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Scenes of Roman Triumphs and Battles

Prints depicting historical events in ancient Rome, such as triumphs and battles, rich in action and historical context, illustrating Roman imperial power.

Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher
Weigel, Christoph, Amsterdam, Luyken, Jan, Stoning of Nabot, verso - stamped, print, prints, height 251 mm, width 202 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etsen, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher
291 assets in this story
Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Jan Bosch te Maastricht burned, 1559, verso - stamped, 73, Jan bosch Ao 1559, height 117 mm, width 145 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Publicatie, Noord-Nederlands, - 1693-06-26Amsterdam, Goeree, David, Willem (II), Luyken, Jan, Lot is captured, verso - stamped, Lot is captured at the fall of Sodom by the kings of Shinar and Ellasar and carried away (Gen. 14:1-12)., print, picture, book illustration, prints, pictures, diameter 45 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1700 - 1700, paper, etching, etchings, Publication (Event), Publication, publisherPastoral scene, 1700 - 1799, Dance, 18th century, Musicians, Engravings, Engraving, line border 5 x 16.4 cmThe braying donkey, Cornelis de Wael, 1630 - 1648Amsterdam, Luyken, Caspar, Pharaoh's army drowns in the Red Sea, verso - stamped, print, prints, height 77 mm, width 88 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchingsAmsterdam, Jonge, Willem de, Meurs, Jacob van, Winter, Anthonie de, Title page for: Gregorio Leti, Teatro Belgico, 1690, Allegorical representation with princes of Orange William I and Maurits, verso - stamped, Princes of Orange William I with orange tree and liberty hat and Maurits with sword flank the personification of the Netherlands. Around soldiers and men with top hats. Left in the foreground two men and weapons. Left and right an obelisk. At the bottom coats of arms of the seven provinces., print, engraving, title page, prints, engravings, 'Victoria and abert museum' sold by order of the minister of education, height 252 mm, width 204 mm, Noord-Nederlands, 1653 - 1707, print maker, printmaker, 1690 - 1690, paper, papier, etching, etchings, engraving (printing process), Work conception, 1620 - 1680-05-20, after a print by, Publication (Event), Publication, Dutch, publisherDon Quixote at the wedding of Kamacho, Pieter Langendijk, 1712 - 1714Vatican City, Urban VIII, Italy, Villamena, Francesco, Portrait of Johann Alten, member of the Swiss Guard and guide, verso - stamped, Full-length portrait of Johann Alten, standing on the Quirinal in Rome. Behind him Piazza del Quirinale with on the left the statues of Castor and Pollux from the Fontana di Monte Cavallo and on the right the Palazzo del Quirinale. In the background a view of Rome with on the left the dome of the Pantheon and on the right St. Peter's Basilica. Dedication and three lines of Latin text in bottom margin., print, prints, height 374 mm, width 517 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), 1568 - 1644-07-29, granter of privilegeLucas Cranach the Elder, Marcus Curtius Plunging into the Chasm Marcus Curtius Plunging into the ChasmOriental seaport, Cornelis de Wael, 1602 - 1667, draughtsman: Cornelis de Wael, , 1602 - 1667, paper, pen, brush, h 202 mm × w 304 mmFigures Historiques du Vieux Testament. Artist: Attributed to Jean Cousin the Younger (French, Sens ca. 1522-1594 Paris). Dimensions: Overall: 14 x 10 3/16 x 1 1/8 in. (35.5 x 25.9 x 2.9 cm). Published in: Paris. Publisher: Published by Jean Le Clerc. Date: 1614. Museum: Metropolitan Museum of Art, New York, USA.Polyphemus attacking the companions of Odysseus and their ships, or the companions and ships of Aeneas. Etching with engraving.Two Persians, a battle in the background Persiani Costumes of different peoples , print maker: Johann Wilhelm Baur, Johann Wilhelm Baur, Johann Wilhelm Baur, Rome, 1636, paper, etching, h 82 mm - w 110 mmBelieving that European invaders may be gods, native Americans test their immortality. After a late 16th century work by Theodor de Bry.Bacchus with wine at farmers. Bacchus presents wine to farmers. On the left is Icarus, after being beaten dead by drunken farmers, changed in a zodiac sign.The Triumph of Caesar: The Senators. Dated: c. 1485/1490. Dimensions: sheet (trimmed within plate mark): 28.2 x 27.1 cm (11 1/8 x 10 11/16 in.). Medium: engraving in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Andrea Mantegna.Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Northern Netherlands, England's Schoutoneel, depicting the most memorable events in and around England, Yerland, France and the Netherlands since the year 1692, until the burial of Queen Mary II, 1695, The French and Yren at Agrim by Baron van Ginkel utterly defeated, on 22 July 1692, Battle of Augrim, 1691, Decisive victory achieved by the English army of King William III under the Dutch general Godard baron de Ginckel over the Catholics of James II and the French, at Aughrim (or Aghrim) on 22 July 1691. Plate no. VII in the series 'Engelands schouwtoneel' about wars waged by William III in the years 1691-1695 after the Glorious Revolution, (fourth part). With captions in Dutch and French., print, prent, prints, prenten, Frederik Muller Historieplaten, height 151 mm, width 200 mm, print maker, prentmaker, 1695 - 1695, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Noord-Nederlands, 1671 - 1702-11-13Margaretha from Austria on horseback; Margaretha's life of Austria; Essequie della Sacra Cattolica e Real Maesta di Margherita d'Austria. A procession with Margaretha of Austria Schrijlings on horseback. Soldiers running behind her two other figures on horseback and around them. Numbered in mirror image at the bottom right: 3.Depiction of a crossing by Jan Wierix, executed in brown Feder in 1599, showing bridge, figures, and surrounding terrain.Monkeys armed with spears and rifles battle against each other On the right a monkey fires a gun from a tree In the center, a monkey lies on the ground Part of a series consisting of a title print and plates in which monkeys, like people, are depicted in various scenes of everyday life The print has a two-line verse in Dutch, Apen in oorlog monkeys at war 't Aapenspel in de Werelt monkey game in the world , print maker: Leonard Schenk, (possibly), print maker: Matthijs Pool, (possibly), publisher: Leonard Schenk, (mentioned on object), Amsterdam, 1720 - 1767, paper, etching, h 159 mm × w 195 mmNella Venuta in Roma: pl. 4. Dated: 1764. Dimensions: plate: 14 x 9.5 cm (5 1/2 x 3 3/4 in.) sheet: 15.2 x 11 cm (6 x 4 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter after Étienne de Lavallée-Poussin.Cranach, Lucas (I), Marcus Curtius sacrificial death, verso right middle - stamped, The Roman soldier Marcus Curtius throws himself in full armor on horseback into a cleft that suddenly opened up in the earth in Rome. Several Romans are watching from an arbor. The arbor is decorated with, among other things, two shields with the electoral and ducal coats of arms of Saxony., print, prints, verso - stamped, height 336 mm, width 233 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1506 - 1507, first quarter 16th century, paper, woodcut, after an image by. .Lebey de Batilly, Denis, Frankfurt am Main, Bry, Theodor de, Boissard, Jean Jacques, Denis Lebey de Batilly, Emblemata, 1596, BELLORV EVETV VT RIVSQ, PARTIS MALO, Soldiers Looking at Two Jugs Floating in Water, verso - stamped, Four soldiers stand along the bank of a river. Two broken jugs float in the water. On the other side of the river stand four men who are also looking at the jars., print, engraving, book illustration, emblem, prints, height 67 mm, width 85 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1596 - 1596, fourth quarter 16th century, paper, engraving (printing process), 1528 - 1598, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, writerWoodcut by Albrecht Dürer workshop depicting the Fear Train against Liège in 1482-1483, part of the Honorary Gate of Emperor Maximilian I series, showing soldiers, banners, and historical composition, created 1515.Don Clarazel in armor on horseback, followed by his Schildknaap Gandales, Caspar Luyken, 1697 print Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. knightBry, Johann Theodor and Johann Israel de, Northern Netherlands, Illustration in what manner the King of Pegu burns his Nobles and Superiors, The King of Pegu has his opponents burned, 1604, The King of Pegu has a group of his nobles with their wives and children bound and burned alive, for treason. 1604. On the left the king sitting on a cart. Part of the illustrations in the report of the second voyage to the East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 5., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 135 mm, width 170 mm, print maker, prentmaker, 1644 - 1646, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Work conceptionCity keys are offered to Louis XIV, King of France, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print Lodewijk XIV left with its entourage. Opposite him a man with a bowl with two keys and other gentlemen on it. Rear right a city. unknown paper etching historical personsHaven with merchants and prisoners, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Port with foreign merchants right with a load; A sailing ship behind it. On the left two foreign prisoners, chained to the feet with a chain. Left in the background a city gate. Sixth print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport)The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 3/8 in. × 17 in. (26.4 × 43.2 cm). Date: 1668.The ninth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.Solis, Virgil, Amsterdam, Witsen, Nicolaes Cornelisz., Metamorphoseos liber primus, Scenes from the first book of Ovid's Metamorphoses, Ovidii Metam. Lib. I Aetas ahenea & ferrera V, Iron Age, verso lower right - stamped, Imagination of life during the Iron Age. Soldiers plunder and wage war. Below the scene a four-line explanation in Latin., print, prent, prints, prenten, height 83 mm, width 86 mm, Noord-Nederlands, 1641-05-05 - 1717-08-10, print maker, printmaker, 1659 - 1659, paper, papier, etching, etsen, Work conception, German, 1514 - 1562-08-01Cartoon on Jacobus II and the arrival of Willem III, 1689; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on Jacobus II and the arrival of Willem III, 1689. James is incompatible on the arrival of the Prince of Orange with his fleet and asks King Louis XIV for help. This points to the German emperor with his sword. Also strike other German princes and heads of Turks. The peers, members of the Upper House, offer the king their support if he is willing to maintain the previous laws and abandons the abolition of the penal Laws. On the right is on the ground Queen Maria of Modena with acquiscredis boobs, with her Father Peters with the Prince of Wales. With caption of four rules. On the leaf under the plate a text in 2 columns numbered 1-7 in Dutch.Etching and type print by Augustin Hirschvogel from 1549 depicting the discovery of Joseph, showing figures, gestures, and composition.Karl VI., Roman-German Kaiser.Polymestor vermoordt Polydor, Anthony Tempesta, 1606 print Polymestor kills Polydorus with a sword and throws it in the water. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Polymnestor kills Polydorus and throws him into the waterVleesmarkt, Philips Galle (attributed to workshop of), after Hans Bol, 1582 - 1633 print View of a market in a city. On the left a butcher. On the market, trade is driven in slaughtered animals and wildlife. The print has a Latin caption and is part of a series of 54 prints. Antwerp paper engraving market. butcher, slaughtermanAmsterdam, Visscher, Claes Jansz. (II), Jode, Pieter de (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Persian kings, King Darius I and King Xerxes, On the left is King Darius I of Persia with a scepter and sword in his hands. In the background we see Darius being elected king of Persia. His horse is the first to neigh at sunrise. On the right, King Xerxes of Persia is standing with one hand on a pickaxe. In the background we see Xerxes' men whipping the Hellespont. They did this on Xerxes' orders after the bridges built over the Hellespont had been destroyed by storm and water. Below the image are two three-line texts in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 215 mm, width 270 mm, print maker, prentmaker, 1643 - 1643, paper, papier, engraving, engraving (printing process), Work conception, after print by, Zuid-Nederlands, 1570 - 1634-08-09, after design by, Publication (Event), PublDeath and mutilation of the De Witt brothers, 1672, 1675 print The death and mutilation of the De Witt brothers, August 20, 1672. Fragment of the large print about the De Witt brothers: Witten Wonder Spiegel (1675). Northern Netherlands paper etching attempt, political murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). lynching. mutilation of the corpse The HagueMartyrdom of St. Peter, no. 4 from The Martyrdom of theApostles. Artist: Jacques Callot, French, 1592-1635Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 16, Six participants in the procession, horses and the banners with the coats of arms of Toledo and Granada. Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 240 mm, width 367 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisherLéonard Gaultier, French (1561-1641), The Miraculous Draught of Fishes, 1577, engravingSpinola lets break down the walls of Mülheim, 1614, Jan Luyken, Pieter van der Aa (I), 1698The Tragic Oppression of the Netherlands, 1569 print Allegory on the tyranny of the Duke of Alva in the Netherlands, 1569. The Duke of Alva sits on his throne with Granvelle (with bladder ballg) and the devil, behind the Duke are members of the Blood Council, including Vargas and Del Rio. For Alva Kneelen Kneeling the 17 personifications of the provinces of the Netherlands, on the right the silent members of the States General. Above, Margaretha van Parma fishes for riches in a blood pond, behind it the beheading of Egmond and Horne and others in Brussels in 1568. Print in this state at the top reduced, so that the executions have disappeared in the background and the scenes of torture left. With caption of four columns in French. Southern Netherlands (possibly) paper engraving / letterpress printing violent death by beheadingWilliam III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II n.d. Romeyn de Hooghe Dutch. William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II 376452Luyken, Jan, Northern Netherlands, Laurens Jansz Nooddruft the Delft brulé in Antwerp, Ao. 1577, Lourentz Hansz Need of Delft in Antwerp is consumed, Louwerens Jansz. led to death in Antwerp, 1577, The Mennonite Louwerens Jansz. led to death in Antwerp, 1577. The prisoner at the head of a procession outside the city., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conceptionOtto, Count of Nassau and his Wife Adelheid van Vianen 1530-35 Bernard van Orley Netherlandish At the end of the 1520s, Henry III of Nassau, advisor to Emperor Charles V, commissioned eight tapestry designs from the Brussels master Bernard van Orley glorifying his ancestors in the house of Orange-Nassau. The tapestries were woven by Willem de Moyen in Brussels, but were probably destroyed in a fire in 1760, and this and six other drawings are the only record of the commission. Discovered only shortly before the Museum acquired it in 1995, this drawing depicts one of Henry's fourteenth-century ancestors, Count Otto II of Nassau and his wife Adelheid van Vianden, seated on horseback, splendidly dressed, against the backdrop of an elaborate landscape. Their coats of arms, a festoon, and a cartouche mentioning their names top the composition, but the tapestry would also have had an ornamental border all around the composition. The contrast between the figures and their carefully observed hThe Great Tournament in Vienna The Tournament Held by Maximilian I Thurnier Buch Frankfurt: Feyerabend & Hüter, 1566 Diß ist ein Figur vnd eigentliche anzeygung eins gantzen Thurniers.... 1565. Rüxner, Georg. Amman, Jost, 1539-1591. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print CollectionHogenberg, French, Northern Netherlands, Dincomste van Don Jan tot Brussel den ij May 1577, Intocht van Don Juan te Brussel, 1577, Festive entry of Don Juan into Brussels on 1 May 1577. The procession with the governor is welcomed at the city gate. With a 4-line caption in Latin. The number scratched off, unprinted on the back., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 135 mm, width 164 mm, print maker, prentmaker, 1613 - 1615, first quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Dutch, German, 1540 - 1590Antwerp, Wael, Cornelis de, North Netherlands, Schaep, M., Harbor scenes, Slaves at a fountain, verso lower left - stamped, Several slaves are sitting in front of a fountain. One of them is smoking a pipe. Behind the slaves, three older men are talking to each other. On the right in the distance are some boats in the harbour., print, prent, prints, prenten, height 117 mm, width 147 mm, print maker, prentmaker, 1649 - 1649, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21States of Holland and West Friesland, Marot, Daniel (I), Northern Netherlands, The four large Tableaux illuminated by the fire of art representing the Conquests rampaged over France and Spain by the Arms of the High Allies in 1702, Venlo dated 23 September 1702, Panel with the victory at Venlo, 1702, Panel with a representation of the victories at Venlo on 23 September 1702. Part of the decorations on the scaffolding with the Temple of Mars during the fireworks on the Hofvijver on 13 December 1702 in The Hague. The Temple of Mars was decorated with eight panels with representations of victories of the allies over France and Spain in the year 1702., print, prent, prints, prenten, Frederik Muller Historieplaten, height 271 mm, width 185 mm, 1663 - 1752-06-04, print maker, prentmaker, 1702 - 1702, first quarter 18th century, paper, papier, etching, etsen, Work conception, after a design by, Publication (Event), Publication, publisher, uitgever van privilegeCharles V puts foot to land in Africa; Teeno in Africa; Entry of Ferdinand of Austria in Ghent. Charles V steps from board and put foot on land in Africa. The emperor grabs the personification of the continent Africa, which is accompanied by a lion, by the arm. On the left a ship where a banner is hoisted by a man with a crowned eagle. Imagination of the fight against Turks and the conquest of Tunis in North Africa, 1535. Presentation right on the front of the triumph port Arcus Caroli on the Friday market. Print is part of a series that illustrates the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.Two street artists such as Capitano Bellavita and Capitano Mala Gamba, Anonymous, After Jacques Callot, 1622 - 1670 print Two artists with feathered headwear are on side by side. The left figure makes an obscene gesture to the right with his sword. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Low Countries (possibly) paper etching Types in 'Commedia dell'Arte'. Mercury leads Mars to the personification of peace. Above this representation two scenes in which the arrival of riders at a army camp (left) and the laying of defense works (right) are depicted. Down two fleets at sea.Allegorical triumphant entry of Frederik Hendrik in The Hague, 1629 - 1630 print Allegory in honor of the conquests of Den Bosch and Wesel by Frederik Hendrik in 1629, portrayed in an allegorical triumphant entry in The Hague. The stadholder is in a spark of freedom in a chariot and is crowned by victory. The horses in front of the car are flanked by the virtues justice (Justitia), strength (fortitudo), moderation (temperantia) and caution (prudentia). In front of the car, the members of the States General, defeated Spaniards and city states of Den Bosch and Wesel. In the air the fame and the Nassausche Heldenhemel with Willem van Oranje, Maurits, the German emperor, the French king Henry IV and Johan van Oldenbarnevelt. In the background the Binnenhof and the Hofvijver. Northern Netherlands paper etching / engraving symbolic triumphs of individual persons. 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues Courtyard. HofvijverVictory over the Assyrians; The history of Iudith; History of Judit and Holofernes; Den Grooten Figuer Bibel (...). The Israelites attack the fleeing Assyrian army. At the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Under the show a reference in Latin to the Bible text in Judit 14: 8. This print is part of an album.Swiss War, plate 16 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch Made 1515-1517 Germany. Woodcut in black ink on cream laid paper . Wolf TrautRepresentation of the saying besiet u selven (look at yourself). A man, wallpapered with dead cats, rats and owls, walks beside woman with stoof on her head who looks at herself in a mirror. They are the focus of ridicule and are being watched by a sieve and binoculars, Proverb Besiet u selven depicted as man with dead animals and woman being mocked Besiet u selven (title on object), print maker: Cornelis van Dalen (I), (rejected attribution), print maker: anonymous, Adriaen Pietersz. van de Venne, (mentioned on object), 1612 - 1665, paper, engraving, h 201 mm × w 283 mmNude runners in Amsterdam, 1535, 1612 - 1614 print Nude runners in Amsterdam, February 1535. Recipients walk naked and 'woe woe' calling through the streets of Amsterdam. The burning house in the background. Print cut out of the book. Under the show a verse of two lines. paper engraving AmsterdamThe Punishment of Ananias and Sapphira. Dated: 1549. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.Four arc founders in Prague burned alive, CA, 1583, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing violent death by burning at the stake; pyre PragueAbraham goes to Canaan, print maker: Cornelis Bos, 1555.Portuguese navigators in India, engraving by Theodore de Bry, 1599, from West Indies by Antonio Pigafetta India, 16th Century.Scheits, Matthias, Farm life, Spectacle seller in a farming village, verso - stamped, print, prints, height 132 mm, width 165 mm, 1625 - 1700, print maker, printmaker, 1676 - 1676, paper, papier, etching, etchingsUmbria Terni Terni Palazzo Spada8. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.O Ihr Narren All four / Was IHR Sucht Das Fint Ihr here; Pugillus Facetarium Iconographicarum in StudioSorum Potissimum..Allhand Kurtzoly Stücklein, .... Strasburg 1608. In a landscape in the foreground A standing young woman: Right rear a falconer where the text: "Ich Suchs Ins der Lufft"; behind him, whose text: "Ich Such Ins Wasser"; At the rear left a storage worker with the text: Ich Suchs in Der Erden "; and besides him a man at a fire, with the text: Ich Suchs Ins Feuer". In the margin 2 lines Latin. At the bottom right: two lines of German that the lady can be put into the mouth: "Oh, Ihr Jarren all four; Wasz IHR SUNT DAS FINT IHR here". R.O. Numbered 9. Print from: Pugillis Facetarium .... Strasburg.Artist, attributed to: Philip Dawe, British, ca. 1750-ca. 1790, Publisher: Robert Sayer, British, 1725-1794, Publisher: James M. Bennett, American, active mid-late 18th century, The Bostonians Paying the Excise-Man or Tarring and Feathering, Plate 1 of6, Mezzotint with some burin work, sheet: 47.3 × 29.5 cm (18 5/8 × 11 5/8in.), Political tension had been brewing between the American colonists and Great Britain for several years when it finally reached the boiling point over the Tea Act of 1773. With this legislation, Parliament granted the struggling English East India Company a monopoly on all tea imported to America. The colonists expressed their bitter discontent through a boycott. In the foreground of this print, five irate Bostonians force tea down the throat of a tarred-and-feathered man, purportedly John Malcomb, commissioner of customs for the Crown. In the background, still more protestors throw crates of tea into Boston Harbor—a reference to the events of December 16, 1773Ruff, Katharina .Jakob receives the bloody rug from Jozef, Aertgen Claesz van Leyden (attributed to), 1508 - 1564 print Jakob appears, opposite him man with a rug over arm. Number of bystanders is watching. paper etching Joseph's blood-stained coat is brought and shown to JacobAmsterdam, Luyken, Jan, Paulus bitten in the hand by an adder, recto - manuscript in brown ink, print, prints, verso - stamped, 145, height 118 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etchingTITELPAGINA Voor stray girls, in the Italian theater of Gherardi, Parijs 1700; Wandering girls.Scene from a play. Twelve Musicians in a Circle. In The Background Trees and A Villa. Title Page for The Play The Coquette or Ladies Academy, from Jean-François Regnard, Published In The Italian Theater of Gherardi, from Evaristo Gherardi in 1700. Verso Silk Mentions That The Piece Was First Raised in Hotel de Bourgogne at 24 August 1690.The Mocking of Elisha 1495-1505 France. Pen and black ink, with touches of brown ink, and brush and black, brown, pink, green, blue, and yellow wash, on ivory laid paper, discolored to buff, laid down on cream laid paper . Jean PoyetCharles VII entering Rouen in 1450, engraving from the Chronicles of Enguerrand de Monstrelet (1400-1453). France, 15th century.The flight of the papacy from England, 1689; The slug of 't Papersdom from Engeant; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. The flight of the papacy from England, 1689. Cartoon on Jacobus II, Louis XIV and the Dauphin. The English King Jacobus II flight with the wife Maria from Modena and the polar child on a car drawn by a dog and ridden by Father Peters (Edward Petre). On the right at a Beer Louis XIV (Harlekijn) who wants to draw the sword against the Dutch lion. On the left the Dauphin on a wolf. Under the show 2 verses in 3 columns with a statement from the figures 1-17 in Dutch. The verse right signed with: Veremos.River fishing. Facsimile of an engraving from a Latin edition of Pliny. Frankfurt, 1584. Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.A drawing by Jan van der Straet depicting Mannales, created with brown and gray lavated ink, highlighted with white on brownish paper, showing figures and composition details.Construction of the tower of Babel, Jan Luyken, 1708 print Amsterdam paper etching the building of the Tower of Babel; Nimrod may be present, supervising or assisting the constructionPaul is bitten by a viper in Malta.. Samojeden with Arrow and Arrow, in the background A reindeer slee and demonstrations of shooting with a musket, August 28 to September 1, 1595. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and The stay on the island of Nova Zembla, No. 5.Rebuilding the walls of Jerusalem, Jan Luyken, 1708 print Amsterdam paper etching the rebuilding of Jerusalem's walls (Nehemiah 2:12 - 4; 6)Nuremberg, Solis, Virgil, Herod's Supper, verso - handwritten in brown ink, print, prints, verso - stamped, 39, height 54 mm, width 38 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process)The month of June, Hooimaken, ca. 1600, 1650 - 1675 print Round show with the month of June. Loving peasant couple while resting the hay brokerage, approx. 1600. With the sign of the lobster. With edge in Latin. Print no. 6 in the series of the twelve months of the year depicted in scenes from folk life. Low Countries paper engraving June and its 'labours'. Cancer (zodiacal sign of June). rest during harvest (eating, dancing, making love, etc.) Low CountriesThis 1684 etching by an anonymous artist depicts a figure discovering an object, showing posture, gestures, surrounding landscape, and contextual elements.Nieu Amsterdam at. New York.. Prints. 1700. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.), Beavers , New York (State), Indians of North America , New York (State) , New York, Hunting , New York (State)Amsterdam, Luyken, Caspar, The Servant of Elijah Sees a Small Rain Cloud, verso - manuscript in brown ink, print, prints, verso - stamped, 135, height 113 mm, width 148 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchingsScene Patriotatique Des Gardes Françaises. (Ti)Miniature of the death of Charlemagne in the Battle of Nancy, 1477; Bataille the Nanci. Death of Charlemagne in the Battle of Nancy, January 5, 1477. To a miniature in a manuscript of Phil. The Comines.Hooghe, Romeyn de, Northern Netherlands, Caricatures of Jacobus II and Lodewijk XIV and the events in the years 1688-1689, L Epiphane du Nouveau Antichrist. 1689, Cartoon on the fall of James II and his flight to France, 1689, Cartoon on the fall of James II and his flight to France on January 6 (Epiphany), 1689. James II, Louis XIV and the dauphin sing on Epiphany for the pope, emperor Leopold I and William III. On the left also Queen Mary of Modena with the neglected child, the cardinal and father Peters (Edward Petre) on a donkey. Below the depiction a verse in 3 columns with an explanation of the numbers 1-8 in Dutch. At the bottom an explanation of the letters AG., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 560 mm, width 393 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, after own dJanuary and February, Hans Sebald Beham, German, 1500-1550, Engraving on off-white laid paper, 1 in a series of 10 plates, 1546, figures, Print, PrintAntwerp, Galle, Cornelis (III), Cornelis (II), Angel defends man from evil, verso - stamped, Depiction of Mat. 6, 13: And lead us not into temptation, but deliver us from evil. An archangel defends man from a group of devils. In the background a ship in stormy weather., print, prints, height 67 mm, width 93 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1638 - 1678, paper, engraving, engraving (printing process), 1642 - 1679The Triumph of Caesar. Artist: Jacob of Strasbourg (Italian School, born Alsace, active Venice, 1494-1530); After Benedetto Bordone (Italian, Padua ca. 1455/60-1530 Padua, active mainly Venice from 1488). Dimensions: sheet each of 11: 11 1/4 x 17 11/16 in. (28.5 x 44.9 cm)mount each of 11: 14 1/4 x 19 1/4 in. (36.2 x 48.9 cm). Date: after 1503. Museum: Metropolitan Museum of Art, New York, USA. Author: Jacob of Strasbourg. After Benedetto Bordone.Allegory on the entrance of Archduke Karel as King Charles III of Spain in Barcelona, 1705, 1705 print Allegory on the entrance of Archduke Charles of Austria as King Charles III of Spain in Barcelona, October 1705. The Archduke driving on horseback near the Stadspoort, accompanied by allegorical figures with a portrait of emperor Leopold I and welcomed by the people. In the clouds allegorical figures and putti with crowns and palm branches. Printed on the leaf under the plate a fresh in 2 columns. Northern Netherlands paper etching / letterpress printing symbolic triumphs of individual persons Barcelona