Tapestries of Religious and Historical Scenes

Elaborate tapestries illustrating biblical narratives and royal courts, characterized by intricate details, vibrant colors, and historical themes, depicting significant events and figures.

The coat of arms of the town of Nuremberg, woodcut by Albrecht Dürer, historical, digital improved reproduktion of an old woodcut.

'Henry I., Seizing The Treasure of Winchester', 1838. Artist: Unknown.

The Ballad of Oriana by W. Holman Hunt for Moxon's Tennyson, 1857 Date: 1925

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)53. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Israelites praise God0. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 420 x W 563 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/4. Inscriptions: Inscription in upper border cartouche: TVNC CECINIT MOYSES.. In landscape, after crossing Red Sea, Israelites rejoice & praise God (Exodus 15:1-21); group of women seen playing various instruments, as Moses & others look on (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & vases terminating in winged figures Photographs in Photo Study Collection are details only; see Mahl's article for full view of composition. Mahl JbKhistWien 63 (1967), 7-38, fig.4 Brown (et al.), Tapestries of Ercole & Gonzaga (1996

Fourth Low-relief, vintage engraved illustration. Colorful History of England, 1837.

Lazio Roma Rome S. Clemente4. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Crucifixion. Dated: 19th century. Dimensions: plate: 17.4 x 12 cm (6 7/8 x 4 3/4 in.) sheet: 21.3 x 15.5 cm (8 3/8 x 6 1/8 in.). Medium: engraving in green printed on wove paper with chain lines. Museum: National Gallery of Art, Washington DC. Author: Peruvian 19th Century.

Palace of Fine Arts, Bas-relief stone liais, vintage engraving. Palace of Fine Arts, Bas-relief stone liais, represenentant public repair done at the University and religious Augustins by three bailiffs, vintage engraved illustration. Magasin Pittoresque 1843. Copyright: xZoonar.com/PatrickxGuenettex 10660302

Antwerp, Maes, Joseph, Broderie, XVIe Siècle, Embroidered work depicting the adoration of the Magi, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, BRODERIE en soie, recto - printed, BRODERIE. PL.1., JJvY, height 345 mm, width 238 mm, photographer, 1881 - 1889, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Umbria Terni Terni S. Maria del Monumento4. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Chair of the Church of Ligny, vintage engraved illustration. Magasin Pittoresque 1845

Abruzzo, L'Aquila, L'Aquila, Palazzo Centi, Italy, 20th century, photo, photography, Europe

Umbria Terni Terni S. Maria del Monumento2. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Millefleurs ground with attributes of Jupiter (Zeus). unknown c. 1500-1525 Tapestry Dimensions: H 8' x W 39" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Prince de Ligne, Brussels (). French & Co. purchased from Parke-Bernet Galleries (Butterworth sale) 10/21-23/1954 other dates listed: 10/25/1954 & 10/29/1954; sold to K. T. Keller, Esq. 6/30/1958. United States, Michigan, Detroit, The Detroit Institute of Arts, accno. 58.415. Inscriptions: Inscription in central field identifying figure: IVPPITER.. Jupiter with attributes of staff & eagle Possibly woven in Brussels or Tournai () (Cavallo). Borders missing (Dimitrova). Tapestry seen in frame in one of the French & Co. photographs (GCPA: 0236865) (Dimitrova). French & Co. stock sheet in archive, 55301-b DIA, Woven Splendor (1996), 26,27, no.4 Related Works: Iconographically related tapestries (mythological millefleurs), GCPA 0184290 (Narcissus); & 0239521-0239522, 0183972 (Hercules); 023686

A 1515 woodcut by Albrecht Dürer showing the Vienna double wedding of Emperor Maximilian I, his granddaughter Maria, King Vladislav II of Hungary with Ludwig II and Anna, and King Sigismund I of Poland, as part of the honorary gate, depicting royal figures and ceremony.

CARCEL DE AMOR-BARCELONA 1493-GRABADO POR ROSEMBACH. Author: DIEGO DE SAN PEDRO (1437-1498). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

CARLOS II JURA LOS FUEROS DE NAVARRA - 1686 - GRABADO SIGLO XVIII. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FELIPE IV HIJO. MARIANA DE AUSTRIA HIJO. AUSTRIA MARIANA HIJO.

The Resurrection possibly second half 16th century Possibly Jean II Pénicaud French. The Resurrection 199626

Tomb said Jovin, master of the cavalry in Gaul, preserved in the cathedral of Rheims, vintage engraved illustration. Magasin Pittoresque 1861.

A 1515 woodcut from Dürer's workshop depicting a prince on the right portrait wall of the honorary gate of Emperor Maximilian I, emphasizing portraiture and architectural setting.

Anton Woensam / Cecilia and Valerian

Border fragments made into three-fold screen. unknown c. 1610 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. (L & R panels) under canopy, figure of Charity () stands in front of camel, has bird perched on her left shoulder; arch as backdrop with inscription behind; 2 cherubim in foliage & fruit (center, below); (central panel) figure of Charity () with open arms & putti at her feet, arch as backdrop with inscription behind; 2 cherubim in foliage & fruit (BRD) spiraling foliage motif with small lion masks in corners 3 fragments of border or borders mounted on 3-fold screen. French & Co. stock sheet missing from archive, 365 Related Works: Compositionally & stylistically similar tapestry, GCPA 0236288; compositionally similar tapestry: GCPA 0236289

Lazio Roma Rome S. Croce in Gerusalemme36. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico55. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Byzantine style, Drawing a hunting enamelled, of after the original monument, vintage engraved illustration. Magasin Pittoresque 1842.

Assembly of the Provostship of the Merchants of Paris, 1528. Artist: Unknown

View of Mexican sculpture, made after a drawing Palenque in 1840, vintage engraved illustration. Magasin Pittoresque 1842.

A capital of Saint-Julien-le-Pauvre, vintage engraved illustration. Paris - Auguste VITU 1890

Modern Greek George Hawley Hallowell (American, 1872-1926).. Watercolor American Art

In ancient times Miran was a busy trading center on the southern part of the Silk Road, after the route split into two (the northern route and the southern route), as caravans of merchants sought to escape travel across the harsh wasteland of the desert (called by the Chinese 'The Sea of Death') and the Tarim Basin. They went by going around its north or south rim. It was also a thriving center of Buddhism with many monasteries and stupas. Marc Aurel Stein was the first archaeologist to systematically study the ruins at Miran in 1907. The many artifacts found in Miran demonstrate the extensive and sophisticated trade connections these ancient towns had with places as far away as the Mediterranean Sea. Archaeological evidence from Miran shows the influence of Buddhism on artistic work as early as the first century BCE. Early Buddhist sculptures and murals excavated from the site show stylistic similarities to the traditions of Central Asia and North India and other artistic aspects of t

Facsimile reduces a woodcut belonging to Mr. De Reiffengberg, vintage engraved illustration. Magasin Pittoresque 1845

Der Tod kommt fuer die Kaiserin nach Hans Holbein d. J. Aus Der Todten Tanz, erschienen in Basel 1843, Death comes for the Empress after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

Lazio Viterbo Castel Sant'Elia S. Elia27. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Byzantine style, Drawing a hunting enamelled, of after the original monument, vintage engraved illustration. Magasin Pittoresque 1842

Abruzzo L'Aquila L'Aquila S. Pietro di Coppito0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13-14th century), panel painting, frescoes, sculpture. Two exterior views and views of interior both before and after 1971 restoration. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Tiber harbour with merchant ships in Rome, Italy, relief in the Torlonia Museum, c. 200 BC, Historic, digitally restored reproduction of a 19th ce...

Palace of Fine Arts, Bas-relief stone liais, represenentant public repair done at the University and religious Augustins by three bailiffs, vintage engraved illustration. Magasin Pittoresque 1843

Destruction of a Germanic village by the Romans, digitally enhanced reproduction of original from 1880, relief on the clinopodium (Antonina), the column of Marcus Aurelius in Rome, Italy, Europe

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo01. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Facsimile reduces a woodcut belonging to Mr. De Reiffengberg, vintage engraved illustration. Magasin Pittoresque 1845.

Sacre de Louis XVI in 1775 (TF)

One of the benches of the Lodge of Merchants in Siena, vintage engraved illustration. Magasin Pittoresque 1877.

Cover design for: Catalog of the Ideal Home Exhibition, 1912, Richard Nicolaüs Roland Holst, 1912 print A man and woman in an interior with chandelier. At the top of the text 'Holland Section', at the bottom of the text 'List of Artists'. paper interior of the house

Mutilation of St. Romanus probably 16th century German, probably Augsburg. Mutilation of St. Romanus 195350

Divina Pastora Unknown.. Oil on fabric, frame: 33 x 26 in. (83.8 x 66 cm). American Art

Fragment of a tapestry of the sixteenth century, vintage engraved illustration. Magasin Pittoresque 1861

Print of Henry the Bearded and his wife Jadwiga and children (Left to Right, Gertrude, Anges, Henry II, Boleslaw, Sophie and Konrad. Dated 13th Century

Statues of Saint Germain des Pres porch, vintage engraved illustration. Magasin Pittoresque 1843

The Art of Painting ca. 1770 Ludwigsburg Porcelain Manufactory. The Art of Painting. German, Ludwigsburg. ca. 1770. Hard-paste porcelain. Ceramics-Porcelain

Black and White Illustration; Scene from the Guthlac Roll;12th century; The Life of Guthlac; Guthlac Building his Oratory

The Abb順anfreluche, a character in Aubrey Beardsley's unfinished novel 'Under the Hill'. Date: C.1895

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo38. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saints Apollonia, Barbara, and Agatha. Master Alejo (Alejo Andía); Active Palencia c. 1485-1516. Date: 1475-1500. Dimensions: 22 1/4 x 48 in. (56.5 x 122 cm); painted surface: Saint Apollonia, 16 1/8 x 14 1/8 in. (41 x 36 cm); Saint Barbara, 15 7/8 x 14 1/8 in. (40.5 x 36 cm); Saint Agatha, 15 7/8 x 14 1/8 in. (40.5 x 36 cm). Tempera on panel. Origin: Spanish. Museum: The Chicago Art Institute, Chicago, USA.

David and Goliath. Giovanni Battista Scultori (Italy, Mantua, 1503-1575). Italy, 1540. Prints; engravings. Engraving

The Supper By Rubens after Leonard de Vinci (DuTUIT 64) Pieter Claesz Soutman. Pierre-Paul Rubens. The Supper by Rubens after Leonard de Vinci (DuTUIT 64). Floor, Burin, 15th-sixth century. Museum of Fine Arts of the city of Paris, small palace.

Bonad, Hand painted on canvas, Sweden, 1730-1800, Wallcoverings, Bonad

Tile Tableau with portrait of Prince Maurits, Anonymous, 1615 Tile tableau of 52 tiles (13 x 4) with a blue painted portrait of Prince Maurits, with his left hand on a table on which his helmet lies. He holds a staff in his right hand. At the bottom of the inscription: Mavrits Prins van Oraengen and the year, 1615. Netherlands earthenware. tin glaze majolica Tile tableau of 52 tiles (13 x 4) with a blue painted portrait of Prince Maurits, with his left hand on a table on which his helmet lies. He holds a staff in his right hand. At the bottom of the inscription: Mavrits Prins van Oraengen and the year, 1615. Netherlands earthenware. tin glaze majolica

Evening by Dmitrij Semenovic Stelletskij, gouache on cardboard, 1912, 1875-1947

The Enfeoffment of Burgrave Frederick of Nuremberg with the Mark of Brandenburg, the Electorship and the Sceptre of the Arch Chamberlain of Constance,...

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo34. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

HANS CHRISTIAN ANDERSEN his statue in Kongens Have, Kjobenhavn : to the Danes, he is not Hans but H.C. Andersen. Date: 1805 - 1875

Package Fourteenth century in Siena, vintage engraved illustration. Magasin Pittoresque 1847.

ALBRECHT DURER German artist and engraver Date: 1471 - 1528

DOÑA MARIA ANA DE AUSTRIA - REINA DE FRANCIA - HIJA DE FELIPE III Y MARGARITA DE AUSTRIA. Location: CONVENTO DE LA ENCARNACION. MADRID. SPAIN.

Facies from G. B. Della Porta.

Pharmaceutical advertising Labileno, for the treatment of emotional disorders. 1950s.

from Diego Muñoz Camargos History of Tlaxcala (Lienzo Tlaxcala), c. 1585, showing La Malinche and Hernán Cortés

Medieval Furniture Styles, World Fashion - Racinet

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