Scenic Landscapes from the 19th Century

Engravings of picturesque landscapes depicting castles, mountains, and serene water scenes, highlighting natural beauty.

John Cousen, 1804-1880, British, Babylon, 1836. Line engraving, engraver's proof.

Powis Castle, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, 3rd state on moderately thick, smooth, cream, wove paper, Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm), Plate: 9 9/16 × 12 9/16 inches (24.3 × 31.9 cm), and Image: 6 9/16 × 10 inches (16.7 × 25.4 cm)

LOCH KATRINE in the district of Stirling, Scotland. UK, britain, british, europe, united kingdom, great britain, european

An Old Manor House, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm), Plate: 11 5/8 × 6 1/4 inches (29.5 × 15.9 cm), Chine collé: 11 3/8 × 6 1/16 inches (28.9 × 15.4 cm), and Image: 3 3/4 × 3 1/2 inches (9.5 × 8.9 cm)

Whitstable, Kent, Print made by John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1814 to 1826, Etching and line engraving; first published state on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm), Plate: 9 × 11 7/8 inches (22.9 × 30.2 cm), and Image: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)

Untitled (Fishing in the Inlet) Rafaello Morghen (Italian, 1758-1833). , 1894. Etching, Sheet: 22 7/8 x 27 in. (58.1 x 68.6 cm). European Art 1894

John Cousen, 1804-1880, British, Babylon, 1836. Line engraving, engraver's proof.

Coast of Yorkshire, plate 24 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by William Say (English, 1768-1834). Date: 1811. Dimensions: 180 × 264 mm (image); 209 × 292 mm (plate); 266 × 380 mm (sheet). Etching and engraving in brown ink on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Prudoe Castle, Northumberland, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Robert Wallis, 1794-1878, British, Colchester, Essex, 1827-1838. Line engraving, engraver's proof (finished).

Print made by Samuel William Reynolds, 1773-1835, British, Between Namur and Liege, undated. Mezzotint proof on thick, moderately textured, cream, laid paper.

James C. Allen, active 1821-1831, British, Falls of the Rhine, 1832. Line engraving, engraver's proof on moderately thick, slightly texture, beige, wove paper, with cream, chine colle.

Landscape with horsemen, draughtsman: Hermanus Numan, 1789, paper, ink, brush, pen, height 167 mm × width 220 mm

The Castle above the Meadows, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 11 inches (20 × 27.9 cm), Image: 7 × 10 1/4 inches (17.8 × 26 cm), and Mount: 11 × 14 3/8 inches (27.9 × 36.5 cm), castle, cliff, cow, hill, trees

Etched by Joseph Mallord William Turner, 1775-1851, British, Near Blair Athol, Scotland, 1811. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

Liber Studiorum: Plate 27, Kilgarren Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 15.1 x 20.2 cm (5 15/16 x 7 15/16 in.).

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), Opening the Fold, 1880. Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper.

Etched by Joseph Mallord William Turner, 1775-1851, British, From Spenser's Fairy Queen, 1811. Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper.

View of Ouren, Alle, Mouzaive and Chairière, Martinus Antonius Kuytenbrouwer Jr., 1831 - 1897 print Leaf with four medallions with faces on Belgian villages. At the top left a medallion with a face on the village of Ouren on the river Our and at the top right the village all with the contours of the Sint-Mauruskerk. Bottom left a medallion with a face on Mouzaive on the River Semois and below the village of Chairière and the Eglise Saint-Walfroid church. In the middle of the medallions a four -way jump, with the village names. There is a walker at the Viersprong. Netherlands paper. etching / drypoint 'en route', traveller under way. church (exterior). prospect of village, silhouette of village. river. mountains. cross-roads, bifurcation

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and line engraving, Engraver's proof

ANTIQUITIES, CARNAC, IN BRITTANY

William Finden, 1787-1852, British, The Drachenfels. Line engraving, engraver's proof (early) on moderatelly thick, slightly textured, beige, wove paper, with gray chine colle.

Ovindoli negli Abruzzi. Dated: 1843. Dimensions: plate: 24.6 × 31.1 cm (9 11/16 × 12 1/4 in.) sheet: 38.2 × 54.1 cm (15 1/16 × 21 5/16 in.). Medium: etching on chine collé proof with etched remarques in the lower margin. Museum: National Gallery of Art, Washington DC. Author: GEORG HEINRICH BUSSE.

Etched by Joseph Mallord William Turner, 1775-1851, British, Mt. St. Gothard, 1808. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

William Green, 1760-1823, British, Landscape, Castle and Cattle, undated. Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream wove paper.

Kalkoven at Lyon, Michiel van Overbeek, 1699 - 1719 drawing paper. chalk. ink pen / brush lime-burner. lime works Lyon

Richter, Ludwig, Views in the environs of Rome, Olevano, View of Olevano Romano, recto lower left - embossed, print, prints, verso - stamped, height 154 mm, width 202 mm, German, 1803-09-28 - 1884-06-19, print maker, printmaker, 1831 - 1831, paper, papier, etching, etchings

Face of pozzuoli; Putoli; Ruinarum Varii Prospectus. View of the town of Pozzuoli and the ruins of the Flavian amphitheater. In the background the bay and a few ships. The print is part of a series that depicts different places in the Mediterranean.

Henry Swinburne, 1743-1803, British, View from Klein Zicker, Thiessow, Germany, undated. Watercolor and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Popp (Fl. CA 1840 1843), lithography of H. Nicolet (Neuchtel)

Giovanni Battista Borra, 1713-1770, Italian, View of Tivoli, ca. 1750. Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper.

Ville de Thun. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

Winander-mere, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm), Plate: 9 5/8 × 112 11/16 inches (24.4 × 286.2 cm), and Image: 6 9/16 × 9 3/4 inches (16.7 × 24.8 cm)

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Popp (Fl. CA 1840 1843), lithography of H. Nicolet (Neuchtel)

Shepherd for a cave in Montcherand, Heinrich Rieter, Johann Ludwig Aberli, 1782 print Bern paper etching cave, grotto. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Montcherand

Samuel Davis, 1757-1819, British, Madeira, 1779. Watercolor and graphite on thick, moderately textured, beige, wove paper.

Print made by Samuel Alken, 1756-1815, British, Taymouth, 1802. Aquatint on medium, slightly textured, cream wove paper.

No. 86. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

J. C. Varrall, active 1815-1827, Launceston, Cornwall, 1827. Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper.

No. 75. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Bluebeard Giving the Keys to Fatima, Attributed to Richard Doyle, 1824-1883, British, undated, Gray wash and graphite on medium, smooth, beige wove paper, Sheet: 8 1/2 x 10 1/4 inches (21.6 x 26 cm), bridge (built work), genre subject, keys, mythology, river, terrace

Country Landscape, c. 1777, Vervik, Dutch, 13 3/8 x 17 3/4 in. (33.97 x 45.09 cm), Brush and black ink on heavy white laid paper monochromatic watercolor (card cat.), Netherlands, 18th century

Sir Richard Colt Hoare, 1758-1838, British, Convento del Carmine, at Isola di Sora, 1790. Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper.

October 1772 Hendrik Meijer Dutch. October 387481

H.M.S. Hecla & Griper, Charles Hamilton Smith, 1776-1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm), landscape, marine art

Etching and copper engraving by Marie Rosalie Bertaud from 1758-1778 depicting a boosted boat on water, showing figures, vessel structure, and waves.

Alfred Diston, active 1818-1829, La Montaneta de Las Arenas, undated. Pen and black ink and watercolor on medium, slightly textured, cream wove paper.

Salzburg fictitious title.

Evening, 1823. Engraver: Samuel William Reynolds. After: Richard Wilson. Publisher: William Bernard Cooke

Print made by William Miller, 1796-1882, British, Melrose, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Doré, Gustave (N.1832-01-06-D.1883-01-23), The Fight With The Devil-Fish (Title attributed), 1866, Albumin print mounted on paper, House of Victor Hugo-Hauteville House.

The Tomb of Plautius, near Tivoli, Sir Richard Colt Hoare, 1758-1838, British, 1786 to 1819, Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper, Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm), genre subject, Grand Tour, landscape, Tivoli

Cascatella di Tivoli, seconda veduta. Dated: 1792. Dimensions: plate: 27.8 x 37 cm (10 15/16 x 14 9/16 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

A bank of the Teteriv River in Zhytomyr. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Wilczyński, Józef Władysław (fl. ca 1850), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

From the Ramparts on the East Side of Genoa, Sir Robert Smirke the younger, 1781-1867, British, 1802, Watercolor and graphite on moderately thick, rough, beige, wove paper, Sheet: 8 11/16 × 11 3/8 inches (22.1 × 28.9 cm)

Etching and copper engraving on paper by G. Nani depicting a view of Possagno in the province of Treviso, Italy, created around 1830.

Trade Card for Danby, Engraver 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for Danby, Engraver. Anonymous, British, 19th century. 19th century. Engraving

Dartmouth, Devon, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1814, Etching and engraving, 2nd state on moderately thick, slightly textured, cream, wove paper, Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm), Plate: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm), and Image: 5 3/4 × 8 9/16 inches (14.6 × 21.7 cm)

Shepherds at a drinking trough, Hendrik Verschuring, 1657, draughtsman: Hendrik Verschuring, 1657, paper, brush, h 216 mm × w 192 mm

Célestin Nanteuil, dieron con Sancho en el suelo y lo mismo le avinó d D Quixote, c 1855 ...dieron con Sancho en el suelo y lo mismo le avinó d D. Quixote...

W. R. Smith, active 1819-1851, Beaumaris, Isle of Anglesea, 1836. Line engraving and etching, 3rd state on moderately thick, slgithly textured, cream, wove paper.

Doctor Syntax Meditating on the Tomb Stones, from The Tour of Doctor Syntax 1808-1813 England. Hand-colored etching and acquaint on ivory wove paper . Thomas Rowlandson

Landscape from a Cave 1756 After Joseph Vernet. Landscape from a Cave. After Joseph Vernet (French, Avignon 1714-1789 Paris). 1756. Engraving; second state of two. Antoine de Marcenay de Ghuy (French, Arnay-le-Duc, Côte-d'Or 1724-1811 Paris). Prints

Peter La Cave, active 1769-1810, Haymakers, undated. Watercolor, pen and black ink, blue ink, brown ink, and graphite on moderately thick, slightly textured, beige, wove paper.

Landscape with a tunnel, Pieter Nolpe, After Adriaen van Nieulandt (I), 1623 - 1653 print A tunnel carved in the rocks with a few travelers on the road and a man with a donkey. On the right in the tunnel wall two doors. A landscape in the offing. Print from a series of landscapes. Amsterdam paper etching / engraving underground road, tunnel. 'en route', traveller under way. ass, donkey

Chateau de Tancarville, with Town of Quilleboeuf, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and line engraving, Sheet: 5 13/16 x 9in. (14.8 x 22.9cm)

Views of Jerusalem from the Mount of Olives. Mayer, Luigi. 1804. Prints. Dorot Jewish Division. Palestine , History, Mount of Olives (Jerusalem)

Concord, NewHampshire. Lithographer: Unknown After: George Harvey, American, 1835-1920Printer: V. Bartholomew, British

Paul Sandby RA, 1731-1809, British, Italianate Landscape with Castle, Cascade and Anglers, between 1780 and 1790. Watercolor and pen and brown ink and black chalk on medium, cream, slightly textured wove paper mounted on moderately thick, cream, moderately textured laid paper.

Copy of a Petrus van der Velden painting - "Funeral, Isle of Marken", 1870s, by Petrus van der Velden.

Etched by Joseph Mallord William Turner, 1775-1851, British, Mt. St. Gothard, 1808. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Charles Turner after Rembrandt van Rijn, The Mill, published 1823 The Mill

Snow Village of Inuit visited by Captain Lyons, Charles Hamilton Smith, 1776-1859, Belgian, ca. 1821, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm), canoes, dogs (animals), igloos, Inuit, ladders, landscape, snow

Vue de la chute du torrent de Gelten 1785 Charles Melchior Descourtis. Vue de la chute du torrent de Gelten. Charles Melchior Descourtis (French, Paris 1753-1820 Paris). 1785. Color aquatint, etching, and engraving. Rudolph Samuel Henzi (Swiss, Bern 1732-1803 The Hague). Prints

Village of Friendly Indians at the Entrance of Buter Canal near Hanover, Charles Hamilton Smith, 1776-1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm), landscape, marine art

Das AleT lock Rauphetstein Bey Baaden In N.O. Le Vieux Coateau Rauphenstein the game the lax many the barades.

Joseph Mallord William Turner, 1775-1851, British, Sir William Hamilton's Villa, ca. 1795. Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper.

James Parker, 1750-1805, British, Fainasollis, Borbar and Fingal, 1783. Line-engraving on moderately thick, moderately textured, cream, laid paper.

Bally-Burgh Ness, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Line engraving

Sugar Loaf, Cape of Good Hope, Samuel Davis, 1757-1819, British, 1779, Watercolor, with pen, in gray ink, gray wash, and graphite on medium, slightly textured, cream, laid paper, mounted on, thick, moderately textured, cream, laid paper, Mount: 18 × 25 7/16 inches (45.7 × 64.6 cm) and Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)

Six Marines: Six Marines: Environs of Dieppe, 1833. Eugène Isabey (French, 1803-1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 36.7 x 55.6 cm (14 7/16 x 21 7/8 in.); platemark: 21.4 x 28.8 cm (8 7/16 x 11 5/16 in.).

Richard Parkes Bonington after Francois Alexandre Pernot, Chateau de Bothwell, 1826 Chateau de Bothwell

. A tunnel carved in the rocks with some travelers on the road and a man with a donkey. On the right in the tunnel wall two doors. A landscape in it. Print from a series of landscapes.

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Watercolor by Jakob Alt depicting Tirol Castle with gloss and scraped-out white increases, traces of pencil, 1845.

ACCION DE ORMAIZTEGUI - GRABADO SIGLO XIX. Author: FRANCISCO SAINZ (-1853). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

PANCORBO (BURGOS) - LITOGRAFIA SIGLO XIX. Author: CHARLES LE CAMUS (SIGLO XIX). Location: PRIVATE COLLECTION.

Artist: François Vivarès, French, 1709-1780, After: L Drury, The East Prospect of the Giants Causway [sic in the County of Antrim in the Kingdom of Ireland, Engraving, image: 41.3 × 68.6 cm (16 1/4 × 27 in.), Made in France, French, 18th century, Works on Paper - Prints

MALASPINA, ALEJANDRO. NAVEGANTE Y EXPLORADOR ITALIANO. 1754-1810.. EXPEDICION CIENTIFICA 1789-1794.. COSTA NOROESTE." PUERTO DEL DESENGAÑO ",DIBUJO DE JUAN REVENET.. MUSEO NAVAL. MADRID. Author: JUAN RAVENET.

Panorama with monument from Phoenicians or Carthagen on island of Gozo, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

Samuel William Reynolds, 1773-1835, British, Dartmouth, on the River Dart, 1823-1827. Mezzotint.

Tellskappelle or William Tells Chapel on the shore of Lake Lucerne, Switzerland, 1800s. Cappella di Guglielmo Tell. Handcoloured copperplate engraving by Verico after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only, Print made by Remi Parr, active 1723-1750, British, after Peter Monamy, 1681-1749, British, Published by Bowles & Carver, 1763-1830, British, Published by Robert Wilkinson, 1758-1825, British, undated, Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm), Plate: 11 9/16 × 14 3/8 inches (29.4 × 36.5 cm), and Image: 10 5/16 × 14 1/16 inches (26.2 × 35.7 cm), battle, castle, hills, military art, navy, rowboats, sea, ships, smoke, Colón, Provincia de, Panamá, Portobello

Falls of Schaffhausen. Dated: c. 1784. Dimensions: plate: 32.2 x 44.8 cm (12 11/16 x 17 5/8 in.) overall (outer framing line): 23.6 x 32.4 cm (9 5/16 x 12 3/4 in.). Medium: etching and wash manner printed in blue, red, yellow, and black inks. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis after Friedrich Rosenberg after Johann Heinrich Troll.

View of Algiers from the Sea, Frontispiece. Parke, Henry, 1792-1835. Frontispieces, Prints. 1818. General Research Division. Algeria

Eugène Isabey (French, 1803 - 1886). Entreé du Village des Bains, 1831. From Voyages Pittoresques et Romantiques dans l'Ancienne France. Lithograph on India paper laid down. Second state.

Tenth Plague of Egypt, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), child, city, death, family, foliage, hill, landscape, landscape, lightning, mourning, path, plague, pyramids (tombs), religious and mythological subject, sitting, son, stairs, storm, the plague of the first-born: the destroying angel passes through the land and kills every Egyptian first-born of man and animal, tree, woman, Africa, Egypt

Chateau de Bothwell. Dated: 1826. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Richard Parkes Bonington after Francois Alexandre Pernot.

ACCION DE LAS DOS HERMANAS - GRABADO SIGLO XIX. Author: FRANCISCO SAINZ (-1853). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Monuments at Waterloo, 1815. Draughtsman: anonymous. Draughtsman: Gerrit Lamberts (rejected attribution). Dating: 1815 - 1820. Place: Netherlands. Measurements: h 364 mm × w 501 mm. Museum: Rijksmuseum, Amsterdam.

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