Scenic Waterway Landscapes

Various artistic depictions of waterways featuring boats and rural landscapes, emphasizing serene moods and detailed etchings.

Waterfront houses, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 125 mm × w 221 mm

Sailing boats on calm water and some fishing nets on posts, Franz Maecker, 1886 print print maker: Germanypublisher: Weimar paper. etching ships (in general). fishing net

The Thames. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 10 3/8 × 7 5/8 in. (26.4 × 19.3 cm)Sheet: 11 3/4 × 8 7/8 in. (29.8 × 22.5 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

Print, Egham Lock; Print Maker: Francis Seymour Haden (English, 1818-1910); England; etching on cream paper; 18.6 × 25.7 cm (7 5/16 × 10 1/8 in.); Bequest of George Campbell Cooper; 1896-3-391

The "Adam and Eve", Old Chelsea., 1879, United Kingdom, by James Whistler. Gift of Sir John Ilott, 1962.

LEPERE, Auguste (n.1849-11-30-D.1918-11-20), rue du Pot auit, currently rue Brillat Savarin, 13th arrondissement, Paris (dummy title). Watercolor. Carnavalet museum, history of Paris.

Eagle Wharf 1859 United States. Etching with foul biting in black ink on cream laid paper . James McNeill Whistler

Clamdigger with fishermen's house , Fishermen, Boats, Fishing. Charles H. Woodbury (1864-1940). Prints

Lepère, Auguste (n.1849-11-30-D.1918-11-20), La Bièvre at the height of the fortications, 13th arrondissement, Paris (dummy title). Watercolor. Carnavalet museum, history of Paris.

Shipbuilder's yard , Waterfronts, Ships. James McNeill Whistler (1834-1903). Lithographs

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Quai des Grands Augustine, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 228 x 349 mm (image/plate); 229 x 352 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Cornelius Varley, 1781-1873, British, Study of Boats on Shore, 1829. Graphite on medium, slightly textured, cream wove paper.

View in Amsterdam, possibly the skirt ..

Palazzo Ca D'Oro, Venice. Frank Duveneck; American, 1848-1919. Date: 1883. Dimensions: 371 x 496 mm (plate); 430 x 546 mm (sheet). Etching in greenish-black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Twelve Landscapes: Plate B, The Cemetery by the Canal, 1640-90. Anthonie Waterloo (Dutch, 1609/10-1690). Etching;

Sails Set Out to Dry. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1924. Dimensions: 171 × 255 mm (image/plate); 225 × 317 mm (sheet). Drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Battersea: Dawn. Dated: 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Palaces. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 254 x 360 mm (image, trimmed within plate mark); 258 x 360 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Face on Schoonhoven, draughtsman: Adolf le Comte, 1860 - 1921, paper, brush, h 185 mm × w 352 mm

Venetië, Etienne Bosch, c. 1873 - in or before 1931 print View of the basilica of Santa Maria della Salute with gondolas in the foreground and a sailing ship. paper. printing ink drypoint Basiliek van Santa Maria della Salute

Venice by Arthur Beecher Carles, 1880-1952, USA, Pennsylvania, Philadelphia, David David Gallery

Study sheet with fishermen and a dog in the harbor and various figure studies. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 225 mm × w 308 mm. Museum: Rijksmuseum, Amsterdam.

Seine, Grenelle 1899 Paul Signac (1863-1935 French) Oil on canvas Private Collection, Helsinki, Finland

Design book illustration for Alexander Cohen's From Anarchie to Monarchie: Arrival in London. .

Westminster Bridge, or Westminster Clock Tower 1860-98 Félix-Hilaire Buhot French. Westminster Bridge, or Westminster Clock Tower. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1860-98. Etching, drypoint, aquatint and roulette; seventh state of eight. Prints

The lime-burner, 1859, by James McNeill Whistler (1834-1903), Etchings

Mill on the water. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 177 mm × w 115 mm. Museum: Rijksmuseum, Amsterdam.

Finch, Alfred William, work, Subject from Porvoo, marker, drawing, 26.5 cm x 30 cm

The Gondola on the Lagoon - 18th century. Author: FRANCESCO GUARDI. Location: MUSEO POLDI PEZZOLI. Milan. ITALIA.

Tyzac Whitley and Co or Eagle Wharf, 1859. By James A McNeill Whistler

Low Tide. Thomas McLean (England, London, 1788 - 1875)Eugène Isabey (France, Paris, 1803-1886). France, 1833. Prints; lithographs. Lithograph, chine collé

Widok Canal Grande na wysokości Ca' Pesaro, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Print, An Estuary; C.R.W. Nevinson (British, 1889 - 1946); etching on paper; 1952-156-32

Quai de l'Hotel de Ville, Paris Made 1900 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

New York. Works on Paper. Etching on paper. Height: 8.75 mm (0.34 in); Width: 11.63 mm (0.45 in). Author: Joseph Pennell.

Bridge in Rouen: Pont Corneille. Camille Pissarro; French, 1830-1903. Date: 1896. Dimensions: 218 × 299 mm (image); 218 × 299 mm (primary support); 315 × 448 mm (secondary support). Lithograph in black on cream laid paper, laid down on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Nôtre-Dame Pump, Paris 1852 Charles Meryon French. The Nôtre-Dame Pump, Paris. Etchings of Paris. Charles Meryon (French, 1821-1868). 1852. Etching on laid paper; eighth state of ten. Prints

Vauxhall Bridge. Joseph Pennell; American, 1857-1926. Date: 1893. Dimensions: 150 x 98 mm (plate); 189 x 235 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

James McNeill Whistler, Liverdun, 1858 Liverdun

The English ambassadors are picked up from their ships for Vlissingen, 1667, Romeyn de Hooghe (Manner of), 1667 - 1765 print The English ambassadors are picked up with yachts and sloops from their ships off the coast of Vlissingen, 1667. Subsequently, they would be brought to Breda for the negotiations that would lead to the Peace of Breda closed on 31 July 1667. At the top in the middle marked: D. paper etching / engraving reception ~ ambassador. signing of peace treaty, concluding the peace. sailing-ship, sailing-boat. rowing-boat, canoe, etc. Flushing

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Cassiers, Henry (1848 1944)

La petite ville.. 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Little Mast. Dated: 1880. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Memory of Venice: the Palazzo Ducale and the Piazzetta. Dated: c. 1900-1920. Dimensions: sheet: 24.77 × 30.48 cm (9 3/4 × 12 in.). Medium: charcoal on wove paper mounted to wove paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Vail.

Drawing by Ferdinand Boberg. Uppland, Danderyds Skplg., Danderyds sn., Berga Nordic

Westport , Rivers, Cities & towns. Sir David Young Cameron (1865-1945). Prints

Auguste Lepère, Pont Neuf, French, 1849 - 1918, 1901, etching

Mill in a landscape, David Emile Joseph de Noter, 1840 - 1875 print paper etching windmill in landscape. moon as celestial body

The Great Main, Near Sheffield, 1909. Joseph Pennell (American, 1857-1926). Etching;

Photo production of the painting 'The inside in Amsterdam' by Johan Conrad Greive, Binger & Chits, after Johan Conrad Greive, c. 1866 - in or before 1871 photograph paper albumen print ships (in general) Amsterdam

Nocturne. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 171 x 259 mm (image); 170 x 258 mm (primary support); 341 x 498 mm (secondary support). Lithotint, on a prepared half-tint ground, in black with scraping, on blue laid paper, laid down on ivory plate paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Quartiers de pêcheurs (Saint-Jean-de-Monts) (Fishermens Quarters [Saint-Jean-de-Monts). Artist: Auguste Lepère, French, 1849-1918

The Town of Maaslins, Holland Johan Barthold Jongkind (Dutch, 1819-1891). The Town of Maaslins, Holland, 1862. Etching on thin Japan tissue paper, 8 13/16 x 12 7/16 in. (22.4 x 31.6 cm). European Art 1862

Italy, Grosso, Alberto, Seascape with houses along the coast, verso - stamped, print, prints, height 185 mm, width 261 mm, 1860 - 1928-07-31, print maker, printmaker, 1870 - 1928, paper, papier, etching, etchings, aquatint

Rain, Thames Embarkment at London, Willem Witsen, 1870 - 1923, draughtsman: Willem Witsen, 1870 - 1923, paper, h 245 mm × w 329 mm

Drawing by Ferdinand Boberg. Östergötland, Ydre hd., Askeryds sn., Tunarp Nordic

Enckell, Magnus, work, Stained glass sketch for the shell window of Turku Cathedral, sketch 1923, watercolor, painting, 85 cm x 76 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Wachttoren nr. 3. Krijgsgevangenenkamp Stalag IVB in Mühlberg aan de Elbe (series title). Draughtsman: Wim van Hooff. Dating: 1944 - 1945. Place: Mühlberg. Measurements: h 16 cm × w 28 cm. Museum: Rijksmuseum, Amsterdam.

Musicians' quay; Thiemann, Carl Theodor (1881-1966); 1915 (1915-00-00-1915-00-00);

Godenhjelm, Berndt Abraham, work, Ruotinssalmi polteatan, scene from the 'Oolanni soda' 1855, oil on canvas, painting, HISTORY; 1855; The Oolan War; Swedish Strait; fire; landscape; beach; viewers, 68 cm x 100 cm

Sortie de la Maison Cochin (Faubourg Saint-Jacques) Exit from the Cochin House (Faubourg Saint-Jacques). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

'The Harbour at Marseilles', 1907. Artist: Paul Signac

Le Drageoir aux épices by J. K. Huysmans: p. 152, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

In front of the Estacade Norbert Goenuette (1854-1894). In front of the estacade. Engraving (Floor).

Rain, Thames Embarkment in London, Willem Witsen, 1870 - 1923 drawing paper. chalk quay Thames Embankment. England

Drawing by Ferdinand Boberg. Skåne, Luggude hd., Höganäs Bruksflg., Höganäs Nordic

La Rochelle. Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 10 1/8 x 15 13/16 in. (25.7 x 40.2 cm). Date: ca. 1920-28. Museum: Metropolitan Museum of Art, New York, USA.

Fisherman pulling nets on a boat against the background of buildings near San Giovanni in Bragora Church in Venice; verso: Sketch of a sailboat. Kowalski, Leon (1870-1937), draughtsman, cartoonist

attributed to John Constable, 1776-1837, British, A View on the Orwell, undated. Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper.

Winter view in Amsterdam. Draughtsman: Gerrit Lamberts. Dating: 1786 - 1850. Measurements: h 126 mm × w 138 mm. Museum: Rijksmuseum, Amsterdam.

Nocturne Made 1878 United States. Lithotint, on a prepared half-tint ground, in black with scraping, on blue laid paper, laid down on ivory plate paper (chine collÈ) . James McNeill Whistler

The Gantry. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Coal Mines, Monceau, France. Dated: 1911. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Old Hungerford Bridge, 1861. Etching on medium, slightly textured, cream laid paper.

Pont de Sully, un soir de Janvier (Sully Bridge, one evening inJanuary). Artist: Eugène Grasset, French, 1841-1917

LaPasserelle. Artist: Gustave Leheutre, French, 1861-1932

Etchings of Paris: The New Bridge, 1853. Charles Meryon (French, 1821-1868). Etching;

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 22.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

The Corner of Luna Street, Chelsea Embankment. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 164 × 144 mm (image/plate); 171 × 142 mm (sheet). Etching in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Alfred William Hunt, 1830-1896, British, Study for Tynemouth Pier - Lighting the Lamps at Sundown, ca. 1863. Brown wash with scraping on medium, slightly textured, cream wove paper.

From the Pont d'Austerlitz (Du Pont d'Austerlitz). Dimensions: 28.4 cm x 22.8 cm, 17 cm x 21.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: George Auriol.

Overhaul and a mill outside Amsterdam, Anthonie van Borssom, 1660 - 1677, draughtsman: Anthonie van Borssom, 1660 - 1677, paper, pen, brush, h 205 mm × w 335 mm

Auguste Lepère: La mare de la prairie à Crèvecoeur (Picardie). Auguste Louis Lepère (French, 1849-1918). Etching, from bound volume with seven etchings; sheet: 22.6 x 31 cm (8 7/8 x 12 3/16 in.); platemark: 14.7 x 20.5 cm (5 13/16 x 8 1/16 in.).

The Endless Escorial 1898-1908 United States. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board . Joseph Pennell

Lucien Marcelin Gautier, 1850-1925, French, Venetian Canal, ca. 1880. Etching on moderately thick, slightly textured, cream laid paper.

La Mare de la Prairie, Crèvecoeur, 1913. Auguste Louis Lepère (French, 1849-1918). Etching;

The Grand Canal, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Muirhead Bone, On the Clyde, 3: The Floor of the Train Ferry, 1917-18, lithograph on wove paper.

England, London, City of London, Guildhall, Guildhall Art Museum, Painting titled "Chaos on London Bridge" by Harold Workman date Unknown

San Pietro di Castello. Artist: Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). Dimensions: 4 7/8 x 8 5/16 in. (12.4 x 21.1 cm). Date: ca. 1804-28.This is one of a series of drawings, all in pen and ink, and gray wash, that formed part of an album housing forty-eight views of Venice and the surrounding islands. Recognizing the market incentive to produce rather prosaic drawings as keepsakes for visiting tourists, Giacomo made numerous such albums, repeating the compositions as necessary. The view of the Piazza San Marco, which begins the numbered series, is probably derived from some earlier drawing, painting, or print. Colonel Edward Roche, an Irish gentleman, first owned the Lehman album. His name was inscribed on its cover. The views remained intact as a family keepsake for more than a century until sold in 1956, when the drawings were dispersed. Museum: Metropolitan Museum of Art, New York, USA.

Mauke No II, 1914, Mauke, by William Saunderson Cooper. Gift of Andrew Cooper, 2001.

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