Scenic Landscapes and Rivers

Etchy depictions of serene landscapes featuring rivers, mountains, and human activities, offering glimpses into past environments.

Arcadian landscape with a goatherd. print maker: Abraham Genoels, 1650 - 1723

Leeuw, Govert van der, Italian landscapes, City with waterfall, recto - blind embossing, View of a city on a river in a hilly landscape. A waterfall flows in the foreground. The print is part of a nine-part series of prints depicting various animals., print, prints, verso - stamped, height 110 mm, width 139 mm, 1645 - 1688-07-03, print maker, printmaker, 1655 - 1688, paper, papier, etching, etchings

Israël Silvestre, Veuë de la Navicule St Estienne le Rond et du Colisée de Rome, 1640 1660 Veuë de la Navicule St. Estienne le Rond et du Colisée de Rome

Ploos van Amstel, Cornelis, Wijck, Thomas, Brouwer, Amsterdam, Gate with traveller and mule, verso - handwritten, print, picture, prints, pictures, verso - stamped, Thomas Wijk del. Ploos van Amstel. JC Fecit. 1782., height 148 mm, width 231 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1782 - 1782, paper, paper drawing, etching, etchings, transfer, colour printing, 1735 - 1803-03-31, print maker, printmaker, 1624 - 1677-08-19, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

unknown, Paris, Morin, Jean, Plattenberg, Matthieu van, Medallions with landscapes, Landscape with tower, verso lower left - stamped, Landscape with a tower on a hill. In the foreground a path with travellers. In the background a view of the sea., print, prints, height 154 mm, width 148 mm, South Netherlands, 1608 - 1660-09-19, print maker, printmaker, 1617 - 1660, paper, papier, etching, etchings, Publication (Event), Publicatie, 1600 - 1650-06-06, publisher, uitgever van privilege

The Four Ruined Arches. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

La Jeu de la Palette 1766 Jean Claude Richard, Abbé de Saint-Non French A patron of the arts and also a printmaker, Saint-Non made etchings based on drawings by many of France's leading artists, which he published in suites entitled, Griffonis (1755-78). About 1765, he developed aquatint as a tonal process he could employ to suggest ink washes in his prints after the drawings of his friends Fragonard and Hubert Robert.. La Jeu de la Palette 344154

Clivus Scauri en de Santi Giovanni and Paolo, Giovanni Battista Mercati, 1629 print View of the Clivus Scauri and in the background the Santi Giovanni e Paolo in Rome. print maker: Italyafter own design by: ItalyItalyToscane paper etching landscape with ruins Sant'Andrea delle Fratte **. Clivus Scauri

Pastoral Landscape with Roman Ruins. Artist: Johann Heinrich Roos (German, Reipoltskirchen 1631-1685 Frankfurt am Main). Dimensions: 7 5/8 x 11 3/4 in. (19.3 x 29.8 cm). Former Attribution: Formerly attributed to Simon van der Does (Dutch, Amsterdam 1653-1717 Antwerp). Date: 1645-86. Museum: Metropolitan Museum of Art, New York, USA.

View of a city on a river (the Danube), Frederik van Valckenborch, 1598 - 1599 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city. river. landscape with bridge, viaduct or aqueduct Danube

Large Alpine Landscape. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: Sheet: 13 1/16 x 17 9/16 in. (33.2 x 44.6 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA. Author: after Pieter Bruegel the Elder. Johannes van Doetecum the elder. Lucas van Doetecum.

Philosopher empedocles near the tops of the Etna; Voyage and Italy, and Sicile et à Malte - 1778.Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Jacques Callot, The Hospital, c 1633 The Hospital

Sleeping Shepherd and Horses in Landscape with the Thermen of Diocletian, Stefano della Bella, 1620 - 1664 print A landscape with a sleeping shepherd with his horses in the foreground. In the background other shepherds with horses for the remains of the Thermen of Diocletian. France paper etching sleeping; unconsciousness. ruin of a building ~ architecture. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. horse Rome. Thermen from Diocletianus

The Villa Imperiale. Dated: 1530s. Dimensions: overall: 29.1 x 21.6 cm (11 7/16 x 8 1/2 in.). Medium: pen and brown ink, brown wash, and incised on laid paper. Museum: National Gallery of Art, Washington DC. Author: Venetian 16th Century, Probably Titian.

Landscape with Ox-Drawn Wagon 1846 France. Etching on ivory wove paper . Charles Émile Jacque

Landscape with Ruins 18th century Anonymous, Italian, Venetian, 18th century Italian. Landscape with Ruins 340253

Berchem, Nicolaes Pietersz., Noordelijke Nederlanden, Visscher, Jan de, Old shepherd leaning on his staff, Northern Netherlands, verso - stamped, View of a hilly landscape with a lake in the foreground where an old shepherd stands with his dog and cattle. The shepherd stands with his back against a wooded wall and leans on his staff., print, prent, prints, prenten, height 270 mm, width 358 mm, Noord-Nederlands, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1620 - 1683-02-18

Pavo (Pauw) and Ciconia (Ooievaar), 1600 Pauw and Ooievaar, standing in front of a landscape with hills and river. paper engraving Pauw and Ooievaar, standing in front of a landscape with hills and river. paper engraving

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Bombardment of Königswinter, 1583, September 1583. Episode from the Cologne War. With a caption of 8 lines in German and 4 lines in French. Numbered lower left: 193. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 196 mm, width 285 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, papier, etching, etchings

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1768. Dimensions: 447 x 579 mm (image); 456 x 585 mm (plate); 557 x 788 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Plate 4: three figures seated outside of a church 1680-1747 Lodovico Mattioli. Plate 4: three figures seated outside of a church. Lodovico Mattioli (Italian, Crevalcore 1662-1747 Bologna). 1680-1747. Etching. Prints

View of the Waal on Nijmegen. Draughtsman: Jan van Goyen. Dating: 1650 - 1651. Measurements: h 98 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

Ezra eats the flowers in the field; Secreta Caelos Penetrans Precatio; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Hilland landscape with Left Ezra that eats the flowers in the field. At the waterfront, Ezra stands with a grieving woman with torn clothes. In addition, Ezra, lying, and the angel uriel. The print is part of an album.

Drawing, Design for Crèche (Nativity Scene); Italy; pen and ink, brush and sepia wash on white paper; 21.8 x 32.6 cm (8 9/16 x 12 13/16 in.)

View of the ruins of Palatine Hill. In the foreground some artists sketching the surroundings. The print is part of a series depicting various places in the Mediterranean, View of Palatine Palatini montis prospectus Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 174 mm × w 246 mm

Design for a print, Landscape with the Healing of the Blind Landscape with the Healing of the Blind (6) (series title), draughtsman: David Vinckboons (I), 1601, paper, pen, brush, h 357 mm × w 487 mm

Ancient ruins by a river Landscapes after Esaias van de Velde (series title), Esaias van de Velde, print maker: anonymous, publisher: Johannes Pietersz. Berendrecht, Haarlem, 1610 - 1617, paper, etching, h 58 mm × w 97 mm

Maart, Julius Goltzius, after Gillis Mostaert (I), c. 1560 - 1595 print Spring landscape with spring scenes. March in the planting month. People lay gardens and limits. Part of a series of the twelve months, where every month is depicted with the human activities and its climatic characteristics that are typical of her. Antwerp paper engraving March and its 'labours'. gardening. transplanting, setting out plants

Kustland Tap Metcurius, Heis an agxiors, Richard Darlor, AFER Claude Lorerain, 1774 print London paper etching landscape with ruins - II - ideal landscapes. coast - HH - ideal landscapes. Mercury and Herse, daughter of Cecrops

Style of Claude Lorrain, Landscape Landscape

Venlo. Draughtsman: Constantijn Huygens (II). Dating: 23-Oct-1673. Measurements: h 94 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

unknown, Hartogensis, Joseph, Wörth, Steamship at a river island, verso middle - stamped, print, prints, height 73 mm, width 106 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1850 - 1859, paper, papier, chine collé, etching, etchings

Zon in Regen, Jacques Callot, 1646 print Presentation of a rain shower above a rock and sunshine above a landscape. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching sun as celestial body. rain

Amsterdam, Visscher, Nicolaes (II), Nicolaes (I), Claes Jansz. (II), Vinckboons, David (I), Londerseel, Jan van, Royaalbijbel, Primus Hebraeorum Saulus Rex ungitur, impar Viribus, hunc Samuel regia, Samuel anoints Saul as king, Watery landscape in which Saul is anointed as king by Samuel. Samuel empties a jar of oil over Saul's head. Below the image the title in Latin and a reference to the Bible text in 1 Sam. 10:1., print, prent, prints, prenten, height 299 mm, width 425 mm, 1575 - 1625-01-07, print maker, printmaker, 1585 - 1625, paper, papier, engraving, graveren (drukprocedé), Work conception, Noord-Nederlands, 1576-08-13 - 1629, after a design by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher, uitgever, North Netherlands, 1618-01-25 - 1679, 1649 - 1702

Jupiter abuses ganymedes; Ganymedes in Caelvm Evectvs; Landscapes with mythological and biblical performances. Jupiter, in the form of an eagle, flies with ganymedes to the Olympus.

Avond; Barmhartige Samaritaan; De vier delen van de dag, klein formaat.The Merciful Samaritan performs the wounded traveler on his donkey through a dark landscape. Rear left the ruin of a castle on a hill. Print from a series of four.

Ruins and a shepherd with sheep, anonymous, after Esaias van de Velde, 1617 print paper etching landscape with ruins

An early 17th-century brown ink and watercolor drawing, attributed to an anonymous artist, depicting Latona and farmers.

Ozanne, Marie-Jeanne, inventor: Philips Wouverman, Flemish farmhouse, (1000 - 2000), copper engraving and etching, graphics, plate width 44.5 cm, plate height 36.8 cm, leaf width 56.5 cm, leaf height 44.9 cm, image width 41.9 cm, image height 31.1 cm

A Woman Spinning and a Fisherman 17th century Thomas Wijck Dutch. A Woman Spinning and a Fisherman 373722

Veduta della Porta dellantica Citta di Pompei. Artist: Francesco Piranesi, Italian, 1756-1810 After: Louis-Jean Desprez, French, 1743-1804

Figures at a dilapidated farm, Bartholomeus Barbiers, after c. 1750 - 1808 drawing Northern Netherlands paper. graphite (mineral). ink pen / brush farm or solitary house in landscape

River landscape, Louis Chalon, 1697 - 1741, draughtsman: Louis Chalon, 1697 - 1741, paper, pen, brush, h 225 mm × w 350 mm

Red chalk drawing by Claude-Joseph Vernet showing a landscape with castle ruins, created between 1734 and 1789.

Queen Drahomira van Bohemia is swallowed up by the earth, Jan Luyken, 1699 print An earthquake hits the carriage of Queen Drahomira van Bohemia. The queen and her entourage disappear in the earth. In the background the city of Prague. Amsterdam paper etching buried alive (violent death). earthquake. four-wheeled vehicle drawn by three animals Prague

Vismarkt in Scheveningen, c. 1664 - c. 1674 print Two gentlemen have purchased on the Vismarkt in Scheveningen. The fishermen and fishermen's women are sitting on crates on the beach, the fish is displayed on the ground. In the background, ships at sea and on the beach can be seen. print maker: Brusselsafter own design by: Brusselspublisher: Antwerp paper etching / engraving market. harbour. fisherman. selling Scheveningen

Roman Ruins. Dated: c. 1779. Dimensions: sheet (cut within platemark): 37.8 x 52.2 cm (14 7/8 x 20 9/16 in.). Medium: etching and aquatint in brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Richard Cooper II.

A landscape with a castle. In the foreground resting two travelers, Emblem: castle Landscape with a castle, print maker: Jan Luyken, publisher: Christoph Weigel, print maker: Amsterdam, publisher: Neurenberg, 1695 - 1705, paper, etching, h 110 mm × w 124 mm

Leeuw, Govert van der, Italian landscapes, Shepherd in a landscape with volcano, recto - blind embossing, A shepherd stands with a small flock by a stream in a mountainous landscape. On the left are houses, on the right a volcano smokes in the distance. The print is part of a nine-part series of prints depicting Italian landscapes., print, prints, verso - stamped, height 110 mm, width 138 mm, 1645 - 1688-07-03, print maker, printmaker, 1655 - 1688, paper, papier, etching

Canal with a Large Boat and a Bridge 1650 Holland. Etching and drypoint on ivory laid paper . Rembrandt van Rijn

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Anfiteatro Castrense à S. Croce in Gerusalemme (Amphitheater Castrense near S. Croce in Gerusalemme), from Varie Vedute di Roma Antica eModerna, Etching, platemark: 13.1 × 18.8 cm (5 3/16 × 7 3/8 in.), Italian, 18thcentury, Works on Paper -Prints

James Bruce, 1730-1794, British, Capitol Thamugas, undated. Gray wash, pen and black ink on medium, moderately textured, cream laid paper.

'Groups of Men at a Spring'. From the Album No 1 "Souveni d'Italie". 1785. Dimensions: 27,4x37,6 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Trofei di Mario, Rome. Artist: Louis Chaix (French, Marseilles 1740-1811 Paris). Dimensions: 12 3/4 x 18 1/8 in. (32.4 x 46.1 cm). Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

View of Mechelen, after Rubens (DuTUIT 26 (4) pages 249) View of Mechelen, according to Rubens (Dutuit 26 (4) pages 249). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Rome, Piranesi, Francesco, Giovanni Battista, Different views of some remains of three large buildings still standing in the ancient city of Pesto, Different views of the remains of three large buildings still standing at Paestum, View of the Walls A. de l'ancienne Ville de Pest, Ancient city wall and temples at Paestum, stamped, View of the remains of the old city wall and several temples at Paestum. Title and explanatory list with letters in three columns in the lower margin. Numbered top left: Planche I., print, prints, height 475 mm, width 680 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, 1758 - 1810-01-27

Architectural Fantasy with Classical Ruins and Vernacular Buildings. Dated: before 1753. Dimensions: plate: 16.1 x 18.2 cm (6 5/16 x 7 3/16 in.) sheet: 23.9 x 34 cm (9 7/16 x 13 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Antonio Landi.

Veduta di Campo Vaccino (View of the Campo Vaccino), from Vedute diRoma. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Le Charpentier (Bartsch 49) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The carpenter (Bartsch 49). Water-strong on paper, 1645-1675.

Fall of Icarus, Hans Bol, Anonymous, c. 1550 - c. 1650

Resten van Hercules tempel in oude Agrigento. Veduta del Tempio d'Ercole nel Antico Agrigento, Il diametro delle Colonne Pmi. 7 (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Mayer. Dating: 1778. Measurements: h 245 mm × w 381 mm. Museum: Rijksmuseum, Amsterdam.

July. Artist: After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593-1641 Enkhuizen). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1628-29. Museum: Metropolitan Museum of Art, New York, USA.

Tervueren Castle ca. 1604-05 Flanders. Tervueren Castle. Flanders (1604 ()). Flemish. ca. 1604-05. Pen and brown ink, brush and brown ink, over traces of black chalk.On the verso, in pen and brown ink, studies of five figures standing near a tree, and some mathematical calculations.. Drawings

This signed on Dander Sijde by Herman Saftleven is the / Swarte Water AO 1674.

The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: 15 1/2 x 21 3/4in. (39.4 x 55.3cm). Date: ca. 1777.The Venetian Piranesi was active as a draftsman, designer, architect, archaeologist, and theorist, but it is as a printmaker that he achieved his most enduring fame. His technically brilliant and exceedingly influential etchings reflect his antiquarian interests and offered audiences across Europe a rich visual record, at once archaeological and poetic, of the glories of ancient Rome.This drawing represents an octagonal chamber--perhaps an apodyterium, or changing room--in the bath complex at Hadrian's Villa at Tivoli, the sprawling remains of which provided subject matter for a number of Piranesi's prints. It is a preparatory study for an etching in the second volume of his Vedute di Roma (Views of Rome), an ambitious undertaking in which the artist was engaged for more tha

Rembrandt van Rijn, Canal with a Large Boat and Bridge, Dutch, 1606 - 1669, 1650, etching and drypoint

Mercato Al Dolo (Top) and The Market on the Molo (Bottom) Giovanni Antonio Canal, called Canaletto (Italian, Venetian, 1697-1768). Mercato Al Dolo (Top) and The Market on the Molo (Bottom). Etching (restrike), Sheet: 15 5/16 x 10 9/16 in. (38.9 x 26.8 cm). European Art

The Great Landscape with the Water Mill. Dated: c. 1520. Dimensions: sheet (trimmed within plate mark): 17.6 x 23.6 cm (6 15/16 x 9 5/16 in.). Medium: etching with traces of light gray and yellow watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Varie vedute di Roma antica e moderna disegnate e intagliate da celebri autori. Dated: published 1748. Dimensions: page size: 22.4 x 33.5 cm (8 13/16 x 13 3/16 in.) overall size (volume closed): 22.3 x 33.8 x 3.9 cm (8 3/4 x 13 5/16 x 1 9/16 in.). Medium: 1 vol: etched title page and 149 etchings (full-page, versos blank), 48 signed by Piranesi, artists include Niccolo Mogalli, Philothee-Fran ois Duflos, Jean-Laurent Legeay, Bellicard, P. Anesi, Jean Barbault, P.L. Magini. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Piranesi and Various Artists.

. Numbered at the bottom right: No 4.

Landscape with architecture. unknown, painter

Claude Lorrain, A View Outside the Piazza del Popolo in Rome, 1640-41, Black chalk, gray and brown wash, pen and brown ink framing lines on cream laid paper.

Joris Hoefnagel depicted Castelnovo using brown and blue lavion in 1577.

Memories of the municipality. - Families of workers fleeing fires on the insurges. (IT)

This is the Omghevronghen Pilaer. An no 1674 the July 22, old style is a part of Doms Kercke oversmetten by Godts thunderstorms as one of Binne de Kercke desee pilaer who is overtraid can be, and the anno 1675 in August signed by Herman Saftleven. Out 66 Jaer

Avanzi deglAquedotti Neroniani che si volevano distruggere per la loro vecchiezza, ma per ordine di Nro. Sig.re Papa Clemento XIV sono restati in piedi (Remains of the Acqueduct of Nero Which Were to be Destroyed on Account of their Age, but by Order of Our Signore Pope Clement XIV They Remained Standing), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Two doves near a gate, Albert Flamen, Jacques van Merlen, Louis XIV King of France, 1659

Bauer, Marius, Moscow Kremlin, verso - stamped, A section of the Kremlin wall. In the foreground figures with horses and in the background a cathedral., print, prent, prints, prenten, height 200 mm, width 250 mm, Nederlands, 1867-01-25 - 1932-07-18, print maker, prentmaker, 1900 - 1900, paper, papier, etching, etchings, plaattoon

Design of a memorial to be built at the entrance to the Suez Canal, by Faustin Glavany, Egypt, illustration from L'Illustration, Journal Universel, No 1291, Volume L, November 23, 1867.

Artist: Giuseppe Vasi, Italian, 1710-1782, Artist, forgery of probably: Giovanni Battista Piranesi, Italian, 1720-1778, Piramide Sepolcrale di Cajo Cestio, presso Porta S. Paolo (Pyramid of GaiusCestius), Etching, platemark: 22.4 × 32.8 cm (8 13/16 × 12 15/16 in.), Italian, 18thcentury, Works on Paper -Prints

The Bridge at Rimini built by the Emperors Augustus and Tiberius, plate 16 from Some Views of Triumphal Arches and other monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1747-1748. Dimensions: 124 x 261 mm (image); 134 x 261 mm (plate); 345 x 465 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

B. Nemensky. Vyazma will live. Charcoal pencil on paper. 1943.

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