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Scenes of Roman Triumphs and Battles

Prints depicting historical events in ancient Rome, such as triumphs and battles, rich in action and historical context, illustrating Roman imperial power.

Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher
Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher
291 assets in this story
TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. horn, trumpet, cornet, trombone, tubaIlustracja No. 5 (Z 10) Thu Preusssich Branderburg State History. First and Zweyter Part. History of Mark Brandenburg until 1640, Zamieszczona W: Historically Genealogical Calender on 1790/91. With the approval of the Konigl. Sciences in Berlin (edited by H. Siwicke). (Kopia) Haas, Johann, Meno (1752 1833), Chodowiecki, Daniel Nikolaus (1726 1801)Hecuba away from the graves of her sons; Metamorphoses from Ovid. Queen Hecuba is taken away from the burning troy by the Greeks. In the background Polydorus, the son of priamus, thrown by king polymestor of a rock in the sea. In the margin a four-line caption, in two columns, in Latin.Otniel and Ehud; The twelve judges of Israel; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The judges Otniel and Ehud. In the background, Otniël conquers the city debir. Under the presentation of Otniël a reference to the Bible text in Re. 3: 9 And an explanatory text in Latin, stating that he got Achsa as a woman for this victory. On the right in the background, Ehud King Eglon kills from Moab by putting him a sword in the abdomen. Under the performance of Ehud also an explanatory text in Latin and a reference to the Bible text in RI. 3:15. This print is part of an album.Captains on horseback, Jan van Huchtenburg, Gérard Scotin (I), Adam Frans van der Meulen, 1674 - 1733Storming of a city wall; BESTELIA siege. Storming a city wall. Did you mean as a picture of the Siege on the city of Betulia by Holofernes, Commander-in-Chief of Nebuchadnessar The print is part of an album.Print at the top right labeled: F: 537.unknown, Amsterdam, Allard, Carel, Meulen, Adam Frans van der, Huchtenburg, Jan van, Cavalry scenes, Leaders on horseback, verso - stamped, A consultation between three men on horseback and one man standing on the ground in the foreground in a landscape. On the left a man holds a horse by the reins., print, prent, prints, prenten, height 145 mm, width 200 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1673 - 1709, paper, papier, engraving, engraving (printing process), etching, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, Dutch, 1648-01-19 - 1709-02-01, publisher, granter of privilegeArtist: Jacques Callot, French, 1592-1635, The Conversion of SaintPaul, ca.1630-1635, Etching, image: 6.1 × 8.5 cm (2 3/8 × 3 3/8 in.), Made in France, French, 17thcentury, Works on Paper -PrintsCornelis Cornelisz. van Haarlem depicts an equestrian battle in front of a fortress using brown ink and lavated technique, showing figures, horses, and the fortress.The construction of the tower of Babel The people working on the tower cannot understand each other's language, which makes the work on this enormous structure more difficult Illustration for the Old Testament, Gen 11, 5-9 Below the illustration is a title in Hebrew, English, German, Latin, French and Dutch, Babylonian Confusion of Speech by the Tower of Babel , print maker: Andries van Buysen (Sr.), (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, c. 1711 - c. 1720, paper, etching, engraving, h 355 mm × w 220 mmColumn at the Porta Carmentalis in Rome; Columna Bellica Ad Portam Carmentalem; Antique monuments; Antiquae Urbis Splendor; MAGESYN DER ITALIAN BUILDINGS. View of Rome with a column (the Columna Bellica) at the Porta Carmentalalis and a round temple (possibly the temple for the Goddess Carmenta). A circus on the right. Soldiers and other figures are between the buildings. Text in Latin in undermarge. The print is part of an album.Joab kills Amasa, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 110 mm × w 157 mmExecution of Victorina, Jan Luyken, 1699 print Victorina, the daughter of the nobleman Iacomo Beraldi, is bound to a ladder to be burned. She is executed because of the murder of her husband, Ludovico Fassino. In the background, the Beulen straw and wood collect for the stake. In the background the dog palace of Venice. Amsterdam paper etching on the scaffold or place of execution. violent death by burning at the stake; pyre Dogepalis. Pen and black ink, over graphite, on pale gray laid paper, incised for transfer, and perimeter mounted on ivory laid paper . Hubert François GravelotFrançois Verdiers drawing depicts Isaac and Rebecca, made with black chalk, gray wash, and white chalk heightening.ReChabeam rejects the Council of Oudsten, Jan Luyken, 1708 print Amsterdam paper etching Rehoboam's insulting reply: forsaking the warning of the wise old counsel- lors but following the young advisers' opinion, Rehoboam not only refuses to lessen the taxes, but increases themAmor ontketent mensen; Titelpagina voor: Ovidius en Abraham Valentijn, Al de werken van P. Ovidius Naso, 1697.Amor on a car shows two birds to unleash the figures for him. Right a putto unleashes an angel. Two putti in the air sprinkle flowers. On the top left in the clouds, Venus watches.Title page for the Europisch Mercury of 1712. Title page for the Europisch Mercury of 1712, DL. XXIII, first part. In the foreground Mercury, France, France finances the construction of a tower of Babel awarded by peace.. .Luyken, Jan, Northern Netherlands, David and Levina burned and burned in Ghent, Ao. 1554, David and Levina zu Gent würget unf verbrent, The burned bodies of David and Levina in Ghent, 1554, The burned bodies of David and Levina on stakes in Ghent. An executioner is stabbing the bodies with a pitchfork, in the background a laughing monk with a cross., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, etching, etchings, Work conception. .The Triumph of Julius Caesar: Soldiers Carrying Vases, 1593-99. Andrea Andreani (Italian, about 1558-1610), after Andrea Mantegna (Italian, 1431-1506). Chiaroscuro woodcut; Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar, painted a century earlier. The scenes imaginatively portray the triumphal procession of the renowned Roman general and consul Julius Caesar following his successful defeat of Gaul in 52 BC. Each section of the continuous frieze shows elements typical of these parades, sanctioned by the Roman Senate and described in ancient texts. The printed suites frontispiece features a portrait bust of Mantegna, and the text below boasts that the famous paintings attracted many viewers. People who owned sets of these woodcuts often tacked them up to create a decorative frieze. Andreani issued the prints with a sheet of classical columns that could be cut out and placed between the scenes. Two fragmenTurkish oil warsters. Two wrestlers are fighting in the middle of a circle of sitting men in oriental clothing. Some wear a turban. A port in the background.General Hans Georg von Arnim-Boitzenburg escapes from prison via rope loader, 1638, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mmMartirio di S. Jacopo Apostolo dipinto a fresco da Andrea Mantegna nella Chiesa degli Eremitani di Padova (Martyrdom of Saint James the Apostle painted in fresco by Andrea Mantegna in the Church of the Eremitani,Padua). Etcher: Giovanni David, Italian, 1743-1790 After: Andrea Mantegna, Italian, ca. 1431-1506Title page for: F. Duim, De Broedermoort, from Kornelis and Joan de Wit, 1744; Johan and Cornelis de Witt from the prison gate removed and killed, 1672; The breeder moon of Cornelis and Joan de Wit. Johan and Cornelis de Witt are taken from the prison gate in The Hague and killed on the street by the furious crowd, August 20, 1672. Bottom two small scenes of the drag and mercy of the bodies.Title page: men carrying bags across a rowboat and onto shore in center, one man carrying two bags in right in the foreground, ships to left and right in the background, from 'Views of seaports' (Vues de ports de mar) 1647 Stefano della Bella Italian. Title page: men carrying bags across a rowboat and onto shore in center, one man carrying two bags in right in the foreground, ships to left and right in the background, from 'Views of seaports' (Vues de ports de mar) 413347Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. EtchingWinter. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London); After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593-1641 Enkhuizen). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.Abraham Bosse after Claude Vignon, Illustration to Jean Desmarets' L'Ariane, published 1639 Illustration to Jean Desmarets' L'ArianeGama, Vasco da.Hospitality of the Germans, 1712 - 1714 print Hospitality of the Germans. Part of a series of illustrations of the old residents of the Netherlands and their customs. Netherlands paper etching extinct, 'historical' peoples (with NAME) NetherlandsAn etching by Augustin Hirschvogel from 1547 depicting Joseph with his father and brothers, showing figures, composition, and mid-16th-century German printmaking techniques.King Arsames and King Darius III; Persian kings; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Left King Arsames of Persia standing with long staff or lance in his hand. A battle in the background. On the right King Darius III of Persia standing with a scepter in his hand and his other hand resting on the hilt of his sword. In the background the fight between Darius and Alexander the Great. On the right is Darius in his car. He is injured by a man with sword. Under the show explanatory texts in Latin. This print is part of an album.Uilenspiegel: the beggar family, Anonymous, After Lucas van Leyden, 1520 - 1583 print Bag -playing man with two children in the basket on his back, next to him a woman with a child on the shoulder. They carry a donkey, loaded with children. At the front, a boy with an owl walks on the shoulder, a dog sniffs next to him. paper etching Eulenspiegel. Beggar. Bagpipe, musetteWomen and Children Observe Civilis Battling the Romans. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. EtchingMargaret of Austria on Horseback. Dated: 1612. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.Triumph of sea heroes; Title page for: Lambert van den Bos, LEEVEN, and DADS DERIEDE ZEE-HERELD, 1683. Neptune and a man in harness sharing (cities) Crowns from a group bystanders. On the right is a group of men with chained bare men and weapons. Left Vienna Women at Sea Heroes died, among others Michiel de Ruyter. On the left is a man with command. Beaten in the background.Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation to emperor, 1530, Officials at the imperial court, plate Y, plate Y. Procession of Charles V with Pope Clement VII in Bologna after his coronation to emperor, 24 February 1530., print, picture, news print, propaganda print, prints, pictures, Frederik Muller Historieplaten, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, papier, etching, etsenThe Triumph of Christ. Dated: 1559. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Dirck Volckertz Coornhert after Maerten van Heemskerck.Fire (Ignis), print maker: Jan van de Velde II, Willem Pietersz. Buytewech, 1603 - 1641 and/or 1782 - 1882.Man for a painter's store. A man with a leashed dog looks at a painting that is hung on the outside facade of a store's shop. A walking couple in the background.Third span of four horses; Triumphar from Karel V, 1537. Third span of four horses for the triumphar. At the top of the inscription in a laurel wreath retained by two angels with the two columns of Hercules. Fifth plate in the triumphop trip from Keizer Karel V, 1537.Death on a battlefield, atop a horse riding towards the left, wearing a hat with many feathers, other figures of Death battling to left and right in the background. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm). Date: ca. 1646. Museum: Metropolitan Museum of Art, New York, USA.Canto XII. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. EtchingIllustration by Jacques Lagniet (1620-1672), from an XVII th century edition of fables by Jean de La Fontaine (1621 - 1695), French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his Fables, which provided a model for subsequent fabulists across Europe. Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature.Bry, Johann Theodor and Johann Israel de, Northern Netherlands, Drawing of the King of Pegu Triumphe, Triumphal procession of the king of Pegu, 1604, Triumphal procession of the king of Pegu during the feast of Sapan Giachie, 1604. Procession with elephants, warriors and the king in a chariot. Part of the illustrations in the report of the second voyage to the East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 9., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 135 mm, width 170 mm, print maker, prentmaker, 1644 - 1646, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Work conceptionAllegory to the Barberini family, Reinier van Persijn, after Andrea Camassei, 1623 - 1668 print Allegory on the Barberini house. On a cloud cover is Minerva, who points to two young men. They are facing a group of Easterns with tuler tires. A prince points to a tablet on a tree. Two putti, seated on a dragon and an eagle hold a cloth, on which a text in Latin. Rome paper engraving family, descendance (+ variant). (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'Armed warriors dressed in skins. Armed warriors dressed in skins. Presentation of the first residents of the country. Is part of the eight illustrations in: Johan Picardt, short desk finging of some forgotten and hidden antiques ... in the antique-rijcke landscape Drenth, Tymon Houtbak, Amsterdam 1660, fol. 51.The King's Court of Pegu, 1604; Image of the conohs from Pegu Wonderful court holding, with mitters his large white olympanten. The King's Court of Pegu, November 1604. In the foreground musicians and an elephant under a canopy, the elephant knress on his throne for the king. Part of the illustrations in the report of the second trip to East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 6.. .Wandelaar, Jan, Noord-Nederland, Allegorical representation with the coat of arms of George I, verso lower left - stamped, A soldier shows the coat of arms of George I with his left hand. In his other hand he holds a sword. A sheep lies by his right foot and a wolf stands to his right. On the ground lie winged female torsos with devil's tails. The soldier steps on the ground with his left foot one of these tails. On the right Minerva floats in armor. In her left hand she holds the shield with the head of Medusa. On the left three crowned personifications of the United Kingdom sit under a palm tree., print, prent, prints, prenten, height 100 mm, width 150 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1714 - 1759, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design byRoman soldiers. Draughtsman: anonymous. Draughtsman: Francesco Trevisani (rejected attribution). Dating: 1600 - 1699. Measurements: h 90 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.Italy, Titian, Buti, Gianantonio, Pomarede, Silvester, The Triumphs, Triumphal Procession of Fame, verso - stamped, Fame, blowing a trumpet, on a triumphal chariot in a triumphal procession with famous historical persons and literary characters., print, prints, height 390 mm, width 520 mm, Italian, print maker, printmaker, 1736 - 1768, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1488 - 1576-08-27Torture with sword, spear, arch and ax, Antonio Tempesta, 1565 - 1630 print paper etching torture. violent death ~ maltreatment, tortureNuño Salido means that the signs are bad while Ruy Velazquez says they are good; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.David returns to Jerusalem in triumph, Biblical scenes (series title), Historia del Testamento Vecchio / Dipinta in Roma and Vaticano da Raffaelle di Urbin (...) (series title), Giovanni Lanfranco (mentioned on object), Italy, 1607, paper, etching, h 130 mm × w 177 mmThe Plague of Locusts. Dated: c.1585. Dimensions: plate: 19.9 × 28.6 cm (7 13/16 × 11 1/4 in.) sheet: 20.9 × 29.5 cm (8 1/4 × 11 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Sadeler I, after Maarten van Cleef.The Spanish torture the natives of Colombia (known as Nueva Granada) to try to find out where they hide their gold. Date: circa 1537Middle age under the influence of Mars, Adriaen Collaert, After Maerten de Vos, 1581 print The planet god Mars floats in the air, surrounded by all kinds of weapons. In the foreground the personification of discretio, distinction. As attributes, she has the scales, the measuring cup and the sieve. Next to her is a soldier with a lance. A battle in the background. The print has a Latin caption and is part of a seven -part series about the power of the seven planets about the seven ages of man. paper engraving Mars and his children ('Planetenkinder'). Discretion, Modesty; 'Discretione', 'Modestia' (Ripa). adult man. battleIllustration at Canto X from Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ismeno and Soliman step out of a carriage. In the background Jerusalem, and the dead bodies of soldiers in the landscape for the city where a battle took place. Tent camps with soldiers on the right. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc. JerusalemArnulf, Dirk III, Dirk IV and Floris I, Jacob Cornelisz van Oostsanen, 1518 print Leaf from series of nine magazines. The Counts Arnulf, Dirk III, Dirk IV and Floris I on horseback, with coats of arms and names. Text cut off. paper equestrian state-portraitFrench cartoon on the loss of Ghent, 1678, 1678 print French cartoon on the loss of Ghent. The city was taken on March 9, 1678 by the French army under King Louis XIV. A Spaniard searches in vain with glasses and lantern for his lost glove (Gand - Ghent) who the Frenchman has at the tip of his sword. A Fleming points the Spaniard to the Frenchman with the glove. paper etching / engraving political caricatures and satires GhentJan Kruyze and Willem van Deutichem around turns punished in the Wassenaarskooi in Hattem, 1520. Jan Kruyze, steward of Salland and Willem van Deutichem, Schout van Deventer are trimmed in the Wassenaar cage, the cage of Jan van Wassenaar, in Hattem , 1520. Scene is in the open air, in the background the cage is raised on the outside of the church towerMan is plagued by sins, 1563 print Man (gay) is attacked by all sorts of sins: the personifications of greed (Avarita), Wrong opinion (InveNio), Nijd (Invidia), Sadness (Tristitia) and Hoogmoed (Superbia). The character conscience (Conscientia) tries to lead people on the right track through a mirror (insight) and a rod (punishment). Under the show a verse in Latin and a Dutch and French caption in book print. This print is part of an album. paper engraving / letterpress printing Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins. Public Opinion; 'Opinione' (Ripa). Conscience; 'Coscienza' (Ripa). Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa). Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly SinsSoldier mocked by narren; Mundus fills decipi. A soldier, wrapped in a jumper with splits and headed the head with a feathered beret, is in a landscape. There is a partially filled urinal at its feet. He is surrounded by seven narring figures that point to Him and seem to mock him.The Bohemians, c. 1621-1625. Jacques Callot (French, 1592-1635). Etching and engraving; sheet: 12.4 x 23.8 cm (4 7/8 x 9 3/8 in.). Jacques Callot, a masterful draftsman, spent the greater part of his life at the ducal courts of Tuscany and Lorraine, where he produced prints to record festivals and theatrical performances. He also executed religious subjects and scenes reflecting many aspects of daily life including war, pervasive in 17th-century Europe. When returning to France from Italy, Callot probably saw bands of rootless men, women, and children-a common sight-which became the subject of The Bohemians. He conceived of these four prints as a long frieze; the lines in each of the sheets extend into the sheet that follows. The first two scenes depict a procession of scrawny horses and disheveled families in tattered, exotic clothing. The last two show these vagrants pillaging a farm and then enjoying a feast. The inscriptions, from left to right, comment on the action: The only thiSword leaves in Amsterdam, 1534; Upright from the returners in Amsterdam in 1534-1535. Sword leaves in Amsterdam. Four betters walk with drawn swords and cries slapping through the streets of Amsterdam, March 22, 1534. With two-legged caption.Antoine Fran�ois derues case, the poisoner (TF)Samson's crushed body is borne away by his brethren. Engraving by J. Audran after F. Verdier, 1698.The skeleton of Death, Freund Hans, pulls a tightrope walker to his death, 18th century. The skeleton rides a donkey and pulls the acrobats leg. A large crowd watches the performance on a village green. The acrobat. Der Equilibrist. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.Amsterdam, Luyken, Jan, Pilate on the judgment seat at Caesarea, Pilate has a Jewish gathering dispersed, Eliza throws salt into the well, Plucked Sodom apples go up in smoke while people thrown into the Dead Sea by Vespasian continue to float, verso - stamped, Uncut sheet with four representations., print, prints, height 157 mm, width 210 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchingsA 1549 etching by Augustin Hirschvogel depicting Joseph with his brothers, showing figures, gestures, and narrative elements.Battle for a castle; Childerik, torrent game; Title page for: Childerik, torrent game, 1738.an old man Has Just Stipulated, Soldiers Catch Him. A Young Man Goes The Perpetrator With His Sword. Women Flee Into The Castle in The Background.Panic among the German soldiers by the arrival of some ships of the Prince of Orange, 1577, Wierix, After Maerten de Vos, 1578 print Panic among the German soldiers by the arrival of some ships of the Prince of Orange, 2 August 1577. Soldiers with their loot on the street in front of the Eastern house. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of punishment (punitio) and piety (Pietas). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Antwerp paper engraving Plundering ~ Solices. Punishment; 'Castigo', 'Pena', 'Punitione' (Ripa). Fear, Dread; 'Fear', 'Timidita or fear', 'Timore' (Ripa) Citadel of Antwerp (16th century). Eastern House Roman battering ram Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), entrance to the Polish ambassador to Rome in 1633. Second part of the procession. Second number of a series of 6 pieces (A. de Vesme 45. Dutuit 28) (main title), 1633. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.. .Antwerp, Sadeler, Johann (I), Vos, Maerten de, Bonorum et Malorum consensio, History of the family of Set, On judging good and bad, Bonorum et malorum, God appears to Noah, verso lower left - stamped, God appears to Noah and orders him to build an ark. In the background people are being attacked and murdered. The print has a Latin caption., print, prints, height 211 mm, width 274 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1586 - 1586, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisherThe populace of a town make the most of a frozen river, by skating and congregating around it. Date: 1570The grafting servant lets his debtor imprison, Anonymous, 1585 print The servant, whose debts have just been abandoned by the king, meets another servant who is guilty of a hundred denarie and claims this amount from him. The man kneels and begs for postponing. But the merciless servant instructs soldiers to take the man to prison. Under the performance a reference in Latin to the Bible text. Antwerp paper engraving the unmerciful servant attacks his fellow-servant who owes him money, and casts him into prison ~ parable of the unmerciful servantPilatus washes his hands in innocence, Albrecht Altdorfer, c. 1506 - 1538 print Pilatus, seen on the back, sits on a seat and washes his hands with water that is donated from a can. Behind that, Christ is taken away by soldiers. Twenty -sixth print in a series of forty. Germany paper Pilate washing his hands (in innocence)Illustrations for 'History of the Middle Ages'Sino, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Sino, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). PrintsAmsterdam, Luyken, Caspar, Joab kills Amasa, verso - manuscript in brown ink, print, prints, verso - stamped, 118, height 112 mm, width 149 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchingsLeiden residents refuse the bread offered by the Spaniards, 1574, 1782 print The besieged people from Leiden refuse the bread offered by the Spaniards, 1574. Thirteenth singing. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching LeidenTitle page for the Hollandsche Mercury of 1677, 1678 print Title page for the Hollandsche Mercury of 1677. The Dutch Virgin is sitting on her throne, in the foreground pours a furie with torch -burning oil on the ground, on the right father is fascinated. In the background the marriage of Willem III to Maria Stuart on November 4, 1677 in London. print maker: Northern Netherlandspublisher: Haarlem paper etching / engraving (civil) marriage ceremoniesAugustin Hirschvogel, Herberstein's Journey to Denmark, 1546 Herberstein's Journey to DenmarkSemiramis on the Lion Hunt. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Gerard de Lairesse.. .Venne, Adriaen Pietersz. van de, Amsterdam, Dalen, Cornelis van (I), Savery, Salomon, Image of a marriage in the form of a trap, The marriage trap: allegory of marriage, verso - stamped, The marriage trap, allegory of marriage. Couples walk arm in arm into a large trap or net, accompanied by music from a small orchestra. Cupid sits on top of the trap. Putti dance around a bridal couple with a basket of flowers. Men and women walk around the trap, making all kinds of erotic allusions. on the right Death brandishes a hatchet., print, prints, height 322 mm, width 446 mm, Northern Dutch, 1594 - 1683-10-16, print maker, 1655 - 1655, paper, etching, engraving, engraving (printing process), 1602 - 1665-04-07, printmaker, Work conception, Northern Netherlands, 1589 - 1662-11-12Part of the Entrance of the Polish Legation (Q.X.Y.). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.View of Utrecht and the four Cardinal Virtues, Noah van der Meer (I), 1745 print View of Utrecht with the Dom Tower in the middle. At the bottom are the four cardinal virtues, power, justice and caution in front of a wall. Behind them is the bust of Emperor Justinian I. The whole is caught in an ornamental frame, awarded by the weapon and the motto of Utrecht University. Utrecht paper etching / engraving city-view in general; 'veduta'. Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues UtrechtWeigel, Christoph, Amsterdam, Luyken, Jan, King Hezekiah lets idols be made destroy, verso - stamped, print, prints, height 252 mm, width 202 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisherGeorge Vertue, 1684-1756, British, Procession of Queen Elizabeth, 1742. Etching on thick, moderately textured, cream, wove paper.Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Scenes from the Life of Pope Leo X, Ioannes Medices cardinalis missus ab Innocentio VIII hetruria legatus in patriam redit mortuo laurentio patre, Return of Giovanni de' Medici, Giovanni de' Medici returns home after the death of his father. He rides towards Florence on horseback, accompanied by a procession of mounted clergy. On the right a reclining river god. Title in bottom margin. Numbered bottom center: 1., print, prints, height 113 mm, width 244 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design byKarl Franz von Lorringen-Elbeuf-Lillebonne, Prince of Commercy.Tempesta, Antonio, Northern Netherlands, Mulder, Joseph, Civilis leaves the women and children at the battle and overcomes the Romans by the army Vetera, Women and children watch how Civilis battles delivers with the Romans, 69-70, Women and children watch Claudius Civilis deliver battle with the Romans at Xanten. Part of a series of prints about the Batavian Revolt, copied from the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612)., print, picture, history print, prints, Frederik Muller History plates, height 218 mm, width 327 mm, 1658-01-11 - 1718, print maker, printmaker, 1682 - 1684, fourth quarter 17th century, paper, etching, etchings, Work conception, Italian, 1555 - 1630-08-05Figure 1 A. Part. 1. Caesar August de Bellegarde Conte de Montbar ..