Tapestries of Religious and Historical Scenes

Elaborate tapestries illustrating biblical narratives and royal courts, characterized by intricate details, vibrant colors, and historical themes, depicting significant events and figures.

The coat of arms of the town of Nuremberg, woodcut by Albrecht Dürer, historical, digital improved reproduktion of an old woodcut.

Judgement of Otto III. unknown c. 1490-1510 Tapestry Dimensions: H 13'3" x W 11'3" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Knoll House, Seven Oaks, Kent. French & Co. purchased from the Morgan Collection 8/15/1916; sold to Henry Sanderson 11/6/1916 SS 7033. French & Co. purchased from Henry Sanderson, received 10/10/1927; sold to Memorial Art Gallery 12/23/1929 SS 15387. King on throne beneath baldachin, flanked by 20 men & ladies; the Queen stands before Otto, followed by ladies-in-waiting; before the Queen is the widow of the count, whose refusal to respond to the queen's affection for him resulted in his death; the king is about to place judgement on the Queen; scene framed by decorative columns & arch (BRD) garland with flowers & birds The top of the left border & most of the bottom border are restoration. Possibly woven in Brussels. French & Co. stock sheet in archive, 7033 French & Co. stock sheet in archive,

Crucifixion of Christ. unknown c. 1510 Tapestry Dimensions: H 3'5" x W 6'7" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from Spanish Art Galleries 3/31/1915 (transferred to SS 21148) SS 10001. French & Co. purchased from Spanish Art Galleries 3/31/1915; sold to William Randolph Hearst 4/2/1924 SS 21148. France, Haute-Loire, La Chaise-Dieu, Musée de cire historial, Abbaye Saint-Robert. Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum In landscape, Christ on cross, flanked by Virgin Mary & St. John the Evangelist while 3 angels holding chalices catch redeeming blood from Christ's wounds; Adam's skull at foot of cross (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38) (UPR BRD) damask motif Panel is an antependium. This piece may not be complete at the 2 sides. Borders missing. French & Co. stock sheet in archive, 10001 French & Co. stock sheet in archive, 21148 Boccara

Christ is born as Man's Redeemer. unknown c. 1500-1520 Tapestry Dimensions: H 13'3" x W 26' Tapestry Materials/Techniques: wool (warp: 15-18/in.; 6-7cm); wool & silk (weft) Culture: Southern Netherlands Ownership History: Juan Rodríguez de Fonsca coll., bishop of Burgos (purchased total of 8 tapestries between 1519-1524); bequeathed to Cathedral of Burgos in 1526. Cathedral of Burgos coll.; sold in 1926. French & Co. purchased from Mr. R. Raimundo Ruiz, invoiced 5/7/1931; sold to the Metropolitan Museum of Art 2/4/1938. United States, New York, New York, The Metropolitan Museum of Art, accno. 38.28. Inscriptions: Inscription in central field, on banderole held by seated man in L corner: Dominus egredietur de loco / Isaie xxxvi/sci suo Inscriptions: Inscription in central field, on banderole held by seated man in R corner: Parvulus nats est nobis ysaie ix Inscriptions: Inscriptions in central field, identifying figures some include: HOMO (Man), PAX (Peace), MISERICORDIA (Mercy), JVSTICI

Martyrdom and death of St. John the Baptist. unknown c. 1510 Tapestry Dimensions: H 385 x W 493 cm Tapestry Materials/Techniques: wool (warp, 5-6/cm); wool & silk (weft) Culture: Southern Netherlands Ownership History: Gift to Cathedral of Archbishop D. Alonso de Aragón (Inventory of 1521). French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: Inscriptions in central field, on banderoles held by figures (L & R) not legible in photograph John the Baptist brought before enthroned Herod as Herodias tries to persuade Herod to kill John; top L, John the Baptist arrested & imprisoned; top R, Salome dancing during banquet of Herod (Matthew 14:3-12; Mark 6:17-29); figures holding banderoles with inscriptions (L & R corners) (BRD) twisting vines of flowers Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number Torra, Tapices de la Seo de Zaragoza (1985), 206-218, series XIII, no.2 Related Works: Panels in set: GCPA 0238770-0238771, 0239297

Court scene with lovers and wedding. unknown c. 1500-1525 Tapestry Dimensions: H 10'8" x W 13'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from The Cleveland Museum of Art, received 1/24/1961; sold to V. Vigo Sternberg 6/17/1963. Inscriptions: Inscription in upper border: NE / FACERET / VINDICTAM / DEPRECAVERUNT m() / FRATRES QUOD / JOSEPH / UMVEN DIDERUNT

Allegory of love. unknown c. 1420-1430 Tapestry Materials/Techniques: flax (warp); wool & silk Culture: Southern Netherlands Ownership History: Spain, Madrid, Palacio Real de Madrid. On floral ground, noble couple stand beneath dais, woman waters flower pot while man holds long stick by which small dog chews bone; 2 angels hold open curtains of dais Possibly woven in Arras (Campbell). Tapestry exhibited by Count Valence de Don Juan at the Madrid Exhibition, 1892-1893 (Dimitrova).

Birth of Prince of Peace. unknown c. 1510-1530 Tapestry Dimensions: H 9'6" x W 8'8" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Given to the museum by Carl A.Pforzheimer, Jr. & Mrs. James P. Long. United States, Colorado, Denver, The Denver Art Museum, accno. E-665. Inscriptions: Inscriptions in central field identifying figures some include: prince de paiys, paix, leaulte, foy, concorde, esperance In bed-chamber, mother (=paix) lying in bed, receives new-born infant (=prince de la paix) from attendant (=léaulté) as 10 surrounding maidens (=allegorical figures) converse & look on (BRD) garland with flowers, fruits & foliage Possibly woven in Tournai (Campbell). Fragment of tapestry; Göbel illustrates panel without right border (Mickein). Denver Museum, Guide (1964-1965), 27, illus. Göbel, Wandteppiche I:2 (1923), illus. 92 Boston (Gardner), Textiles (1986), 44-45 Asselberghs, Tapisseries flamandes (1974), 12 Related Works: Stylistically simil

Marches Pesaro e Urbino Urbania Pinacoteca Comunale. Hutzel, Max 1960-1990 Post-medieval: Paintings, including portraits; drawings; sculpture; globes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The coat of arms of the town of Nuremberg, woodcut by Albrecht Dürer, historical, digital improved reproduktion of an old woodcut.

Umbria Perugia Rocca S. Angelo S. Maria in Arce, Convent church. Hutzel, Max 1960-1990 Exterior views of facade, apse and cloister. Interior views of altar, paintings and votive frescoes (14th-16th c.) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Death of Cleopatra. unknown c. 1640-1660 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. United States, Indiana, Indianapolis, Indianapolis Museum of Art. Crowned Cleopatra sits in bed-chamber & reaches into basket of figs for asp (center, foreground); flanked by her maid-servants, Iras & Charmion (L & R, foreground) (BRD) strapwork with flowers, fruit & birds; (L & R BRD) shell niches with figures holding flowers & fruit; (UPR BRD) portrait medallion in center, flanked by small figures French & Co. stock sheet missing from archive, 1151 French & Co. stock sheet missing from archive, 1152 Plutarch, Lives of the noble Grecians & Romans (1932), n.p. Related Works: Panels in set: GCPA 0237563-0237569, 0181787; compositionally similar tapestry (same cartoon): GCPA 0237579

Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari5. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Birth of Christ: Holy Family 'Trinitas terrestris'. unknown c. 1500-1525 Tapestry Dimensions: H 3'9" x W 4' Tapestry Materials/Techniques: wool; silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Arnold Seligmann, Rey & Co., Inc., 1/2/1920; sold to S. W. Straus 12/29/1925 SS 21816. French & Co. purchased from Mrs. S. W. Straus crossed out & replaced with: L. S. Celestin 6/3/1947; returned/reconsigned 5/18/1961 SS 78850. In landscape, St. Joseph kneeling before seated Madonna (Virgin Mary with Christ-child) (BRD) garlands of foliage with flowers Possibly woven in Brussels (Cavallo). Tapestry in gilded frame (Dimitrova). French & Co. stock sheet in archive, 21816 French & Co. stock sheet in archive, 78850 also lists: D-542 Related Works: Iconographically similar tapestry (same figure of Joseph), GCPA 0238481-0238482.

David and Goliath . unknown c. 1600-1625 Tapestry Dimensions: H 8'10" x W 8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Estate of D. Samuel Gottesman 6/30/1956; sold to Dr. A. Antonio Lima de Faria 12/17/1964. In landscape, David, as young man in Israelite army camp is brought up before Saul; armies of Israelites & Philistines stand facing each other in valley of Elah (1 Samuel 17) (BRD) segmented border with landscape vignettes, allegorical figures framed by pairs of columns, interspersed with grotesques, putto, birds & vases of flowers French & Co. stock sheet in archive, 56999-x

Umbria Terni Orvieto S. Giovenale6. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Carpineto Romano S. Maria del Popolo1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

First article of Creed. unknown c. 1510-1515 Tapestry Dimensions: H 14' x W 11'8" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from A. J. Kobler, invoiced 10/15/1927; sold to Henry N. Schinwind, n.d. SS 15406, 31523. French & Co. purchased from Henry N. Schinwind, invoiced 8/30/1932 SS 17644, 40057. Scotland, Lanark, Glasgow, Burrell Collection. Inscriptions: Inscription in central field, on banderole held by seated Prophet L of center:.. ATTRE INVOCABIMVS.. Inscriptions: Inscription in central field, on banderole held by seated Prophet R of center: CREDO IN DEV.. Inscriptions: Inscription in central field identifying figures some include: SAPIENTIA (Wisdom), POTECIA (Power), REDEMPCIO (Redemption) & CARITAS (Charity God the Father enthroned, flanked by angels (at top); 2 angels flanking Fountain of Life, with Christ holding scepter above (top L of center); 3 Magi (wise men/kings) nearby, as Adam & Eve kneel before femal

Captive Sophonisba (Sophonisbe) kneels before King Masinissa, who is charmed by her beauty . unknown c. 1550-1575 Tapestry Dimensions: H 8'3" x W 10'1" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from the Denver Art Museum, received 12/22/1956 (credit 7009 5/23/1961); sold to Transglobe Mercantile Export Co. 2/6/1962. Woman kneels before man wearing crown in landscape setting outside palace; soldiers on R (UPR & LWR BRD) bunches of fruit & flowers; (L & R BRD) vases of flowers; satyr () French & Co. stock sheet in archive, 57492

Moses sends out twelve spies to explore land of Canaan (promised land). Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 420 x W 563 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/5. Inscriptions: Inscription in upper border cartouche: FILI AVTEM ISRAEL.. In landscape, Moses, surrounded by group of figures, is approached by spies returning with some of fruits of Canaan in large vessels (Numbers 13-14); tents in landscape in background (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated figures flank central male winged figure, interspersed with swags & vases terminating in cornucopias Mahl JbKhistWien 63 (1967), 7-38, fig.5 Brown (et al.), Tapestries of Ercole & Gonzaga (1996), 194-205, no.

Triumphal Return of Maximilian I, 1515, (1936). Artist: Albrecht Dürer

The Adoration of the Kings recto. Dated: c. 1600. Dimensions: overall: 20.3 x 15.7 cm (8 x 6 3/16 in.). Medium: pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory23. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Padula Monastery of S. Lorenzo11. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Court scene with lovers and wedding. unknown c. 1500-1525 Tapestry Dimensions: H 10'8" x W 13'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from The Cleveland Museum of Art, received 1/24/1961; sold to V. Vigo Sternberg 6/17/1963. Inscriptions: Inscription in upper border: NE / FACERET / VINDICTAM / DEPRECAVERUNT m() / FRATRES QUOD / JOSEPH / UMVEN DIDERUNT

Disembarkation of ark. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after) painter c. 1575-1600 Tapestry Dimensions: H 13' x W 12'9" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Charles Sackville, 6th Earl of Dorset, Lord Chamberlain of the Household (probably from palace of Whitehall in 1695 to descent at Knole in late 19th century). J. P. Morgan coll., New York. French & Co. purchased from Morgan coll. (Parish Watson & Herschel) 8/15/1916 SS 7020-24. French & Co. notation: "these tapestries were formerly nos.7020-24"; lists purchasing & transferring shares from Watson, Knoedler & J.V.; sold, n.d. "Hearst" SS 39099. England, Greater London, London, Sotheby's, Dec. 12, 2001, lot 5(c). Inscriptions: City mark on lower guard, right Inscriptions: Inscription in upper border cartouche: EGREDITVR NOE ARCA CVM /.. In landscape, Noah, his family & animals leaving ark after God orders Noah to dis

Umbria Perugia Caso S. Cristina3. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architectural sculpture, sculpture, painting, fresco painting Object Notes: Negatives are missing that were previously accounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Visso S. Maria, Collegiate Church7. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Tuscany Siena Montalcino Museo Diocesano5. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Picture cycle The Apocalypse, four angels stopping the winds and signing the elect, woodcut by Albrecht Duerer, historical, digital improved reproduction of an old woodcut

Detail of the eighteenth century panels of tiles that portray images of the life of the Virgin Mary, in Vila do Conde, Portugal

Charlemagne, Charles the Great or Carolus Magnus, 747-814, King of the Franks and Emperor of the Romans

Illustration showing The title page of 'the Countess of Pembroke's Arcadia' a long prose pastoral romance by Sir Philip Sidney written towards the end of the 16th century

Ars Moriendi ca. 1475 Published by Nicolaus Gotz German. Ars Moriendi 345100

July: threshing grain. Bramantino (Italian, ca.1465-1530) (author of design, attr.) painter Benedetto da Milano (Italian, act. ca.1503) (workshop) weaver c. 1501-1507 Tapestry Dimensions: H 4.85-5.20 x W 4.55-485 m Tapestry Materials/Techniques: unknown Culture: Italian Weaving Center: , LombardyVigevano Ownership History: Commissioned by Gian Giacomo Trivulzio (1436-1518). Italy, Lombardy, Milano, Milan, Castello sforzesco, Civiche raccolte d'arte antica. Inscriptions: Inscription in lower central field, on pedestal illegible in photograph Inscriptions: Inscription in medallion: NETES MAI / IO. IA. TRIVS. MAR. VIGL. FRANCIE MARES Gian Giacomo Trivulzio, Count of Vigevano, Marshall of France In courtyard, barefoot workers beating grain, with pile of threshed grain in L background; central male figure standing on pedestal =personification of July holding cornucopia & pointing towards upper register with corona representing the sun (L), central cartouche with the arms, impresa (a siren b

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)61. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Statuen am Portal des Freiberger Dom, 1888, Sachsen, Deutschland, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahr...

CARCEL DE AMOR GRABADO POR ROSEMBACH EN 1493-ORIGINAL EN MUS BRITANICO. Author: DIEGO DE SAN PEDRO (1437-1498). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Umbria Perugia Campello sul Clitunno Chiesa della Bianca1. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, Europe

When the Morning Stars Sang Together. William Blake (England, London, 1757-1827). England, published 1826. Prints; engravings. Engraving

Maximilian I von Habsburg, known as The Last Knight, 1459 - 1519, historical illustration from Bildnisse der Deutschen Koenige und Kaiser, Portraits of German Kings and Emperors, by Professor Heinrich Schneider, Verlag Friedrich Andreas Perthes, Gotha, 1889

Lazio Roma Rome S. Croce in Gerusalemme25. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Corsetti4. Hutzel, Max 1960-1990 Views of 17th c. simple facade and courtyard withdetail views of mounted architectural and sculptural fragments. Interior views of coffers, painting, fresco painting, silver icon. Antiquities: Sculptural fragments General Notes: Views 111-152 are extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Depicts a figure praying spiritually in front of Maria by Albrecht Altdorfer, created as a woodcut around 1519, showing posture, gesture, and devotional context.

Lazio Viterbo Tarquinia Palazzo Vitelleschi7. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Conrad Celtes, (1459-1508). German Renaissance humanist scholar and Neo-Latin poet. Engraving by Albrecht Du¨rer.

Hunting party. unknown c. 1500-1525 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Lord & lady accompanied by 5 attendants with spears, 1 man on horseback, 4 hunting hounds at their feet (BRD) garland of foliage Fragment of tapestry. Border has been pieced at corners to fit central field; it may be the original border (Cavallo). Extensively rewoven tapestry (Campbell). The weaving center may be Brussels (Cavallo). According to the French & Co. neg. ledger, this stock no. for neg. 1401 is 7025. However, stock sheet 7025 does not refer to this panel (Steele). No French & Co. stock sheet in archive, no stock number

Triumph of Ceres (Demeter) in landscape with Mercury (Hermes). unknown unknown Tapestry Dimensions: H 2.57 x W 1.75 m Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Sir Trevor Lawrence coll. Jacques Seligmann & Co. sold to Sturel, Paris, 2/10/1919. Related Works: Panels in set: GCPA 0243356-0243357; compositionally similar tapestry (medallion scene only): GCPA 0240393

Illustration to the Quatuor libri amorum by Celtes, Philosophy, the four heads of the winds in the corners represent the four elements and temperaments, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Cyrus restores vessels of temple of Jerusalem. unknown c. 1630 Tapestry Dimensions: H 11'6" x W 15' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Lionel Harris, invoiced 8/1/1919; sold to Philip L. Goodwin 2/19/1927 SS 21150. French & Co. purchased from Philip L. Goodwin 12/27/1939 SS 41378. Inscriptions: Weaver mark on right guard, bottom partially visible in photograph Inscriptions: Inscription in central field, on scroll not legible in photograph Inscriptions: Inscription in lower border cartouche: ROBVR ET VIS / PRVDENTIE IVNCTA / OMNIA SVPERANT King Cyrus enthroned with his wife () ( center, foreground); flanked by soldiers (R & L, middle ground); various vessels, platters & pots laid before enthroned couple, figure wears feather headdress & holds baby, child (L, foreground) (L & R BRD) carved molding with male figure holding bunch of fruit, eagle, mask; (UPR BRD) abstract garland of flowers & fruit

Departure of Aeneas from Carthage; suicide of Dido. unknown c. 1580-1600 Tapestry Dimensions: H 12'7.5" x W 10'4" Tapestry Materials/Techniques: unknown Culture: Italian Weaving Center: unknown Ownership History: French & Co. Aeneas, flanked by groups of soldiers, approaches prow of ship (L); Dido, watching from top of city wall on L holds daggar to her chest (UPR BRD) cartouche flanked by drums; (LWR BRD) helmet flanked by shields, arrow quivers & hatchet; (L & R BRD) drums, swords, shields & spears French & Co. stock sheet missing from archive, 1077 () Related Works: Panels in set: GCPA 0242766-0242769, 0184782

Bliżej Kultury unknown

Emilia-Romagna Ferrara Ferrara S. Paolo5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); Baroque interior; wall painting; frescoes Object Notes: Hutzel photo campaign date: March 13, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Moon. Tarot card from the Charles VI or Gringonneur deck, 14th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo16. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo50. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Basilicata Matera Montescaglioso Abbazia di S. Angelo56. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jozef explains the dreams of the pharaoh; Liber chronicarum. Joseph stands for the pharaoh, sitting on his throne, and explains his dreams. Right tries to seduce Potifars Vrouw Jozef. She picks him up at his cloak and pulls it to her bed. The print is part of an album.

Statuen am Portal des Freiberger Dom, 1888, Sachsen, Deutschland, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahr...

Lazio Latina Cori S. Oliva25. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory14. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Finding of Moses by Pharaoh's Daughter (one of a pair) 1545 School of St. Gallen. The Finding of Moses by Pharaoh's Daughter (one of a pair) 192748

Illustration to the Quatuor libri amorum by Celtes, Celtes presents his work to the emperor Maximilian, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Frontispiece to Dietrich von Pleningens Translations of Sallust - Emperor Maximilian I and Duke Ludwig of Bavaria. Artist, formerly attributed to: Albrecht Dürer, German, 1471-1528

HOMER Blind Greek poet crowned with laurels in celebration of his Iliad and Odyssey Date: 9th - 8th Century BC

THE PRINCESS CHARLOTTE MONUMENT.

Charles IV, 1316 - 1378, with anti-king Guenther XXI, Count of Schwarzburg-Blankenburg, 1304 - 1349, historical illustration from Bildnisse der Deutschen Koenige und Kaiser, Portraits of German Kings and Emperors, by Professor Heinrich Schneider, Verlag Friedrich Andreas Perthes, Gotha, 1889

Campania Napoli Nola Convento of S. Angelo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lamentation. Tura, Cosimo (Italian, ca.1430-1495) (designed after, attr.) painter c 1450-1475 Tapestry Dimensions: H 3'3" x W 6'3' Tapestry Materials/Techniques: unknown Culture: Italian Weaving Center: , Emilia-RomagnaFerrara Ownership History: French & Co. purchased from Jacques Seligmann & fils 6/15/1920, sold to Arnold Seligmann, Rey & Co. 3/19/1934. United States, Ohio, Cleveland, Cleveland Museum of Art. Lamentation over the dead Christ by 4 women, St. John & man holding 3 nails; 2 soldiers at door of tomb in R background (BRD) narrow band with stylized flower on stem French & Co. stock sheet in archive, 22712 Viale Ferrero, Arazzi italiani (1961), pl. 4

Bliżej Kultury unknown

'Philosophia', 1502 (1906). Artist: Albrecht Durer.

Cultural state in the 13th and 14th century, handing over the tournament prize to the victorious knight, after a woodcut in a Minnesinger manuscript, ...

Corionalus' mother, Veturia (Volumnia) entreats him not to fight any more. Lerambert, Henri (French, act.1568/70-d.1609) (author of design) painter Guyot, Laurent (French, b. ca.1575-d. after 1644) (designed after) painter Caron, Antoine (French, 1520/21-1599) (designed after) painter La Planche, François de (French, act. ca.1573-d.1627) (workshop) weaver c. 1620 Tapestry Dimensions: H 11'10" x W 5'1" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Richard Hawley, received 12/13/1952 SS 81479. French & Co. purchased from Mrs. Richard Hawley, received 12/13/1952; sold to Mrs. H. J. Tasca 11/12/1968 SS H-180. Inscriptions: Weaver mark on right guard, bottom Coriolanus wears his helmet with dragon wings, 2 soldiers behing Coriolanus on R, column of Trajan in background (UPR & LWR BRD) wave band enclosing opposing leaves in compartments, each border centered by classical figure on horseback in cartouche Entref

Young Couple Threatened by Death, The Promenade, Albrecht Durer, circa 1498, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Tuscany Siena Asciano Ss. Fabiano e Sebastiano. Hutzel, Max 1960-1990 Owner: SS. Fabiano e Sebastiano German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Courtly Scenes. Culture: South Netherlandish. Dimensions: Overall: 27 7/8 x 25 5/8in. (70.8 x 65.1cm). Date: ca. 1510-25. Museum: Metropolitan Museum of Art, New York, USA.

Upheaval at the Banquet. unknown c 1500-1530 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription on 3 banderoles across top of central field (in French) Inscriptions: Inscriptions identifying figures Related Works: Panels in set: GCPA 0237128-0237131

Erasmus of Rotterdam. Hans Holbein, the younger; German, 1497-1543. Date: 1517-1543. Dimensions: 285 x 154 mm. Woodcut on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Opening the Scrip

Lazio Roma Frascati Villa Mondragone0. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

pedagogy university professor and students woodcut 1497,

Ecce Homo. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1512. Prints; engravings. Engraving

Charles V (24 February 1500 - 21 September 1558) was ruler of both the Holy Roman Empire from 1519 and the Spanish Empire (as Charles I of Spain) from 1516, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556. Through inheritance, Charles brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia. As a result, his domains spanned nearly 4 million square kilometres (1.5 million square miles), and were the first to be described as 'the empire on which the sun never sets'.

The Visitation from the Life of the Virgin Albrecht Dürer (German, 1471-1528). The Visitation from the Life of the Virgin, ca. 1503. Woodcut on laid paper, 12 1/16 x 9 1/16 in. (30.6 x 23 cm). European Art ca. 1503

Equestrian portrait of emperor Maximilian. Equestrian portrait of emperor maximilian in armor. The horse stands for a bow decorated with ornaments. This architecture has the effect of a triumphal arch. In addition to the emperor, his arm with a two-headed eagle hangs. At the top State in capital The title of the emperor: IMP CAES Maximil Aug.

Der Geschmeidemaler from Petrarchs Glucksbuch?. Artist: Hans Burgkmair the Elder, German, 1473-1531

Tuscany Siena Montalcino Museo Diocesano6. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

David I of Scotland (c._1084-1153). Prince of the Cumbrians (1113-1124) and King of the Scots (1124-1153). Engraving by Jonnard after the canvas titled "David" of the French painter Gustave Moureau (1826-1898) in 1878. "La Ilustracion Iberica", 1885.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Uselessness of hope for money, Man is carried away by Blind Desire and the hope for wealth, verso lower left - stamped, The blindfolded Cupid (Blind desire) sits on top of a rock. In his hands a rope to which Man is chained. He tries to climb the rock face to reach Cupid and two bags of money. In a cartouche at the bottom of the print a Dutch caption in rhyme. The print is part of a four-part series on the futility of hoping for money and other worldly things., print, prints, D. 71, recto bottom left - written, verso bottom left - stamped, height 195 mm, width 276 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1550 - 1550, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1498 - 1574

The Annunciation. Artist: Italian (Marchigian) Painter (first half 15th century). Dimensions: Overall 17 7/8 x 14 7/8 in. (45.4 x 37.8 cm); painted surface 15 1/4 x 14 in. (38.7 x 35.6 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Magi Unknown. The Magi, ca. 1410. Tempera on panel, 30 3/4 x 21 3/4 in. (78.1 x 55.2 cm). European Art ca. 1410

Bas-relief of an altar in the Cathedral of Oxford, vintage engraved illustration. Colorful History of England, 1837.

St. John the Baptist as precursor of Christ. unknown c. 1500-1525 Tapestry Dimensions: H 5'9" x W 6' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. n.d.; sold to Edgar B. Bernhard 12/21/1925 SS 13953a. French & Co. received from Mrs. Edgar B. Bernhard 10/19/1940; returned () SS 19881. Inscriptions: Inscription in central field on banderole at top partially legible in photograph: Ego vcx clamantis in deserto / dirigite viam domini Inscriptions: Inscription in central field on banderole at bottom partially legible in photograph In landscape, St. John the Baptist preaching, flanked by 2 men (L) & 4 clergy members (R); Christ () in landscape; banderoles with inscriptions (top & bottom) Borders missing. French & Co. stock sheet in archive, 13953-a French & Co. stock sheet in archive, 19881 Flint (Institute of Arts), Gothic Tapestries (1945), no.13 Related Works: Pan

'Henry I., Seizing The Treasure of Winchester', 1838. Artist: Unknown.

The Ballad of Oriana by W. Holman Hunt for Moxon's Tennyson, 1857 Date: 1925

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)53. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Israelites praise God0. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 420 x W 563 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/4. Inscriptions: Inscription in upper border cartouche: TVNC CECINIT MOYSES.. In landscape, after crossing Red Sea, Israelites rejoice & praise God (Exodus 15:1-21); group of women seen playing various instruments, as Moses & others look on (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & vases terminating in winged figures Photographs in Photo Study Collection are details only; see Mahl's article for full view of composition. Mahl JbKhistWien 63 (1967), 7-38, fig.4 Brown (et al.), Tapestries of Ercole & Gonzaga (1996

Fourth Low-relief, vintage engraved illustration. Colorful History of England, 1837.

Lazio Roma Rome S. Clemente4. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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