Sleep and Vulnerability in Art

This cluster features artworks that explore themes of sleep, illness, and vulnerability, depicted through dramatic lighting and emotional expressions.

Albert Besnard, French (1849-1934), Sickness (La Maladie), 1884, etching and aquatint on laid paper

Albert Besnard, The Murder (Le Meurtre), 1885 The Murder (Le Meurtre)

Albert Besnard, French (1849-1934), Sickness (La Maladie), 1884, etching and aquatint on laid paper

Voilà le moment (passé minuit), où le calme.... Honoré Daumier (1808-1879). Lithographs

Amor and Psyche, Theodorus de Roode, 1746 - 1793 print Psyche spied the God Amor in his sleep. She has an oil lamp and a dagger in her hands. Psyche is shocked by the beauty of Amor and pours a drop of oil from her lamp. Under the performance the weapon of the Baron of Ravittza. Netherlands paper etching sleeping; unconsciousness. Psyche, holding a lamp, gazes at the sleeping Cupid, who awakens when a drop of hot oil falls on him

Depicts a French-style bed in an interior setting, created by Rembrandt van Rijn in 1646 using etching and pinion techniques. The work emphasizes furniture design and spatial composition.

. .

Lawyer François-David Picard on his deathbed, Auguste Danse, 1870 print Brussels paper. pencil etching / drypoint death of an adult person

Albert Besnard, Going to Bed (Le coucher), 1913 Going to Bed (Le coucher)

L'incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

This etching by Alphonse Legros around 1885 depicts a geographer, showing figure, desk, globe, instruments, maps, posture, and detailed setting on Japanese paper.

Jozef in Vrouw Van Potifar; Collection of eighty-five original prints.The print is part of an album.

Bohemien Encampment (Campement de bohemiens). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Rue Transnonain, on April 15, 1834. Honoré Victorin Daumier; French, 1808-1879. Date: 1834. Dimensions: 286 × 442 mm (image); 363 × 550 mm (sheet). Lithograph in black on grayish-ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Brigand de Propriétaire qui ne veut me faire faire des reparations qu'au beau temps.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Lithograph

La corbeille de fleurs ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Francisco de Goya (1746-1828), something to earn, 1797-1798

LE ROMAN NOUVEAU. - THE NEW NOVEL.. Artist: Paul Gavarni, French, 1804-1866

Los Caprichos: The Caprichos: A Bad Night, 1799. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint; sheet: 26.3 x 20 cm (10 3/8 x 7 7/8 in.); image: 18.9 x 13.2 cm (7 7/16 x 5 3/16 in.); platemark: 21.4 x 15.1 cm (8 7/16 x 5 15/16 in.).

Gustave Doré (1832-1883), designer and HélioDore Pisan (1822-1890), engraver. "Declaration of love." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-5 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Nikolaus I., Kaiser of Russia.

But sleep so Joseph! / Madam it would be a crime expected the severity of the circumstances that threaten / shake Europe! (Registered title) | News. (Title of the whole)

The night Leon-Fran�ois Comerre (1850-1916). The night. Charcoat, watercolor and white gouache enhancen graphite pencil, feather and black ink.

Anonymous (Copy after Goya y Lucientes, Francisco de) / 'Tantalo'. Mid-XIXcentury. Wash, Pencil, Pencil, Grey ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Drawing, "The Blessing of Sleep," Study for a Poster for Paine's Celery Compound; Kenyon Cox (American, 1856-1919); USA; graphite, brush and black and gray wash on tan laid paper; Overall: 40.6 x 31.8 cm (16 x 12 1/2 in.)

Jean-Baptiste Girard on the bed with Marie-Catherine Cadière, Jacques Gabriel Huquier (attributed to), c. 1735 print Jean-Baptiste Girard has a community with Marie-Catherine Cadière, the devil watches. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. man and woman cohabiting

L'inoculation de l'amour. Dated: 1775/1776. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Noël Le Mire after Jean-Michel Moreau.

The Bedstead, by Rembrandt van Rijn, 1646, Dutch print, etching on paper. This is one of Rembrandt's few erotic works. It depicts a clothed man and women making love on a bed. The women is depicted with two left arms (BSLOC_2016_3_44)

GOYA Y LUCIENTES, Francisco de (1746-1828). Do not open the eyes. Romanticism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

On his deathbed, Basilus dedicates worthy followers, Reinier Vinkeles (I), 1804 print Amsterdam paper etching / engraving blessing (either of things or persons), e.g. by anointing. deathbed. candle

'THE DEATH OF WILLIAM THE CONQUEROR,' DRAWN BY J. GILBERT

Portrait of Madame Récamier. Chardon, Charles (Paryż ; drukarz ; fl. ca 1830-1890 ; st.), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, David, Jacques-Louis (1748-1825), painter

Awakening, plate eight from A Love. Max Klinger; German, 1857-1920. Date: 1886-1887. Dimensions: 459 x 318 mm (plate); 803 x 572 mm (sheet). Etching and engraving on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Telemaque.

L'Epouse indiscrete. Dated: 1771. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Pierre-Antoine Baudouin.

Sleeping Beggar (Mendiant endormi). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Ceres turns Lyncus into a Lynx, Jacob Gole, after Gerard de Lairesse, 1670 - 1724 print Ceres turns Lyncus into a lynx because he tries to kill Triptolemus out of jealousy in his sleep. Amsterdam paper engraving Lyncus changed into a lynx: Ceres changes Lyncus into a lynx when he is on the point of murdering the sleeping Triptolemus (Ovid, Metamorphoses V 657)

Sinbad le marin , Sailors, Sindbad, the Sailor Legendary character, Alphonse Legros (1837-1911)

Honoré Daumier (French, 1808 - 1879). Allons, haut! y sommes-nous..., 1843. From La Chasse. Lithograph on newsprint paper. Image: 242 mm x 220 mm (9.53 in. x 8.66 in.). Third of three states.

Amor in psyche, Anonymous, 1700 - 1750 print France paper engraving / etching Psyche, holding a lamp, gazes at the sleeping Cupid, who awakens when a drop of hot oil falls on him

Still life with jugs and onions, Willem Adrianus Grondhout, 1888 - 1934 print paper etching still life of miscellaneous objects

Albert Besnard, Discreet (Discrète), 1900 Discreet (Discrète)

This 1799 etching and aquatint by Francisco Goya from Los Caprichos depicts the allegorical figure of Sleep, showing figure detail, composition, and 18th-century Spanish printmaking techniques.

Study of a bent man, Johann Wilhelm Kaiser (I), After Edelinck, 1823 - 1887 print A study by a man who lies with his head bent on the floor and has his head with both hands. At the top right in the margin: 5. paper etching / engraving adult man

Paul Gavarni (1804-1866). Lithographs and Other Works

Buen viage (Bon Voyage), pl. 64 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

La prise de Troie. Apparation d'Hector , Fictitious characters, Ghosts, Waking, Berlioz, Hector, 1803-1869. Troyens. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Study for Petruchio Overturns the Trencher - Act IV, Scene I, The Taming of theShrew. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Half -naked woman, 1636 - 1647 print Image of a half -naked woman lying on the floor and holds her head up. On the pedestal the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Cartoon on the Roman issue, 1862; Three under one blanket (second phase.). Cartoon on the Roman issue. Of the three men who lay peacefully in one bed, two (Garibaldi and Napoleon III) now argues around Rome, the third (Victor Emanuel II) sleeps calmly. Following the unification of Italy. Continued on the previous album no. 34. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 35, 30 August 1862.

Reclining, sleeping woman. Draughtsman: Henk Henriët. Dating: 1933. Measurements: h 612 mm × w 291 mm. Museum: Rijksmuseum, Amsterdam.

The Changeling 1775-1785 England. Charcoal and brush and gray wash, heightened with touches of white gouache, over traces of graphite, on ivory laid paper, laid down on white tissue paper . Henry Fuseli

They wore her away, Francisco de Goya, 1797 - 1799 print A woman is driven away by two men. One of the men is dressed in a monk. Eighth print from the Los Caprichos series. Spain paper etching abducting

Caprichos: They Carried Her Off!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Bust of a Man (a) and Sleeping Dog (b) 1843 Charles Jacque. Bust of a Man (a) and Sleeping Dog (b). Charles Jacque (French, Paris 1813-1894 Paris). 1843. Etching. Prints

A wife dutifully sits by the bedside of her sick husband, watching over him. Mezzotint by J.C. Bromley, 1837, after E. Prentis.

Bliżej Kultury Hanfstaengl, Fr.

Sleeper (Un dormeur). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Edward V and the Duke of York are about to be murdered in their beds by two assassins. Line engraving by A. Birrell after S. Collings, ca. 1790.

Loving couple in front of a fireplace, spied by a maid. Draughtsman: Jurriaan Andriessen. Draughtsman: Mattheus Ignatius van Bree. Dating: 1752 - 1839. Measurements: h 166 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

Eh! Bien, ma Didine, avons-nous assez dansé.... Honoré Daumier (1808-1879). Lithographs

The Doood van Gains Gracchus, Bartolomeo Pinelli, 1817 print Gaius Gracchus and his servant Philocrates are dead in front of a monument in a forest. At the request of Gracchus, Philocrates killed him and then committed suicide. In the background the approaching army of the enemy. Rome paper etching death of Gaius Sempronius Gracchus: in order to escape his assailants, he bids a faithful slave to kill him. (story of) Gaius Sempronius Gracchus

Francisco de Goya y Lucientes, They do not arrive in time., 1810-1820, etching and aquatint.

Woman sitting on her bed in a cell, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush prisoner in cell or locked place

Emmanuel Jean Nepomucene de Ghendt, Les Heures du Jour: Le Matin, c. 1778, etching and engraving on laid paper.

Achille Devéria (1800-1857), French engraver, and Antoine Adolphe Catherine Fonrouge (1828-1855), French printer-lithograph. The hours of the day: 5 am. Lithography colored on paper, 1829. Paris, Carnavalet museum. 77635-30 Lie, bench, sofa, bedroom, cushion, drawing, sleeping, falling asleep, woman, day of the day, lithography, morning, morning, rest, rest, bed evening, bed

At an Atheist Dinner-Party Published 1882-1889 Belgium. Heliogravure retouched with aquatint and soft varnish (vernis mou) in black on thick cream wove paper . Félicien Rops

Gatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Sinbad le marin , Sailors, Sindbad, the Sailor Legendary character, Alphonse Legros (1837-1911)

Si quebró el cantaro., 1799, by Francisco Goya (1746-1828). First edition etching, aquatint, and drypoint, noted with standard reference number. The artwork falls under the category of Satires and depicts themes of spanking and child discipline

Reading Maria Magdalena, Carl Rahl, After Correggio, 1835 print The reading Maria Magdalena is on the floor with the ointment pot for her. paper etching / engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. reading

Pieter Holsteyn the Younger depicts the elderly Tobias sleeping under a pigeon nest, drawn in black and gray ink over graphite pencil on paper.

Muertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Jean Louis Forain, Celui qui tira sur Clemenceau, in or after 1919 Celui qui tira sur Clemenceau

The last request - digital file from original print | Library of Congress

A Gift for the Master, plate 47 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Sleeping Boy, John Summerfield, active 1817, after Sir Joshua Reynolds RA, 1723-1792, British, 1812, Line gnraving and stiplle engraving on thick, moderately textured, cream, wove paper, Sheet: 12 7/8 × 16 5/16 inches (32.7 × 41.4 cm), Plate: 9 1/2 × 11 inches (24.1 × 27.9 cm), and Image: 7 1/2 × 9 inches (19.1 × 22.9 cm)

Pencil drawing by Gilles Demarteau between 1742 and 1776 depicting a male nude with hands on ankle, focusing on anatomical study and posture.

Charlet. "I expect activity". Engraving. Paris, Carnavalet museum. 55798-9 Aristocrat, servant, armchair, restoration, 19th century, caricature, engraving

A Bed-warmer. Dated: c. 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), Utility of the windows which overlook the river (book VII, chapter VIII) (dummy title), 1888. House of Victor Hugo- Hauteville House.

Cruel lástima!. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Famines , Spain

(UNE FAMILLE PAUVRE.). Artist: Paul Gavarni, French, 1804-1866

Cest vraiment une chose…. Artist: Paul Gavarni, French, 1804-1866

Rijn, Rembrandt van, Reclining Negresse Couché, Reclining Female Nude, verso lower left, Reclining Nude Woman, seen from the back, in the dark., print, prints, Rembrandt f 1658, lower left, verso middle top, height 82 mm, width 159 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1658 - 1658, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, North Netherlands, after own design by

George Richmond, 1809-1896, British, Effigy of a Crusader, Stisted Church, 1824-1896. Graphite and white gouache on Beige, slightly textured, thin wove paper.

Nature Morte, after Abraham van Calraet 1873 Jules-Ferdinand Jacquemart. Nature Morte, after Abraham van Calraet. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1873. Etching, third state of three (Gonse). Prints

Print at the top right labeled: fol. 355.

Les camelots de la Pensee, illustration, p.47. Artist: Maurice Delcourt, French, 1879-1916

Etching by Melchior Lorch from 1559 depicting a woman sleeping, shown in a reclining pose with detailed features.

Le matin. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Emmanuel Jean Nepomucène de Ghendt after Pierre-Antoine Baudouin.

For Children. The Gates of Paradise, Plate 15, 'Fear & hope are -- Vision', Print made by William Blake, 1757-1827, British, 1793, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 5 1/2 inches (14 cm), Sheet: 5 3/8 x 4 1/2 inches (13.7 x 11.4 cm), and Plate: 3 1/2 x 2 7/8 inches (8.9 x 7.3 cm), beard, bed, cell, children, death, dying, ghost, historical subject, light, men, room, soul, spirit, text, women

Copy to a detail of 'the birth of the Virgin' of Andrea del Sarto.maris Copied the Maid on the right in the painting. Leaf 35 Verso from a sketchbook with 35 sheets.

The music room; The Music Room. Three people in a room around a table with a table lamp. Right Deborah Delano reading in a book, the surgeon Jams Reeves Traer also with a book, and left Francis Seymour-Haden the newspaper reading.

La Corbeille DeFleurs.. Artist: Paul Gavarni, French, 1804-1866

Greek older man (Socrates) on a bed with a youth (Alcibiades). The room is decorated with a scroll reading Know Thyself, and a fountain and basin. Aquatint by Theophile Fillon after an illustration by Paul Avril from Friedrich Karl Forbergs Manual of Classical Erotology, Manuel derotologie classique, De Figuris veneris, Charles Hirsch, 1906, translated by Alcide Bonneau (not Isidore Liseaux).

'...Oui, mon chair Auguste, ge suis décidé arestée dans les queur - tant que mon poliçon de direqueteur aura celui demi laissée...' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mariano Fortuny y Carbó, Dead Kabyle (Kabyle mort), 1867 Dead Kabyle (Kabyle mort)

A study of a man lying with his head bent forward on the ground, holding his head with both hands. Top right in the margin: 5., Study of a man bent over, print maker: Johann Wilhelm Kaiser (I), (mentioned on object), Edelinck, 1823 - 1900, paper, etching, engraving, h 237 mm × w 306 mm

Francesco Solimena depicts a martyr on a slope, drawn in chalk before 1700, emphasizing form and posture.

Boetvaardige Maria Magdalena, Frédérique Émile Auguste O'Connell -Methe, 1833 - 1885 print paper etching the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - portrait of female saint

of 2