Textile Designs with Historical Themes

Vivid fabrics and prints illustrating scenes of revolution, chinoiserie styles, and allegorical representations, showcasing craftsmanship from various eras.

Textile, Medium: cotton Technique: block printed on plain weave, Two framed pictures with cut-off corners with central figure representing Liberty or France. Two reds, mauve and faint evidence of blue. There is a partial chef on 'A'., Bordeaux area, France, 1790s, printed, dyed & painted textiles, Textile

MUSEO DE TAPICES-TAPIZ DE LOS SENTIDOS-SIGLO XVI-CONJUNTO. Location: SEO MUSEO DE TAPICES Y CAPITULAR, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

Azulejos Tiles Lisbon Portugal

Firescreen (France); block-printed on joined sheets of paper; 80.5 x 84 cm (31 11/16 x 33 1/16 in.)

Book Cover. United States, 1799. Textiles; covers. Silk satin with silk and metallic-thread embroidery, and gold leaf

Leaf with Animals, Johann Carl Munck, 1750 - 1794 brocade paper Sheet with animals; At the top left, top right unicorn, bottom left bear, bottom right dromedaris. Numbered at the bottom: 16. Augsburg paper. paint (coating) relief printing animals. unicorn

Sidewall, The Champlain; Manufactured by Thomas Strahan & Co., Manufactory (United States); USA; machine-printed; a) 71.8 x 50.8 cm (28.25 x 20 in. )

Textile (France); Manufactured by Favre Petitpierre (France); cotton; Repeat H: 35 cm (13 3/4 in.) Warp x Weft: 36.5 x 83 cm (14 3/8 x 32 11/16 in.)

Embroidered painting unknown

Cover 18th century. Cover 448589

Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below), both from Domus Vedi Sirici or House of Siricus, VII.1.47. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Card from the primer in Lithuanian, Table 5; Biks (Fl. CA 1780-1820); around 1800 (1794-00-00-1805-00-00);

Scarf Made 1865-1885 England. Cotton, extended plain weave; embroidered with cotton in stem, long and short and buttonhole stitches; edge with applied cotton, twill weave .

Field of sixteen tiles with birds. Field of sixteen tiles (4 x 4) each with a multi-colored (blue, green, yellow and orange) painted bird on a ground with a lily in the corners.

The fishermen (The Fishermen), Tapestry from the old Indies (The Old Indies) Series, Royal Manufacture of Gobelins, c. 1692 - c. 1723 Wall carpet with fishing and hunting Tapuyas, one of the groups of original inhabitants of the Amazon, and a woman of African origin with flower basket, no. VIII from the series of Les Anciennes Indes. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with fishing and hunting Tapuyas, one of the groups of original inhabitants of the Amazon, and a woman of African origin with flower basket, no. VIII from the series of Les Anciennes Indes. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Sampler. Date/Period: 1806. Sampler. Medium: silk and cotton embroidery, linen foundation. Technique: embroidered in cross, stem and rococo stitches on plain weave foundation. Author: Sarah Yeakel.

Textile, Medium: cotton Technique: printed by engraved plate on plain weave, Red and white toile with scenes of small groups engaged in fishing, loading small boats, hauling fishing nets. Buildings include fortresses and towers., Nantes, France, ca. 1780, printed, dyed & painted textiles, Textile

Justitia (Justice) from Los Honores Made 1520-1532 Flanders. Wool and silk, tapestry weave; three-quarters of piece rewoven . Bernard van Orley

Dancing farmers and sheep shearers, anonymous, c. 1700 - c. 1725 Wall carpet with dancing farmers, sheep shearers and dance around the May tree. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with dancing farmers, sheep shearers and dance around the May tree. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

View of Mimeguri. Utagawa Toyoharu (Japan, 1733-1814). Japan, circa 1770-1790. Prints; woodblocks. Color woodblock print

Sampler. Date/Period: Early 19th century. Sampler. Medium: silk embroidery on linen foundation. Technique: cross stitches on plain weave. Author: UNKNOWN.

Portrait of Cotton ; View of Beresford Hall , Birthplaces, Houses, Cotton, Charles, 1630-1687

Sidewall, Block-printed on handmade paper, Repeating medallion in brick red and darker red, of figure of a farm boy standing on ground strip amid flowers, flower pots and garden tools, enclosed in draped flouncing of leaf forms edged with lace. Printed on a blue ground., France, 1795-1800, Wallcoverings, Sidewall

Sampler. Culture: French. Dimensions: H. 19 1/8 x W. 19 3/4 inches (48.6 x 50.2 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

Sampler, 1821. Italy, 19th century. Embroidery; silk on cotton; overall: 73.7 x 73.7 cm (29 x 29 in.).

Lambrekijn of fragment met chinoiserieën in sitsen applicatie.Lice line or fragment with an image of Chinese artsmakers. A Chinese stands on stilts, a second pour water over a third and a fourth has a monkey () For his waist. On the left look a European dressed woman, right a man and a woman. The lambreway belongs to three lampbears (BK-16441-B to BK-16441-E) and a bedspread (BK-16441-A). Oriental textile.

Sampler (Germany); silk embroidery, cotton foundation; Warp x Weft: 26.5 x 34.5 cm (10 7/16 x 13 9/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-208

Denise Louvet, scarf - Carré - Print France, Grande France, forward! (and other quotes from General de Gaulle 1940-1945) (attributed title), 1945. Printed fabric. Museum of the Liberation of Paris - General Leclerc Museum - Jean Moulin Museum.

Stove tile 18th century Russian. Stove tile 192921

Fragment of a verdure. unknown, author

Cavagnole Game Board; papier mache, painted and gilded decoration

The Destruction of the Children of Niobe from a set of The Horses. Culture: British, probably Mortlake. Designer: Frans Cleyn (German, Rostock 1582-1658 London). Dimensions: Overall: 152 × 232 (386.1 × 589.3 cm). Maker: Probably made at Mortlake Tapestry Manufactory (British, 1619-1703). Date: ca. 1650-70.This tapestry depicts the gods Apollo and Diana killing the children of Niobe as a punishment for the affront that Niobe had caused their mother, Latona. The set from which this panel derived was known as "The Horses" because the mythological subjects were a thinly veiled pretext to depict a sequence of splendid horses in dynamic action. The designs were created by Francis Cleyn, a native of Rostock who worked at the Danish court before traveling to England in the early 1620s. He was appointed official designer to the Mortlake tapestry works in 1625, and during the following decade provided a sequence of new design series, including "The Horses." Two high-quality weavings of this sub

Decoupage, Japanese Motifs; Published by James Williamson; brown ink and watercolor on cream-colored paper

Fragment (Burma); cotton, vegetable dyes

PAJARO DT DE LOS AZULEJOS DEL CORO. Location: CONVENTO DE LAS CARMELITAS. Toledo. SPAIN.

Scene tile, prophets Elisha, Jonah and Obadiah side by side with dead man, double-headed pigeon, the fish, jug and bread, corner pattern carnation, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow shard square. Purple on white long distance Bible religion Elisa Jona Obadja Jonas

Tile, Earthenware, glazed, high fire decorated, Man carrying long stick, walking toward left., Alcora, Spain, late 18th-early 19th century, tiles, Decorative Arts, Tile

Don Quixote knighted by the innkeeper. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Valade, Jean (French, 1709-1787) (cartoon creator, alentour) painter Audran, Claude III (French, 1658-1734) (author of design, alentour) painter Belin, Jean-Baptiste II (French, 1688-1730) (author of design, alentour) painter Desportes, Alexandre-François (French, 1661-1743) (author of design, alentour) painter Lemaire le cadet (French, act. 1753) (cartoon creator, alentour) painter 1763-1764 Tapestry Dimensions: H 11'10" x W 9'1/4" Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Sold to Madame Véron (1763). Louis Gregoire Véron coll., Paris. 4th Marquis of Hertford coll., Paris (ca.1865). Richard Wallace coll., London; sold at Christie's (London), 4/20/1876, lot 210. Baron Gunzburg coll.; sold at Galerie Georges Petit (Paris), 1/30/1884, lot 4. Clarence Hungerford Mackay coll., Roslyn, NY (ca.1925). Mrs. Robert Z. Hawkins col

Tile, Earthenware, glazed, high fire decorated, Man carrying barrel under right arm, walking toward right., Alcora, Spain, late 18th-early 19th century, tiles, Decorative Arts, Tile

ORLA CALIGRAFICA - 1630. Author: PEDRO DIAZ MORANTE (1565-). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

The Village Cooperation, Maslov, Vladimir I. (-1928)

Tile; 19th century (1801-00-00-1900-00-00);

Sampler. Date/Period: Ca. 1816. Sampler. Medium: silk embroidery on linen foundation. Technique: embroidered on plain weave foundation. Author: Merwine Family.

Sampler, Alice Rogers, Medium: wool embroidery, linen foundation Technique: cross, tent, satin and stem stitches on plain weave, Landscape and verse 'On the Triumphs of Temper' with floral border., England, 1812, embroidery & stitching, Sampler

The Sacred Heart floating in a lake, framed by flowers. Coloured cut paper work.

Field of six multi -colored painted tiles with an animal on a ground within a squared, anonymous, c. 1580 - c. 1625 Field of six tiles (2 x 3) each with a multicolored (blue, orange, yellow, green and purple) animal on a ground within a squared. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica Field of six tiles (2 x 3) each with a multicolored (blue, orange, yellow, green and purple) animal on a ground within a squared. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica

David Dorfman, Wallpaper, 1935 1942 Wallpaper

Rank badge, Medium: silk and metallic embroidery on silk foundation Technique: embroidered with satin and couching stitches on satin weave, Rank badge for a civil official. Embroidered silk showing a bird facing a sun disk. Ground of clouds with diagonal lines at bottom and scroll border. Lined with blue silk., China, mid- 19th century, embroidery & stitching, Rank badge

Batik Jawajski Stage of combat struggle of sledges unknown

Interior view, azulejos, cloister, University of Coimbra, Portugal, Europe

David en Bathseba, anonymous, c. 1490 - c. 1500 Wall carpet with David who sends a messenger to Bathseba. There are three figures under bows of Banderolles in a landscape. On the left King David, he says: fierce bersabie come zu mir gut botchafft un (im) Vryes sag ich ir, to a messenger. His spell band reads: one has hat mich uch santa gut botchaff (and in mirror image) von vryes judge there. Bathseba was sitting on the right in a red tabbaard over a rose underpower on the banks of a stream, in which she bathes the feet. A dog at her feet. She answers: Kein Greser Fred Wolt Ich then Gut Wer () Vir Min Machel Gentlemen. Swans swim in the stream and a duck. In the distance hills and a castle. Strasbourg (France) Ketting: Linen (material). Entry: Wool. Entry: Silk. Elements: Linen (material). Elements: Metal Thread tapestry Wall carpet with David who sends a messenger to Bathseba. There are three figures under bows of Banderolles in a landscape. On the left King David, he says: fierce ber

Valance, Les bergers Ecossais (The Scottish Shepherds); Company: Favre Petitpierre (France); France; cotton front, linen back, with cotton wadding between

Frieze (USA); Manufactured by Standard Wall-Paper Company; machine-printed paper; 92.5 x 49.5 cm (36 7/16 x 19 1/2 in.)

Paul et Virginie, Jean-Baptiste Huët, (French, 1745-1811), Medium: cotton Technique: roller printed on plain weave, Scenes illustrating the novel 'Paul et Virginie'; two women with babies, Paul and Virginia as children sheltering from a storm, Paul clinging to Virginia and the shipwrecked Virginia. In red on white., Jouy, France, 1802, printed, dyed & painted textiles, Panel, Panel

Round Insert from a Coptic Tunic or Shawl 7th century This tapestrywoven roundel was once inserted in a Coptic tunic or shawl. In the center it depicts a haloed female bust within a border of beadlike elements and an outer border containing four lions and vegetal motifs. Like most Coptic textiles, it probably was unearthed from a burial site in Egypt.. Round Insert from a Coptic Tunic or Shawl. 7th century. Linen, wool; plain weave, tapestry weave. Attributed to Egypt. Textiles

Piece 1815 British. Piece. British. 1815. Cotton. Textiles-Printed

Jessie M Youngs, Bandbox, c 1953 Bandbox

Dutch family album with 22 photos, anonymous, diverse manufacturers, 1850 - 1903 Photo album with 22 pages and a total of 22 photos, all cartes-de-visiting. The album contains portraits of people in the Northern Dutch traditional costume. photographic support. cardboard. leather. glass. metal albumen print / carbon print historical persons. adult man. adult woman. folk costume, regional costume

Sampler (possibly Italy); Embroidered by Peano Marte; silk and wool embroidery on cotton foundation

Field of four tiles with animals, anonymous, c. 1580 - c. 1625 Field of four tiles (2 x 2) each with a multicolored (blue, orange, yellow, green and purple) animal on a ground within a squared. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica Field of four tiles (2 x 2) each with a multicolored (blue, orange, yellow, green and purple) animal on a ground within a squared. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica

Sampler (Germany); Embroidered by J. Winkler; wool embroidery with metal beads on cotton and silk foundation

Welum; XV/16th century (1590-00-00-1610-00-00);

Bandbox Design - Rhino. Dated: 1935/1942. Dimensions: overall: 40.7 x 51.2 cm (16 x 20 3/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Isabella Ruth Doerfler.

Arras tapestry. Geubels, Franz (1535-1590), workshop

L'ete (Summer) (Furnishing Fabric). France, Normandie, Bolbec. Date: 1815-1825. Dimensions: 30.5 × 55.4 cm (12 × 21 3/4 in.). Cotton, plain weave; resist printed. Origin: Bolbec. Museum: The Chicago Art Institute, Chicago, USA.

Detalle Mantilla catalana, siglo XVIII. Museu del Disseny de Barcelona.

Sidewall (France); block-printed; 59 x 47.5 cm (23 1/4 x 18 11/16 in.)

Wallpapers design, Larionov, Mikhail Fyodorovich (1881-1964)

Carpet, Medium: cotton, bast, fiber, wool Technique: printed on extra warp cut pile, The Circus: horizontal panel with three naturalistic scenes framed in arches. The largest scene shows a large standing elephant with a trainer wearing a red coat and a small rearing elephant. The small panel on the left shows a standing bearded figure wearing a red cloak and in the small panel on the right a standing man wearing an animal skin. Colors in shades of brown, tan, red and yellow (faded)., USA, late 19th century, woven textiles, Carpet

Sampler, Lucy Lathrop, Medium: silk embroidery on linen foundation Technique: embroidered in satin, eyelet, cross, long armed cross, rococco variation, chain and couching stitches on plain weave foundation, Embroidered in many colors on a black embroidered ground; a center panel with upper and lower case alphabets, numerals and the signature, and a wide floral border. The black background stops with an outer border of green cross stitch one row thick., possibly New York, USA, possibly Connecticut, USA, ca. 1800, embroidery & stitching, Sampler

FRA - SOCIÉTÉ - NOTRE-DAME DE PARIS ET DES TOURISTESLa Cathédrale Notre-Dame de Paris et les touristes qui la fréquente.FRA - SOCIETY - NOTRE-DAME OF PARIS AND TOURISTSNotre-Dame de Paris Cathedral and the tourists who visit it.

The writer, with scenes from twelve of his plays -including a splendid ghost of Hamlet's father ! Date: 1564 - 1616

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