Scenic Landscape Prints

Detailed etchings and prints of serene landscapes, featuring natural elements and rural scenes, capturing the essence of 17th to 19th-century art.

Oscar F Bluemner, The Bronx, 1902 The Bronx

Alphonse Legros, Along the Terne (Sur la terne) Along the Terne (Sur la terne)

Artist: Anthonie Waterloo, Dutch, 1610-1690, Le paysan avec lapelle, Etching, cut off, 21.9 × 28.6 cm (8 5/8 × 11 1/4in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Milford Bridge. Dated: c. 1826. Dimensions: plate: 13.3 x 19 cm (5 1/4 x 7 1/2 in.) sheet: 19.3 x 24.2 cm (7 5/8 x 9 1/2 in.). Medium: etching on wove paper 1st state. Museum: National Gallery of Art, Washington DC. Author: John Constable.

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

Alphonse Legros, Salmon Fisher (Le pecheur du saumon) Salmon Fisher (Le pecheur du saumon)

Farmhouse among the Trees. Rembrandt further worked up the first state of this print (No. 9). He filled in the group of trees and introduced lines to create a greater sense of space. He also reduced the copper printing plate at the lower edge. The deeply incised lines with their raised burr lend the shaded areas in the impression a dark velvety texture, giving rise to a powerful atmospheric effect.

Entrance to the Field. Alphonse Legros (French, 1837-1911). Etching;

Oscar F Bluemner, The Bronx, 1902 The Bronx

Jean Louis Forain, Landscape in the Environs of Versailles, 1909 Landscape in the Environs of Versailles

Brown feder drawing on light green paper by Moritz von Schwind around 1835 depicting a nature park surrounding a ruin, showing landscape, trees, and architectural elements.

John Constable (1776-1837), Cowdray House, set mellem traeer, 1834

Expulsion from Eden, John Martin, 1789-1854, British, undated, Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board, Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm), Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm), and Image: 4 3/4 x 7 1/2 inches (12 x 19 cm), expulsion of Adam and Eve from paradise (Genesis 3:22-24), landscape, man, Old Testament, palm trees, religious and mythological subject, sadness, serpent, sin, travel, trees, walking, woman

De Bilt at Utrecht. Two men ride a cart along a home in De Bilt.

The Small Shepherd Seated. Dated: 1856. Medium: etching on Chine applique paper. Museum: National Gallery of Art, Washington DC. Author: Emmanuel Phélippes-Beaulieu.

Joseph Marie Vien, View across the Wall of an Italian Garden, 1744 1750 View across the Wall of an Italian Garden

. .

Arcadisch landschap.Design for a painting.

. .

Village of Wimille, near Boulogne. Alphonse Legros (French, 1837-1911). Drypoint;

Alphonse Legros, Along the River (Le long de la rive), French, 1837-1911, etching and drypoint

The Peasant on Horseback and the Riderless Horse. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 3 1/16 x 3 13/16 in. sheet: 5 3/4 x 8 in.. Date: 1814. Museum: Metropolitan Museum of Art, New York, USA.

The Prodigal Son. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 243 × 322 mm (image); 263 × 332 mm (plate); 307 × 369 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

View of the Diemerdijk with a Milkman and Cottages ('Het Melkboertje'). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 2 5/8 x 6 15/16 in. (6.7 x 17.6 cm). Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA.

La chaumière à Rousseau (Vendée) (Cottage at Rousseau[Vendee). Artist: Auguste Lepère, French, 1849-1918

Landscape with monument. Design for a painting.

The Herdsman and the Shepherdess ca. 1630 Claude Lorrain (Claude Gellée) French. The Herdsman and the Shepherdess 384206

Amsterdam, Steelink, Willem (II), Om Amsterdam, Landscape with mill and sheep, verso - stamped, Along the water under the trees are some sheep. In the background a mill., print, prent, prints, prenten, height 226 mm, width 170 mm, Dutch, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1888, paper, papier, chine collé, etching, etchings

Sheep-Washing, Windsor, Etched by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching Early (touched) on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm), Plate: 8 1/8 × 11 1/2 inches (20.6 × 29.2 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm)

A road leads to a tavern with a sign on the left of the hill. On the water to the right, a barge carries passengers., House on a Hill, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: J. van Kessel, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 190 mm × w 244 mm

The Creek. Rodolphe Bresdin; French, 1825-1885. Date: 1880. Dimensions: 130 × 205 mm (chine); 134 × 209 mm (plate); 318 × 449 mm (sheet). Etching and roulette on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Woman kneels on the waterfront to wash, in the background a farm, Lambert Jacquelart, 1830 - 1910 print paper etching laundering. farm or solitary house in landscape. river

Jersey; Six etching tests.

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, Landscape with a drinking cow, verso center bottom - pencil, print, prent, prints, Coppier, height 103 mm, width 129 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by, Publication (Event), Publication, publisher

River face at Düsseldorf, Jean Théodore Joseph Linnig, 1848 print paper etching river Düsseldorf

Greylock. Dated: 1889. Dimensions: image: 190 x 245 mm primary sheet: 260 x 306 mm secondary sheet: 290 x 383 mm. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Elbridge Kingsley.

Dix Island. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 5 1/16 × 8 9/16 in. (12.9 × 21.8 cm)Plate: 3 13/16 × 7 7/16 in. (9.7 × 18.9 cm). Date: 1923. Museum: Metropolitan Museum of Art, New York, USA.

Prospect (Le point de vue). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Sower. Dated: 1621. Dimensions: plate: 8.7 x 12.5 cm (3 7/16 x 4 15/16 in.) overall: 9.6 x 13.3 cm (3 3/4 x 5 1/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Willem Buytewech.

Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks, Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), ca. 1753, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 15/16 x 11 9/16 inches (20.2 x 29.4 cm) and Mount: 9 5/8 x 13 3/8 inches (24.4 x 34 cm), cityscape, Grand Tour, landscape, river, wall, Europe, Italy

Landscape near Rome, Paolo Anesi, 1725 print Landscape near Rome with people by the water. Numbered at the top right: 12. Rome paper etching city-view, and landscape with man-made constructions Rome

Near Brantôme, 1928, by Roger Fry. Gift of Mrs Pamela Diamond, the artist's daughter, England, 1959.

House among Trees, at Right Man and Dog on a Footbridge. Artist: Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: sheet: 5 3/8 x 7 3/16 in. (13.6 x 18.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Farm and Marsh at Port Louis. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1908. Dimensions: 200 × 297 mm (plate); 238 × 325 mm (sheet). Etching on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Jan Josefsz. van Goyen depicts a figure with haystacks and a wide landscape view, rendered in black chalk, with red chalk pollution and a torn upper right corner.

Cattle Crossing at the Ford. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Image: 11 in. × 13 3/4 in. (27.9 × 34.9 cm)Sheet: 11 7/16 × 14 3/8 in. (29.1 × 36.5 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing of 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Arcadian landscape with figures around a statue, Dionys van Nijmegen (Possible), 1715 - 1798 drawing paper. chalk. pencil brush

Draftsman for farm, Cornelis Ploos van Amstel, after Abraham Furnerius, after Gerbrand van den Eeckhout, 1767 - 1821 print A draftsman is sitting on a bench in front of a farm. Two people lean on the lower door. Amsterdam paper etching farm (building). draughtsman at work - CC - out of doors

Les bords de la Liane (The Banks of theLiane). Artist: Alphonse Legros, French, 1837-1911

Ernest Haskell, The Haystack, California, 20th century, etching and drypoint on wove paper.

An ink drawing by Koloman Moser before 1900 titled 'Once Upon a Time', using bister ink and pen to depict a scene.

Lazio Roma Frascati Episcopal Palace1. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

People on the terrace near a garden, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Francis Seymour Haden, 1818-1910, British, Windmill Hill, no. 2, 1877. Etching and drypoint, with plate tone on medium, moderately textured, cream antique laid paper.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Artist: Alphonse Legros, French, 1837-1911, Paysage, Etching, platemark: 23.1 × 17.1 cm (9 1/8 × 6 3/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

Donaustauf (Bank of theDanube). Artist: Otto Bacher, American, 1856-1909

Woman at a farmhouse by a pond, print maker: Remigius Adrianus Haanen, (mentioned on object), Austria, (possibly), c. 1827 - 1879, paper, etching, drypoint, h 122 mm × w 155 mm

Landscape with ruined castle and two figures, print maker: Willem Matthias Jan van Dielen, (mentioned on object), Netherlands, 1815 - 1867, paper, etching, h 71 mm × w 126 mm

Jean Baptiste Camille Corot, Sappho (Sapho), 1871 Sappho (Sapho)

Pencil sketches by Ferdinand Georg Waldmüller depicting a variety of subjects, including figures, landscapes, and architectural forms, with emphasis on observational accuracy.

Formentera. Artist: Francisque de St. Etienne, French, 1824-1885

Haarlem, Barbiers, Pieter Bartholomeusz., Farmhouse with thatched roof, verso - stamped, Landscape with farm with thatched roof. To the left of the farm are two pollard willows., print, prent, prints, prenten, height 35 mm, width 64 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, prentmaker, 1809 - 1837, first quarter 19th century, second quarter 19th century, paper, lithography (technique)

. A draftsman is sitting on a bench for a farm. Two people lean on the bottom door.

Evening. Dated: 1882. Dimensions: image: 45 × 39.1 cm (17 11/16 × 15 3/8 in.) plate: 47.7 × 40 cm (18 3/4 × 15 3/4 in.) sheet: 58.9 × 46.4 cm (23 3/16 × 18 1/4 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond after Théodore Rousseau.

Sheet with Sketches, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, At top, a hilly countryside with three trees and a monastery at left. Below, from left to right: a group of men, a woman with cow, a fantastic mask, a cornucopia, a part of a pediment, two heads looking upwards., Italy, 1762-1844, landscapes, Drawing, Drawing

The Mushroom Gatherers 1895-1905 France. Etching, drypoint and plate tone on light bluish-gray laid paper . Alphonse Legros

Auguste Lepère, La Ferme aux peupliers de Hollande, 1914 La Ferme aux peupliers de Hollande

The Little Shepherd, original impression 1855, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 36.3 x 28.5 cm (14 5/16 x 11 1/4 in.); image: 33.5 x 25.5 cm (13 3/16 x 10 1/16 in.).

Landscape with mill, Eugène François de Block, 1840 print paper etching landscapes. windmill in landscape

The Watermill, after a painting by Ruisdaël. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons); After Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: Sheet: 14 5/8 × 19 9/16 in. (37.1 × 49.7 cm)Plate: 14 3/16 × 19 in. (36 × 48.2 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

Droga wiejska bez zabudowań. Morgenstern, Carl Ernst (1847-1928), graphic artist

At the Hoogeveen in Drenthe. Draughtsman: Egbert van Drielst. Dating: 1755 - 1818. Measurements: h 228 mm × w 366 mm. Museum: Rijksmuseum, Amsterdam.

. .

Landscape with two figures near a monumental vase, draughtsman: Jan Frans van Bloemen, draughtsman: Salvator Rosa, (rejected attribution), 1672 - 1749, prepared paper, brush, h 415 mm × w 270 mm

The Hague, Hardenberg, Lambertus (1822-1900), Man and boy along the bank of a river, verso - stamped, print, prints, height 100 mm, width 186 mm, Dutch, 1822-11-07 - 1900-01-15, print maker, printmaker, 1837 - 1900, paper, papier, etching, etchings

Landscape with a tomb on the right of a bridge, Louis Benoît Ferdinand de Scheppere, 1802 print Numbered in the bottom left: 2. paper etching grave, tomb. landscape with monument. water course (+ landscape with figures, staffage). bridge

The Test at Longparish. Dated: 1882. Medium: etching with drypoint in dark brown. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Fields of San Gimignano. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 200 x 325 mm (image); 205 x 329 mm (plate); 211 x 332 mm (sheet). Etching and drypoint in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Alphonse Legros, Small Hill (Le coteau) Small Hill (Le coteau)

Jean Baptiste Camille Corot, Souvenir of Ostia (Souvenir d'Ostie), 1855 Souvenir of Ostia (Souvenir d'Ostie)

Nocturnal landscape with figures in gown at antique sanctuary, c. 1600 - c. 1650 print Rocky landscape with two caves in the foreground. On the left is a cave with an altar with three images that is clearly lit by eight hanging oil lamps. On the left a man walks in the direction of this cave. The right cave is darkened. On top of this space are two men, one of whom points to something in the distance. The sky is littered with stars. paper etching temple, shrine ~ Roman religion. stars in the firmament. night

Jean-Baptiste-Camille Corot, Horseman in the Woods, Small Plate (Le Petite Cavalier sous Bois), c. 1854, printed 1921, cliché-verre, gelatin printing-out print.

Landscape with a Cow Drinking. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1644-1655. Dimensions: 102 x 129 mm (image/plate); 122 x 154 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

John Mallows Youngman, 1817-1899, British, Untitled, 1879. Etching.

James McNeill Whistler, Fishing Boats, Hastings, 1877 Fishing-Boats, Hastings

Joseph Mallord William Turner, British (1775-1851), The Woman and Tambourine, published 1807, etching

Old Village (Ville vieille). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Artist: Alphonse Legros, French, 1837-1911, La PetitLac, Etching, platemark: 18.9 cm (7 7/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Ink drawing by Albert Flamen showing a figure described as foolish at the village edge alongside a sleeping shepherd, illustrating rural life.

Sappho. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 220 × 278 mm (chine); 400 × 570 mm (sheet). Transfer lithograph printed in reddish-brown on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing book by Josef von Führich for Joseph Führich, begun May 6, 1807, containing pencil and watercolor studies.

View of Etterbeek, Hans Collaert (I), After Hans Bol, After Jacob Grimmer, 1530 - 1580 print View of the hamlet of Etterbeek, near Brussels. The print is part of a series with faces from the Brussels area. Antwerp paper engraving village (+ city(-scape) with figures, staffage) Etterbeek

La briqueterie , Factories, Brick industry, Alphonse Legros (1837-1911)

An Indian Tomb with Figures in the Foreground and a Gate in the Distance, William Hodges, 1744-1797, British, between 1781 and 1783, Gray wash and graphite on laid paper, laid down on a 19th Century wash mount, Sheet: 18 3/4 x 25 5/8in. (47.6 x 65.1cm)

Les taupes (TheMoles). Artist: Félix-Henri Bracquemond, French, 1833-1914

Thomas Gainsborough RA, 1727-1788, British, Wooded Landscape with Figures outside a Cottage Door, between 1775 and 1780. Gray wash with pen and gray ink, heightened with white on medium, slightly textured, cream laid paper.

Two Studies of Dedham Church from the East. Date/Period: Between 1806 and 1808. Drawing. Graphite and white gouache on medium, slightly textured, beige wove paper. Height: 171 mm (6.73 in); Width: 203 mm (7.99 in). Author: John Constable.

Pearl of the day. A clip from a German magazine Kretzchmar, Eduard (1807 1858)

of 4