Sleep and Vulnerability in Art

This cluster features artworks that explore themes of sleep, illness, and vulnerability, depicted through dramatic lighting and emotional expressions.

Albert Besnard, French (1849-1934), Sickness (La Maladie), 1884, etching and aquatint on laid paper

The Return of the Prodigal Son 1764-98 Vincenzio Vangelisti Italian. The Return of the Prodigal Son. After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). 1764-98. Mixed method engraving and etching, printed in brown ink. () John & Josiah Boydell (British, 1786-1804). Prints

Plate from l'Assommoir (dancer reclining on bed, with cat) 1878 France. Drypoint and plate tone on ivory laid paper . Gaston La Touche

The death of King Edward III (1312-1377). Artist: Unknown

Sleeping girl. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Illustration from the 'Pit of Pendulum' depicting the prisoner looking up at the swinging pendulum armed with a scimitar blade. Pit of Pendulum by Edgar Allen Poe (1809-1849) an American writer, editor, and literary critic. Dated 19th Century

Job (2nd plate) , Biblical events, Job Biblical figure, Alphonse Legros (1837-1911)

Etching by Käthe Kollwitz from 1907, sheet 2 of the 'Peasant War' series, titled 'Raped,' executed in the pointillé manner, depicting figures in dramatic and emotive conflict.

Illustration depicting a naked lady supporting a sick woman in her bed. Illustrated by Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer.

Plate II. Rehberg, Friedrich, 1758-1835. 1794. Piroli, Tommaso, approximately 1752-1824. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

BACHIC SCESES./9./J'me Ronnais to this ... (registered title (letter)) | Banic scenes. (Title of all)

Bérénice (2nd plate) , Coffins, Dead persons, Poe, Edgar Allan, 1809-1849. Berenice, Alphonse Legros (1837-1911)

Yeux Noirs, Front Haut, Teint Brun, Barbe, Favoris.. C'est Bon!... on te Reconnaitra, Mon Gaillard, Honoré Daumier (Marseille, France, 1808 - 1879) 1834

. A naked boy is on his stomach on a resting bed. At the top right presents death with his hand through a window to the boy. Death is wearing a scarf about his skull. Based on the Bible verses in Jer. 9:20 is this about an allegorical warning against unanimous or self-satisfaction.

Gnome kneeling blinking on a table, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, pen, h 210 mm × w 135 mm

Nocturne of Two Noses, 1843, Paul Gavarni (Sulpice-Guillaume Chevalier), French, 1804-1866, 8 15/16 x 6 15/16 in. (22.7 x 17.62 cm) (image)14 x 10 7/16 in. (35.56 x 26.51 cm) (sheet), Lithograph, France, 19th century

Emperor Alexander III in bed by Mihaly Zichy, watercolor and white colour on paper, 1895, 1827-1906, Russia, St. Petersburg, State Hermitage, 23, 5x31

Dreams after the last exam - a candidate of rights. Illustration project for "Kłosów", 1889, No. 1257; Kamieński, Antoni (1860-1933); 1889 (1888-00-00-1889-00-00);

Thomas Rowlandson, 1756-1827, British, Sleeping Woman Watched by a Man, undated. Watercolor with pen and black ink on medium, slightly textured, cream wove paper.

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Madame Bruyn's innocence flower." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101780-9 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Gevoel, David Teniers (II) (attributed to), after David Teniers (II), 1626 - 1690 print A man pulls a plaster from his right hand. Personification of the feeling. Print may be part of a series of the five senses. Antwerp paper etching feeling (one of the five senses). treatment by immobilization, sling, splint, plaster, etc.

Having had the unfortunate idea to go take a nap at the water's edge, plate 9 from Croquis D'été. Honoré Victorin Daumier; French, 1808-1879. Date: 1856. Dimensions: 197.5 × 271 mm (image); 275 × 358 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Study of left foot, 1732 - 1776 print Study of left foot. Print from series of unknown number of prints to illustrate the principles of drawing with chalk following the example of Louis Gabriel Blanchet. Print is part of bundle prints with four magazines from this series, tied together with a string paper etching foot

The night mare. British Cartoon Prints Collection . Bruce, James,1730-1794. , Explorers,1790.

Dead Christ, Lodewijk Schelfhout, 1942 print The body of the Dead Christ, lying on a rug. paper drypoint Christ dead ~ particularities of crucifixion scenes

Francisco de Goya (Spanish, 1746-1828). Que se la llevaron! (They carried her off!), 1796-1797. From Los Caprichos, no. 8. Etching and aquatint. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.). Third state.

Irene / Joseph Coomans Paris 1888 ; on steel by John Sartain, Phila. 1892, after Joseph Coomans, Paris. | Library of Congress

SEÑORITA DEL PANAMA EN UNA HAMACA - 1790-1 - DIBUJO A TINTA AGUADA Y COLOREADA - EXPEDICION MALASPINA. Author: JUAN RAVENET (1766-1821). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Śpiący chart. Reinhart, Johann Christian (1761-1847), graphic artist

Caricature of Pavel Nikolayevich Miliukov (1859 - 1943); Russian historian and liberal politician. Miliukov was the founder, leader, and the most prominent member of the Constitutional Democratic party (known as the Kadets). In the Russian Provisional Government, he served as Foreign Minister, working to prevent Russia's exit from the First World War.

Ulysse et Pénélope. Honoré Daumier (1808-1879). Lithographs

Le Reveil dulion.. Artist: Paul Gavarni, French, 1804-1866

The Monument of a Spanish Embasador. 1781. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman in Bed Observing a Donkey. Artist: Franz von Bayros (Austrian, Zagreb 1866-1924 Vienna). Dimensions: 9 1/2 x 15 3/16 in. (24.1 x 38.5 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya y Lucientes / 'Love and Death'. 1797 - 1798. Red chalk, Red wash on silk paper. Museum: Museo del Prado, Madrid, España.

Olympia (Large Plate) (Grande Planche) Édouard Manet (French, 1832-1883). , 1867. Etching on stiff Japanese paper, Plate: 5 1/8 x 7 1/8 in. (13 x 18.1 cm). European Art 1867

Image of sleeping child lying on a pillow. Artist: François Du Quesnoy (possibly). Draughtsman: Moses ter Borch. Dating: c. 1657 - c. 1658. Place: Zwolle. Measurements: h 85 mm × w 162 mm. Museum: Rijksmuseum, Amsterdam.

Napoleon's English Nightmare, 1813, Wijnand Esser (possibly), 1813 - 1814, Cartoon on Napoleon of 1813-1814 in which the emperor lies helpless on his field bed while an English bulldog sits on top of him. Papa Violet was a nickname for Napoleon., draughtsman: Wijnand Esser, (possibly), Netherlands, 1813 - 1814, paper, pen, brush, h 329 mm × w 241 mm

Illustration depicting a man dressed in ceremonial robes holding a sceptre. By Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer.

Head of a Young Woman Asleep Published 1787-1795 France. Framed drawings came into vogue in 18th-century France during the Regency era of interior decoration. Their popularity spawned innovations in printmaking, unrivaled in technical sophistication, to create both original and reproductive prints that looked like drawings and satisfied the needs of the market. Roulettes and mattoirs, handheld tools with a cluster of fine-toothed ends, were devised to punch notches in metal plates so that, when inked and printed, the marks imitated the look of crumbly chalk on textured paper. Here, Jean-Baptiste Lucien used a red-brown ink to closely resemble the sanguine crayon used by Jean-Baptiste Greuze.. Crayon-manner engraving in red-brown on ivory wove China paper with a laid pattern . Jean-Baptiste Lucien

Messalina (25-48). Wife of the Roman Emperor Claudius. Engraving by Barberis. The Iberian Illustration, 1888.

'Alexander III on his Deathbed Surrounded by Angels with a Grieving Youth Symbolizing the Romanov Dynasty'. Series "Death of Alexander III in Livadia". Russia, 1895. Dimensions: 23,5x31 cm. Museum: State Hermitage, St. Petersburg. Author: MIHALY VON ZICHY.

A prisoner is sitting on straw in a cave with his feet chained to the wall, there are a few provisions on a small shelf in the rock. Etching by R. Blyth after J.H. Mortimer.

Cartoon pleading for women to not wear feathers in their hats. The Plumage League was founded by Lady Mount-Temple and the Rev. F. O. Morris in December 1885 to check destruction of wild birds whose feathers were being used for fashionable ornament. Illustrated by Edward Linley Sambourne (1844-1910) an English cartoonist and illustrator. Dated 19th century

Smirický von Simice, Albrecht Jan.

Prince Maurits of Orange on his Deathbed, Adriaen Pietersz van de Venne, in or after 1625, draughtsman: Adriaen Pietersz. van de Venne, 1625, paper, brush, brush, h 71 mm × w 103 mm

Olympia published 1902 After Edouard Manet French. Olympia 371226

Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1872. Dimensions: 237 × 215 mm (image); 413 × 283 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sculpture of Saint Cecilia in the Basilica of Santa Cecilia, Rome, c. 1880 - c. 1904 photograph Sculpture made by Stefano Maderno. Rome paper. photographic support. cardboard albumen print Rome

George Jones (British, 1786 - 1869), A Woman Reclining on a Cushion, pen and brown ink over graphite on laid paper

Henri de Toulouse Lautrec, Your Mouth (Ta bouche), 1893 Your Mouth (Ta bouche)

The Kiss, Zichy, Mihály (1827-1906)

Athena appeared in a dream to Nausicaa in the disguise of a friend and advised Nausicaa to go to the river the next morning.

Crespi, Giuseppe Maria, Italy, Mattioli, Lodovico, History of Bertoldo, Bertoldino and Cacasenno, Bertoldino swats the flies off himself, verso lower right - stamped, Bertoldino, naked because he wanted to sunbathe, swats the flies off him with two bundles of branches. Below the image a three-line rhyme in Italian. Print from a series of eight with the pranks of Bertoldino, part of a series of twenty prints., print, prent, prints, prenten, height 228 mm, width 149 mm, 1665 - 1747-07-16, print maker, prentmaker, 1710 - 1715, first quarter 18th century, paper, papier, etching, etchings, Italian, 1662-01-02 - 1747-10-20, Work conception

Jean Louis Forain, Rassurez vous; je suis gauche, c 1914 1919 Rassurez vous; je suis gauche.

DIBUJO-GOYA ENFERMO - FOTO AÑOS 80. Author: TORRE F DE LA. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

Tomb with portrait figures in a church in Geervliet. Draughtsman: Joan Carel van Alderwerelt. Dating: 1773. Measurements: h 307 mm × w 308 mm. Museum: Rijksmuseum, Amsterdam.

Olympia, 1867. Edouard Manet (French, 1832-1883). Etching;

Vishnu, Creating Agent of Brahma, Attitude, the Emblem of Eternity. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Maria Denman after John Flaxman.

Three Tombes with Gisants, Jean Testard, After Van Gorp, 1740 - 1799 print Numbered in the top left: No. III. Pl. 23, p. 123. France paper etching grave, tomb. sculpture. effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi

Mutter trauert am Totenbett ihres verstorbenen Sohnes, 1880, Deutschland, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhund...

The fishermen after a poem of Theocritus, Theokritos, the creator of ancient Greek bucolic poetry, flourished in the 3rd century BC, Illustration aus 1880

Quand Nous Serons Vieux from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen

Nach der Krisis, Fieberabfall, Gesundheit, Kind Sorge, Eltern halten ihr Kind nach einer Krankheit, nach einem Gemälde von E. Defonte, Historisch, dig...

Skeleton of death aiming a dart at a young woman kneeling in prayer before bed. Death and Juvenile Piety. Handcoloured copperplate engraving by Joshua Gleadah after an illustration by Benedictus Antonio Van Assen from The British Dance of Death, Hodgson, London, 1823.

Untitled Made 1855-1868 England. Albumen print . Georgina Cowper

Théobald Chartran (1849-1907). "Monsignor Darboy (1813-1871), archbishop of Paris, shot on May 24, 1871". Oil on canvas, 1871. Paris, Carnavalet museum. 36288-16 Archeveque Paris, commune of Paris, ecclesiastique, shooting, monseigneur, death, oil on canvas

Cradle. Dated: c. 1953. Dimensions: overall: 23 x 29.2 cm (9 1/16 x 11 1/2 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Anna Aloisi.

Nadar (Gaspard-Félix Tournachon, dit) (n.1820-04-06-D.1910-03-21), Victor Hugo, February 26, 1802-May 22, 1885. (Title attributed), 1885-05-22. Albumin paper draw. Houses of Victor Hugo Paris - Guernsey.

Helplessness of badinguet.

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Cleopatra, Raimondi, Marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn (1850-1920)-collection, collection, gift (provenance), photography of a work of art (artist), collections

Ines de Castro (1320-1355). Galician noblewoman born of a Portuguese mother. Second wife of Pedro Infante, son of Alfonso IV of Portugal, which in 1355 ordered his murder. Colored engraving.

Barbara Allen

Reve de jeune fille. - The maid's dream. - Des Madchens Traum.. Unknown

Henri de Toulouse Lautrec, Your Mouth (Ta bouche), 1893 Your Mouth (Ta bouche)

Le lit de Didon Sauvageot, Cl. (Claude), 1832-1885. still image. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Furniture, Ancient, Couches, Dido (Legendary character), suicides

The Touch, plate 42 from Types Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1839. Dimensions: 193 × 233 mm (image); 254 × 371 mm (sheet). Lithograph in black on white wove paper, with letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), Cléopatre ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes par M. Benjamin D. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Print, Joueur de Guitarre; France; etching on paper, pasted to thick white paper; 8.3 × 13 cm (3 1/4 × 5 1/8 in.)

Attaque; Période Épileptoïde Stertor. Paul-Marie-Léon Regnard (French, 1850 - 1927)

Abraham's Dream! - "Coming Events Cast Their Shadows Before" 1864 Probably after Louis Maurer. Abraham's Dream! - "Coming Events Cast Their Shadows Before". Probably after Louis Maurer (American (born Germany), Biebrich 1832-1932 New York). 1864. Lithograph. Currier & Ives (American, active New York, 1857-1907). Abraham Lincoln (American, Hardin County, Kentucky 1809-1865 Washington, D.C.). Prints

Giorgio Sommer, Impronte umane (Pompeii), 1873 Impronte umane (Pompeii)

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