthur Mer a banner in hand, in the middle Charlemagne with a sword and scepter and on the right Godfried van Bouillon with a banner in hand. print maker: Amsterdampublisher: Antwerp paper engraving Arthur (one of the nine worthies). Charlemagne (one of the nine worthies). Godefroy of Bouillon (one of the nine worthies)

The Triumph of Riches by Coornhert, Dirk Volkertsz. (1522-1590)/ Private Collection/ 1564/ The Netherlands/ Copper engraving/ Mannerism/ 22,2x29,4/ Mythology, Allegory and Literature

Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian or Old Dutch War against the Romans, The Batavian Revolt, The old Batavian men buy off their service to the Romans, 69-70, The old Batavian men buy off their service to the Romans at the expense of the young men. Print number 2 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings

Northern Netherlands, His Highness the Prince of Orange was welcomed into London, Entry of Prince William III into London, 1688, Prince William III is festively welcomed into London. The Prince of Horses with his Armies outside the Gate to the City, 29 December 1688. Marked top right: fol: 316., print, prent, prints, Frederik Muller Historieplaten, height 185 mm, width 138 mm, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, paper, etching, etchings

Léonard Gaultier, The Miracle of the Loaves and the Fishes, probably c 1572 1580 The Miracle of the Loaves and the Fishes

Didacus Valades Fecit. Valadés, Diego, 1533-. Prints, Illustrations. 1579. Rare Book Division. Rhetoric

The inverted world, c. 1576 - 1608 print The print shows a landscape where a farm is looted in the background by a group of soldiers. In the foreground, a rebus is depicted that allegorical comments on the political situation in the Netherlands in 1576-1579. The Rebus must be read from left to right. On the far left are the personifications of Nijd (Nijt) and War (Wreet). Together they hold a huge reverse globe. A goat (with) between them and a praying cord (Gheveijnst) completes the first sentence: 'Nijt and Gheveijnst Wreet Hout de Weerelt is'. In the middle of the print is the sign of Trouw (two connected hands), a duck (Ende) and the sleeping, naked personification of love (love sleeps). This sentence reads as follows: 'Loyal and Love Slaags'. Finally, the far right are a turf (soo), a sole roof (den) and the personification of time (tyt) that opens a book with a rolling role on the left page and a ladder and the letter T (learns) on the right -hand page. The last sentence reads 's

Eastern woman welcomed with a hand kiss, Jacob Folkema, 1702 - 1767 print Near a harbor, a woman in Eastern clothing is welcomed by a group of Oosterlingen. One of them gives the woman a hand kiss. Figures in rich Western clothing are watching left. In the background view of the water and a castle. paper etching head-gear: turban. kissing the hand (lovers). harbour. landscape with tower or castle

Two satyrs and two clergymen, Two satyrs with two clergymen in a landscape. The clergymen make repelling gestures and lift a crucifix. In the background a ruin above which angels and devils float. Above right: fol 4. Print used in the book: Scene of Accidents by Lambert van den Bos with a total of twenty prints by Arnold Houbraken., Satyr (s) (in general), landscape with ruins (city-landscape) with figures, staffage), monk (s), friar (s) (devil (s)), cross as symbol of Christ, Arnold Houbraken (mentioned on object), 1681 - 1683 and/or 1699, paper, etching, h 193 mm × w 144 mm

Branle. Prints. 1650 - 1659. Jerome Robbins Dance Division. Branle (Dance)

Works by Hercules, Johannes Jacobsz van den Aveele, after François Boitard, 1678 - 1727 print Various Hercules works are combined in a performance. You can see how the child Hercules kills the snakes, Hercules struggles with Antaeus, catches the bull of Crete, beats the Hydra of Lerna, kills the Stymphalian birds, kills the Centaur Nessus, lies on his stake and eventually in a car through heaven Drives to the Olympus. Netherlands (possibly) paper etching most important deeds of Hercules: the Twelve Labours

Romulus builds a city and calls her Rome; Subllato Fratre Romulus (...) Appellat Romam; Life of Romulus and Remus. The followers of Romulus build the city of Rome. Right is Romulus to point to a crown on his head. The print is part of an album.

Spring; Far; Four Seasons. A company in a garden avoids the water jets from a fountain under a loggia.

The Martyrdom of St Stephen 1576 Cornelis Cort Netherlandish. The Martyrdom of St Stephen 418142

Lord surrounded by shepherdesses; Title page for: Les Vrais Pourtraits The Quelques UNES DES Plus Grandes ladies DESGUISEES and Bergeres, 1640. A gentleman, surrounded by shepherdesses, gives a flower wreath to one of them. Two putti fly above the group that hold a cloth on which the title in French and in Dutch. A cityscape in the background.

Drawing of the punishment of whorelords in Patana, Punishment of adulterers in Pattani, 1602, Punishment of adulterers according to tradition in Pattani, 1602. The death penalty as it is carried out according to local custom on adulterers: the man is stabbed to death with a dagger and the woman is strangled. Part of the illustrations in the report of the second journey of Jacob van Neck to the East Indies in 1600-1604. No. 3., print, prent, nieuwsprent, prints, Frederik Muller Historical Plates, height 134 mm, width 178 mm, print maker, printmaker, 1644 - 1646, second quarter 17th century, paper, engraving, engraving (printing process)

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Winter landscape with skaters on ice. Numbered bottom right: 4. The numbered prints were published as a series of ten., Skaters on ice Figures in landscapes (series title), print maker: Jan van de Velde (II), publisher: Hendrick Hondius (I), (possibly), Northern Netherlands, 1627 and/or 1631, paper, etching, engraving, h 80 mm × w 175 mm

Jacques Callot after Matteo Rosselli, The Captain, 1619 The Captain

Minerva and Mercury, surrounded by children playing, Title page for: European Mercury, Fourth Piece, First Volume: Embracing the First Maiden of the Jaer 1693, Jan Luyken, Amsterdam, 1693, paper, etching, h 174 mm × w 137 mm

Print, Return of the Prodigal Son; Print Maker: Lucas van Leyden (Netherlandish, ca. 1494 - 1533); Netherlands; engraving on off-white laid paper

Apollo and Neptunus build the walls of Troy, Crispijn van de Passe (I), 1602 - 1607 print Apollo and Neptunus build the walls of Troy, in the service of Laomedon, the King of Troy. However, he refuses to pay them on which Neptunus sends a sea monster to destroy Troy. On the left in the background Hesione, the daughter of Laomedon, who is saved by Hercules after being chained to a rock as a sacrifice to the sea monster. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Neptune builds the walls of Troy with the help of Apollo and Aeacus. Hercules liberates Hesione, Laomedon's daughter, by killing the sea monster

Weigel, Christoph, Amsterdam, Luyken, Jan, Baäna and Rechab offer David the head of Ishbosheth, verso - stamped, print, prints, height 251 mm, width 201 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Parable of the bad winemakers, Hans Collaert (I), after Ambrosius Francken (I), 1646 print In a fenced vineyard, viticultures kill the servants of the owner of the vineyard. The servants came to pick up the part of the harvest to which the owner was entitled. If his servants do not return, the owner decides to send his son. His son is thrown out and killed in the foreground by the tenants. Under the show a reference in Latin to the Bible text in Luc. 20: 9. This print is part of an album. paper engraving the wicked husbandmen kill the servants of the lord, who are sent to gather the fruits. at last the lord sends his son, '... they cast him out of the vineyard, and killed him'

Dubourg, Louis Fabritius, Northern Netherlands, Folkema, Jacob, The Salians in Batavia submit to the Field Marshal Julian, Salian Franks submit to Julianus, 358, The Salian Franks submit to the Roman commander in 358 Flavius Claudius Julianus., print, picture, historical print, prints, pictures, Frederik Muller Historieplaten, height 170 mm, width 204 mm, Netherlands, 1692 - 1767, print maker, printmaker, 1747 - 1759, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, 1693 - 1775-09-16, intermediary draughtsman

Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

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Hypatia is pulled off her carriage by Christians, Jan Luyken, 1701 print The philosopher Hypatia is pulled off her carriage by Christians and dragged to a church to be killed there. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. four-wheeled vehicle drawn by two animals. abducting

Mercury Enamored of Herse, Daughter of Cecrops. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1590. Prints; engravings. Engraving

Polish Reichstag in which the strong and by the other party Frans Lodewijk of Bourbon-Conti is declared king by one party August II, 1697, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing election, choice of a ruler

The Martrydom of St. Barbara late 1570s Engraved by Giorgio Ghisi Italian. The Martrydom of St. Barbara 367766

Entry into Jerusalem, Adriaen Collaert, 1598 - 1618

Triomfoct Van Bacchus, Pietro Aquila, After Pietro da Cortona, 1660 - 1692 print Bacchus drives his triumphal wagon pulled by tigers. Different figures in the procession, such as baccians, saters and the drunken Silenus on a donkey. On the right two figures on elephants. paper etching Triumph of Bacchus; 'Carro di Bacco' (Ripa)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, Sadeler, Johann (I), Den Grooten Figuer-Bibel, History of Moses after the Exodus, History of Israel in the Desert, Dance around the Golden Calf, lower right - handwritten in brown ink, The Jewish people dance and make music around a pillar with the golden calf. In the foreground a feast is being eaten. On a hill on the left Moses breaks the tablets of the law on the ground. Below the image a reference in Latin to the Bible text in Ex. 32:1. This print is part of an album., print, album leaf, prints, 89, height 188 mm, width 265 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Colos of Rhodes; Septem Orbis Admiranda; The seven wonders of the world. View of the beach of Rhodes. There is an army, workmen and camels on the beach. In the background the large bronze statue is the Kolos of Rhodes. A second image is placed in the foreground. Text in Latin in undermarge.

Telemachus Kneelt For Mentor, Jacob Folkema, 1715 print Mentor has grabbed the hand of Telemachus, who is kneeling in front of him. A third person on the right sees this scene. In the background a temple where a minnekozend pair stands for. To the right of this, a woman with raised arms walks towards the couple. paper etching (story of) Telemachus

Foreigner, appointed king, is led to the city gate on horseback, Jan Luyken, 1693 print Amsterdam paper etching city-gate. king

Garci Fernandez and Gonzalo Gustos transfer Ruy Velazquez to close peace; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Antwerp, Jode, Gerard de, Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Shadrach, Meshach and Abednego, Shadrach, Meshach and Abednego before King Nebuchadnezzar, The three Jews who refuse to worship the golden image must appear before King Nebuchadnezzar. They are brought before them by soldiers. Nebuchadnezzar sits on his horse and questions the three men. Below the representation is an explanatory text in Latin. Print is part of an album., print, album sheet, prints, height 203 mm, width 247 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, 1509 - 1591-02-05, publis

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais. Artist: After Jacques Philippe Joseph de Saint Quentin (French, born Paris, 1738); Claude Nicolas Malapeau (French, Paris 1755-1803 Paris). Dimensions: sheet: 6 5/16 x 3 15/16 in. (16.1 x 10 cm). Series/Portfolio: Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais. Date: ca. 1784. Museum: Metropolitan Museum of Art, New York, USA.

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. Ajax and Odysseus fight for the armor of Achilles. In the margin a four-line caption, in two columns, in Latin.

Illustration for Journey of Zofia from Memel to Saxony by Johann Timoteus Hermes (Sophien's journey from Memel to Saxony by Joh. Tim Hermes) in: Berlin Genealogisches Calender on the year 1778) Zofia Kidnapped by the Order of the Russian Captain, Carries a Cossack on the Back (Copy) Berger, Daniel (1744 1824), Chodowiecki, Daniel Nikolaus (1726 1801)

Decapitation of Lady Jane Gray in London, 1554, Jan Luyken, 1698 print Decapitation of Lady Jane Gray on Tower Green in London, 12 February 1554. Amsterdam paper etching violent death by beheading Tower of London

Battle of Gibon, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Joshua orders the sun and the moon to stand still over Gibeon and Aijalon until the Amorites who had besieged the city of Gibeon are routed

The Beggars (Eulenspiegel) 1520 Lucas van Leyden Netherlandish. The Beggars (Eulenspiegel) 364654

Anneken Jans gives her child on a baker ter Zorging, 1539, 1683 - 1685 on his way to the Execution Place in Rotterdam print Anneken Jans gives her child on a bakery for care on his way to the execution place in Rotterdam. Northern Netherlands paper etching persecution of heretics Rotterdam

Koningen David, Solomon and Jerobeam, Lucas van Leyden, 1518 - 1522 print One of four woodcuts, part of Frisian with kings of Israel. David with Lier on horseback, followed by Solomon and Jerobeam on horseback. Above all three banderole with name and by name. paper brush David (not in biblical context); possible attributes: crown, harp. male persons from the Old Testament (with NAME) (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context). kings of Israel and Judah ~ the Old Testament (not in biblical context)

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum biblicum, History of Tobias, Tobias and the angel say goodbye to Tobit and Anna, verso - stamped, Tobias and the angel Raphael say goodbye to Tobias' parents Tobit and Anna. Back right Tobias and the angel at the river Tigris where Tobias removes the heart, liver and gall of the fish he caught and takes with him. Below the image a reference in Latin to the Bible text in Tobit 5:24., print, prent, prints, prenten, height 199 mm, width 289 mm, Zuid-Nederlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), print maker, printmaker, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Fustium admonitio. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Hongersnood in Haarlem, 1573. Famine in Haarlem During the Siege through the Spaniards, 1573. In the foreground on the right persuade people a garbage pool, links fall to the street from the weakness.

Bourse, Liedekercke and Roeck confirm their oath, 1577; Medallions with the conquest of the Citadel of Antwerp in 1577. Bourse, Liedekercke and Roeck confirm their oath, 2 August 1577. The three men surrounded by soldiers explain an oath. In the clouds an angel with laurel wreath and palm branch. Presentation in a round medallion with ornamental allegorical frame with the sitting female personifications of truth (Veritas) and Eendracht (Concordia) at the top. At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Georg Petersson, favorite of King Erick is broken, 1517

The Stadsmandaag van 's-Hertogenbosch hands the keys to the city to Frederik Hendrik, 1629, 1629 print Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik on September 17, 1629. The city-killing of' s-Hertogenbosch kneeling the keys of the city to Frederik Hendrik. Among the bystanders are Bishop Ophovius, Governor of Grobbendonck, Lord of Brederode and Count Ernst Casimir. On the right in the distance, the Spanish troops leave the city. At the top a verse of four lines in Dutch. Northern Netherlands paper engraving surrender of keys. capture of city (after the siege) the Bosch

Sealdus after Martin of your Jan Sadeler (1550-1600). Sebaldus after Martin of your. Burin, 17th century.

Skaters on the ice; Figures in landscapes.Winter Landscape with Skaters on the ICE. Legal Under Numbered: 4. The Numbered Prints Are or Ten Series.

Andreas Bretschneider III (German, c. 1578 - c. 1640), Exempel und Lehr Jetziger Welt Lauf, published 1622, etching

. Print at the top right numbered: 183.

Titelpagina voor Arlequin Esope, in Le Thétre Italien de Gherardi, Parijs 1700.; Arlequin Esope.Scene from a play. Harlequin, a soldier and man with bat in the presence of musicians. Rocks and water in the background. Top left the number 171. Title page for the play arlequin Esope, from Eustache Le Noble, published in Le Thétre Italien de Gherardi, from Evaristo Gherardi in 1700.

Triumph of Caesar. Andrea Andreani (Italian, 1558/59-1629); after Andrea Mantegna (Italian, 1431-1506). Date: 1599. Dimensions: 380 x 378 mm (image/sheet); composite approx. 385 x 3420 mm. Chiaroscuro woodcut from four blocks in black and light, medium and dark warm gray on off-white laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Triumphal of Willem van Oranje, plate e; Currus Triumphalis Illustris / Triumphal of Willem van Oranje. Sodcomber representation of the virtues of Prince Willem van Oranje. Sunner trailer in which the prince is sitting, driving through a hairprint of loomed work, drawn by 3 elephants. Princes of orange on horseback driving behind the car. Explanation in Latin above figures, Dutch translation at the bottom.

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Les Bohémiens en Marche, pièce aussi appelée L'Avant-Garde (The Gypsies Travelling, piece also called The Advance Gard), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) early 17th century Jacques Callot French. Les Bohémiens en Marche, pièce aussi appelée L'Avant-Garde (The Gypsies Travelling, piece also called The Advance Gard), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching and en

Antwerp, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, Sadeler, Johann (I), History of Moses after the Exodus, Erection of the stake with the copper snake, verso center bottom - stamped, In the foreground the Jewish people are attacked by snakes. In the background Moses points with his staff to a stake on which a copper snake is attached. Whoever looks at the statue will be healed of snake bites. The Jewish people bring the sick to the statue. The print has a Latin inscription., print, prints, height 191 mm, width 266 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Koningen David, Solomon and Jerobeam, Lucas van Leyden, 1518 - 1522 print One of four woodcuts, part of Frisian with kings of Israel. David with Lier on horseback, followed by Solomon and Jerobeam on horseback. Above all three banderole with name and by name. paper brush David (not in biblical context); possible attributes: crown, harp. male persons from the Old Testament (with NAME) (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context). kings of Israel and Judah ~ the Old Testament (not in biblical context)

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Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Jakobus de Mindere (Jacobus Minor) beaten to death, verso - stamped, 6, height 120 mm, width 149 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, - 1693-06-26

Queen Boudica leading the Britons against the Roman Empire at the Battle of Watling Street, 60AD. On a war chariot, Boudica speaks in front of the Celtic Iceni and Trinovantes tribes. Boadicea haranging her troops. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Divorce of Abraham and Lot, Caspar Luyken, 1712 print Amsterdam paper etching Abraham and Lot separating (Genesis 13)

Northern Netherlands, Luyken, Jan, Hagenpreken buiten Antwerpen, 1566, 14 June 1566. Calvinist meetings in the woods, the city of Antwerp in the distance. In the foreground a preacher speaks under a tree. Also some armed Calvinist orderlies. With pen a caption in French in the margin., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 270 mm, width 345 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1677 - 1679, fourth quarter 17th century, paper, etching, etchings

The Parable of the Householder Hiring Laborers for His Vineyard. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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