Scenic Waterway Landscapes

Various artistic depictions of waterways featuring boats and rural landscapes, emphasizing serene moods and detailed etchings.

Waterfront houses, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 125 mm × w 221 mm

De Vliet, Willem Adrianus Grondhout, 1888 - 1934 print A mill along the Vliet near The Hague. On the right two moored ships. paper etching windmill in landscape. ships (in general) Vliet, the

Battersea Reach. Francis Seymour Haden; English, 1818-1910. Date: 1863. Dimensions: 152 × 227 mm (image/plate); 185 × 253 mm (sheet). Etching with drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler, Venice, 1879 1880 Venice

Waterfront houses, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 125 mm × w 221 mm

Old Laundry Boats at Grenelle Made 1908 France. Etching on cream laid paper . Louis Auguste Lepère

Port of Bergen op Zoom at low tide, Carel Nicolaas Storm of 's-Gravesande, c. 1884 print Netherlands paper drypoint harbour. ebb, low tide Bergen op Zoom

Six Marines, 1833. Eugène Isabey (French, 1803-1886). Lithograph;

Kade in Dordrecht, Carel Nicolaas Storm of 's-Gravesande, c. 1877 print On the left is a boat moored on the quay. A mill in the background. paper etching / drypoint pier, quay, wharf. windmill in landscape Dordrecht

A Sketch from Billingsgate (From Billingsgate) 1878 James McNeill Whistler American. A Sketch from Billingsgate (From Billingsgate) 372553

Scene in a Dutch City with Pile Driver in Foreground. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: George Hendrik Breitner.

James McNeill Whistler, Billingsgate, 1859 Billingsgate

River view with figures in a boat, Floris Verster, 1890 print paper etching / drypoint river. rowing-boat, canoe, etc.

The Riva, Looking Towards the Grand Ducal Palace 1880 United States. Etching, with drypoint, in black on cream wove paper, laid down on ivory wove paper (chine collÈ) . Frank Duveneck

San Biagio. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

San Biagio , Bodies of water, Passageways, Boats. James McNeill Whistler (1834-1903). Lithographs

Millbank 2. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Francis Seymour Haden, 1818-1910, British, The Inn, Purfleet, 1869. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

View of Dinant and Sea Seats with Sailing Ships, Carel Nicolaas Storm of 's-Gravesande, 1871 print View of Dinant with a gondola on the Maas in the foreground. In the middle you can see the tower of the Collegial Church Onze-Lieve-Vrouw van Dinant. At the top right three performances of seascapes with sailing ships. paper etching / drypoint city-view in general; 'veduta'. church (exterior). sea (seascape) Dinant. Mesh

Limehouse 1878 James McNeill Whistler American. Limehouse 372908

Two botters on the scaffolding, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 225 mm × w 308 mm

San Trovasso Canal. Frank Duveneck; American, 1848-1919. Date: 1885. Dimensions: 198 x 497 mm (plate); 287 x 580 mm (sheet, with fold at left margin). Etching on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Print, Long Venice; James McNeill Whistler (American, 1834-1903); USA; etching on paper

London Bridge. Dated: 1884-1885. Dimensions: image: 29.5 × 47.2 cm (11 5/8 × 18 9/16 in.) plate: 30.4 × 48.5 cm (11 15/16 × 19 1/8 in.) sheet: 51.3 × 68.1 cm (20 3/16 × 26 13/16 in.). Medium: etching in black. Museum: National Gallery of Art, Washington DC. Author: Stephen Parrish.

Seymour-Haden, Francis (Sir), England, Thames side, Waterside village, verso lower left - stamped, The River Thames at Mortlake, with some houses and a car on the bank., print, prints, Seymour Haden, recto lower right - pencil, L, height 151 mm, width 101 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1865 - 1869, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

James McNeill Whistler, Amsterdam from the Tolhuis, 1863 Amsterdam from the Tolhuis

Eagle Wharf. (Tyzac, Whiteley & Co.) , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Riva, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 202 x 300 mm (image, trimmed within plate mark); 214 x 300 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A Breezy Day at Dordrecht. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 13 9/16 x 18 5/8 in. (34.4 x 47.3 cm)sheet: 19 3/4 x 25 1/2 in. (50.2 x 64.8 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

Venetian Canal and Boats Robert Frederick Blum (American, 1857-1903). , n.d. Etching on cream-colored Japan paper, sheet: 14 1/2 x 9 9/16 in. (36.8 x 24.3 cm). American Art n.d.

Ships in a port, draughtsman: Kees van Waning, 1871 - 1929, paper, h 153 mm × w 225 mm

Rowing boats with fishermen for a fort on the Scheldt, Esaias van de Velde, 1615 - 1616 print Haarlem paper etching / engraving fortress. fisherman Scales

The Steam Launch, Chelsea Embankment 1888-1889 England. Etching in blue-green, with plate tone, on cream wove paper . Theodore Roussel

James McNeill Whistler, San Giorgio, 1880 San Giorgio

View of the frozen Kattsloot in Amsterdam, Frans Schikkinger, 1848 - 1902 print View of the frozen cat ditch in Amsterdam. A boy with a sled walks on the ice. Amsterdam paper etching / drypoint ice ~ state of water Amsterdam

Mills on the Zaan.Leaf 7 Recto from a sketchbook with 39 sheets.

Design for illustration in the Amsterdammer: face at the North Sea Canal (26 August 1888), Johan Braakensiek, 1888 drawing Design for a print. paper. pencil North Sea Canal

Limehouse. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 125 x 202 mm (plate); 150 x 227 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Auguste Lepère: Clisson (Loire-Maritime), 1909. Auguste Louis Lepère (French, 1849-1918). Etching, from bound volume with seven etchings; sheet: 22.7 x 30.4 cm (8 15/16 x 11 15/16 in.); platemark: 14.6 x 20.3 cm (5 3/4 x 8 in.).

Yacht Tavern, Erith 1865 Sir Francis Seymour Haden Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the Etching Revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity". This print shows a pier in Erith, England, an area enjoyed for a short time as a riverside resort. As in Whistlers "Black Lion's Wharf", Hadens composition places an unsuspecting figure in the foreground, a choice perhaps insp

Face of the Calf, draughtsman: Engelbert Michaël Engelberts, 1783 - 1843, paper, brush, h 198 mm × w 313 mm

James McNeill Whistler, Monitors, 1887 Monitors

Le Débardeur: Quai de la Gare, 1894. Auguste Louis Lepère (French, 1849-1918). Etching;

Dry Docks, Southampton 1887 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Bords de la Seine (Shores of theSeine). Artist: Maxime Lalanne, French, 1827-1886

The Long Lagoon, from the Second Venice Set (A Set of Twenty-sixEtchings). Artist: James McNeill Whistler, American, 1834-1903

DijkBrraak in Arnhem, 1855, Cornelis Springer, After Jacobus Pelgrom, 1855 print The breakthrough of the Arnhemmer Broekdijk in Arnhem at the flood in March 1855. Amsterdam paper etching Dike-Break Arnhem

Dordrecht 1886 United States. Etching and drypoint in black ink on cream laid paper . James McNeill Whistler

London, Goulding, Frederick, Seymour-Haden, Francis (Sir), The Amstel II, De Amstel, verso middle - stamped, View of the Amstel from the Amstel Hotel in Amsterdam., print, prints, height 162 mm, width 264 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1879-03-29 - 1879-03-29, fourth quarter 19th century, paper, etching, etchings, color printing, Work conception, after own design by, 1842-10-07 - 1909-03-05, printer

Long Lagoon. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 6 × 8 7/8 in. (15.2 × 22.6 cm)Sheet: 6 in. × 8 7/8 in. (15.2 × 22.6 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Page 19 from a sketchbook with 23 pages, View of the Wielseveer near Eck en Wiel., draughtsman: Willem Witsen, Eck en Wiel, 6-Jun-1878, paper

Enkhuizen.A shit in the port of Enkhuizen.

Sailing ships on a river, Frederika Henriëtte Broeksmit, 1885 - 1931 print A city on the bank. paper etching dry river, river bed. sailing-ship, sailing-boat. city-view, and landscape with man-made constructions

Rotterdam Norbert Goenuette (1854-1894). Rotterdam. Floor, dry tip, shiver print.

Umberto Boccioni, Periphery (Periferia), 1908 Periphery Periferia

Ruins of Luxor Henry Bacon (American, 1839-1912).. Watercolor American Art

Landscape painting by Johan Barthold Jongkind showing a Dutch bank with windmills and boats. The work emphasizes natural scenery, architecture, and waterways.

San Giorgio 1879-1880 United States. Etching and drypoint with foul biting in dark brown ink on cream laid paper . James McNeill Whistler

Frederick Landseer Maur Griggs, 1876-1938, British, The Quay, 1916. Etching.

Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893 Gobelins Quarter (Le quartier des Gobelins)

View of a Channel, Adriaan Pit, 1870 - 1896 print Channel with two tent barges and a rowing boat in the foreground. In the background a face on a city. Netherlands paper etching / drypoint canal

View of Haarlem, Maxime François Antoine Lalanne, 1878 print print maker: Franceprinter: Paris paper etching / engraving / drypoint city-view, and landscape with man-made constructions. water course Haarlem

View Taken in London (Vue prise á Londres). Dated: c.1876. Dimensions: sheet: 22.5 × 28.8 cm (8 7/8 × 11 5/16 in.) plate: 14 × 21.7 cm (5 1/2 × 8 9/16 in.). Medium: etching in sepia proof before letters. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE DE NITTIS.

James McNeill Whistler (American, 1834 - 1903), Millbank, 1861, etching

Dordrecht, c. 1885. John Henry Twachtman (American, 1853-1902). Etching;

River Pier, 1890. Otto H. Bacher (American, 1856-1909). Etching;

Chelsea, No.II. Dated: 1886. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Paris, Pierron, P., Meryon, Charles, Le Bain-Froid Chevrier, Cold-water bathhouse of Chevrier in Paris, verso center - stamped, The cold-water bathhouse of Chevrier was located against the northwestern side of the Pont-Neuf in Paris. In the background in the center is the equestrian statue of Henry IV. In the foreground men are at work., print, prints, verso middle - stamped, height 130 mm, width 143 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1864 - 1864, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by, printer, drukker

Chelsea. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1878/1879. Prints; etchings. Etching and drypoint

Little Venice. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Old Putney Bridge 1879 United States. Etching and drypoint with foul biting in dark brown ink on cream laid paper . James McNeill Whistler

't Spaarne, Cornelia Christina Johanna van Trigt -Hoevenaar, 1864 - 1910 print View of the Spaarne in Haarlem. Two boats are moored on the right. paper etching canals, waters (in city) Saving

View of San Giorgio Maggiore in Venice at Night, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Gondels are moored in the foreground. The contours of the island of San Giorgio Maggiore can be seen on the horizon. paper etching / drypoint night. island Island of San Giorgio Maggiore

Alborough, Suffolk, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Evening, New York Harbor. Artist: Henry Farrer (American, London 1844-1903 New York). Dimensions: Plate: 9 3/4 × 13 7/16 in. (24.7 × 34.2 cm)Sheet: 14 1/16 x 18 1/8 in. (35.7 x 46.1 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Ångermanland, Styrnäs sn., Djupedet Nordic

Couple admiring the view of San Giorgio Maggiore from Giardinini di Venezia; verso: Sailboat. Kowalski, Leon (1870-1937), draughtsman, cartoonist

Le Louvre, vu du Pont Neuf, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

The Little Pool 1861 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

The "Adam and Eve," Old Chelsea. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 174 x 303 mm (plate); 213 x 335 mm (sheet). Etching and drypoint with foul biting in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

River Scene 17th century Anonymous, Dutch, 17th century Dutch. River Scene 335265

San Giorgio 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper . James McNeill Whistler

Ships in the water along a bank with a church on it, Frans Hens, 1866 - 1910 print paper etching / drypoint church (exterior). ship bound for the harbour. sailing-ship, sailing-boat

Pennell, Joseph, work, Mond Gas, Dudley, 1909, line etching, graphics, 17.5 cm x 28 cm

Hampton Court Palace, Charles Westwood, Active 1819-1838, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Little London, 1896. James McNeill Whistler (American, 1834-1903). Lithograph;

The Mooring (L'entrée de la rivière). Dimensions: 29.8 cm x 46.6 cm, 18.1 cm x 30.1 cm, 18.1 cm x 30.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: ARMAND SEGUIN.

Entrance to Grand Canal, 1880. Otto H. Bacher (American, 1856-1909). Etching;

Corner river, Cornelis Ploos van Amstel, after Herman Saftleven, 1765 print The bend of a river with a shipyard on the left and a mill on the other side. Amsterdam paper etching river. shipyard, shipdock

'St Gervais', 1915. Artist: Frank Milton Armington.

Black Lion Wharf , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Untitled, c. 1860-70. Mariano Fortuny (Spanish, 1838-1874). Etching;

San Giorgio, Venice, 1886. James McNeill Whistler (American, 1834-1903). Etching;

Boat at sea. Jabłczyński, Feliks (1865-1928), graphic artist

Harbor face with sailboat in Honfleur, Carel Nicolaas Storm of 's-Gravesande, c. 1873 print In the background people walk over the pier. paper. etching harbour. sailing-ship, sailing-boat Honfleur

Mouth of the harbor , Harbors. Charles H. Woodbury (1864-1940). Prints

Dieppe Harbor, Print made by Walter Richard Sickert, 1860-1942, British, born in Germany, 1885, Etching on thick, brown, smooth wove paper, Sheet: 8 3/4 x 10 5/8 inches (22.2 x 27 cm), Dieppe

Ships. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 118 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler, The 'Adam and Eve', Old Chelsea, 1878 The 'Adam and Eve', Old Chelsea

James McNeill Whistler, Soupe à Trois Sous, 1859 Soupe à Trois Sous

Limehouse, 1878. By James A McNeill Whistler

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